Framing a Narrative of Discrimination Under the Eighth Amendment in the Context of Transgender Prisoner Health Care Sarah Halbach
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INCORPORATING TRANSGENDER VOICES INTO the DEVELOPMENT of PRISON POLICIES Kayleigh Smith
15 Hous. J. Health L. & Policy 253 Copyright © 2015 Kayleigh Smith Houston Journal of Health Law & Policy FREE TO BE ME: INCORPORATING TRANSGENDER VOICES INTO THE DEVELOPMENT OF PRISON POLICIES Kayleigh Smith I. INTRODUCTION In the summer of 2013, Netflix aired its groundbreaking series about a women’s federal penitentiary, Orange is the New Black. One of the series’ most beloved characters is Sophia, a transgender woman who committed credit card fraud in order to pay for her sex reassignment surgeries.1 In one of the most poignant scenes of the entire first season, Sophia is in the clinic trying to regain access to the hormones she needs to maintain her physical transformation, and she tells the doctor with tears in her eyes, “I need my dosage. I have given five years, eighty thousand dollars, and my freedom for this. I am finally who I am supposed to be. I can’t go back.”2 Sophia is a fictional character, but her story is similar to the thousands of transgender individuals living within the United States prison system.3 In addition to a severe lack of physical and mental healthcare, many transgender individuals are harassed and assaulted, creating an environment that leads to suicide and self- 1 Orange is the New Black: Lesbian Request Denied (Netflix streamed July 11, 2013). Transgender actress Laverne Cox plays Sophia on Orange is the New Black. Cox’s rise to fame has given her a platform to speak about transgender rights in the mainstream media. See Saeed Jones, Laverne Cox is the Woman We Have Been Waiting For, BUZZFEED (Mar. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
Human Rights Gender Identity
Human Rights and Gender Identity Best Practice Catalogue Second Revised Version December 2016 Ulrika Westerlund Richard Köhler Human Rights and Imprint Authors second edition: Ulrika Westerlund, Richard Köhler Design & Layout: benswerk.wordpress.com Gender Illustration (Origami): iStock.com/graphicpoet Editing: Jennie Kermode Identity First edition: December 2011 Second revised edition: December 2016 The authors wish to acknowledge the kind support from TGEU member organisations and in Best Practice particular Silvan Agius, Wiktor Dynarski, Boglarka Fedorko, Mina Tolu, Broden Giambrone, Micah Grzywnowicz, and Fran Luke for their valuable contribution to the second revised version. Catalogue The present document has been created with the greatest care, but cannot claim to be complete. Please send feedback and suggestions for amendments to [email protected] Second Revised Version While the catalogue aims to provide information and inspiration regarding legal questions, December 2016 it is strongly recommended that you seek professional counsel before taking legal action. Ulrika Westerlund All links were last accessed in December 2016. Richard Köhler This publication has been produced with financial support from the Rights, Equality and Citizenship Programme of the European Union and the Open Society Foundation. The contents of this publication are the sole responsibility of Transgender Europe, and can in no way be taken to reflect the views of the European Commission or the Open Society Foundation. Copyleft: You are free to share (copy, distribute and transmit the work) and to remix—that is to adapt— work, as long as you attribute the work in the manner specified by the authors (but not in any way that suggests that they endorse you or your use of the work) and do not use this work for commercial purposes. -
Jodie Foster a Hollywood Prodigy
Presents JODIE FOSTER A HOLLYWOOD PRODIGY A 52’ documentary Written by Yal Sadat and directed by Camille Juza Produced by HAUT ET COURT TV and PETIT DRAGON PROVISIONAL DELIVERY: SEPTEMBER 2020 1 PITCH It’s hard to imagine a more “Hollywood” tale than that of Jodie Foster. She was practically born on a movie set. Pushed by a mother who wanted to make her a star, she comes from a world of stereotypes. And yet she is a very unusual figure in this industry. She is an intellectual who speaks French and is a confirmed Francophile. She plays complex characters that have nothing to do with the temptresses loved by American cinema. At first, she was that Lolita who fascinated the crowds and appealed to every gaze – even those of predators. But her status as this precocious young beauty almost cost her her career, before she decided to take matters into her own hands and become the most powerful actress and female director in Hollywood. How did the former child star, discovered in Disney TV movies and reinvented as a 12-year-old prostitute in Taxi Driver, manage to conquer a powerful, patriarchal industry that probably never really understood her? Too radical for the Hollywood oligarchy but too mainstream for the militant groups that reproached her for hiding her homosexuality and maintaining ties with Mel Gibson and Roman Polanski, Jodie Foster is problematic. She lived out her feminism as a lonesome cowgirl, alone against the world, settling for films that got her voice heard. It’s as if she was jealously guarding a secret. -
Born Free and Equal
BORN FREE AND EQUAL Sexual Orientation, Gender Identity and Sex Characteristics in International Human Rights Law Second Edition © 2019 United Nations Second edition: HR/PUB/12/06/Rev.1 This work is available open access by complying with the Creative Commons license created for inter-governmental organizations, available at: http://creativecommons.org/licenses/by/3.0/igo/. Publishers must remove the OHCHR logo from their edition and create a new cover design. Translations must bear the following disclaimer: “The present work is an unofficial translation for which the publisher accepts full responsibility.” Publishers should email the file of their edition to [email protected]. Photocopies and reproductions of excerpts are allowed with proper credits. United Nations publication issued by the Office of the United Nations High Commissioner for Human Rights (OHCHR). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. Symbols of United Nations documents are composed of capital letters combined with figures. Mention of such a figure indicates a reference to a United Nations document. First edition: HR/PUB/12/06 © 2012 United Nations All worldwide rights reserved Second Edition New York and Geneva, 2019 CONTENTS FOREWORD .............................................................................................. vii INTRODUCTION ......................................................................................... 1 DEFINITIONS .............................................................................................. 5 SUMMARY OF RECOMMENDATIONS ........................................................... 7 CORE LEGAL OBLIGATIONS OF STATES WITH RESPECT TO PROTECTING THE HUMAN RIGHTS OF LGBTI PERSONS ................................. 9 I. -
Using the Convention on the Rights of the Child to Project the Rights of Transgender Children and Adolescents: the Context of Education and Transition
(2016) QMHRR 3(1) ISSN 2059-8092 Using the Convention on the Rights of the Child to Project the Rights of Transgender Children and Adolescents: the Context of Education and Transition * Ana-Maria Bucataru Abstract Transgender children and youth suffer from discrimination and their rights to health and education are often not protected. Argentina and Malta are the only countries who have passed gender identity legislation taking into account the best interest of children, and these path breaking examples are analysed here. This article, however, argues that the legislation in these two countries does not go far enough, and that the provisions of the United Nations Convention on the Rights of the Child should be used to protect transgender children, and analyses how these provisions should be interpreted and enshrined in any future legislation. States should create gender identity laws and give children a voice in this matter. Keywords Transgender Children – Transgender Adolescents – Gender Identity Legislation - Best Interest of the Child – Right to Education – Right to Health – Convention on the Rights of the Child – Argentina – Malta. 1. Introduction This paper aims to raise awareness about the obligation of states to create legislation allowing children and adolescents to self-determine their gender identity and ensure, inter alia, that their rights under the Convention on the Rights of the Child (CRC) to education (Article 28), health (Article 24), identity (Article 8), protection against discrimination (Article 2), adequate standard of living and ultimately their right to life, survival and development (Article 6) are protected. The paper will focus on two chief concerns regarding the development of children and adolescents, namely, education and transition.1 Accordingly, the paper will focus on Articles 2, 6, 8, 24 and 28 CRC to * Ana-Maria has completed her LLM in Human Rights Law at Queen Mary University of London and is currently working for Dr. -
The Case of Rewards and Punishments
THE CASE OF REWARDS AND PUNISHMENTS: ANALYZING TELEVISUAL REPRESENTATIONS OF RACE AND GENDER IN TWO 21ST-CENTURY CRIMINAL DRAMA SERIES by Amanda Adams A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Media and Communication Middle Tennessee State University May 2018 Thesis Committee: Dr. Katherine Foss, Chair Dr. Ken Blake Dr. Jane Marcellus ABSTRACT This discourse analysis examines Orange Is the New Black and How to Get Away with Murder to determine how race, gender, and intersectional positions are represented in fictional criminal justice shows of the early 21st century. The analysis determines how “rewards” and “punishments” shape the shows’ discourses on these positions, as well as what the discourses indicate about power and hegemony. The sample consists of 56 episodes from the first two seasons of each show. Results indicate that both shows call attention to certain stereotypes and inequalities related to race and gender, via tribal divisions, hyperaware stereotypes, and race-based rewards and punishments. However, they contribute to other hegemonic ideologies, including the normalization of racism, traditional female gender roles, LGBT conformity to heteronormative ideals, and power based upon socioeconomic status. Taken together, the discourses indicate that the shows are at least somewhat influenced by white, middle to upper class male hegemony. ii TABLE OF CONTENTS Page CHAPTER ONE: INTRODUCTION ………………………………………..… 1 Statement of Purpose ………………………………………..…………….... 3 Historical Background ………………………………………..…………….. 5 Race and Television ………………………………………..…………... 5 Gender and Television ………………………………………..……….... 7 Race, Gender, and Television ………………………………………..…. 9 CHAPTER TWO: LITERATURE REVIEW ………………………………… 12 Representation and Stereotypes on Prime-Time Television ……………… 12 Race/Ethnicity ……………………………………………………....… 12 Gender ………………………………………..……………………….. 16 Intersection of Race and Gender …………….…...……..…………..… 21 Representations of Criminality and Its Intersections of Race and Gender .. -
Public Support for Transgender Rights
Public Support for Transgender Rights: A Twenty-three Country Survey Andrew R. Flores, Taylor N.T. Brown, Andrew S. Park December, 2016 EXECUTIVE SUMMARY Transgender rights have emerged as a central feature in the discourse on LGBT rights in many countries; however, little is known about public support for such rights around the globe. This report presents findings from a ground-breaking survey of 17,105 adults across 23 countries about their attitudes towards transgender people and transgender rights. Key findings include: In all 23 counties, majorities of survey respondents supported important transgender rights: o Majorities in all 23 countries believe that transgender people deserve the right to change their identity documents to be consistent with their gender identity, though a substantial portion believes that some form of regulation from medical professionals, medical interventions, and/or government is necessary. o Majorities in 21 countries support policies banning discrimination against transgender people. o Majorities in 16 countries support rights to marry for transgender people. o Majorities in 14 countries support adoption rights for transgender people. o Majorities in 15 countries support allowing access to public restrooms consistent with a transgender person’s gender identity. A new scale that plots countries’ average level of public support for transgender rights, found high levels of support with most countries surveyed falling near the middle. Scores ranged from 41 to 74 on a scale with 100 reflecting full support. Russia ranked the lowest with a score of 41, and Spain ranked the highest with a score of 74. Sweden, Argentina, Canada, Germany, and Great Britain also had high scores, all above 67. -
Fraudulence, Gender Non-Conformity, and Data a Dissertation SUBMITTED to the FACULTY of the UNIVERSITY O
Digitizing Difference: Fraudulence, Gender Non-Conformity, and Data A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Lars Z. Mackenzie IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Jigna Desai, co-advisor Aren Aizura, co-advisor March 2019 Lars Z. Mackenzie © 2019 Acknowledgements Thank you, thank you, thank you! As many have said before me, you just can’t complete a PhD without the help of countless people supporting you. I’ve been very lucky to receive a lot of help. Thanks first to my friends. I was lucky enough to develop great friendships in this extremely cold and sometimes unfriendly state. To my pals who I’ve met or shared time with here - Emily, Laney, E.G., J., Carrie, Madison, Elizabeth, Conrad, Caitlin, Simi, Caitlin, Tia, Alanah, Charlie, Karen, Jen, Libby, Mingwei, Kristen, Rita, Angelica, Sen, Jess, Becca - I literally could not have survived without you guys. I’m also blessed to have a group of friends from way back that have turned into family - Jess, Joe, Lauren, Candace, Nieves, Sheila, and Rachel. I’m so grateful to have each of you in my life and for the connections we’ve maintained over more than a decade as we’ve grown up and away from each other. Whenever I’ve doubted this path in my life, leaning on you all has helped me keep going. I’ve received lots and lots of support from my family -- from them coming to visit me here in the middle of winter, to regular phone calls, and collective television watching via group texts. -
Representations of Transgender Identities in EFL Source Materials
ENGLISH STUDIES DEGREE FINAL UNDERGRADUATE DISSERTATION When the conversation doesn’t include you: representations of transgender identities in EFL source materials Sara Santos Fabregat SUPERVISOR: Richard Mark Nightingale June, 2019-20 Sara Santos Fabregat TABLE OF CONTENTS 1. Introduction 6 2. Theoretical framework 7 2.1. Language and identity 7 2.1.1. Language-learner identity and investment 11 2.2. Transgender identities in EFL source materials 14 2.2.1. Textbooks 14 2.2.2. Audiovisual materials 15 3. The study 17 3.1. Aim of the study 17 3.2. Method 17 3.3. Sources 18 4. Results 20 4.1. Trans people in Touchstone series 20 4.2. Orange is the New Black 21 5. Discussion 23 6. Conclusion 25 References 27 APPENDICES 30 Appendix 1 30 Appendix 2 31 Appendix 3 31 Appendix 4 32 Appendix 5 32 2 Sara Santos Fabregat List of figures Figure 1: Example of an identity map…………………………………………………………8 3 Sara Santos Fabregat List of tables Table 1: Description of the episodes analysed from Orange is the New Black…………..18-19 Table 2: Trans characters out of the LGBT+ characters according to GLAAD……………..15 4 Sara Santos Fabregat ABSTRACT Language has a strong symbolic power that needs to be understood in relation to its social meaning. From a poststructuralist perspective, it is through language that individuals construct and negotiate their multiple social identities in signifying discursive practices. However, habitus and doxa underlie the systems of power that approve discursive practices depending on their conformity with the norm. Then, those individuals whose identities are considered non-normative, such as women, homosexuals, or transgender people have been discursively excluded to the margins of society. -
Trans Legal Mapping Report 2017: Recognition Before the Law (Geneva: ILGA, November 2017)
Trans Legal Mapping Report Recognition before the law November 2017 2nd Edition Zhan Chiam Sandra Duffy Matilda González Gil www.ilga.org www.ilga.org Trans Legal Mapping Report Recognition before the law November 2017 2nd Edition Zhan Chiam Sandra Duffy Matilda González Gil www.ilga.org Copyright page Table of Contents nd This 2 edition of the Trans Legal Mapping Report was researched and written by Zhan Chiam, Sandra Duffy and Matilda González Gil, and published by ILGA. It is copyright-free provided you cite both the authors and the International Lesbian, Gay, Bisexual, Trans and Intersex Association (ILGA). Foreword | Trans Secretariat: Mikee Inton and Brenda Alegre ............................................................................................................................................ 1 Suggested citation: Author’s Preface | Zhan Chiam ............................................................................................................................................................................................................ 3 International Lesbian, Gay, Bisexual, Trans and Intersex Association: Chiam, Z., Duffy, S. and González Gil, M., International Law and Legal Gender Recognition (+ Interview with Broden Giambrone) | Zhan Chiam ............. 7 Trans Legal Mapping Report 2017: Recognition before the law (Geneva: ILGA, November 2017). Name and sex/gender marker change in the Inter-American System This report is available to download in Word or PDF formats. of Human Rights | Matilda González Gil ...................................................................................................................................................................................... -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Guest Actor In A Comedy Series For a performer who appears within the current eligibility year with guest star billing. NOTE: VOTE FOR NO MORE THAN SIX achievements in this category that you have seen and feel are worthy of nomination. (More than six votes in this category will void all votes in this category.) Photos, color or black & white, were optional. 001 Jason Alexander as Stanford Kirstie Maddie's Agent Outraged that her co-star is getting jobs, Maddie vows to fire her agent (Jason Alexander). When cowardice stops her from lowering the hammer, she seduces him. Bolstered by her "courage," Arlo, Frank and Thelma face their fears. 002 Anthony Anderson as Sweet Brown Taylor The Soul Man Revelations Boyce slips back into his old habits when he returns to the studio to record a new song. Lolli and Barton step in to keep things running smoothly at the church. Stamps and Kim are conflicted about revealing their relationship. 003 Eric Andre as Deke 2 Broke Girls And The Dumpster Sex When Deke takes Max to his place after a great first date, his “home” is nothing like she expected. Meanwhile, Caroline feels empowered – then scared for her life – after having a shady car towed from the front of their apartment building. 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Guest Actor In A Comedy Series For a performer who appears within the current eligibility year with guest star billing. NOTE: VOTE FOR NO MORE THAN SIX achievements in this category that you have seen and feel are worthy of nomination.