Creating, Adapting and Sharing Dances
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© the MORRIS FEDERATION 2015 Morris Federation Committee
Interview: Doug Eunson & Sarah Matthews The Lost Art of Communication The Curious Incident of the Dog, etc. Paul White’s Diary Bells, Broomsticks, One-pots & Tinners Ossett Beer Cart on the Map English Miscellany’s 40 for 40th Bear With Me - It’s All for Charity Cardiff Ladies Morris 1973- 2015 Amazing Headbangers Ridgeway Boards Obituary: Peter Wallis The Geometrical Hedgehog Evesham Weekend © THE MORRIS FEDERATION 2015 Morris Federation Committee President Notation Of cer Melanie Barber Jerry West 72 Freedom Road 23 Avondale Road, Walkley Shef eld Fleet, Hants, S6 2XD GU51 3BH Tel: 0114 232 4840 tel: 01252 628190 [email protected] or 07754 435170 email: [email protected] Secretary Fee Lock Newsletter Editor 28 Fairstone Close Colin Andrews HASTINGS Bonny Green, TN35 5EZ Morchard Bishop, 01424-436052 Crediton, [email protected] EX17 6PG 01363 877216 [email protected] Treasurer Jenny Everett Co-opted members: Willow Cottage 20 High Street Web Site Editor Sutton on Trent Kevin Taylor Newark Notts [email protected] NG23 6QA www.morrisfed.org.uk Tel 01636 821672 [email protected] John Bacon – Licensing Bill Archive Of cer [email protected] Mike Everett Willow Cottage To contact all email-able Federation members: 20 High Street [email protected] Sutton on Trent To notify us of a change of contact details: Newark Notts [email protected] NG23 6QA Tel 01636 821672 For information & advice on Health & Safety: [email protected] [email protected] 0118 946 3125 NEWSLETTER COPY DATES 15th November 15th February 2016 15th May 2016 15th August 2016 Contributions for the Winter edition to the Newsletter Editor by Sunday 15th November [email protected] www.morrisfed.org.uk CONTENTS EDITORIAL Autumn 2015 Marvellous things mobile phones, even though mine’s a pretty basic Nokia with a camera, and, as I discovered in time for the interview in this edition, a Committee Contacts 2 voice recorder as well. -
Playing Music for Morris Dancing
Playing Music for Morris Dancing Jeff Bigler Last updated: June 28, 2009 This document was featured in the December 2008 issue of the American Morris Newsletter. Copyright c 2008–2009 Jeff Bigler. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. This document may be downloaded via the internet from the address: http://www.jeffbigler.org/morris-music.pdf Contents Morris Music: A Brief History 1 Stepping into the Role of Morris Musician 2 Instruments 2 Percussion....................................... 3 What the Dancers Need 4 How the Dancers Respond 4 Tempo 5 StayingWiththeDancers .............................. 6 CuesthatAffectTempo ............................... 7 WhentheDancersareRushing . .. .. 7 WhentheDancersareDragging. 8 Transitions 9 Sticking 10 Style 10 Border......................................... 10 Cotswold ....................................... 11 Capers......................................... 11 Accents ........................................ 12 Modifying Tunes 12 Simplifications 13 Practices 14 Performances 15 Etiquette 16 Conclusions 17 Acknowledgements 17 Playing Music for Morris Dancing Jeff Bigler Morris Music: A Brief History Morris dancing is a form of English street performance folk dance. Morris dancing is always (or almost always) performed with live music. This means that musicians are an essential part of any morris team. If you are reading this document, it is probably because you are a musician (or potential musician) for a morris dance team. Good morris musicians are not always easy to find. In the words of Jinky Wells (1868– 1953), the great Bampton dancer and fiddler: . [My grandfather, George Wells] never had no trouble to get the dancers but the trouble was sixty, seventy years ago to get the piper or the fiddler—the musician. -
1236 Culture Bridge Brochure AW.Indd
Today something happened amazingin school... NORTH EAST ...and it happened with Arts Award Dear Teacher, n this brochure you will find a list of great arts and cultural organisations across the INorth East region that all have something amazing to offer your school. All of these organisations can help support your pupils to achieve Arts Award! This brochure is designed to be used as a resource for your school, to support your short, medium and long‑term planning, help you identify new partnerships and opportunities for your pupils and find out how these organisations can help. Circus Central Image provided by Circus Central, circuscentral.co.uk 02 03 Contents 06 Who are we? 07 What is Arts Award? 08 The different levels of Arts Award 10 Who is in this brochure? 12 Northumberland 18 Tyne & Wear 38 County Durham 44 Tees Valley 52 Training agencies and practitioners Beamish Image provided by Beamish Museum 04 05 What is Who Arts Award? great way for children Through Arts Award young people gain and young people to a nationally recognised qualification A be inspired by and enjoy enabling them to progress into further are we? arts and culture. Arts Award is... education and employment. Arts Award has five levels, four of which (Explore, • Offered at five levels, four accredited Bronze, Silver, Gold) are accredited and one introductory award qualifications on the Qualifications and his brochure is produced by theatres, arts and dance companies, A framework for learning Credit Framework (QCF). Arts Award Culture Bridge North East. cinemas, heritage sites, galleries new skills and sharing them Discover is an introductory level. -
Winter 2017 AR
Published by the American Recorder Society, Vol. LVIII, No. 4 • www.americanrecorder.org winter 2017 Editor’s ______Note ______ ______ ______ ______ Volume LVIII, Number 4 Winter 2017 Features love a good mystery, and read with interest David Lasocki’s article excerpted Juan I and his Flahutes: What really happened fromI his upcoming book—this piece seek- in Medieval Aragón? . 16 recorder in Medieval ing answers about the Aragón By David Lasocki (page 16). While the question of what happened may never be definitively Departments answered, this historical analysis gives us possibilities (and it’s fortunate that research Advertiser Index . 32 was completed before the risks increased even more for travel in modern Catalonia). Compact Disc Reviews . 9 Compact Disc Reviews give us a Two sets of quintets: Seldom Sene and means to hear Spanish music from slightly later, played by Seldom Sene, plus we Flanders Recorder Quartet with Saskia Coolen can enjoy a penultimate CD in the long Education . 13 Flanders Recorder Quar tet collaboration Aldo Abreu is impressed with the proficiency of (page 9). In Music Reviews, there is music to play that is connected to Aragón and to young recorder players in Taiwan others mentioned in this issue (page 26). Numerous studies tout the benefits to Music Reviews. 26 a mature person who plays music, but now Baroque works, plus others by Fulvio Caldini there is a study that outlines measurable benefits for the listener, as well (page 6). As I President’s Message . 3 write these words, it’s Hospice and Palliative ARS President David Podeschi on the Care Month. -
Corrina Hewat Reviews
Corrina Hewat | reviews | My Favourite Place Footstompin Music FSR1719 (2003) After 10 years as a full-time musician, and having already appeared on albums by some 20 different artists and groups, Scottish harpist and singer Corrina Hewat hasn't exactly rushed into releasing her debut solo CD but she's not been idle, either, emerging as a performer, composer, arranger and tutor of equal note, with a touring schedule that's taken her across three continents. She's also been a key figure in several landmark Scottish ventures of recent years, including the 2002 Scottish Women tour, Linn Record’s Complete Works of Robert Burns series, and the 31-strong Unusual Suspects concert at this year's Celtic Connections festival. The central trait unifying Hewat's multiple gifts is her fondness and facility for exploring interfaces -- chiefly between folk and jazz, but also in among blues, soul and classical influences. All this breadth of experience and style finds marvellously concentrated yet spacious expression on My Favourite Place complemented by David Milligan on piano, percussionist Donald Hay, and Karine Polwart's backing harmonies. On the vocal front, tracks range from a bold, spiky updating of Sheath And Knife to an understated take on the jazz standard When I Dream. Hewat's own compositions -- such as the brilliantly wayward Traffic and the soulful, title track -- feature prominently among the tunes, together with a handful of beautifully wrought traditional numbers. Sue Wilson The Sunday Herald As soon as I started to listen to Corrina’s beautiful debut solo CD – a delicious, mellow, richly satisfying fusion of jazz/roots/blues styles (pure magic to a person of my musical tastes!), I was immediately transported to my very own ‘favourite place’. -
Dance and Teachers of Dance in Eighteenth-Century Bath
DANCE AND TEACHERS OF DANCE IN EIGHTEENTH-CENTURY BATH Trevor Fawcett Compared with the instructor in music, drawing, languages, or any other fashionable accomplishment, the dancing master (and, in time, his female counterpart) enjoyed an oddly ambiguous status in 18th-century society. Seldom of genteel birth himself, and by education and fortune scarcely fit to rank even with the physician or the clergyman, he found himself the acknowledged expert and authority in those very social graces that were sup posedly the mark and birthright of the polite world alone. Ostensibly he taught dance technique: the execution of the minuet and formal dances, the English country dances in all their variants, the modish cotillion, and the late-century favourites - the Scottish and Irish steps. But while for his pupils a mastery of these skills was indeed a necessary prelude to the ballroom, the fundamental importance of a dancing master lay in the coaching he provided in etiquette, in deportment, and in the cultivation of that air of relaxed assurance so much admired by contemporaries. There was general agreement with John Locke's view that what counted most in dancing was not learning the figures and 'the jigging part' but acquiring an apparent total naturalness, freedom and ease in bodily movement. Clumsiness equated with boorish ness, vulgarity, rusticity, bad manners, bad taste. On several occasions the influential, taste-forming Spectator saw fit to remind its readers about the value of dancing, 'at least, as belongs to the Behaviour and an handsom Carriage of the Body'. Graceful manners and agreeable address ranked among the most reliable indicators of good breeding, and it was 'the proper Business of a Dancing-Master to regulate these Matters' .1 In theory, it might have been argued, only the more humbly born social aspirants 28 TREVOR FAWCETT ought to have needed the services of 'those great polishers of our manners', the dancing masters. -
The Pipe and Tabor
The magazine of THE COUN1RY DANCE SOCIETY OF AMERICA Calendar of Events EDI'roR THE May Gadd April 4 - 6, 1963 28th ANNUAL MOUNTAIN FOLPt: FESTIVAL, Berea, Ky. ASSOCIATE EDI'roR :tV'.ia.y 4 C.D.s. SffiiNJ FESTIVAL, Hunter College, counTRY A.C. King New York City. DAnCER CONTRIBUTING EDI'roRS l'ia.Y 17 - 19 C.D.S. SPROO DANCE WEEKEND, Hudson Lee Haring }~rcia Kerwit Guild Farm, Andover, N.J. Diana Lockard J .Donnell Tilghman June 28 - July 1 BOSTON C.D.S.CENI'RE DAM::E WEEKEND Evelyn K. \'/ells Roberta Yerkes at PINEWOODS, Buzzards Bay, Masa. ART .EDI'roR NATIONAL C.D.S. P:niDIOOJlS CAMP Genevieve Shimer August 4 - 11 CHAMBER MUSIC WEEK) Buzzards August 11 - 25 'lWO DANCE WEEKS ) Bay, THE COUNTRY DANC:lli is published twice a year. Subscription August 25 - Sept.l FOLK MUSIC WEEK ) Hass. is by membership in the Country Dance Society of America (annual dues $5,educational institutions and libraries $3) marriages Inquiries and subscriptions should be sent to the Secretary Country Dance Society of America, 55 Christopher St. ,N.Y .1.4 COMBS-ROGERS: On December 22, 1962, in Pine Mountain,Ky., Tel: ALgonquin 5-8895 Bonnie Combs to Chris Rogers • DAVIS-HODGKIN: On January 12, 196.3, in Germantown, Pa., Copyright 1963 by the Count17 Dance Society Inc. Elizabeth Davis to John P. Hodgkin. CORNWELL-HARING: On January 19, 196.3, in New York City, Table of Contents Margery R. Cornwell to Lee Haring. Page Births CalPndar of Events • • • • • • • • 3 AVISON: To Lois and Richard Avison of Chapleau,Ont., Marriages and Births • • • • • • • .3 on August 7, 1962, a daughter, SHANNON. -
Fedextra Winter/Spring 2019
www.morrisfed.org.uk fedThe quarterly newsletterextr of The Morris Federationa Winter/Spring 2019 Inside this issue... Becoming a Clog Maker (Pt 4) Simon Brock explains what's next for his clogs Brighton Morris looking back over 50 years and the secrets of their success North West Morris a brief history www.morrisfed.org.uk www.morrisfed.org.uk fed www.morrisfed.org.uk fed Winter/Springextra 2019 Winter/Springextra 2019 fedextra inside Winter/Spring 2019 this issue Winter/Spring 2019 Malmesbury Morris' Mayor with bells on North West 20 Morris 10 AGM Day Brighton Slubbing Making TradMad 12 clogs 14 of Dance 17 Morris 23 Billy's 26 Welcome to the Winter North West Morris: a brief AGM Day of Dance, London: Brighton Morrismen: Cover Stars issue & how to contact history of this traditonal pics of the day hosted by 50 years of dancing in 04your committee 10dance 17New Esperance Morris 23 Brighton and beyond 24 Chiltern Hundreds at The Morris Federation AGM Day of Dance, President's prologue: JMO TradMad: mixed gender team Birthdays: Danegeld Morris John Bacon Gold Badge London 2018 Day of Dance, AGM, and promoting the art of rapper turn 30 and Chip Off the Old Award: citation from Barry Photograph: Sam Ross 05could you be president? 12 dancing to a new generation 18 celebrate ther 40th 24 Goodman Do you have a great action picture of your team that Malkin Morris: Heritage 25 years of Green Dragons: Malmesbury Morris: Being Slubbing Billy's: open could feature on the cover Lottery Grant for local NW looking back and looking the Mayor with bells -
English Folk Traditions and Changing Perceptions About Black People in England
Trish Bater 080207052 ‘Blacking Up’: English Folk Traditions and Changing Perceptions about Black People in England Submitted for the degree of Master of Philosophy by Patricia Bater National Centre for English Cultural Tradition March 2013 This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. Trish Bater 080207052 2 Abstract This thesis investigates the custom of white people blacking their faces and its continuation at a time when society is increasingly aware of accusations of racism. To provide a context, an overview of the long history of black people in England is offered, and issues about black stereotypes, including how ‘blackness’ has been perceived and represented, are considered. The historical use of blackface in England in various situations, including entertainment, social disorder, and tradition, is described in some detail. It is found that nowadays the practice has largely been rejected, but continues in folk activities, notably in some dance styles and in the performance of traditional (folk) drama. Research conducted through participant observation, interview, case study, and examination of web-based resources, drawing on my long familiarity with the folk world, found that participants overwhelmingly believe that blackface is a part of the tradition they are following and is connected to its past use as a disguise. However, although all are aware of the sensitivity of the subject, some performers are fiercely defensive of blackface, while others now question its application and amend their ‘disguise’ in different ways. -
{Dоwnlоаd/Rеаd PDF Bооk} History and the Morris Dance: a Look
HISTORY AND THE MORRIS DANCE: A LOOK AT MORRIS DANCING FROM ITS EARLIEST DAYS UNTIL 1850 PDF, EPUB, EBOOK Dr. John Cutting | 204 pages | 31 Jan 2010 | Dance Books Ltd | 9781852731083 | English | Hampshire, United Kingdom Modern dance | Britannica Cunningham, who would have turned this year, would sometimes flip a coin to decide the next move, giving his work a nonlinear, collagelike quality. These were ideas simultaneously being explored in visual art, which was engaged in a similar resetting of boundaries as Pop, Minimalism and conceptual art replaced Abstract Expressionism, with which modern dance was closely aligned; for one, both were preoccupied with working on the floor, as in the paintings of Jackson Pollock and the dances of Martha Graham. Postmodernists remained keen on gravity, however. Certain choreographers would come to treat the floor as a dance partner, just as multidisciplinary artists like Ana Mendieta and Bruce Nauman used it in their performance pieces as a site for symbolic regeneration or heady writhing. Forti considered her work as much dance as sculpture, its human performers art objects like any other — but it hardly mattered, since, for this brief and exceptional window, art, dance and music were almost synonymous. The s New York art scene was famously small, and disciplines blended together as a result. In time, though, the moment of equilibrium passed and the community collapsed, reality itself acting as a sort of score. After the last Judson dance concert in , Childs taught elementary school for five years to support herself before returning to the field. Forti lived for a time in Rome, crossing paths with the Arte Povera movement, and Deborah Hay eventually landed in Austin, where she hosted group workshops. -
Lps Page 1 -.:: GEOCITIES.Ws
LPs ARTIST TITLE LABEL COVER RECORD PRICE 10 CC SHEET MUSIC UK M M 5 2 LUTES MUSIC IN THE WORLD OF ISLAM TANGENT M M 10 25 YEARS OF ROYAL AT LONDON PALLADIUM GF C RICHARD +E PYE 2LPS 1973 M EX 20 VARIETY JOHN+SHADOWS 4 INSTANTS DISCOTHEQUE SOCITY EX- EX 20 4TH IRISH FOLK FESTIVAL ON THE ROAD 2LP GERMANY GF INTRERCORD EX M 10 5 FOLKFESTIVAL AUF DER LENZBURG SWISS CLEVES M M 15 5 PENNY PIECE BOTH SIDES OF 5 PENNY EMI M M 7 5 ROYALES LAUNDROMAT BLUES USA REISSUE APOLLO M M 7 5 TH DIMENSION REFLECTION NEW ZEALAND SBLL 6065 EX EX 6 5TH DIMENSION EARTHBOUND ABC M M 10 5TH DIMENSION AGE OF AQUARIUS LIBERTY M M 12 5TH DIMENSION PORTRAIT BELL EX EX- 5 75 YEARS OF EMI -A VOICE WITH PINK FLOYD 2LPS BOX SET EMI EMS SP 75 M M 40 TO remember A AUSTR MUSICS FROM HOLY GROUND LIM ED NO 25 HG 113 M M 35 A BAND CALLED O OASIS EPIC M M 6 A C D C BACK IN BLACK INNER K 50735 M NM 10 A C D C HIGHWAY TO HELL K 50628 M NM 10 A D 33 SAME RELIGIOUS FOLK GOOD FEMALE ERASE NM NM 25 VOCALS A DEMODISC FOR STEREO A GREAT TRACK BY MIKE VICKERS ORGAN EXP70 M M 25 SOUND DANCER A FEAST OF IRISH FOLK SAME IRISH PRESS POLYDOR EX M 5 A J WEBBER SAME ANCHOR M M 7 A PEACOCK P BLEY DUEL UNITY FREEDOM EX M 20 A PINCH OF SALT WITH SHIRLEY COLLINS 1960 HMV NM NM 35 A PINCH OF SALT SAME S COLLINS HMV EX EX 30 A PROSPECT OF SCOTLAND SAME TOPIC M M 5 A SONG WRITING TEAM NOT FOR SALE LP FOR YOUR EYES ONLY PRIVATE M M 15 A T WELLS SINGING SO ALONE PRIVATE YPRX 2246 M M 20 A TASTE OF TYKE UGH MAGNUM EX EX 12 A TASTE OF TYKE SAME MAGNUM VG+ VG+ 8 ABBA GREATEST HITS FRANCE VG 405 EX EX -
Praise the Legacy of Music Associated with Admiral Nelson by Gavin Atkin ‘Saturday Night at Sea’ by George Cruikshank
EDS Autumn 2005 qx6 18/8/05 11:27 am Page 8 Nelson’s Praise The legacy of music associated with Admiral Nelson by Gavin Atkin ‘Saturday Night at Sea’ by George Cruikshank s the recent international Spithead other players and noted them down in popularity as a result. The same kind of review showed, Admiral Lord their personal tune-books. This was also process seems to have taken place at ANelson in 2005 still casts a the period when the modern 4/4 the level of popular music, for no fewer shadow as long as his London column hornpipe became popular and several of than seven tunes that have come down is tall. And the party isn’t over yet, for the tunes named after Nelson are of this to us today bear the great admiral’s the bicentenary of his death at the Battle type. name, and at least three bear several of Trafalgar doesn’t actually take place Some of the tunes came into wide other names as well! until the 21st of October. If you haven’t use and have come down to us through Perhaps the most striking example, organised your event yet, there’s still the tradition, while others are still being and probably the one best known to time, just about... rediscovered – many of today’s bands English-style musicians, is the tune Anniversaries on this scale make us well known for playing for country known by the name of ‘The Bridge of wonder what people – sailors and dancing, such as The Old Swan Band, Lodi’ and also as ‘Lord Nelson’s landsmen and women – played and The Bismarcks, The Committee Band Hornpipe’.