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Komposisi Muzik We Were Here Dalam Animasi Iban's Migration

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Komposisi Muzik We Were Here Dalam Animasi Iban's Migration KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRATION. Wendy James Jengan Sarjana Muda Seni Gunaan dengan Kepujian (Muzik) 201~ KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRA TION. WENDY JAMES JENGAN Projek ini merupakan salah satu keperluan untuk Ijazah Sarjana Muda Seni Gunaan dengan Kepujian (Muzik) Fakulti Seni Gunaan dan Kreatif UNIVERSITI MALAYSIA SARAW AK 2013 UNIVERSITI MALAYSIA SARAW AK BORANG PENGESAHAN STATUS TESIS ruDUL KOMPOSISI MUZIK WE WERE HERE DALAM ANIMASI IBAN'S MIGRATION. SESI PENGAJIAN :2009-2013 Saya WENDY JAMES JENGAN mengaku membenarkan tesis * ini disimpan di Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dengan syarat-syarat kegunaan seperti berikut: 1. Tesis adalah hak milik Universiti Malaysia Sarawak. 2. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan untuk tujuan pengajian sahaja. 3. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat pendigitan untuk membangunkan Pangkalan Data Kandungan Tempatan. 4. Pusat Khidmat Maklumat Akademik, Universiti Malaysia Sarawak dibenarkan membuat salinan tesis ini sebagai bahan pertukaran antara institusi pengajian tinggi. 5. *S ila tandakan ("" ) SULIT (Mengandungi maklumat yang berda~ah keselamatan D atau kepentingan seperti termaktub di dalam AKTA RAHS IA RASMI 1972) (Mengandungi maklumat Terhad yang telah ditentukan TERHAD D oleh organisasiibadan di mana penyelidikan G TIDAK TERHAD II TANDATANGAN PENULIS TANDATANGAN PENYELIA Tarikh : )..tl01- {I ~ Tarikh: P4-. or· .;to (;:, Alamat Tetap: 305, lorong 4f4,Tabuan Desa , 93350, Kuching, Sarawak. Catatan: * Tesis dimaksudkan sebagai tesis bagi Ijazah Doktor Falsafah, Sarjana dan Sarjana Muda * lika tesis ini SULIT atau TERHAD, sila lampirkan surat daripada pihak berkuasaJorganisasi berkenaan dengan menyatakan sekali sebab dan tempoh tesis ini perlu dikelaskan sebagai TERHAD. Projek bertajuk 'Komposisi Muzik We Were Here dalam Animasi Iban's Migration ' telah disediakan oleh Wendy James Jengan dan telah diserahkan kepada Fakulti Seni Gunaan dan Kreatif sebagai memenuhi syarat untuk Ijazah Sarjana Muda Seni Gunaan dengan Kepujian (Muzik). Diterima untuk diperiksa oleh : Drs. Yoesbar Djaelani Tarikh : ~. Of ,;)..D (3 PENGAKUAN Penulis rnengakui bahawa tidak terdapat bahagian penyelidikan, dihasilkan atau dilaporkan dalarn tesis ini yang telah digunakan sebagai bahan sokongan untuk suatu ijazah atau kelulusan sarna ada kepada universiti ini atau institusi pengajian tinggi lain. ~. (WENDY JAMES JENGAN) No. Matrik: 25375 ii ~, PENGHARGAAN Yang terutama sekali saya ingin mengucapkan ribuan terima kasih kepada keluarga saya, tenaga - tenaga pengajar di Fakulti Seni Gunaan dan Kreatif dan kepada rakan - rakan seperjuangan yang bersama - sarna telah berjuang dalam menyiapkan projek tahun akhir. Segala penat lelah sarna - sama dirasai dan kerjasama dari rakan amatlah dihargai. Terima kasih diucapkan kepada ibu saya, Saloren Sabi yang telah lama membantu saya dari segi kewangan dan memberi sokongan moral dan mental dalam menghadapi sebarang dugaan sepanjang pengajian di UNIMAS. Terima kasih diucapkan kepada pembimbing projek saya iaitu Drs Yoesbar Djaelani kerana sudi membimbing saya dan memberikan petunjuk sepanjang pengajian saya di UNIMAS. Terima kasih kerana telah banyak memberikan ilmu dan pengajaran kepada saya. Tidak lupa juga kepada Puan Connie Lim Keh Nie yang telah banyak memberikan panduan dan bimbingan dalam sebarang rnasalah. Terima kasih kerana telah banyak membantu dalam menyelesaikan masalah dan ·sudi mendengar masalah dan luahan hati sebagai seorang pelajar. Tidak lupa juga kepada penyelaras program Muzik, cik Laura Pranti Tutom yang telah berusaha bertungkus lumus mengusahakan yang terbaik untuk anak - anak didik di program muzik. Kepada mantan pensyarah puan Misato Yaku, terima kasih kerana memberikan pengalaman belajar yang seronok dan menarik. Kepada encik Jurgen Frenz, terima kasih kerana telah memberikan sedikit sebanyak tips dan petunjuk untuk projek ini. 111 Selain itu, ucapan terima kasih juga diberikan kepada dekan Fakulti Seni GWUlan dan Kreatif iaitu, Prof. Madya Dr Hasnizam Abdul Wahid kerana telah memberikan sokongan kepada para pelajar di program muzik. Kepada rakan - rakan, terima kasih kerana banyak membantu dalam sebarang masalah dan sudi berkongsi ilmu di kala kesempitan. Ucapan terima kasih diberikan kepada Willy Alfred Ting, Elvyana Elsa Samson, Lorean Naya Balang, Cheong Michael Wai Kit, Ezra Alfandy M Duin, BJ Rick Somiun, Muhd. Haniff bin Che Razak, Florishia binti Ajun, Muhammad Ezzuan bin Kamarulzaman, Enni Sanisha binti Suran, Hizkia Maran bin Yohanis, Hor Yeen Theng, Tan Yian Ni, Teow Xin Vee, Anna Ho Wei Wei dan ramai lagi. Tidak lupa juga kepada para - para pemain UNIMAS Symphony Orchestra and Choir Society kerana menjadikan projek ini suatu yang tidak mustahil dan sudi untuk memainkan hasil karya saya. Akhir kata, saya ingin mengucapkan terima kasih kepada semua yang terlibat secara langsung dan tidak langsung dalam menjayakan projek ini. r iv , I lSI KANDUNGAN Halaman Tajuk Borang Pengesaban Status Tbesis Pengesaban dan Tandatangan Penyelia ii Pengakuan Pelajar iii Pengbargaan lsi Kandungan v ix Senarai Jadual x Senarai Raj ab xiv Senarai Gambar xv Abstrak xvi Abstract 1. BABSATU-PENDAHULUAN 1.1 Pengenalan 10 l.2 Skop Kajian 12 1.3 Perrnasalahan Kajian 13 1.4 Hipotesis 13 1.5 Objektif Kajian 14 1.6 Kepentingan Kajian v 1.7 Kajian Literasi 14 1. 7.1 Aspek Komposisi Muzik Animasi 14 1.7.2 Aspek Kajian Latar Be1akang Animasi 17 2. BAB DUA- METHODOLOGI KAJIAN 2.1. Pengenalan 18 2.2. Prosedur 18 2.3 . Pengumpulan data 22 2.3 .1. Data Primer 22 2.3.1.1. Borang Kaji Selidik 22 2.3.1.2. Temubual 23 2.3 .1.3. Fotografi 23 2.3.2. Data Sekwlder 23 3. BAB TIGA - DAPATAN KAJIAN 3. 1 Analisa Video Iban Migration 24 3.1.1 Analisa Audio dari Video Animasi Iban 's Migration. 24 3.2. Analisa Cerita Animasi Iban 's Migration. 25 3.3. Komposisi muzik Iban 's Migration 27 3.3.1. Instrumentasi 27 vi 3.3.2. Prinsip Menentukan Kesesuaian Visual dan Audio 29 3.3.3. Orchestration 31 4. BAB EMPAT - PERBINCANGAN 4.1. Borang kaji selidik 45 4.1.1. Analisa Data 45 4.2. Temubual bersama panel: Tim Zibrat 66 S. BAB LIMA - KESIMPULAN DAN CADANGAN 5.1. Kesimpulan 71 5.2. Cadangan 74 6. BIBLIOGRAFI 75 7. LAMPIRAN A - Skor Muzik 77 8. LAMPIRAN B - Borang Kaji Selidik 88 9. LAMPIRAN C - Gambar Sesi Menjawab Borang Kaji Selidik 93 Snapshot Proses Pengkaryaan: Sibelius 6 94 Snapshot Proses Pengkaryaan: Nuendo 4 95 Snapshot Proses Pengkaryaan: Power Director 96 vii 1 Snapshot Perbincangan : Facebook 97 10. LAMPIRAN D - Panel Untuk Pameran CIPTA (Cetusan Inspirasi Pelajar Tabun Akhir) 98 11. LAMPIRAN E - CD Mengandungi Video Asal Dan Yang Telab Diedit 100 viii J 1 SENARAI JADUAL Jaduall Lickert scale yang digunakan pengkaji 48 Jadual2 Peratusan Kumu1atif Respon 71 ix ~___Jk~________________________~________________ SENARAI RAJAH Rajah 1 Piano bar 1 - 6 32 Rajah 2 Choir bar 1 - 6 32 Rajah 3 Woodwind ( Flute & Clarinet in Bb) 32 Rajah 4 Bahagian Brass 32 Rajah 5 Motif ritma Gong 33 Rajah 6 Bahagian String 33 Rajah 7 Bentuk melodi utama 33 Rajah 8 Flute (Bahagian B) 35 Rajah 9 Bahagian String (Teknik dan Ornamen) 35 Rajah 10 Bahagian String (Babak 2) 37 Rajah 11 Bahagian melodi Woodwind yang berjarak satu oktaf 39 Rajah 12 Bahagian melodi Brass 39 Rajah 13 Bahagian Piano (unison dengan Flute) 39 Rajah 14 Bahagian String (Babak 3) 39 Rajah 15 Motifritma utam.a (Babak 4 dan 5) 41 Rajah 16 Me10di Glockenspiel (Babak 4 dan 5) 41 Rajah 17 Perbezaan ritma untuk Glockenspiel dan Marimba (Babak 4 dan 5) 41 Rajah 18 Motifmelodi (Tetjatuh dari pokok) 42 Rajah 19 Frasa motif melodi pembukaan Babak 6,7,8 dan 9 44 x I Rajah 20 Frasa motif melodi Babak 6 44 Rajah 21 Perbandingan berdasarkan jantina daripada dua buah bidang (Animasi dan Muzik) 46 Rajah 22 Graf berdasarkan kaum daripada bidang Muzik 46 Rajah 23 Graf berdasarkan kaum daripada bidang Animasi 47 Rajah 24 Carta pai peratusan respon dari respond en Muzik 49 Rajah 25 Carta pai peratusan respon dari responden Animasi 49 Rajah 26 Carta pai kumulatif jawapan soalan I bagi bidang Muzik dan Animasi 51 Rajah 27 Carta pai peratusan respon dari responden Muzik 52 Rajah 28 Carta pai peratusan respon dari responden Animasi 52 Rajah 29 Carta pai Kumulatif Jawapan Soalan 2 Bagi Bidang Muzik dan Animasi 53 Rajah 30 Carta pai Kumulatif Jawapan Soalan 3 Bagi Bidang Muzik dan Anirnasi 53 Rajah 31 Carta pai kumulatif jawapan soalan 4 bagi bidang Muzik dan Animasi 54 Rajah 32 Carta pai kumulatif jawapan soalan 5 bagi bidang Muzik dan Animasi 55 Rajah 33 Carta pai kumulatif jawapan soalan 6 bagi bidang Muzik dan Animasi 55 XI Rajah 34 Carta pai kurnulatif jawapan soalan 7 bagi bidang Muzik dan Animasi 56 Rajah 35 Carta pai kurnulatif jawapan soalan 8 bagi bidang Muzik dan Animasi 56 Rajah 36 Carta pai kumulatif jawapan soalan 9 bagi bidang Muzik dan Animasi 57 Rajah 37 Carta pai kumulatif jawapan soalan 1 bagi bidang Muzik dan Animasi 59 Rajah 38 Carta pai kurnulatif jawapan so alan 2 bagi bidang Muzik dan Animasi 59 Rajah 39 Carta pai kumulatif jawapan so alan 3 bagi bidang Muzik dan Animasi 60 Rajah 40 Carta pai kumulatif jawapan soalan 4 bagi bidang Muzik dan Animasi 60 Rajah 41 Carta pai kurnulatif jawapan soalan 5 bagi bidang Muzik dan Animasi 61 Rajah 42 Carta pai kurnulatif jawapan soalan 6 bagi bidang Muzik dan Animasi 61 Rajah 43 Carta pai kumulatif jawapan soalan 7 bagi bidang Muzik dan Animasi 62 Rajah 44 Carta pai kurnulatif jawapan soalan 8 bagi bidang Muzik dan Animasi 62 xii Rajah
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