DOCSLIB.ORG

SYDNEY Edited and Introduced by Tim Flannery

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SYDNEY Edited and Introduced by Tim Flannery EURI:-KA srm:-er TEXT PUBLISHING THE BIRTH O F Special Book Offer THE BIRTH OF SYDNEY Edited and introduced by Tim Flannery SYDNEY!:DITtO AHD INT RODUCED BY This is a book to treasure even if you come from Adelaide or Perth. Tim Flannery's The Birth of Sydney is a keyhole on Australia's formative history, TIM FLANNERY concentrating on the early days in Sydney, but in the process illuminating parts of Australian history that have been hidden, lost or forgotten. It's also a rollicking tale of a particular city. Here are the stories that made the city of Sydney: the riotous debauchery of the convicts as lightning crackled above, the great Eora leader Bennelong joking with Arthur Phillip moments before the governor was speared, the enigmatic love of William Dawes and Patyegarang inscribed in a forgotten diary, all the brutality, humour and unpredictable tenderness of a frontier city. Thanks to Text Publishing, Emel<a Street has 15 copies of The Birth of Sydney to give away. Ju st put your name and address on the back of an envelope and send it to: Emel<a Street January/February Book Offer, PO Box 553, Richmond, VIC, 3 121. AUSTRALIAN T'Relax with God and BOOK REVIEW Minister to Yourself! FEB/MAR Ken Gelder on Accounting for Tastes: Integrate theo logy, spirituality, ministry Australian Everyday Cultures and personal deve lopment through a sabbati cal specifically designed for Nick Hudson on mid-life persons. The Australian Oxford Dictionary Deepen your journey with God enriched Anthony Macris on Samuel Beckett by men and women from diverse cultu res. Nurture your heart and so ul in a holi sti c Peter Pierce on env ironmen t in the San Francisco Day area . The Imaginary Australian OI'TIONS: Richard Hall on Nine Months, Fall or Spring Inside the Canberra Press Gallery SCHOOL Of API•LJEO THEOLOGY Audit, Credit or M.A. Graduate Theological Union nocuu/hoard available ou site Adrian Martin on 2400 Ridge Road, Berkeley CA 94709 Partial Scholarships The Oxford Companion to Australian Film E-mail: [email protected] For a Free Brochure, call; Website: http://www.satgtu.org/ HOn/1!31 -0555, nr 510/652-165 I New Subscnbers $55 for ten issues plus a free book Serving religious, clergy and laity sin ce I 960. Fax: SIU/-U0-05.t2 Ph (03) 9429 6700 or Fax (03) 9429 2288 Volume 10 Number 1 EURI:-KA SJRI:-ET January- February 2000 A magazine of public affairs, the arts and theology 22 ALL WORK AND NO PLAY? Brian Howe and Anthony O'Donnell argue that the Government is asking all the wrong questions about welfare, so When you're holed CoNTENTS we'll get all the wrong answers. up in the bunker 26 SHEDDING NEW LIGHT ON THE LAW at three minutes 4 Photo essay by Bill Thomas after midnight, COMMENT and Morag Fraser. With Paul Durcan, Morag Fraser and with a guttering Andrew Hamilton. 30 HOMESICK candle, a dozen 7 Essay by Mark Mordue. CAPITAL LETTER tins of bal{ed 34 8 beans, a 20-litre LETTERS ~~cz....- Rt.'\d~~ Michael McKernan on the container of 10 new biographies of Curtin and THE MONTH'S TRAFFIC Menzies; Brigid Arthur reviews No Frills spring With Steve Sinn, Beth R. Crisp, Blazing a Trail, Anne O'Brien's Maggie Helass and Graham Apthorpe. account of Catholic education water, and fighting (p36); Catriona Jackson savours The Oxford Companion to Food over the last sheet 11 COGITO (p38 ); Peter Craven reviews With Denis Minns. J.M. Coetzee's Booker of toilet paper, Prize-winning Disgrace (p40). console yourself 13 ARCHIMEDES 42 with the thought MAL MORGAN, 1935- 1999 14 Alex Skovron remembers a fellow poet. that life could be THE WHEN ALL ELSE FAILS, CRASHES AND BLACKS OUT SUMMER QUIZ 43 worse-there's MUSIC 16 Peter Craven reviews the season's always the Eureka LAO LEARNING CURVE highlights. Mark Deasey learns a lesson in Laos. Street Quiz. See 46 page 14 and weep. 17 THEATRE POETRY Geoffrey Milne on performance theatre. 'After Twenty Years', by Thomas Front and back cover: two views of the staircase in the new Melbourne Shapcott; 'Unevensong' and 'Gravity 48 Commonwealth Law Courts. Moment' by Dan Disney (p18); 'Late FLASH IN THE PAN Photographs by Bill Thomas. Lines' by Peter Porter (p40); 'Lightness' by Reviews of the films Buena Vista Social Design by Siobhan Jackson. Chris Wallace-Crabbe (p41); 'The One Club; The Dinner Game; Fight Club; Graphics pp 10, 18,30-33 by Siobh an Jackson. That Got Away' by Kate Llewellyn (p41) Happy Texas; The Blair Witch Project and Cartoon p 12 by Peter Fraser. and 'N ew Year's Eve, 1999' Cirque du Soleil-fourney of Man. Photographs pl6 by Mark D easey. by Paul Durcan (p4). Eureka Street m agazine 50 Jesuit Publicati ons 19 WATCHING BRIEF PO Box 553 IRAN: DIVIDED REVOLUTION Richmond VIC 3 121 Tel (03) 9427 73 11 Anthony Ham on the complex path of 51 Fax (03) 9428 4450 reform in Iran. SPECIFIC LEVITY V OLUM E 10 N UMBER l • EUREKA STREET 3 COMMEN T: 1 EURI:-KA SJRI:-Er P AuL D uRCAN A m agazine of pub lic affairs, the arts and theol ogy G en eral m anager Joseph Hoo Editor New Year's Eve, 1999 Morag Fraser Assistant editor Thank Ophelia that's all over­ Ka te M an ton Eileen Dubh, Greta Carbo­ Graphic designer One thousand years of teen s! Siobhan Jackson But will our twenties Publisher Be any wonderfuller? Michael McGirr SJ Up the cul-de-sac behind every disco, Production m anager: Sylvana Scannapiego Creeps & fiends? Administration m anager: Mark Dowell Editorial and production assistants 0 tomorrow let 's be Warm Juliette Hughes, Paul Fyfe SJ, Geraldine Ba ttersby, Ben Hider Who today are Cool. Contributing editors Adelaide: G reg O 'Kelly SJ, Perth: D ean Moore It's 3001 I pine for: Sydney: Edmu nd Campion, G erard Windsor The treeline of fi ction; Queensland: Peter Pierce Children of the N ew Forest; United Kingdom correspondent Our Lady of the Fertile Rock; Denis Minns OP You and I- South East Asia correspon dent A pilot and a doctor Jon Greenaway Of the fertile ice. Jesuit Editorial Board Peter L'Estrange SJ, Andrew Bullen SJ, Andrew H amil ton SJ 0 tomorrow let's be Wa rm Peter Steele SJ, Bill Uren SJ Who today are Cool. Marketing m anager: Rosanne Turner Advertising representative: Ken Head What a cheesy scene Subscription man ager: Wendy Marlowe Adolescence has been! Adm inistration and distribution The Black Plague when I was thirteen, Lisa Crow, Mrs Irene Hunter, Kristen Harrison Wars of Religion at sixteen, Patrons Famine at eighteen, Eurelw Street gratefully ackn owledges the AIDS when I was nineteen, support of C. and A. Carter; the Crom well, Hitler in-between. trustees of the estate of Miss M . Condon; W.P. & M .W. Gurry 0 tomorrow let's be Warm Eurel< a Street magazine, ISSN 1036- 1758, Australia Post Print Post approved pp349 18 1/003 14, Who toda y are Cool. is published ten tim es a year by Eureka Street Magazine Pty Ltd, 300 Victori a Street, Ri chmond, Victoria 3 121 Count down to 11.27, Tel: 03 942 7 73 11 Fax : 03 9428 4450 Nuzzle noses at 11 .38, email: [email protected] esuit.org.au http:/ j ww w .openplanet.com.a ujeureka/ Fire off our retro-rockets at 11.49, Responsibility for editorial content is accepted by Up into our goosepimples at 11 .53, Michael McGirr SJ, 300 Victoria Street, Rich m ond. Zapping in the Eye of Midnight Printed by Doran Printing, 46 Industrial Drive, Bra eside VT C 3 195 . A space shuttle docking- spraying soft slow sticky © Jesuit Publ icati ons 2000 stuff o'er all the beanbags and the screens! Unsolicited manuscr ipts, including poetry and fi cti on, will be returned onl y if accompanied by Another small-screen step for kinderkind! a stamped, self-a ddressed envelope. Requests fo r permission to reprint materi al from the magazine should be add ressed in writing to: 0 tomorrow let's be Warm The editor, Eureka Street m agazine, Who today are Cool. PO Box 553, Ri chmond VIC 3 12 1 Paul Durcan 4 EUREKA STREET • JAN UARY-FEBRUARY 2000 COMMENT: 2 MORAG FRASER Angling in the new century ,:~~ ~ T, !ROSH POET, Paul ~ Judgment, we have forgotten Durcan, opens the New Year what makes for a healthy for us with the refrain '0 society, and the questions tomorrow let's be Warm/ being posed by government Who today are Cool.' are the wrong ones. You might add a nod to Because it is summer and irony when reading what because summer allows a Durcan-or any poet-writes. corner of leisure, there is But irony's not a bad caution poetry to read-in unusual at the start of a new venture- quantity. Poetry doesn't bow an acknowledgement that low before institutions, but it complexity goes ann-in-arm with hope. does pay them the courtesy of scrutiny. The essay We begin the year 2000, Eureka Street's tenth year and books in our summer reading sections are of publication, by taking a fresh look at the necessary variously diverting (on food and climbing trees), baggage we carry with us as we move into new informative (on Catholic education) and provocative territory, new time. This month-and indeed through­ (on prime ministers). And when you have finished out 2000-it will be Australian institutions that with them you can retreat into the riddling maze of occupy us.
Load more

Recommended publications
  • Anthony Warlow
    REWARDSVISITOR INSIDE 1803 MAPS•VISITOR REWARDS•EVENTS•SHOPPING•DINING•ATTRACTIONS LUCY ANTHONY JEMMA WARLOW RIX DURACK AND SAMANTHA DODEMAIDE ANDREW LLOYD WEBBER’S NEW PRODUCTION OF ALL THE CLASSICS PLUS NEW SONGS BY TIM RICE & ANDREW LLOYD WEBBER FROM 15 MAY • REGENT THEATRE WIZARDOFOZTHEMUSICAL.COM Download this issue to your mobile device at www.hellomelbourne.com.au NaturalAdorn yourself Attractionwith natural beauty OVERSEAS VISITORS MENTION THIS HELLO MELBOURNE ADVERT TO RECEIVE YOUR FREE OPAL GIFT! The foreign currency experts. ■ Exchange over 60 currencies ■ Open late and on weekends ■ 30+ Melbourne locations ■ Best Price Guarantee+ CBD Locations • 250 Flinders Street • 385 Bourke Street • 97 Swanston Street • Bourke Street Mall • 142 Elizabeth Street • Melbourne Central • Southern Cross Station 1300 768 021 travelmoneyoz.com +Terms and conditions apply. Whether you are buying or selling your foreign currency, we guarantee to beat any Australian competitor’s overall transaction price by $1AUD, or we will give you $100AUD. Our guarantee applies to all the foreign currencies we trade. What do we need from you? Simply bring us an official written quotation or show us a published rate available to the public from a competitor. Visit us in store or online at travelmoneyoz.com for full details. Travel Money Currency Exchange Pty Ltd trading as Travel Money Oz. ABN 46 121 451 723. history THE HISTORY OF MELBOURNE The city’s origins lie in a surge in for granted, but Melbourne was not nineteenth century urbanisation predetermined or inevitable. It was which ringed the Pacific with a established by speculators technically network of bustling commercial in breach of the law.
    [Show full text]
  • University of Wollongong Campus News August 1980
    THE UNIVERSITY OF WOLLONGONG CAMPUS NEWS VOL. 6 NO. 6 AUGUST 1980 A GRAND NEW NOTE University of Wollongong graduate Andrew Snedden practising on the University''s new grand piano. The piano will make its official debut at a concert in the Union Hall on Sept­ ember 12. - Piano After five years of planning and fund raising, the University of Woll­ piano was purchased) said the piano was makes worth $8,740. She said Yamaha was de­ ongong has finally had delivered a lighted to provide tertiary institutions with brand new Yamaha concert grand top quality instruments that would be used piano. for concerts and would attract top artists concert to the region. The piano arrived this month and a Those performing at the Inaugural special Inaugural Concert will be held on Concert include Keith Johns (piano), 12th September at the Union Hall where Helen Mandl (vocal). Rod McConehie the piano will make Its debut at the hands (vocal), Janet Morris (vocal), Karen Segal of some of Wollongong's most promising debut (violin), Rosalie Segal (cello), Andrew musicians. from a ball held at the University and from Snedden (piano), Richard Tognetti (violin) concerts. Funds raised totalled $2,70058. and David Vance (piano). The planning for the piano began during At this stage Yamaha offered its special University Year (1975) and the piano fund deal for tertiary Insitutions and said the The new piano will be used in eacH was launched from the profits of Wollongong piano could be purchased for $4,795 which performance either solo or as accompani­ Festival of Music held in 1975 by thb is virtually at half its worth.
    [Show full text]
  • CHAPTER 5 EPILOGUE It Has Been My Aim in This Thesis to Address a Two-Fold Proposition. Informed by My Reading of the Work of Gi
    CHAPTER 5 EPILOGUE It has been my aim in this thesis to address a two-fold proposition. Informed by my reading of the work of Gilles de Van, I have discovered that Verdi wished to realize a concept which he called posizione. He provided musical strategies which would delineate characters in their subjective and objective ‘position’ with regard to circumstance and to their relationship with other characters at any given moment of the operatic narrative. The term posizione was intended to denote a musico-dramatic mapping of the co-ordinates which could pinpoint this relationship. With Verdi’s concept in view I have investigated the posizione of Violetta Valéry’s character as it has evolved throughout the course of the operatic narrative of La traviata. In addressing the second facet of my proposition I have taken the term posizione into the broader context of its social implications for the character of Violetta and for women of suspect moral status. In order to do this I have investigated the literary and factual provenance of the narrative and the contemporary response of Despite Budden’s own speculative objection to the notion that Verdi compared Violetta with Giuseppina Strepponi, the possibility remains that the courtesan character elicited a special sympathy from Verdi. The life of Alexandre Dumas fils is the origin from which the narrative of La traviata is drawn. Dumas fils turned the experience of his own liaison with the courtesan Marie Duplessis into the novel La Dame aux Camélias which he later adapted for the stage. As characterized by Dumas, Duplessis, transformed into the more noble Marguerite Gautier, renounced her own happiness in order to save the reputation of the family to whom her lover Armand 192 Duval belonged.
    [Show full text]
  • Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir
    Noël! Noël! Featuring the Brandenburg Choir Noël! Noël! Featuring the Brandenburg Choir Morgan Balfour (San Francisco) soprano 2019 Australian Brandenburg Orchestra Brandenburg Choir SYDNEY Matthew Manchester Conductor City Recital Hall Paul Dyer AO Artistic Director, Conductor Saturday 14 December 5:00PM Saturday 14 December 7:30PM PROGRAM Wednesday 18 December 5:00PM Mendelssohn Hark! The Herald Angels Sing Wednesday 18 December 7:30PM Anonymous Sonata à 9 Gjeilo Prelude MELBOURNE Eccard Ich steh an deiner Krippen hier Melbourne Recital Centre Crüger Im finstern Stall, o Wunder groβ Saturday 7 December 5:00PM Palestrina ‘Kyrie’ from Missa Gabriel Archangelus Saturday 7 December 7:30PM Arbeau Ding Dong! Merrily on High Handel ‘Rejoice greatly, O daughter of Zion’ NEWTOWN from Messiah, HWV 56 Friday 6 December 7:00PM Head The Little Road to Bethlehem Gjeilo The Ground PARRAMATTA Tuesday 10 December 7:30PM Vivaldi La Folia, RV 63 Handel Eternal source of light divine, HWV 74 MOSMAN Traditional Deck the Hall Wednesday 11 December 7:00PM Traditional The Coventry Carol WAHROONGA Traditional O Little Town of Bethlehem Thursday 12 December 7:00PM Traditional God Rest Ye Merry, Gentlemen Palmer A Sparkling Christmas WOOLLAHRA Adam O Holy Night Monday 16 December 7:00PM Gruber Stille Nacht Anonymous O Come, All Ye Faithful CHAIRMAN’S 11 Proudly supporting our guest artists. Concert duration is approximately 75 minutes without an interval. Please note concert duration is approximate only and subject to change. We kindly request that you switch off all electronic devices prior to the performance. This concert will be broadcast on ABC Classic on 21 December at 8:00PM NOËL! NOËL! 1 Biography From our Principal Partner: Macquarie Group Paul Dyer Imagination & Connection Paul Dyer is one of Australia’s leading specialists On behalf of Macquarie Group, it is my great pleasure to in period performance.
    [Show full text]
  • Key Personnel Bios
    2018 TMO COMPOSER DEVELOPMENT PROGRAM KEY PERSONNEL BIOS a) THE METROPOLITAN ORCHESTRA Under the Baton of Founding Artistic Director & Chief Conductor Sarah-Grace Williams, The Metropolitan Orchestra(TMO) is recognised as one of the country’s most versatile orchestras delivering accessiBle, first-class and viBrant concert experiences. TMO’s annual season includes a variety of events tailored to different demographics from their highly acclaimed and regularly sold-out Met Concert series, to audience outreach programs, development programs for composers and performers, performances for young audiences and newly arrived refugees, interstate tours, free concerts and more. The orchestra’s sparkling eight year history includes a star-studded array of special events including performances with Sumi Jo (Opera House), David Helfgott (City Recital Hall), Elaine Paige (State Theatre), John Farnham with Olivia Newton-John (Entertainment Centre and Tempus Two), James Morrison (The Concourse), Kate CeBerano (Opera House); special events such as BBC’s Blue Planet and Planet Earth in Concert (Opera House), Doctor Who Symphonic Spectacular (Opera House and Entertainment Centre), Opera in the Vineyards (Wyndham Estate and Roche Estate), the National RugBy League Grand Final and sailing the South Pacific annually as resident orchestra aboard the Bravo! Cruise of the Performing Arts. Other renowned artists who have appeared with TMO include Jose Carreras, Kiri Te Kanawa, Anthony Warlow, Teddy Tahu Rhodes, Antoinette Halloran, David HoBson, Marina Prior,
    [Show full text]
  • Manyfaces of Inspiration Conversations on Australian Creativity
    William Barton Bruce Beresford Tony Bilson Wendy Blacklock Joan Carden Geoffrey Chard David Clarkson Michael Crouch Rosemary Crumlin Tania De Jong Ross Edwards Robert Gard Stephen Kovacevic Greta Lanchbery Justin Macdonnell David Malouf John McCallum Elisabeth Murdoch Ted Myers Roland Peelman Helena Rathbone Rodney Seaborn John Shaw ManyFaces of Inspiration Conversations on Australian Creativity Dinah Shearing Rachael Swain ANTONY Ken Tribe Googie Withers JEFFREY Martin & Peter Wesley-Smith Many Faces of Inspiration — Antony Jeffrey.indd 1 2/09/10 4:52 PM ntony Jeffrey has worked A in arts management since 1975 when he joined the Australia Council as Music Board director. He was the first general manager of the Australian Chamber Orchestra and for many years has maintained a close association with the orchestra. Prior to that he was commercial manager of the Australian Opera. More recently he was general manager of the Song Company until 2009. He originally trained as an accountant with Price Waterhouse, where he worked in Australia and overseas until his passion for music seduced him into the professional music scene. Since that time, in addition to his executive appointments, he has worked as director or consultant to many arts organisations including the Australian Ballet, Melbourne Theatre Company, Lyric Opera of Queensland, Musica Viva, Australian Brandenburg Orchestra and the Australian Elizabethan Theatre Trust. He has been a leader in establishing philanthropy, corporate sponsor- ship and strategic planning in the arts in Australia, publishing several books in this field, notably 101 Good Ideas for Assisting the Arts. He was appointed a Member of the Order of Australia in 2008 for his services to the arts.
    [Show full text]
  • INTRODUCTION and LITERATURE REVIEW a Subject
    CHAPTER 1: INTRODUCTION AND LITERATURE REVIEW A Subject for Our Time I want plots that are great, beautiful, varied, daring ... daring to an extreme, new in form and at the same time adapted to composing. If a person says I have done thus and so because Romani, Cammarano, and others did so ... then we no longer understand each other. Precisely because of the fact that those great men did it that way, I should like to have something different done. I shall have La Dame aux Camélias performed in Venice. It will perhaps be called La Traviata. A subject from our own time. Another person would perhaps not have composed it because of the costumes, because of the period, because of a thousand other foolish objections. I did it with particular pleasure. Everybody cried out when I proposed to put a hunchback on the stage. Well, I was overjoyed to compose Rigoletto, and it was just the same with Macbeth, and so on ...1 The plot of La traviata centres on its eponymous heroine Violetta and the development of her character whose posizione must be projected musically.2 Verdi used the term posizione to describe the plot-and-character-driven gesture which must be ‘articulated musically’.3 According to Gilles de Van, it ‘arises from a particular moment in the plot; a situation [posizione] almost invariably corresponds to a phase in 1 Werfel, Franz and Stefan, Paul, Verdi: The Man in His Letters, trans. Edward Downes (New York: Vienna House, 1973), p. 373. 2 The term posizione and other Italian terms and expressions will be found in the Glossary at the end of this thesis.
    [Show full text]
  • Mamma Mia! the Smash Hit Musical Australian Tour 2017-2018
    MAMMA MIA! AUSTRALIAN TOUR MEDIA KIT SEPTEMBER 2017 MAMMA MIA! THE SMASH HIT MUSICAL AUSTRALIAN TOUR 2017-2018 The global musical phenomenon, MAMMA MIA!, will commence its new national tour at the Canberra Theatre Centre on November 24th 2017 followed by a season from December 26th 2017 QPAC’s Lyric Theatre in Brisbane. The tour will continue onto Sydney’s Capitol Theatre from February 11th 2018, Crown Theatre Perth from May 15th 2018, Melbourne’s Princess Theatre from July 10th 2018 and the Festival Theatre at Adelaide Festival Centre from October 9th 2018. This exciting new production of MAMMA MIA! is produced in Australia by Michael Coppel, Louise Withers & Linda Bewick. “MAMMA MIA! is exactly what we all need - an uplifting, fun-filled, heartfelt night at the theatre which puts a smile on your face and a spring in your step. The timeless tracks of ABBA never fail to bring joy to audiences across the world and we are delighted to be producing MAMMA MIA! once again across Australia. We are also thrilled with the incredibly talented creative team and cast we have assembled to bring this story and these songs to life on stage night after night.” Withers says. Starring in this brand new Australian production as mother-of-the-bride Donna Sheridan is Natalie O’Donnell. Natalie began her acting career in 1998 with her professional debut in the Australian production of Les Misérables. Since then she has sustained a remarkable career in theatre, television and film across the world. She has starred in many musicals including most recently in Australia in Jerry’s Girls, Songs for a New World and Next to Normal.
    [Show full text]
  • Prokofiev CHANDOS
    CHAN 10347(2) Wide cover 10/21/05 2:05 PM Page 1 Prokofiev CHANDOS CHAN 10347(2) CHAN 10347 BOOK.qxd 15/9/06 1:11 pm Page 2 Sergey Sergeyevich Prokofiev (1891–1953) Peter Joslin Collection Peter premiere recording in English The Love for Three Oranges An opera in four acts and a prologue. Libretto by the composer, for Vsevolod Meyerhold’s adaptation of L’amore delle tre melarance by Carlo Gozzi English version by Tom Stoppard A production by Opera Australia recorded live at the Sydney Opera House in February 2005 Opera Australia Chorus Michael Black chorus master Francis Greep assistant chorus master Australian Opera and Ballet Orchestra Stephen Mould assistant conductor Aubrey Murphy concert master Richard Hickox Sergey Sergeyevich Prokofiev 3 CHAN 10347 BOOK.qxd 15/9/06 1:11 pm Page 4 The King of Clubs....................................................................................................................Bruce Martin bass The Prince, his son..........................................................................................................John Mac Master tenor Clarissa, niece of the King......................................................................................Deborah Humble contralto Branco Gaica Leandro, the Prime Minister...............................................................................Teddy Tahu Rhodes baritone Truffaldino, who makes people laugh........................................................................William Ferguson tenor Pantaloon, the King’s confidant.....................................................................................Warwick
    [Show full text]
  • Full Tail Credits
    Music Music Supervisor Christine Woodruff KIJANA MWANA MWALI written by Idylio Cortini/Roberto Marini, performed by Gonda Traditional Entertainers courtesy Tropical Recording and Promotion Pty Ltd Verdi, LA TRAVIATA - “PARIGI, O CARA” performed by Joan Carden and Richard Greager, The Elizabethan Sydney Orchestra conducted by Carlo Felice Cillario, courtesy The Australian Opera Georgy Sviridov, THREE CHORUSES TO THE PLAY, “TSAR FEODOR IOANNOVICH” used by permission Boosey & Hawkes Music Publishers Ltd performed by Gloriae Dei Cantores, courtesy Gloriae Dei Cantores Mahler, SYMPHONY NO. 5 IN C SHARP MINOR performed by Royal Concertgebouw Orchestra of Amsterdam, conducted by Bernard Haitink courtesy Philips Classics distributed by PolyGram Pty Limited Barber, ADAGIO FOR STRINGS used by permission G. Schirmer (Australia) Pty Ltd performed by City of London Sinfonia, conducted by Richard Hickox, courtesy Virgin Classics Ltd performed by Philharmonia Virtuosi, conducted by Richard Kapp, courtesy Sony Music Pty Ltd Barber, ANGUS DEI used by permission G. Schirmer (Australia) Pty Ltd, performed by the Corydon Singers, conducted by Matthew Best, courtesy Hyperion Records Limited Bellini, NORMA - CASTA DIVA performed by Maria Callas, Orchestra and Chorus of La Scala Opera House, Milan, conducted by Tullio Serafin, courtesy EMI Records Ltd Bellini, NORMA - Introduction to Act II Orchestra of La Scala Opera House, Milan, conducted by Tullio Serafin, courtesy EMI Records Ltd Marcello, A., OBOE CONCERTO IN D MINOR performed by Malcolm Messiter with the
    [Show full text]
  • Media Kit the World's Favourite Musical Returns
    MEDIA KIT THE WORLD’S FAVOURITE MUSICAL RETURNS TO AUSTRALIA The world’s favourite musical has returned to Australia. The London Palladium production of The Wizard of Oz had its Australian Premiere in Brisbane at the Lyric Theatre, QPAC on 4 November 2017. It will play at the Capitol Theatre, Sydney from 30 December, the Festival Theatre, Adelaide from 3 April, and the Regent Theatre, Melbourne, from 15 May. Australia’s leading musical theatre star Anthony Warlow plays The Wizard and Professor Marvel, while Lucy Durack plays Glinda the Good Witch, and Jemma Rix is The Wicked Witch of the West. Rising star Samantha Dodemaide breaks out of the chorus to wear the ruby slippers of Dorothy Gale. Eli Cooper plays the role of the Scarecrow, Alex Rathgeber is the Tin Man, and John Xintavelonis plays the Lion. The ensemble cast includes Paul Hanlon as Uncle Henry and Sophie Weiss as Auntie Em, alongside Justin Anderson, Sheridan Anderson, Lewis Beer, Shay Debney, Sage Douglas, Mikey Halcrow, Zoe Ioannou, Bree Langridge, Rubin Matters, Scott Morris, Justine Puy, Michael Roache, Mitchell Roberts, Emma Russell, Dean Schulz, Darren Tyler, Caleb Vines, Stephanie Wall and Rachael Ward. “With Anthony Warlow, Lucy Durack and Jemma Rix starring, and the extraordinary Samantha Dodemaide in her breakout role as Dorothy, we have a matchless leading cast. I can’t wait to hear Samantha sing one of the most-beloved songs of all time, Over The Rainbow,” said producer John Frost. “This beautiful, sumptuous production was a huge hit in London, and audiences enjoyed revisiting the classic story that’s universally loved.” “I’m thrilled that Lucy and Jemma will reunite to play the roles that shot them to stardom in Wicked in this new Australian tour of The Wizard of Oz.
    [Show full text]
  • TAHU RHODES in CONCERT SHAROLYN KIMMORLEY, PIANO Rhodes CONTENT in QUARK 21/2/09 9:49 AM Page 2
    Rhodes CONTENT IN QUARK 21/2/09 9:49 AM Page 1 DAVID HOBSON AND TEDDY TAHU RHODES IN CONCERT SHAROLYN KIMMORLEY, PIANO Rhodes CONTENT IN QUARK 21/2/09 9:49 AM Page 2 WELCOME MESSAGE It is easy to see why David Hobson They are joined by Australia’s leading and Teddy Tahu Rhodes have become accompanist, Sharolyn Kimmorley, two of opera’s most popular stars. who has worked closely with David The combination of outstanding vocal Hobson and Teddy Tahu Rhodes in talent, impressive stagecraft, and an devising this recital programme. amiable manner have won them I first proposed this tour over ten legions of fans and the respect of their years ago. The two artists are in such colleagues all over the world. demand, that it has only now come to We are fortunate that both these artists fruition! have devoted such a significant part of My thanks to their agent, Jenifer Eddy, their careers to performance here in who herself has made an outstanding Australia. contribution to opera in Australia, and Tonight you will have the opportunity to to Martin Buzacott of ABC Classics, witness an even wider range of their producer of You’ll Never Walk Alone, talent as they present a programme of their first album together. arias, folksong and show tunes. And a very warm welcome to all the music-lovers attending these very special concerts. ANDREW McKINNON PLAYBILL PRODUCER / PRESENTER AD Rhodes CONTENT IN QUARK 21/2/09 9:49 AM Page 4 DAVID HOBSON AND In an atmosphere of high emotion at the “We started the session with David and Both artists brought with them their
    [Show full text]