2013 Program Book
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Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
Farmingdale State College 2020 Retirement and Service
FARMINGDALE STATE COLLEGE Retirement and Service Recognition Virtual Event Thursday, May 20, 2021 2020 FARMINGDALE STATE COLLEGE RETIREMENT AND SERVICE RECOGNITION EVENT PROGRAM BEGINS AT 4 P.M. Welcome ..........................................................................John S. Nader, President Presentation of Honorees...............................................President Nader Mathew Colson, Vice President of Development and Alumni Engagement Kevin Jordan, Vice President for Student Affairs and Chief Diversity Officer Laura Joseph, Senior Vice President and Provost Gregory O’Connor, Executive Vice President and Chief Financial Officer Toast ...............................................................................President Nader HONORED RETIREES Kathryn Bond ...................................................LIEOC Jane Massimino ......................................Development & Alumni Engagement Kathryn Coley ................. Institutional Advancement Alexander Mayer ............... Carpentry and Locksmith Dan D’Amico ....................... Information Technology Diane Melamed .............................. Student Accounts Theresa Dember-Neal .....................................Nursing Eugene Peters ....................................................... EOP Christine Dose ............ Professional Communications Timothy Riordan ...................................Heating Plant Robert Elgart ....................................................Biology Robert Shirley ..................................................LIEOC -
Bay Area Cabaret Returns to San Francisco's Most Historic Showroom
BAY AREA CABARET RETURNS TO SAN FRANCISCO’S MOST HISTORIC SHOWROOM, THE FAIRMONT VENETIAN ROOM Presents Ninth Season of Nationally Renowned Vocalists Season opens October 28 with “Supremes” Legend Mary Wilson, continues with Broadway icon Tommy Tune, singer/actor Peter Gallagher, Broadway duo Marin Mazzie and Jason Danieley, actress/recording artist Elaine Paige, actress/singer Nellie McKay performing with Chanticleer, and a season finale Marvin Hamlisch Tribute. San Francisco, CA (September 14, 2012) --- Bay Area Cabaret, the local non-profit organization devoted to presenting audiences with top performers who expand the definition of cabaret, has announced its lineup for the 2012-2013 season. Opening the season Sunday, October 28, 2012 is Motown legend and founding member of “Supremes,” Mary Wilson, followed Sunday, November 11, 2012 by 9-time Tony Award winning singer/dancer/director/choreographer Tommy Tune, and December 9, 2012 by television, film, and Broadway star Peter Gallagher. The series continues in 2013 with “Broadway’s golden couple,” Marin Mazzie and Jason Danieley on February 17, 2013, “Britain’s first lady of musical theatre” Elaine Paige on March 1, 2013, and a performance by singer/actress Nellie McKay featuring San Francisco’s Grammy-winning a capella male chorus Chanticleer on March 23, 2013. Rounding out the season is a tribute to the late Marvin Hamlisch, with special guests to be announced, on June 2, 2013, which would have been the legendary composer’s 69th birthday, with special guests to be announced. After several seasons of presenting shows in a variety of elegant showrooms, Bay Area Cabaret found a permanent home two years ago when it was invited to reopen the Fairmont Hotel’s historic Venetian Room, which had been dark as an entertainment venue for over 21 years. -
Translating Expertise Across Work Contexts: U.S. Puppeteers Move
ASRXXX10.1177/0003122420987199American Sociological ReviewAnteby and Holm 987199research-article2021 American Sociological Review 2021, Vol. 86(2) 310 –340 Translating Expertise across © American Sociological Association 2021 https://doi.org/10.1177/0003122420987199DOI: 10.1177/0003122420987199 Work Contexts: U.S. Puppeteers journals.sagepub.com/home/asr Move from Stage to Screen Michel Antebya and Audrey L. Holma Abstract Expertise is a key currency in today’s knowledge economy. Yet as experts increasingly move across work contexts, how expertise translates across contexts is less well understood. Here, we examine how a shift in context—which reorders the relative attention experts pay to distinct types of audiences—redefines what it means to be an expert. Our study’s setting is an established expertise in the creative industry: puppet manipulation. Through an examination of U.S. puppeteers’ move from stage to screen (i.e., film and television), we show that, although the two settings call on mostly similar techniques, puppeteers on stage ground their claims to expertise in a dialogue with spectators and view expertise as achieving believability; by contrast, puppeteers on screen invoke the need to deliver on cue when dealing with producers, directors, and co-workers and view expertise as achieving task mastery. When moving between stage and screen, puppeteers therefore prioritize the needs of certain audiences over others’ and gradually reshape their own views of expertise. Our findings embed the nature of expertise in experts’ ordering of types of audiences to attend to and provide insights for explaining how expertise can shift and become co-opted by workplaces. Keywords expertise, audiences, puppetry, film and television Expertise has become a fundamental currency of cases (Abbott 1988:8). -
The Early History of Howdy Doody…Television's First
1 | P a g e The Early History Of Howdy Doody…Television’s First Hit For those not old enough to remember, “The Howdy Doody Show” was much more than just Buffalo Bob and Howdy Doody….it was the beginning of television as a brand new form of entertainment. It was radio with pictures and it was revolutionary. With a TV set and an antenna, suddenly the world could come to your living room. Although primitive by today’s standards, it was the hottest ticket on the planet, and Howdy Doody was the first hit show on television! Television’s second hit was also from NBC, and debuted 6 months after Howdy…it was “The Texaco Star Theater” with Milton Berle. They called Milton “Mr. Television,” because a lot of adults bought a set to see him. With a nation full of kids wanting to see Howdy though, you can rest assured; a lot of sets were bought to keep the children happy too. As is often the case with history, in its retelling, the waters get muddied and important facts become mangled. Before long, it’s hard to know if you are reading the truth or not. With that in mind, I have decided to retell the story of how it all started to the best of our ability, AND…I’m doing it with the help of one of America’s foremost authorities on Howdy Doody, Burt Dubrow. – Bobby Ellerbee / Eyes Of A Generation.com (Revised Dec. 28, 2016) http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 This is a 1952 photo of Buffalo Bob Smith with Howdy, and on the right, Bob Keeshan taking off his Clarabell makeup. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
67Th Annual Gala
the salvation army greater new york division’s 67th Annual Gala Honoring the actors fund The Pinnacle of Achievement Award jameel mcclain LA A The Community Service Award G AL U Special Performances by N 1 N er tony yazbeck A b H em marin mazzie T ec 67 D jason danieley Co-Hosts er 1 cemb kathie lee gifford De hoda kotb DECEMBER 1, 2014 The New York Marriott Marquis BCRE Brack Capital Real Estate USA congratulates The Salvation Army for all of their continuing good works. MULTIMEDIA SPONSOR DECEMBER 5, 2012 31 30 THE SALVATION ARMY GREATER NEW YORK DIVISION 65TH ANNUAL GALA LETTER FROM THE DIVISIONAL LEADERS LT. COLONELS GUY D. & HENRIETTA KLEMANSKI ELcomE to THE SALVation ARMY’S 67th ANNUAL CHRistmas GALA! WThe Salvation Army in Greater New York has all have used their God-given talents to a rich history of helping and bringing hope to touch the hearts of audiences everywhere. those who are in need. Thousands of people Meanwhile, The Actors Fund, this year’s across the Greater New York area stand united Pinnacle of Achievement honoree, has been in support of The Salvation Army’s mission as serving entertainers and performers in need for we go about “Doing the Most Good.” We are over 130 years. privileged to serve God by serving others and In 2015, The Salvation Army will we fight with conviction to battle against the commemorate its worldwide Sesquicentennial elements that keep people at the margins. We anniversary. We will celebrate those who have serve our neighbors, friends, and family in an given to The Salvation Army, as well as the suc- effort to help rebuild lives with compassionate cess and triumphs of those who have received. -
Step Back in Time with Blake Hodge
Step Back In Time With Blake Hodge Approximately one ring the squinty-eyed year ago on December 3, sailor. In 1960 Popeye 2005 Blake Hodge, the The Sailor was the fi rst 12-year-old son of Matt show to feature Popeye and Carol Ann Hodge cartoons made just for started his journey back television. in time. Waiting for the POPEYE’S SONG Eagleville Christmas I’m Popeye the Sailor parade to make its ap- Man, I’m Popeye the pearance in downtown Sailor Man, I’m strong Eagleville, he along with to the fi nich, cause I eats Sonny Lonas was brows- me spinach, I’m Popeye ing in Ralston’s Antique the Sailor Man. Store. Blake happened I’m one tough gazookus, Blake’s favorite place to shop is Ralston’s Antiques in Eagleville. upon a Popeye water L-R: Sonny Lonas, Blake, Charles Ralston glass. Remembering the Which hates all paloo- re-runs of the Popeye kas, Wot ain’t on the up cartoons he had recently watched, decided he would really like to have the glass, so and square, I biffs’em he received it as a gift from Sonny. That one glass defi nitely started his journey to and buffs’em, An’ always the past. He has spent several hours in antique stores and fl ea markets searching for outroughs’em, An’ none Popeye memorabilia and learning the history of this funny looking sailor. of ‘em gets nowhere. Blake discovered that on January 17, 1929, was the fateful day, which would If anyone dasses to risk change the comic strip and cartoon worlds forever. -
Determining Stephen Sondheim's
“I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS BY ©2011 PETER CHARLES LANDIS PURIN Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ___________________________ Chairperson Dr. Scott Murphy ___________________________ Dr. Deron McGee ___________________________ Dr. Paul Laird ___________________________ Dr. John Staniunas ___________________________ Dr. William Everett Date Defended: August 29, 2011 ii The Dissertation Committee for PETER PURIN Certifies that this is the approved version of the following dissertation: “I’VE A VOICE, I’VE A VOICE”: DETERMINING STEPHEN SONDHEIM’S COMPOSITIONAL STYLE THROUGH A MUSIC-THEORETIC ANALYSIS OF HIS THEATER WORKS ___________________________ Chairperson Dr. Scott Murphy Date approved: August 29, 2011 iii Abstract This dissertation offers a music-theoretic analysis of the musical style of Stephen Sondheim, as surveyed through his fourteen musicals that have appeared on Broadway. The analysis begins with dramatic concerns, where musico-dramatic intensity analysis graphs show the relationship between music and drama, and how one may affect the interpretation of events in the other. These graphs also show hierarchical recursion in both music and drama. The focus of the analysis then switches to how Sondheim uses traditional accompaniment schemata, but also stretches the schemata into patterns that are distinctly of his voice; particularly in the use of the waltz in four, developing accompaniment, and emerging meter. Sondheim shows his harmonic voice in how he juxtaposes treble and bass lines, creating diagonal dissonances. -
Broadway Bound
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed alphabetically by show (disc) title, not in order of play. Show #: 271 Broadcast Date: June 24, 2017 Time: 16:00 - 18:00 # Selections: 22 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:46 Harry Warren/Al Dubin We're In The Money Mylinda Hull, Kate Levering, Megan 42nd Street - New Broadway Cast [2001] Q/Atlantic 2001 5/2/2001 - 1/2/2005. 1524 perf. 2 2001 Tony Awards: Best Revival; Best Actress CDS Fort 12 2001 6/24/17 [Christine Ebersol] 5:07 Irving Berlin There's No Business Like Show TomSikora, Wopat Catherine and Company Wreford & Ensemble Annie Get Your Gun - New Broadway Cast Broadway Angel 1999 3/4/1999 - 9/1/2001. 1045 perf. 2 Tony Awards: Best Revival. Best Actress, CDS Anni 1 1999 6/26/10 6/24/17 Bernadette Peters. 5:01 Cole Porter You'reBusiness The Top Sutton Foster, Colin Donnell Anything Goes - New Broadway Cast 2011 Ghostlight 2011 Opened 4/7/11 at the Stephen Sondheim Theater. THREE 2011 Tony Awards: Best Revival CDS Anything none 4 2011 11/12/114/12/14 6/24/17 of a Musical; Best Actress in a Musical: Sutton Foster; Best Choreography: Kathleen 5:27 R Lopez & J Marks Everyone's A Little Bit Racist John Tartaglia, Stephanie D'Abruzzo, Natalie Avenue Q Original Broadway Cast RCA/iTunes 2003 7/31/2003 - 9/13/09. -
Pub Type Edrs Price Descriptors
DOCUMENT RESUME ED 233 705 IR 010 796' TITLE Children and Television. Hearing Before the Subcommittee on Telecommunications, Consumer Protection, and Finance of the Committee on Energy and ComMerce, House of Representatives, Ninety-Eighth Congress, First Session. Serial No. 98-3. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Eneygy and Commerce. PUB DATE- 16 Mar 83 NOTE 221p.; Photographs and small print of some pages may not reproduce well. PUB TYPE --Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC09'Plus Postage. DESCRIPTORS Cable Television; *Childrens Television; Commercial Television; Educational Television; Federal Legislation; Hearings; Mass Media Effects; *ProgrAming (Broadcast); *Public Television; * Television Research; *Television Viewing; Violence IDENTIFIERS Congress 98th ABSTRACT Held, during National Children and Television Week, this hearing addressed the general topic of television and its impact on children, including specific ,children's televisionprojects and ideas for improving :children's television. Statements and testimony (when given) are presented for the following individuals and organizations: (1) John Blessington,-vice president, personnel, CBS/Broadcast Group; (2) LeVar Burton, host, Reading Rainbow; (3) Peggy Charren, president, National Action for Children's Television; (4) Bruce Christensen, president, National Association of;Public Television Stations; (5) Edward 0. Fritts, president, National Association of Broadcasters; (6) Honorable John A. Heinz, United States Senator, Pennsylvania; (7) Robert Keeshan, Captain Kangaroo; \(8) Keith W. Mielke, associate vice president for research, Children's Television Workshop; (9) Henry M. Rivera, Commissioner, , Federal Communications Commission; (10) Sharon Robinson, director, instruction and Professional Development, National Education Association; (11) Squire D. Rushnell, vice president, Long Range Planning and Children's Television, ABC; (12) John A. -
George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette