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Breaking Freeze Over the Top Circle Prinz Pepsi Circle

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numer 4/2010 ISSN 20812957 www.flava.com.pl BREAKING FREEZE OVER THE TOP CIRCLE PRINZ PEPSI CIRCLE INDUSTRY 2010 HIP-HOP DANCE ELDO DOLAR FUNK STYLES MR WIGGLES DYLEMATY NAD OCENĄ CZARNA DZIELNICA WARSZAWY HIP-HOP |R&B | FUNK HARLEM, ul. Kolejowa 8|10 Warszawa www.warsaw-harlem.com DZIŚ W PROGRAMIE: 4 PEPSI CIRCLE INDUSTRY 2010 6 CIRCLE PRINZ POLAND 2009 9 B-BOY ZAJCEW 10 OVER THE TOP 2009 12 B-BOY FREEZE 15 WARSAW CHALLENGE ELIMINACJE 2010 16 B-BOY HUHER 20 OCB W HIP-HOP DANCE 23 HIPHOPETRYKA POLSKI OLDSCHOOL 26 ...hmmm... Nikt nie jest „świę- 28 ELDO tym”... Bywa różnie i w życiu podejmuje się dość skompliko- 35 wane decyzje, a nade wszystko FLAVA CREW DYLEMATY 32NAD OCENĄ,MR WIGGLES CZYLI... często miewa się huśtawki na- Flava Dance Magazine strojów, czy nawet totalny spa- Pismo dla tancerzy dek motywacji... Jako tancerz i ludzi związanych z tańcem. mogę powiedzieć, że nie żałuję. Nie żałuję litrów potu wylanych REDAKTOR na parkiecie, miliona kontuzji, Szymon Szylak doskwierających dopiero po Bboy Simon SPRAWDŹ czasie. Wszystkie otarcia i zary- sowania „malują” na ciele mapę ZASTĘPCA REDAKTORA wspomnień, doświadczeń, które Rafał Szymkiewicz - Zyskill ciężko wymazać czy zniszczyć, bo tkwią w Tobie jak plakietki SEKRETARZ z eventów zwisające na smy- Bartek Biernacki czach ze ściany. Nie żałuję zna- Bboy Bartaz jomości dość przypadkowych, ale jak się okazuje w pełni praw- BREAKING dziwych. Prawdziwych chociażby Bartaz, Rafuls, Cet, Roody, ze względu na tą sekundę, która łączy nasze emocje we wspólne FUNK STYLES doświadczenia. Co czuję stając Pitzo w „kole”? Co czuje stając naprze- ciwko mojego przeciwnika?... HIP-HOP DANCE Odpowiedzi są indywidualne. Ryfa, Ewulin Sami zresztą doświadczyliście, doświadczacie i będziecie do- PR & MARKETING świadczać chwil niewyobrażalnie Szylak Szymon ważnych dla Was ale i frustrują- cych. Życie... Każdy z nas odbiera OPRAWA GRAFICZNA to na swój indywidualny sposób Szymon Szylak i dlatego wiem, że część osób w ogóle nie zrozumie sensu tego TAGI tekstu. Redakor myśli, że tu nie cho- Bboy Bartazz dzi o sławę, wyróżnienia i nagrody, a własnie o tą więź. Więź czasami FOTOGRAFIA nieświadomą. Każdy z Was nazwie Paweł Grzybek ją swoimi słowami. Jak dla mnie jest ona bezcenna i motywująca KONTAKT do działania. Trzeba mieć świado- www.flavadancemagazine.com mość siebie we wszechświecie... [email protected] Roxrite też czyta FDM. Specjalnie [email protected] dla nas, oczywiście przy udziale kom.: 503 131 884 Redbull’a, zgodził się na wywiad To dla Was... dość specyficzny. Potraktujcie to jako kolejną plakietkę... WYDAWCA 2 Zadawjcie pytania na portalu Braek.pl, skierowane do Roxrite, a odpowiedzi na najciekawsze z nich znajdziecie w piątym nu - merze Flava Dance Magazine DRUK Sprawdźcie www.break.pl Wydawnictwo Polskiego Związku i www.flavadancemagazine.com Niewidomych Sp. z o. o. ul. Konwiktorska 7/9 00-216 Warszawa tel. (22) 423 04 88 3 Przyznam szczerze, że gdy do- - Balkan Mafia vs Moonwalkers i Tony Rock nie dali przeciwnikom tarłam na miejsce, miałam nieco - Hustle Kidz vs Ghost Rocks zbyt wielkich szans. Muszę jednak mieszane uczucia dotyczące tego - 0371 vs Sofia & Cetowy przyznać, że w ogólnym ujęciu tej wydarzenia. Miasteczko i rozmiar walki, nie była ona powalająca. obiektu na którym odbywały się Runda pierwsza była prawdziwym zawody początkowo mnie rozcza- menu stylów i umiejętności. FINALS rowały. Jednak rozmiar nie ma Moją uwagę przykuli Tinoroc i - Top 9 vs Hustle Kidz znaczenia ;) Blanka z Floorgangz. Ich style, Finał był dobrym deserem dla Pełen profesjonalizm prowadzą- świeżość i umiejętności ustawi- widzów. Świetna forma obydwu cych (Knuffelbunt/dasKunst oraz ły poprzeczkę bardzo wysoko. ekip, zacięta walka pełna drob- Shock1/Moving Shadows) Wysoki poziom narzucony został nych smaczków, po prostu dobry i gorące bity grane przez Dj’a również przez Top 9 oraz Hustle bboying. Szczerze przyznaję, że Arok (Too Many Secrets/Niemcy), Kidz. Jak dla mnie totalny odpał osobiście miałabym wielki pro- Dj’a Woo-D (Balkan Mafia/Słowe- ;D Gorąco polecam obejrzenie blem z wyborem zwycięzcy. Na nia), Dj’a Cosmic (Moving Sha- materiałów z tej rundy, gdyż wy- szczęście nie musiałam tego robić dows/Austria) szybko rozkręciły różnione przeze mnie ekipy :] Obydwie ekipy były świetnie atmosferę wśród publiczności. Z z impetem zmierzały bezpośred- przygotowane taktycznie. Prze- taką energią w otoczeniu tancerze nio do obranego sobie celu, nie ciwnicy znają się wzajemnie, za- nie mogli się wręcz doczekać dając zbyt dużych szans prze- tem wiedzieli jaką broń wyciągnąć rozpoczęcia walk, dając co chwilę ciwnikom. Dodatkowo pragnę tu i wyciągnęli najcięższe działa. pokaz swoich umiejętności na wyróżnić Sofi, naszą polską b-girl, Zacięty pojedynek o szacunek parkiecie. Nawet sędziowie nie która prezentowała bardzo wysoki i uznanie oraz nagrodę pieniężną potrafili usiedzieć w miejscu, za- poziom i rozwaliła na parkiecie nie w wysokości 500€ zasłużenie wy- tem przed rozpoczęciem pokazu jednego faceta. Niestety wraz grali Tony Rock i Flying Buddha oraz rundy eliminacyjnej mogli- z Cetowym przegrali walkę z z Top 9. śmy oglądać sędziów na rozgrza- rozstawioną ekipą nym do czerwoności parkiecie. z Włoch. Weekend spędzony w Austrii W jury tego wieczoru zasiadali utwierdził mnie w przekonaniu, Merlin - Foot Clan / USA, Crazy TOP 8: że nie rozmiar wydarzenia jest Pepsi Circle - Crazy Force Crew / Szwajcaria, - Polskee Flavour vs Top 9 znaczący, a energia jaką dają Freeze – GhostCrew / Szwecja. - Original South Kingz vs Prodigyy i biorą jego uczestnicy. Przeko- Industry 2010 PCI rozpoczęło się rundą elimina- - Floorgangz vs Balkan Mafia nałam się, że 40 ekip i około 500 cyjną, w której 32 duety walczyły - Hustle Kidz vs 0371 widzów potrafią zrobić odpowied- o wejście do głównej rundy. nią atmosferę. Podczas przerw nie Dnia 27 marca 2010r. W drugiej rundzie walka Polskee było mowy o odpoczynku. w austriackm Seekirchen Z eliminacji wyszło 8 ekip, które Flavour vs Top 9 to oooooogień. Od razu powstawały koła, odbyła się kolejna edycja następnie spotkały się z “The Cała walka poleciała na lekkiej w których szalały wszystkie koty. Pepsi Circle Industry Great 8”. Wśród rozstawionych spinie, jednak ta czwórka poka- Uwierzcie mi, było na co popa- – 2vs2 battles. ekip byli: zała klasę, paląc parkiet. Yarko i trzeć. Niesamowite przeżycia, Greku niestety przegrali tę walkę zbiór doświadczeń i duża dawka - Blanka & Tinoroc (Floorgangz / (werdyktem 2:1), ale energia wiedzy jaką przyjęłam na miejscu, Dania i Korea ) – obrońcy tytułu i umiejętności jakie pokazali wręcz rozsadziła moją głowę. - Flying Buddha & Tony Rock (Top niejednego powaliły tego dnia na Dziękuję, że mogłam tam być. 9 / Rosja) kolana! Polecam sprawdzić ten Było warto! - Xisco & Menno (Hustle Kidz / pojedynek w sieci. Holandia) Kolejnym wartym uwagi pojedyn- Połączenie profesjonalnej orga- - Mr. Keyz & Nass (Original South kiem była walka Hustle Kidz vs nizacji wydarzenia oraz soczystej Kingz/ Francja) 0371. Muszę przyznać że młodzi esencji kultury hip hop, sprawiło, - Max & Time F (0371 / Włochy) Holendrzy rozwalili ekipę z Italii że z ciężkim sercem opuszczałam - Greku & Yarko (Polskee Flavour bez dwóch zdań. Postawili na styl piękne miasto jakim jest Salzburg. / Polska) i to im się opłaciło. Pragnę podziękować za wszystko - El Rock & Mr. Iko (Balkan Mafia/ organizatorom Pepsi Circle Indu- Chorwacja) - Zwycięzcy PCI TOP 4: stry – Andy „Cosmic” i MikeTike. Balkan - Top 9 vs Original South Kingz To co zrobili wymagało nie lada - Domingo & Vitali (Prodigyy / - Floorgangz vs Hustle Kidz wysiłku. Austria) - Zwycięzcy PCI Austria Po rundzie eliminacyjnej skład W półfinale Floorgangz nie dało Przy okazji pragnę serdecznie TOP 16 kształtował sie następu- rady świeżej krwi Hustle Kidz, któ- zaprosić wszystkich na kolejną jąco: rzy w pięknym dynamicznym stylu edycję Pepsi Circle Industry. Co - Polskee Flavour vs 0371 Crew przebili się do finału. Ich energia prawda odbędzie się dopiero za (Delta & Leso) nie pozwoliła przeciwnikom wybić rok, ale warto uwzględnić to wy- - Top 9 vs Dizztrict 089 się ponad nich. Czyste sety, Fre- darzenie w swoim kalendarzu! - Original South Kingz vs Polskee estyle i dobre numery zaprowa- Flavour 2 / Funky Masons dziły ich prosto do walki finałowej. Peace - Prodigyy vs Return 2 Burn W przypadku Top 9 vs Original - Floorgangz vs Floor Riderz South Kingz, Flying Buddha txt: Aboo foto: Aboo 4 5 Floor Killaz Floor Killaz TSZZ Catz Claw Rocking Boyz Catz Claw Catz Claw Catz Claw Knockout Gang Knockout Gang Polski Spanish Funky Massons Freakish Style Funky Massons Funky Massons Funky Massons2 DDN Colorado Flava Colorado Flava Oczy Ważki Oczy Ważki Oczy Ważki Kingz Of Warsaw Funky Massons2 Sztewite Funky Massons2 Funky Massons2 Funky Massons2 Who Is It Lajony Kingz Lajony Kingz Azizi Wizjonerz Breaking Catz Breaking Catz Pepe i Blazi The Presidentz Beat Killaz The Presidentz The Presidentz Azizi Wizjonerz The Legendz Rocking Banditz Rocking Banditz Azizi Wizjonerz Azizi Wizjonerz Azizi Wizjonerz Sinior Squad Azizi Wizjonerz Young Flava2 Lajony Killaz Lajony Killaz Rockafellaz Stylowa Rockafellaz Rockafellaz Rockafellaz Bonnie & Clyde Bonnie & Clyde Skill Fanatikz Sweeping Crow Braterstwo Stylu Sweeping Crow Sweeping Crow 6 7 Untitled-1 1 10-03-17 15:13 Wydaje mi się, że jest to w dużej mierze zasługa dużych eventów typu Warsaw Chellange, które z roku na rok przyciąga - ją coraz więcej widzów a co za tym idzie zainteresowanie mediów, w których hip-hop jest coraz częstszym gościem. Oczywiście można polemizo - wać na temat niektórych programów,
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    Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University.
  • Synthesizing Dance and Conducting Pedagogy for Heightened Creativity

    Synthesizing Dance and Conducting Pedagogy for Heightened Creativity

    Inspiring Sound: Synthesizing Dance and Conducting Pedagogy for Heightened Creativity on the Podium By Matthew Dean Schlomer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Wind Conducting) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 2/7/12 The dissertation is approved by the following members of the Final Oral Committee: Scott D. Teeple, Associate Professor, School of Music James Smith, Professor, School of Music Dr. Teryl Dobbs, Assistant Professor, School of Music/Department of Curriculum & Instruction Kate Corby, Assistant Professor, Department of Dance Mary A. Brennan, Professor Emerita, Department of Dance i To my wife, Katie, and children, Claudia, Roy, and Evelyn. You have not only made this endeavor possible, but a wonderful journey we have shared together. Thank you for your tremendous support. ii ACKNOWLEDGMENTS I wish to thank: my mentor, advisor, and colleague, Scott Teeple, for his profound artistry and unwavering encouragement to seek out new information and opportunities; Dr. Mary “Buff” Brennan for her insights, sense of adventure, and the most delightful conversations in Lathrop Hall; Professor Kate Corby and Mary Hayne for your creative and patient instruction in moving the body expressively; Dr. Teryl Dobbs for your high standards and warm encouragement; and Professor James Smith for your mentorship and generosity of time and insight. I would also like to acknowledge my family and friends that helped and encouraged me in so many ways during the writing process: Gabriel and Christine Reilly, David and Michelle Schlomer, Paul Schlomer and Erin Grunze, David and Sarah Melander, David (Billy) Hagedorn and Marjolein Eweg, my parents Duane and Barbara Schlomer, Harold and Kathleen Hagedorn, and my colleagues and friends, Erik Jester and Paul Bhasin.
  • Josh Williams

    Josh Williams

    953 N COLE AVE HOLLYWOOD, CA 90038 TEL: 323-957-6680 Cell Phone: 323-680-3858 JOSH WILLIAMS NON-UNION HEIGHT: 5’9 EYES: Brown HAIR: Black TELEVISION TEEN CHOICE AWARDS (FOX) DANCER AMY ALLEN THE FLAMA (CHACHI GONZALES) DANCER WILLDABEAST SO YOU THINK YOU CAN DANCE DANCER NYGEL LYTHGOE STAGE/LIVE PERFORMANCE TEEN CHOICE AWARDS (JASON DERULO) DANCER AMY ALLEN ROSHON (CONCERT) DANCER ROSERO MCCOY THE W HOTEL DANCER ANZE SKRUBE CLUB JETE (TIFFANY BILLINGS) DANCER JOSH WILLIAMS 8TH WONDER DANCER JOSH WILLIAMS CARNIVAL 2014 (TIGHT EYEZ) DANCER TIGHT EYEZ CARNIVAL 2014 (WILLDABEAST) DANCER WILLDABEAST CARNIVAL 2014 (ANTOINE TROUPE) DANCER ANTOINE TROUPE WORLD OF DANCE “SEATTLE 2013” (3rd) DANCER MYRON MARTEN WORLD OF DANCE “BAY AREA 2013” DANCER MYRON MARTEN WORLD OF DANCE “BAY AREA 2012” DANCER MYRON MARTEN UNRATED 2013 DANCER KOLANIE MARKS YTF GLOBAL TOUR YOUTUBE DANCER D-TRIX MUSIC VIDEOS TANK – DANCE WITH ME (LOVE STEP) DANCER ZENA FOSTER TANK – YOU’RE MY STAR DANCER GALEN HOOKS E-40 T.I. CHRIS BROWN – EPISODE DANCER ANTOINE TROUPE E-40 – BAMBOO DANCER FEATURED PHARELL WILLIAMS – HAPPY DANCER FEATURED JASON DERULO – TRUMPETS DANCER FEATURED MATT KEARNY – HEARTBEAT DANCER FEATURED CHIP CHOCOLATE – COOKIE DANCE DANCER FEATURED BRETT KISSEL – RAISE YOUR GLASS DANCER FEATURED COMMERCIALS DESPERADO BEER COMMERCIAL DANCER FEATURED COMEDY CENTRAL PROMO “MARTY PARTY” DANCER FEATURED TIME WARNER CABLE DANCER FEATURED SPECIAL SKILLS HIP HOP, BONE BREAKING, KRUMP, HOUSING, BREAKING, BASKETBALL, FOOTBALL, TRACK & FIELD, BASEBALL, ROLLERBLADING, SWIMMING, BIKING, TRICKING, TURFING, POPPING,TUTTING,WAVING. .
  • Danc-Dance (Danc) 1

    Danc-Dance (Danc) 1

    DANC-DANCE (DANC) 1 DANC 1131. Introduction to Ballroom Dance DANC-DANCE (DANC) 1 Credit (1) Introduction to ballroom dance for non dance majors. Students will learn DANC 1110G. Dance Appreciation basic ballroom technique and partnering work. May be repeated up to 2 3 Credits (3) credits. Restricted to Las Cruces campus only. This course introduces the student to the diverse elements that make up Learning Outcomes the world of dance, including a broad historic overview,roles of the dancer, 1. learn to dance Figures 1-7 in 3 American Style Ballroom dances choreographer and audience, and the evolution of the major genres. 2. develop rhythmic accuracy in movement Students will learn the fundamentals of dance technique, dance history, 3. develop the skills to adapt to a variety of dance partners and a variety of dance aesthetics. Restricted to: Main campus only. Learning Outcomes 4. develop adequate social and recreational dance skills 1. Explain a range of ideas about the place of dance in our society. 5. develop proper carriage, poise, and grace that pertain to Ballroom 2. Identify and apply critical analysis while looking at significant dance dance works in a range of styles. 6. learn to recognize Ballroom music and its application for the 3. Identify dance as an aesthetic and social practice and compare/ appropriate dances contrast dances across a range of historical periods and locations. 7. understand different possibilities for dance variations and their 4. Recognize dance as an embodied historical and cultural artifact, as applications to a variety of Ballroom dances well as a mode of nonverbal expression, within the human experience 8.