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The B-Boy Summit Internationally Acclaimed B-Boy/B-Girl Event
THE B-BOY SUMMIT INTERNATIONALLY ACCLAIMED B-BOY/B-GIRL EVENT Produced by No Easy Props OVERVIEW The B-boy Summit continues to be a major trendsetter in Hip-Hop street dance, art and music culture. Established in 1994, The Summit presented innovative ideas in Hip-Hop culture, offering a conference forum complete with competitions, performances, panels, workshops, and a marketplace for consumer friendly products marketed toward the Hip-Hop community. Never content with success, The B-boy Summit continues its mission to bring the hottest street dance, art, and music above ground to the masses. The B-boy Summit has grown into an internationally acclaimed 3 day festival incorporating all aspects of Hip-Hop in different plateaus, including the most intense battles, rawest circles, theatre performances, a DJ/MC Talent Showcase and live aerosol art painting. The B-boy Summit was created in 1994 out of the need for a community orientated Hip-Hop event that encompassed knowledge of the history of Hip-Hop culture and the skills of B-boying and B-girling. At that point in time B-boys and B-girls didn’t have a platform in which to come together, dance and pay homage to the traditional dance of Hip-Hop. Each year the event has expanded to encompass B-boys, B-girls, MCs, Aerosol Artists, and DJs from across the globe, steadily building into what is now the foremost Hip-Hop cultural event in the world. More recently, The Summit has become one of the most important events for Lockers, Poppers, Freestyle and House Dancers to take part in during The Summit’s Funk Fest. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Boston Ballet Announces 2017 Bb@Home Series
MEDIA CONTACTS: Toni Geheb, (617) 456-6236, [email protected] Lillian I, (617) 456-6235, [email protected] Sarah Gledhill, (617) 456-6264, [email protected] BOSTON BALLET ANNOUNCES 2017 BB@HOME SERIES PROGRAMS HIGHLIGHT BOSTON BALLET’S NEW FIVE-YEAR PARTNERSHIP WITH WILLIAM FORSYTHE AND THE TALENT OF BOSTON BALLET II January 11, 2017 (BOSTON, MA)—Boston Ballet is pleased to announce its BB@home performance series for the 2016–2017 season. Boston Ballet II (BBII), Boston Ballet’s second company, will present a range of diverse repertoire January 21–22, 2017 at 7:30 pm. On February 10, 2017 at 7:30 pm, BB@home: “Focus on Forsythe” will feature a conversation with world-renowned choreographer William Forsythe and Artistic Director Mikko Nissinen, with excerpts from Forsythe’s masterpiece Artifact. All BB@home performances take place in Boston Ballet’s grand rehearsal studio at its South End headquarters, which transforms into an intimate, state-of-the-art black box theater. BB@home with Boston Ballet II For the January BB@home, BBII will present George Balanchine’s rarely-performed Haieff Divertimento, “an intimate, appealingly human gem” (Sarah Kaufman, The Washington Post). Other program highlights include Jaime Sierra’s energetic, all-male ensemble work LEGIÓN with music by “avant garde” cellist Zoë Keating (Chrissie Dickinson, Chicago Tribune), and Laurie Jones’ classical Drigo Divertissements, a work that “nurtures a joyous appetite for movement” (Jennifer Dunning, The New York Times). The young ensemble will also perform a preview of a newly commissioned work by Jill Johnson, Dance Director at Harvard University and dancer/collaborator with choreographer William Forsythe. -
BEYOND BALLET a Town Hall on the State of Ballet and Diversity
FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory. -
Dance Majors
Ready to take the leap? DANCE MAJORS: Supporting positioned for success Dance studies at Walnut Hill provide a solid foundation for the continuation of artistic pursuits while also developing skills like YOUNG ARTISTS confidence, collaboration, and persistence that will serve you well in any number of future endeavors. We couple those skills We’re guessing that you already have a passion for dance with a rigorous academic program, and as a result, you are in one (or several) of its many forms: ballet, modern dance, poised for success. jazz. Maybe you’ve been a “dance kid” for years and gravitate Walnut Hill Dance students have continued their studies toward other like-minded kids, or maybe it’s something that at some of the world’s best colleges, conservatories, and has more recently taken hold of you. companies including: Whether your love for dance is long-standing or somewhat more recent, we thought we’d start from first position to give Alberta Ballet The Juilliard School you an idea of what it’s like to be a Dance major at Walnut Hill Alvin Ailey Dance Theater Kansas City Ballet School for the Arts, and show you where an education here at Barnard College Nashville Ballet Walnut Hill can take you. Ballet Austin National Ballet of Canada Boston Ballet New York City Ballet The Boston Conservatory Orlando Ballet Boston University Pacific Northwest Ballet Ballet Hispanico Pennsylvania Ballet Ballet San Antonio Princeton University Butler University Purchase College (SUNY) Colorado Ballet Richmond Ballet Complexions Contemporary Royal -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
“DANCE SERIES 01” in CARMEL March 23 & 24, 2018
SMUIN PRESENTS “DANCE SERIES 01” IN CARMEL March 23 & 24, 2018 Program includes: Requiem for a Rose by Annabelle Lopez Ochoa Fly Me to the Moon by Michael Smuin Serenade for Strings by Garrett Ammon SAN FRANCISCO, CA (22 February 2018) — Smuin, after a successful run of its annual holiday extravaganza The Christmas Ballet, returns to Carmel with Dance Series 01. Continuing its 24th season, this program includes Annabelle Lopez Ochoa’s critically lauded and transcendent piece Requiem for a Rose. Ochoa is an internationally acclaimed choreographer who creates contemporary dance works and also adapts her style for classical ballet companies. At its West Coast premiere with Smuin in fall 2017, San Francisco Classical Voice described the piece as “perfection!” Also on the program is Michael Smuin’s joyful tribute to Ol’ Blue Eyes, Fly Me to the Moon, hailed as “delicious” by the San Francisco Chronicle. This blend of ballet and popular dance is the embodiment of the smooth and stylish melodies that have inspired generations, including Sinatra’s renditions of “I’ve Got You Under My Skin” and “The Lady is a Tramp.” Rounding out the bill is the return of Garrett Ammon’s bold Serenade for Strings. Set to Tchaikovsky’s score of the same name, this work is a vibrant new interpretation of a piece inexorably tied to the iconic 1934 Balanchine ballet. Upon making its West Coast premiere with Smuin in October 2014, the San Francisco Chronicle noted that “the whole cast danced it vibrantly and flawlessly.” The Dance Series 01 program debuted in San Francisco last fall, with San Francisco Classical Voice describing the program as “terrific…in tune with the demand for ballets that aren’t the same old!” Dance Series 01 will be presented March 23-24 at the Sunset Center in Carmel. -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
JAY CHRIS MOORE CHOREOGRAPHER I INSTRUCTOR I CREATIVE DIRECTOR (818) 669-2219 [email protected] MOB MANAGEMENT Booking: [email protected] ABOUT JAY CHRIS
JAY CHRIS MOORE CHOREOGRAPHER I INSTRUCTOR I CREATIVE DIRECTOR (818) 669-2219 [email protected] MOB MANAGEMENT booking: [email protected] ABOUT JAY CHRIS Jay Chris Moore is a teacher, director, and choreographer born and raised in LA. With his roots as a street dancer, he has formulated a style of choreography based off the fundamentals of hip hop and freestyle. TEACHING EXPERIENCE THE MOB DANCE COMPANY DIRECTOR/CHOREOGRAPHER AMDA COLLEGE AND CONSERVATORY INSTRUCTOR DEBBIE REYNOLDS DANCE STUDIO INSTRUCTOR INTERNATIONAL DANCE ACADEMY INSTRUCTOR PLAYGROUND L.A. GUEST INSTRUCTOR MILLENNIUM DANCE COMPLEX GUEST INSTRUCTOR KINJAZ DOJO GUEST INSTRUCTOR PROFESSIONAL SKILLS MILLENNIUM DANCE COMPLEX O.C. GUEST INSTRUCTOR URBAN MOVES WORKSHOP UKRAINE MASTERCLASS INSTRUCTOR ARTIST DEVELOPMENT CREATIVE DIRECTING THE LAB CREATIVE ARTS STUDIO INSTRUCTOR/CHOREOGRAPHER COMPETITION CHOREOGRAPHY STEEZY INSTRUCTOR/CHOREOGRAPHER WORKSHOPS MASTERCLASSES CHAPKIS DANCE STUDIO MASTERCLASS INSTRUCTOR SEMINARS MYWAY DANCE CENTRE MASTERCLASS INSTRUCTOR MUSIC MIXING STAGING CHAPKIS DANCE STUDIO ITALY CHOREOGRAPHER COSTUMING MASTERCLASSES CONT.: STUDIO MISSION TOKYO, TRIPLE THREAT D ANCE ACADEMY, SUPREME DANCE STUDIO CHICAGO, VISCERAL DANCE CHOREOGRAPHY STYLES S TUDIO CHICAGO, LEVEL DANCE COMPLEX NEW JERSEY, I AM PHRESH PHILLY, PHUNK PHENOMENON BOSTON HIP HOP KRUMP HOUSE JUDGING EXPERIENCE LOCKING POPPING WORLD OF DANCE BAY AREA, WORLD OF DANCE CHICAGO, BREAKING COLLABORATION URBAN DANCE COMPETITION, URBAN STREET JAM, EVOLUTION URBAN DANCE COMPETITION, KIDZ CARNIVAL, PRELUDE SOCIAL MEDIA STAGE CREDITS fb.me/jaychrismoore ARTISTS: USHER, MISSY ELLIOTT, M.C. HAMMER, LMFAO, KEKE PALMER, SHARYA J, TISHA CAMPBELL, SNOOP DOGG, BLACK @jaychrismoore EYED PEAS @jaychrismoore TELEVISION: AMERICA'S GOT TALENT, LIVE TO DANCE, APPLE IPOD "TECHNOLOGIC" COMMERCIAL, SUPERBOWL XLV . -
Synthesizing Dance and Conducting Pedagogy for Heightened Creativity
Inspiring Sound: Synthesizing Dance and Conducting Pedagogy for Heightened Creativity on the Podium By Matthew Dean Schlomer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Wind Conducting) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 2/7/12 The dissertation is approved by the following members of the Final Oral Committee: Scott D. Teeple, Associate Professor, School of Music James Smith, Professor, School of Music Dr. Teryl Dobbs, Assistant Professor, School of Music/Department of Curriculum & Instruction Kate Corby, Assistant Professor, Department of Dance Mary A. Brennan, Professor Emerita, Department of Dance i To my wife, Katie, and children, Claudia, Roy, and Evelyn. You have not only made this endeavor possible, but a wonderful journey we have shared together. Thank you for your tremendous support. ii ACKNOWLEDGMENTS I wish to thank: my mentor, advisor, and colleague, Scott Teeple, for his profound artistry and unwavering encouragement to seek out new information and opportunities; Dr. Mary “Buff” Brennan for her insights, sense of adventure, and the most delightful conversations in Lathrop Hall; Professor Kate Corby and Mary Hayne for your creative and patient instruction in moving the body expressively; Dr. Teryl Dobbs for your high standards and warm encouragement; and Professor James Smith for your mentorship and generosity of time and insight. I would also like to acknowledge my family and friends that helped and encouraged me in so many ways during the writing process: Gabriel and Christine Reilly, David and Michelle Schlomer, Paul Schlomer and Erin Grunze, David and Sarah Melander, David (Billy) Hagedorn and Marjolein Eweg, my parents Duane and Barbara Schlomer, Harold and Kathleen Hagedorn, and my colleagues and friends, Erik Jester and Paul Bhasin. -
Josh Williams
953 N COLE AVE HOLLYWOOD, CA 90038 TEL: 323-957-6680 Cell Phone: 323-680-3858 JOSH WILLIAMS NON-UNION HEIGHT: 5’9 EYES: Brown HAIR: Black TELEVISION TEEN CHOICE AWARDS (FOX) DANCER AMY ALLEN THE FLAMA (CHACHI GONZALES) DANCER WILLDABEAST SO YOU THINK YOU CAN DANCE DANCER NYGEL LYTHGOE STAGE/LIVE PERFORMANCE TEEN CHOICE AWARDS (JASON DERULO) DANCER AMY ALLEN ROSHON (CONCERT) DANCER ROSERO MCCOY THE W HOTEL DANCER ANZE SKRUBE CLUB JETE (TIFFANY BILLINGS) DANCER JOSH WILLIAMS 8TH WONDER DANCER JOSH WILLIAMS CARNIVAL 2014 (TIGHT EYEZ) DANCER TIGHT EYEZ CARNIVAL 2014 (WILLDABEAST) DANCER WILLDABEAST CARNIVAL 2014 (ANTOINE TROUPE) DANCER ANTOINE TROUPE WORLD OF DANCE “SEATTLE 2013” (3rd) DANCER MYRON MARTEN WORLD OF DANCE “BAY AREA 2013” DANCER MYRON MARTEN WORLD OF DANCE “BAY AREA 2012” DANCER MYRON MARTEN UNRATED 2013 DANCER KOLANIE MARKS YTF GLOBAL TOUR YOUTUBE DANCER D-TRIX MUSIC VIDEOS TANK – DANCE WITH ME (LOVE STEP) DANCER ZENA FOSTER TANK – YOU’RE MY STAR DANCER GALEN HOOKS E-40 T.I. CHRIS BROWN – EPISODE DANCER ANTOINE TROUPE E-40 – BAMBOO DANCER FEATURED PHARELL WILLIAMS – HAPPY DANCER FEATURED JASON DERULO – TRUMPETS DANCER FEATURED MATT KEARNY – HEARTBEAT DANCER FEATURED CHIP CHOCOLATE – COOKIE DANCE DANCER FEATURED BRETT KISSEL – RAISE YOUR GLASS DANCER FEATURED COMMERCIALS DESPERADO BEER COMMERCIAL DANCER FEATURED COMEDY CENTRAL PROMO “MARTY PARTY” DANCER FEATURED TIME WARNER CABLE DANCER FEATURED SPECIAL SKILLS HIP HOP, BONE BREAKING, KRUMP, HOUSING, BREAKING, BASKETBALL, FOOTBALL, TRACK & FIELD, BASEBALL, ROLLERBLADING, SWIMMING, BIKING, TRICKING, TURFING, POPPING,TUTTING,WAVING. . -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.