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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna -
Put Your Foot Down
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Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Representations of Female Nerds in U.S.-American Sitcoms“ verfasst von / submitted by Beate Reichl, BA BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2018 / Vienna 2018 Studienkennzahl lt. Studienblatt / A 066 844 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Anglophone Literatures and Cultures degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Alexandra Ganser-Blumenau Acknowledgements First, I would like to thank my supervisor, Prof. Alexandra Ganser-Blumenau. Then, I would like to offer my special thanks to my aunt, Susanne Reichl, for being my continuous role model and adviser. Finally yet importantly, I wish to acknowledge the never-ending support provided by my husband, Manuel Engel, my parents and close friends. Table of Contents List of Figures .............................................................................................. i 1 Introduction ................................................................................................ 1 2 Representations of the Nerd ...................................................................... 2 Representation .................................................................................... 2 Stereotypes ......................................................................................... 3 The Nerd -
EUREKA Country Mile! Garages & Sheds Farming and Industrial Structures
The Moorabool News FREE Your Local News Tuesday 5 November, 2013 Serving Ballan and district since 1872 Phone 5368 1966 Fax 5368 2764 Vol 7 No 43 He’s our man! By Kate Taylor Central Ward Councillor Paul Tatchell has been voted as Moorabool’s new Mayor. East Ward Councillor John Spain was voted in as Deputy Mayor. Outgoing Mayor Pat Toohey did not re-nominate at the Statutory and Annual Appointments Meeting held last Wednesday 30 October, where Mayor Tatchell won the role with a 5-2 majority. Nominated by East Ward Councillor Allan Comrie, Cr Tatchell gained votes from fellow councillors Comrie, David Edwards, Tonia Dudzik and John Spain. West Ward Councillor Tom Sullivan was nominated and voted for by Pat Toohey. New Mayor Tatchell told the meeting he was very fortunate to have been given the privilege of the role. “For former mayor Pat Toohey, to have come on board and then taken on the role of Mayor with four new councillors, he jumped straight in the driver’s seat… and the first few months were very difficult, but he persevered with extreme patience. “And to the experienced councillors we came in contact with from day one, with years of experience, without that, I can’t imagine how a council could have operated with seven new faces. We are incredibly fortunate to have those experienced councillors on board.” Mayor Tatchell also hinted at a vision for more unity in the future. “A bit less of ‘I’ and more of ‘we,’” he said. Deputy Mayor Spain was voted in with votes from councillors Dudzik, Edwards, and Comrie, with Mayor Tatchell not required to cast a vote on a majority decision. -
Big Game in the Big Easy Delicious Boys Hoops Girls Hoops
Video: Irate Man Attacks Paramedics; Police Say Fight Was Unprovoked / Main 5 $1 Big Game in the Big Easy Bring the Taste of the Delta to Your Super Bowl Meal / Life: Food Early Week Edition Tuesday, Jan. 29, 2013 Reaching 110,000 Readers in Print and Online — www.chronline.com W.F. West’s Science Blazer Basketball Programs Earn Statewide Praise Girls Hoops Lady Blazers Destroy Clippers / Grants Sports for Robots Boys Hoops Blazer Men Improve to 6-2 in League Play / Sports Delicious Annual Taste of Lewis County Is See Main 14 a Tour for the Senses / Main 3 Pete Caster / [email protected] Kendra Allen, a senior at W.F. West High School, launches a ping-pong ball with a robot that she and her robotics class partner, Carli Stowe, built for a class project. This program, among others, has earned W.F. West High School the title of a state “Lighthouse School” for science, technology, engineering and mathematics. Allen, who inished her project last week, demonstrated how her robot could pick up a ping-pong ball, move to the launching pad, then shoot the ball six feet. If all of those requirements were met the student would get an ‘A’ on the project. White said about 1/3 of the class completely met the requirements of the project. Winlock Middle School Awarded Funding for Robotics Program Weather TONIGHT: Low Rain Likely see details on page Main 2 43 TOMORROW: Weather picture by Amaya High Espinoza, Onalaska Elementary, 3rd Grade 48 The Chronicle, Serving The Greater Lewis County Area Since 1889 Pete Caster / [email protected] Eighth graders Bradley Follow Us on Twitter Kelly, left, Adam Hylton, center, and Michael @chronline Rosenberry, work at licking plastic balls Find Us on Facebook towards a make-shift www.facebook.com/ goal during their Ro- botics 101 class at Win- thecentraliachronicle lock Middle School on Monday. -
30 Rock This Season, Particularly the Character of Liz Lemon, Played by Tina Fey
INTRODUCTIONS Get me interested! GETTING STARTED • The purpose of the introduction is to get your reader interested and give them what they need to know to understand and follow your argument • Keep this in mind when writing it, reviewing it, editing it, revising it. • Think about the first five minutes of a television pilot – you’re either going to continue watching, or change the channel. • Make your reader give you the benefit of the doubt WAYS TO BEGIN: • It’s called an attention getter, but it • Explain the larger context of your doesn’t have to be awe-inspiring topic awesome • Offer background information • Define key terms or concepts • Think about building up into your • Connect your subject to reader topic, into your argument interests or values • Start with a quotation or statement • The key with all of these is you have to provoke interest to use them, not just write one • Start with an anecdote sentence and be done • Ask a question (be careful) • Jump right into the topic BACKGROUND INFORMATION • You just have to ground your reader – what are you writing about? Authors? Pieces? Anything else the reader needs to know? • You are not summarizing the entire article, the author’s life, etc. (Know your audience – have I read these essays?) • You are using this information to connect your attention getter to your argument • EVERYTHING IS CONNECTED TO EVERYTHING! THESIS • Get to your argument • What is your interpretation of the pieces? • This should not come out of nowhere – your attention getter and background information have been -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06
106 “Tracy Does Conan” by Tina Fey Directed by Adam Bernstein Executive Producers: Lorne Michaels Tina Fey JoAnn Alfano Marci Klein David Miner Broadway Video Television SHOOTING DRAFT – 9/29/06 254 West 54th St, 11th Floor New York, NY 10019 ! 2006 BY!NBC STUDIOS, INC. ! ALL RIGHTS RESERVED.! NOT TO BE DUPLICATED WITHOUT PERMISSION. ! This material is property of!NBC Studios, Inc.!and is intended solely for use by its personnel.! The sale, copying, reproduction or exploitation of this material in any form is prohibited.! Distribution or disclosure of this material to unauthorized persons is prohibited. 30 ROCK 106: "Tracy Does Conan" SHOOTING DRAFT 9/29/06 CAST LIST LIZ .............…………………………….....……………………………...…….............TINA FEY JACK………………………………………………………………...…………ALEC BALDWIN TRACY......…………….………..……..……………………………….....…..TRACY MORGAN JENNA………………………………………………………………........... JANE KRAKOWSKI KENNETH………………………………………………………….......…....JACK MCBRAYER PETE……………………………………………………………….........................SCOTT ADSIT FRANK………………………………………………………………....JUDAH FRIEDLANDER LITTLE BLUE MAN………………...………………………………………RACHEL DRATCH TOOFER………………………………………………………………...............KEITH POWELL CONAN O’BRIEN.…….…………………………………………............…...CONAN O’BRIEN DENNIS...…………………………………………………………………..…. DEAN WINTERS DR. SPACEMAN…………………………………………………………..….CHRIS PARNELL GRIZZ......…………………………………………………………………..…..............…..…TBD NURSE......……………………………..…………………………………..…..............…..…TBD FRUIT SALESMAN..…………………...………………………………………..….......RN RAO CONAN STAGE MANAGER.…….…………………………………………..............…..…TBD -
30 ROCK-Will You Go to Lunch!
30 R O C K "Will You Go To Lunch!" Written by Curtis Lofgren WGAw # 1582126 2621 Columbia Ave. Richmond CA 94804 (510)526-3452 FADE IN INT. JACK DONAGHY’S OFFICE-DAY Jack is in his office with Doctor Leo Spaceman. He is getting an EKG. Jack’s shirt is off and the doctor is placing the electrodes on Jack’s chest. The table is way too small for Jack’s body. JACK Careful, Leo! Other than my erect penis, the chest pecs are the manliest area of my body! LEO Should I be placing these on your Johnson, Mister Johnson? Jack gives Leo a spacey stare. JACK Leo, what is wrong with you? It’s Jack Donaghy. Your boss, remember? LEO Right. Sorry, I’m not my self since I got back from rehab. JACK You went to rehab? When? LEO Technically speaking, I’m still there. Is it acceptable medical etiquette to leave after you’ve administered an enema to a patient in withdrawal? JACK Unless it’s Harry Reid, of course it isn’t! Leo, get a hold of yourself! Liz walks into the office. The two men are holding an enema hose. LIZ Excuse me, boys, but I thought I was in the office of Jack Donaghy, not my writer’s room. JACK Lemon, I.... 2. Liz licks her fingertip, slaps her bottom, and utters a remarkably glib line. LIZ Ah, still got it, never lost it, I don’t care if it’s our last season! I’m going for most flashbacks in a single show! Jack hops off the table. -
Meta-Television in Entourage, Extras and 30 Rock Introduction the Last Decade Has Seen a Number Of
PREVIOUSLY ON “Cut the Shitcom”: Meta-television in Entourage, Extras and 30 Rock Toni Pape Introduction The last decade has seen a number of fictional TV series about television and film production. These television shows – including the ones to be analysed here: Entourage, Extras, and 30 Rock – relocate the process of creative revitalization in front of the camera. Meta-television, as I understand it here, then is television about the media industry and, more particularly, about the production and quality of film and television itself.1 The three above-mentioned television programs present contemporary writers, actors, directors, etc. working on movies and television shows. Especially Extras and 30 Rock offer a critical overview of how television formats are produced, and they significantly do so in a period of time during which the working conditions for television-makers have fundamentally changed. In a most general sense, the criticism that these shows purport works on two levels. First, as we will see further on, there is an explicit criticism implied in the way the TV shows at hand present the making of a TV show. Thus, there is for instance Andy Millman, the protagonist of Extras about whom I will have more to say later on, who clearly states his dissatisfaction as a disillusioned actor/writer: ANDY: I wanna do something that I’m proud of. And I won’t be proud of shouting out catch phrases in a stupid wig and funny glasses. […] So basically, I’m not going to prostitute myself anymore or my work, ok? (Extras “Orlando Bloom”, 21’30”) In a very outspoken way, the programs in question take stock of television’s outworn creative standards and its resulting mediocrity.