University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Pwofite ètT Ou”(Avail YOourself): The Minoritarian Politics of Haitian Music in Paris Laura Donnelly University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Latin American Languages and Societies Commons, Latin American Studies Commons, Music Commons, and the Social and Cultural Anthropology Commons Recommended Citation Donnelly, Laura, "Pwofite ètT Ou”(Avail YOourself): The Minoritarian Politics of Haitian Music in Paris" (2016). Publicly Accessible Penn Dissertations. 1690. https://repository.upenn.edu/edissertations/1690 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1690 For more information, please contact
[email protected]. Pwofite ètT Ou”(Avail YOourself): The Minoritarian Politics of Haitian Music in Paris Abstract Paris functions as a diverse site in which Haitians and French Antilleans come together most significantly in relation to musical interaction. Haitian music in Paris, especially konpa, is frequently paired with Antillean music, specifically zouk, whether it be on the radio, as Antillean stations frequently co-opt konpa or in dance clubs for deejayed events. Thus, konpa and zouk share modes of dissemination and consumption, and are frequently grouped together. These mutually shared spaces of musical consumption enable and promote the formation of connections between Antillean and Haitian communities, enabled by a minoritarian politics rooted in shared colonial histories and coupled with strict contemporary stratifications that are challenged by musical taste. This dissertation explains how the musical results of these interactions, histories, and relationships are distinctly Haitian, but transnational, complicated, and evocative of a new understanding of postcolonial relation in the Caribbean diaspora.