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Batman As a Cultural Artefact
Batman as a Cultural Artefact Kapetanović, Andrija Undergraduate thesis / Završni rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:723448 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Andrija Kapetanović Batman as a Cultural Artefact Završni rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Batman as a Cultural Artefact Završni rad Student/ica: Mentor/ica: Andrija Kapetanović Doc. dr. Marko Lukić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Andrija Kapetanović, ovime izjavljujem da je moj završni rad pod naslovom Batman as a Cultural Artefact rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Tarzan the Untamed
TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
The Man Behind the Poster
presents DREW: THE MAN BEHIND THE POSTER 2012 / 1.85:1 / 96 min. / Color A Kino Lorber Release 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SYNOPSIS DREW: THE MAN BEHIND THE POSTER is a feature-length documentary exploring the life and work of Drew Struzan, the artist who created the posters for some of the most iconic movies of the past 30 years, including "Indiana Jones", "Back to the Future" and "Star Wars", among many others. Director Erik P. Sharkey tells the story of this distinctive artist, beginning with his early works in commercial and album cover art for Alice Cooper and Black Sabbath, to his acclaimed career and recent retirment as one of the most recognizable and influential movie poster artists of all time. The film features exlusive interviews with noted filmmakers, artists and critics including George Lucas, Harrison Ford, Michael J. Fox, Frank Darabont, Guillermo del Toro, Steven Spielberg, and many others. CREDITS Director Erik P. Sharkey Producer Charles Ricciardi Directors of Photography Thomas Mumme and Greg Boas Editor Jeff Yorkes Supervising Editor Greg Boas Featuring George Lucas Steven Spielberg Harrison Ford Michael J. Fox Frank Darabont Guillermo del Toro Thomas Jane Drew Struzan DREW STRUZAN – SHORT BIOGRAPHY Drew Struzan, one of the most prolific and revered film poster designers of the 20th century was born in 1947 in Oregon. At the age of 18, he decided to leave home and pursue his life-long passion for drawing at the Art Center College of Design, migrating to West Los Angeles from Oregon City. -
Adam West Became TV's Batman After Producers Saw Him As Captain Quik
Adam West Became TV’s Batman After Producers Saw Him As Captain Quik Each year on September 27th folks enjoy a tall, frosty glass to celebrate National Chocolate Milk Day. An Irish physician named Sir Hans Sloane is the inventor of chocolate milk. Doctor and collector Sir Hans Sloane created the concoction all the way back in 1687. Sloane brought back his chocolate milk recipe with him back to England from Jamaica, where it was manufactured and sold as medicine. According to some historians, the Jamaicans were brewing “a hot beverage brewed from shavings of freshly harvested cacao, boiled with milk and cinnamon” as far back as 1494. Chocolate has been known to humans as far back as 350 BC. Europeans had known about chocolate since 1502 when Columbus brought it back from his conquests in the Americas — although it wasn’t until Cortez pillaged the Aztecs in 1516 that Europeans actually figured out what to do with cacao. Chocolate milk can boost calcium and vitamin D, which research shows are important for preserving cartilage and joint health. Research has found that cacao actually contains antibacterial agents that fight tooth decay. The problem is that the things that are added such as sugar and milk can still cause cavities. Drinking one large glass after you work out will boost muscle growth and speed recovery. There are 5 milligrams of caffeine in each mini carton of chocolate milk. People think chocolate milk comes from brown cows? According to a study, 7% of Americans think this is true. John Cadbury, and sons George and Richard, later purchased Sloane’s milk chocolate. -
The Outer Limits Premiere Edition Checklist
The Outer Limits Premiere Edition Checklist Base Cards # Card Title [ ] 01 Cold Hands, Warm Heart [ ] 02 Cold Hands, Warm Heart [ ] 03 Cold Hands, Warm Heart [ ] 04 Cold Hands, Warm Heart [ ] 05 Cold Hands, Warm Heart [ ] 06 Cold Hands, Warm Heart [ ] 07 Cold Hands, Warm Heart [ ] 08 Cold Hands, Warm Heart [ ] 09 Cold Hands, Warm Heart [ ] 10 The Invisible Enemy [ ] 11 The Invisible Enemy [ ] 12 The Invisible Enemy [ ] 13 The Invisible Enemy [ ] 14 The Invisible Enemy [ ] 15 The Invisible Enemy [ ] 16 The Invisible Enemy [ ] 17 The Invisible Enemy [ ] 18 The Invisible Enemy [ ] 19 The Galaxy Being [ ] 20 The Galaxy Being [ ] 21 The Galaxy Being [ ] 22 The Galaxy Being [ ] 23 The Galaxy Being [ ] 24 The Galaxy Being [ ] 25 The Galaxy Being [ ] 26 The Galaxy Being [ ] 27 The Galaxy Being [ ] 28 The Sixth Finger [ ] 29 The Sixth Finger [ ] 30 The Sixth Finger [ ] 31 The Sixth Finger [ ] 32 The Sixth Finger [ ] 33 The Sixth Finger [ ] 34 The Sixth Finger [ ] 35 The Sixth Finger [ ] 36 The Sixth Finger [ ] 37 It Crawled Out of the Woodwork [ ] 38 It Crawled Out of the Woodwork [ ] 39 It Crawled Out of the Woodwork [ ] 40 It Crawled Out of the Woodwork [ ] 41 It Crawled Out of the Woodwork [ ] 42 It Crawled Out of the Woodwork [ ] 43 It Crawled Out of the Woodwork [ ] 44 It Crawled Out of the Woodwork [ ] 45 It Crawled Out of the Woodwork [ ] 46 Demon with a Glass Hand [ ] 47 Demon with a Glass Hand [ ] 48 Demon with a Glass Hand [ ] 49 Demon with a Glass Hand [ ] 50 Demon with a Glass Hand [ ] 51 Demon with a Glass Hand [ ] 52 Demon with a -
Council File No
COUNCIL FILE NO. -~-~_-_()_tf_g_!>__ COUNCIL DISTRICT NO. 13 """ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990,_ (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _L} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____, Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council liAR 2 9 2CH2 Of the City of Los Angeles Honorable Members: C. -
IVY TECH COMMUNITY COLLEGE PROGRAM REVIEW REPORT to INDIANA COMMISSION for HIGHER EDUCATION APPENDIX a 2013-14 Program Review Dashboard--Statewide Summary--SAMPLE
3. EXAM IVY TECH COMMUNITY COLLEGE PROGRAM REVIEW REPORT TO INDIANA COMMISSION FOR HIGHER EDUCATION APPENDIX A 2013-14 Program Review Dashboard--Statewide Summary--SAMPLE Major HC and FTE Outcomes Does not include Apprenticeship credentials. Major HC Summer - Major FTE Summer - Major Longitudinal Headcount Major Longitudinal FTE Major HC Major FTE Credentials Prepared by: 37,363 14,504 Summer 2011 37,363 Summer 2011 14,504 Associate Summer 2011 1,647 31,186 Major HC Fall 34,040 Major FTE Fall 11,164 Rachel Boon 82,356 52,349 12,707 Associate Summer 2012 1,824 Marcus Kolb 2011 2011 2011 2012 2013 2011 2012 2013 Ryan Johnson Major HC Spring Major FTE Associate Summer 2013 1,560 81,451 51,055 Jake Williams 2012 Spring 2012 Fall - Fall - Associate Fall 2011 2,355 Major HC Major Longitudinal Headcount Major FTE February 2015 34,040 12,707 Major Longitudinal FTE Associate Fall 2012 2,335 Summer 2012 Summer 2012 82,519 Associate Fall 2013 2,667 Major HC Fall 82,356 Major FTE Fall 52,349 Quick Filters 82,519 51,415 51,415 49,064 2012 79,819 2012 Associate Spring 2012 4,291 Region Major HC Spring 2011 2012 2013 Major FTE 2011 2012 2013 Associate Spring 2013 4,646 80,240 49,288 A-Northwest 2013 Spring 2013 Associate Spring 2014 4,807 B-North Central Major HC Spring - Major FTE Spring - 31,186 Major Longitudinal Headcount 11,164 Major Longitudinal FTE TC Summer 2011 755 C-Northeast Summer 2013 Summer 2013 Major HC Fall Major FTE Fall TC Summer 2012 1,033 D-Lafayette 79,819 81,451 49,064 51,055 80,240 49,288 2013 2013 44,604 TC Summer 2013 1,093 E-Kokomo -
Bk Sans 007405.Pdf
1 Detective Comics #27: The very first glimpse we get of the guy and already he looks pissed. 2 The first time we see Batman’s origin. It, um, won’t be the last. But modern retellings invariably discard this candlelit oath- making bit of business, likely deeming it hokey. Which: sure it is. But to skip it does a grave disservice; that oath is who Batman is. 3 For the very first time, the Joker strikes. 4 Thirty-eight years after that gruesome first kill, the Englehart/ Rogers/Austin team would pay fannish homage to it—and to a lot of Batman’s history—during their acclaimed run. 5 Enter: the pixie-booted pre- pubescent! Brought on board just a year after Batman’s first appearance to lighten the mood, Robin doubled sales and touched off a vogue for kid sidekicks. But! 6 (Detail of above page.) For decades, Robin’s steadfast appearance at Batman’s side has invited snide jokes and innuendo. Perhaps this was inevitable, even fated. Some unfortunate kerning in his introductory scroll (“ . .takes under his protect- ing mantle GUYS WHERE’S THE SPACE BETWEEN ‘AN’ AND ‘ALLY’ AW GEEZ STOP THE DAMN PRESSES”) couldn’t have helped matters. 7 Robin’s chirpy presence made for a sunnier Batman. His rogues’ gallery felt it too: suddenly mass-murdering became passé and petty larceny was au courant. Take this goon: Joe Coyne, the Penny Plunderer, and his “crime symbol.” In Gotham’s underworld, ya gotta have a gimmick. 8 In the ’50s, Batman’s supporting cast swelled with masked hangers-on. -
Alter Ego #78 Trial Cover
TITANIC TOMES FROM TWOMORROWS! NUMBER 18 FALL 2009 $6. 95 IN THE U.S.A. THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING a r e u G . M . R 9 0 0 2 © & M T d e p l a c S CARTOON NETWORK’S JAMES TUCKER ON “BATMAN: THE BRAVE & THE BOLD” PLUS: MIKE MANLEY AND BRET BLEVINS’ R.M. GUERA 2 INTERVIEW & DEMO 9 2 BY THE ARTIST 4 6 OF VERTIGO’S 7 7 2 “SCALPED” 8 5 6 2 8 1 THE ULTIMATE TUTORIALS ON CREATING COMICS, FROM SCRIPT TO PRINT HOW TO DRAW COMICS FROM SCRIPT TO PRINT DVD HOW TO CREATE COMICS Documents two top professionals creating a comic book, from initial idea to finished art! In this feature-filled DVD, WRITE FROM SCRIPT TO PRINT NOW! magazine editor DANNY (Spider-Man) FINGEROTH REDESIGNED and EXPANDED version of the groundbreaking WRITE NOW!/ and DRAW! magazine editor MIKE (Batman) MANLEY show DRAW! crossover! DANNY FINGEROTH and MIKE MANLEY show step-by- you how a new character evolves from scratch! Watch the step how to develop a new comic, from script and roughs to pencils, inks, creative process, as a story is created from concepts and colors, lettering—it even guides you through printing and distribution, and roughs to pencils, inks, and coloring—even lettering! Packed the finished 8-page color comic is included, so you can see their end result! with “how-to” tips and tricks, it’s the perfect companion to PLUS: over 30 pages of ALL-NEW material, including “full” and “Marvel- the HOW TO CREATE COMICS FROM SCRIPT TO PRINT style” scripts, a critique of their new character and comic from an editor’s book, or stands alone as an invaluable tool for amateur and point of view, new tips on coloring, new expanded writing lessons, and more! professional comics creators alike! (108-page trade paperback with COLOR) $13.95 (120-minute DVD) $29.95 ISBN: 9781893905603 ISBN: 9781893905399 Diamond Order Code: APR063422 Diamond Order Code: AUG043204 BUNDLE THE BOOK & DVD TOGETHER FOR JUST $35.95 (SAVE $8) Please include $4 for shipping, or order online at www.twomorrows.com TwoMorrows.Celebrating The Art & History Of Comics.