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Charles V, Monarchia Universalis and the Law of Nations (1515-1530)
+(,121/,1( Citation: 71 Tijdschrift voor Rechtsgeschiedenis 79 2003 Content downloaded/printed from HeinOnline Mon Jan 30 03:58:51 2017 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: Copyright Information CHARLES V, MONARCHIA UNIVERSALIS AND THE LAW OF NATIONS (1515-1530) by RANDALL LESAFFER (Tilburg and Leuven)* Introduction Nowadays most international legal historians agree that the first half of the sixteenth century - coinciding with the life of the emperor Charles V (1500- 1558) - marked the collapse of the medieval European order and the very first origins of the modem state system'. Though it took to the end of the seven- teenth century for the modem law of nations, based on the idea of state sover- eignty, to be formed, the roots of many of its concepts and institutions can be situated in this period2 . While all this might be true in retrospect, it would be by far overstretching the point to state that the victory of the emerging sovereign state over the medieval system was a foregone conclusion for the politicians and lawyers of * I am greatly indebted to professor James Crawford (Cambridge), professor Karl- Heinz Ziegler (Hamburg) and Mrs. Norah Engmann-Gallagher for their comments and suggestions, as well as to the board and staff of the Lauterpacht Research Centre for Inter- national Law at the University of Cambridge for their hospitality during the period I worked there on this article. -
Who Is the Heir of the Duchy of Brittany? Author(S): Henry Jenner Source: the Celtic Review, Vol
Who Is the Heir of the Duchy of Brittany? Author(s): Henry Jenner Source: The Celtic Review, Vol. 6, No. 21 (Jul., 1909), pp. 47-55 Stable URL: http://www.jstor.org/stable/30070199 Accessed: 21-06-2016 18:03 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. is collaborating with JSTOR to digitize, preserve and extend access to The Celtic Review This content downloaded from 165.193.178.102 on Tue, 21 Jun 2016 18:03:57 UTC All use subject to http://about.jstor.org/terms THE HEIR OF THE DUCHY OF BRITTANY 47 WHO IS THE HEIR OF THE DUCHY OF BRITTANY ? HENRY JENNER N'oun na da Vleiz na da Vontfort, n'oun nemet servicher d'an Itroun Vari.-SALAUN FOLGOAT.1 IT is with much diffidence and with many apologies to the Bretons that I, though I only belong by birth to the nation which is more nearly related to them than any other, presume to attempt an answer to this question. Possibly my conclusions are not new to them, though to me they undoubtedly are new. Certainly much that is contained in this paper can only be mere commonplace to them. -
A Group of Coins Struck in Roman Britain
A group of coins struck in Roman Britain 1001 Antoninus Pius (AD.138-161), Æ as, believed to be struck at a British travelling mint, laur. bust r., rev. BRITANNIA COS III S C, Britannia seated on rock in an attitude of sadness, wt. 12.68gms. (Sp. COE no 646; RIC.934), patinated, almost extremely fine, an exceptional example of this very poor issue £800-1000 This was struck to commemorate the quashing of a northern uprising in AD.154-5 when the Antonine wall was evacuated after its construction. This issue, always poorly struck and on a small flan, is believed to have been struck with the legions. 1002 Carausius, usurper in Britain (AD.287-296), Æ antoninianus, C mint, IMP C CARAVSIVS PF AVG, radiate dr. bust r., rev. VIRTVS AVG, Mars stg. l. with reversed spear and shield, S in field,in ex. C, wt. 4.63gms. (RIC.-), well struck with some original silvering, dark patina, extremely fine, an exceptional example, probably unique £600-800 An unpublished reverse variety depicting Mars with these attributes and position. Recorded at the British Museum. 1003 Carausius, usurper in Britain (AD.287-296), Æ antoninianus, London mint, VIRTVS CARAVSI AVG, radiate and cuir. bust l., holding shield and spear, rev. PAX AVG, Pax stg. l., FO in field, in ex. ML, wt. 4.14gms. (RIC.116), dark patina, well struck with a superb military-style bust, extremely fine and very rare thus, an exceptional example £1200-1500 1004 Diocletian, struck by Carausius, usurper in Britain (AD.287-296), Æ antoninianus, C mint, IMP C DIOCLETIANVS AVG, radiate cuir. -
Christian Allies of the Ottoman Empire by Emrah Safa Gürkan
Christian Allies of the Ottoman Empire by Emrah Safa Gürkan The relationship between the Ottomans and the Christians did not evolve around continuous hostility and conflict, as is generally assumed. The Ottomans employed Christians extensively, used Western know-how and technology, and en- couraged European merchants to trade in the Levant. On the state level, too, what dictated international diplomacy was not the religious factors, but rather rational strategies that were the results of carefully calculated priorities, for in- stance, several alliances between the Ottomans and the Christian states. All this cooperation blurred the cultural bound- aries and facilitated the flow of people, ideas, technologies and goods from one civilization to another. TABLE OF CONTENTS 1. Introduction 2. Christians in the Service of the Ottomans 3. Ottoman Alliances with the Christian States 4. Conclusion 5. Appendix 1. Sources 2. Bibliography 3. Notes Citation Introduction Cooperation between the Ottomans and various Christian groups and individuals started as early as the beginning of the 14th century, when the Ottoman state itself emerged. The Ottomans, although a Muslim polity, did not hesitate to cooperate with Christians for practical reasons. Nevertheless, the misreading of the Ghaza (Holy War) literature1 and the consequent romanticization of the Ottomans' struggle in carrying the banner of Islam conceal the true nature of rela- tions between Muslims and Christians. Rather than an inevitable conflict, what prevailed was cooperation in which cul- tural, ethnic, and religious boundaries seemed to disappear. Ÿ1 The Ottomans came into contact and allied themselves with Christians on two levels. Firstly, Christian allies of the Ot- tomans were individuals; the Ottomans employed a number of Christians in their service, mostly, but not always, after they had converted. -
Europa Regina. 16Th Century Maps of Europe in the Form of a Queen Europa Regina
Belgeo Revue belge de géographie 3-4 | 2008 Formatting Europe – Mapping a Continent Europa Regina. 16th century maps of Europe in the form of a queen Europa Regina. Cartes d’Europe du XVIe siècle en forme de reine Peter Meurer Electronic version URL: http://journals.openedition.org/belgeo/7711 DOI: 10.4000/belgeo.7711 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Printed version Date of publication: 31 December 2008 Number of pages: 355-370 ISSN: 1377-2368 Electronic reference Peter Meurer, “Europa Regina. 16th century maps of Europe in the form of a queen”, Belgeo [Online], 3-4 | 2008, Online since 22 May 2013, connection on 05 February 2021. URL: http:// journals.openedition.org/belgeo/7711 ; DOI: https://doi.org/10.4000/belgeo.7711 This text was automatically generated on 5 February 2021. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Europa Regina. 16th century maps of Europe in the form of a queen 1 Europa Regina. 16th century maps of Europe in the form of a queen Europa Regina. Cartes d’Europe du XVIe siècle en forme de reine Peter Meurer 1 The most common version of the antique myth around the female figure Europa is that which is told in book II of the Metamorphoses (“Transformations”, written around 8 BC) by the Roman poet Ovid : Europa was a Phoenician princess who was abducted by the enamoured Zeus in the form of a white bull and carried away to Crete, where she became the first queen of that island and the mother of the legendary king Minos. -
April 1911) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No. -
THE COINAGE of HENRY VII (Cont.)
THE COINAGE OF HENRY VII (cont.) w. J. w. POTTER and E. J. WINSTANLEY CHAPTER VI. Type V, The Profile Coins ALEXANDER DE BRUGSAL'S greatest work was the very fine profile portrait which he produced for the shillings, groats, and halves, and these coins are among the most beautiful of all the English hammered silver. It is true that they were a belated reply to the magnificent portrait coinage which had been appearing on the Continent since as early as 1465 but they have nothing to fear in comparison with the best foreign work. There has always been some doubt as to the date of the appearance of the new coins as there is no document extant ordering the production of the new shilling denomination, nor, as might perhaps be expected, is there one mentioning the new profile design. How- ever, as will be shown in the final chapter, there are good grounds for supposing that they first saw the light at the beginning of 1504. It has been suggested that experimental coins were first released to test public reaction to the new style of portrait, and that this was so with the groats is strongly supported by the marking used for what are probably the earliest of these, namely, no mint-mark and large and small lis. They are all rare and it is clear that regular production was not undertaken until later in 1504, while the full-face groats were probably not finally super- seded until early the following year. First, then, the shillings, which bear only the large and small lis as mark. -
Calvinism and the Arts: a Re-Assessment
Durham E-Theses Calvinism and the arts: A re-assessment Joby, Christopher Richard How to cite: Joby, Christopher Richard (2005) Calvinism and the arts: A re-assessment, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2873/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Abstract Calvinism and the arts: A re-assessment Although many believe John Calvin had a negative attitude towards the arts, particularly visual art, my contention is that we find within his writings and the development of the Reformed tradition a more positive attitude to the arts than has hitherto been recognized. In chapters one and two, I look in detail at Calvin's own writings. I begin by examining exactly what type of visual art he rejected and what type he affirmed. I then look at how his eschatology and epistemology, particularly his use of the metaphor of mirror, allow us to argue for the placing of certain types of art within Reformed churches, notably history and landscape paintings. -
The Denarius – in the Middle Ages the Basis for Everyday Money As Well
The Denarius – in the Middle Ages the Basis for Everyday Money as well In France the coin was known as "denier," in Italy as "denaro," in German speaking regions as "Pfennig," in England as "penny," – but in his essence, it always was the denarius, the traditional silver coin of ancient Rome. In his coinage reform of the 780s AD, Charlemagne had revalued and reintroduced the distinguished denarius as standard coin of the Carolingian Empire. Indeed for the following 700 years, the denarius remained the major European trade coin. Then, in the 13th century, the Carolingian denarius developed into the "grossus denarius," a thick silver coin of six denarii that was later called "gros," "grosso," "groschen" or "groat." The denarius has lasted until this day – for instance in the dime, the North American 10 cent-coin. But see for yourself. 1 von 15 www.sunflower.ch Frankish Empire, Charlemagne (768-814), Denarius (Pfennig), after 794, Milan Denomination: Denarius (Pfennig) Mint Authority: Emperor Charlemagne Mint: Milan Year of Issue: 793 Weight (g): 1.72 Diameter (mm): 20.0 Material: Silver Owner: Sunflower Foundation The pfennig was the successor to the Roman denarius. The German word "pfennig" and the English term "penny" correspond to the Latin term "denarius" – the d on the old English copper pennies derived precisely from this connection. The French coin name "denier" stemmed from the Latin term as well. This pfennig is a coin of Charlemagne, who in 793/794 conducted a comprehensive reform of the Carolingian coinage. Charlemagne's "novi denarii," as they were called in the Synod of Frankfurt in 794, bore the royal monogram that was also used to authenticate official documents. -
THE MICHAEL GIETZELT COLLECTION of BRITISH and IRISH COINS 14 NOVEMBER 2018
DIX • NOONAN • WEBB THE MICHAEL GIETZELT COLLECTION OF BRITISH and IRISH COINS 14 NOVEMBER 2018 COLLECTION OF BRITISH and IRISH COINS 14 NOVEMBER THE MICHAEL GIETZELT WEBB • DIX • NOONAN £25 THE MICHAEL GIETZELT COLLECTION www.dnw.co.uk OF BRITISH AND IRISH MILLED COINS 16 Bolton Street Mayfair London W1J 8BQ Wednesday 14 November 2018, 10:00 Telephone 020 7016 1700 Fax 020 7016 1799 email [email protected] 151 Catalogue 151 BOARD of DIRECTORS Pierce Noonan Managing Director and CEO 020 7016 1700 [email protected] Nimrod Dix Executive Chairman 020 7016 1820 [email protected] Robin Greville Head of Systems Technology 020 7016 1750 [email protected] Christopher Webb Head of Coin Department 020 7016 1801 [email protected] AUCTION SERVICES and CLIENT LIAISON Philippa Healy Head of Administration (Associate Director) 020 7016 1775 [email protected] Emma Oxley Accounts and Viewing 020 7016 1701 [email protected] Christopher Mellor-Hill Head of Client Liaison (Associate Director) 020 7016 1771 [email protected] Chris Rumney Client Liaison Europe (Numismatics) 020 7016 1771 [email protected] Chris Finch Hatton Client Liaison 020 7016 1754 [email protected] David Farrell Head of Logistics 020 7016 1753 [email protected] James King Deputy Head of Logistics 020 7016 1833 [email protected] COINS, TOKENS and COMMEMORATIVE MEDALS Christopher Webb Head of Department (Director) 020 7016 1801 [email protected] Peter Preston-Morley Specialist (Associate Director) 020 7016 1802 [email protected] Jim Brown Specialist 020 7016 1803 [email protected] Tim Wilkes Specialist 020 -
British Coins
BRITISH COINS 1001. Celtic coinage, Gallo-Belgic issues, class A, Bellovaci, gold stater, mid 2nd century BC, broad flan, left type, large devolved Apollo head l., rev. horse l. (crude disjointed charioteer behind), rosette of pellets below, wt. 7.10gms. (S.2; ABC.4; VA.12-1), fine/fair, rare £500-600 *ex DNW auction, December 2007. 1002. Celtic coinage, Regini, gold ¼ stater, c. 65-45 BC, weak ‘boat’ design, two or three figures standing,rev . raised line, other lines at sides, wt. 1.73gms. (S.39A; ABC.530; VA.-); gold ¼ stater, c.65-45 BC, mostly blank obverse, one diagnostic raised point, rev. indistinct pattern, possibly a ‘boat’ design, scyphate flan, wt. 1.46gms. (cf. S.46; ABC.536; VA.1229-1), the first fair, the second with irregular crude flan, minor flan cracks, very fine or better (2) £180-200 The second found near Upway, Dorset, 1994. 1003. Celtic coinage, early uninscribed coinage, ‘Eastern’ region, gold ¼ stater, trophy type, 1st century BC, small four-petalled flower in centre of otherwise blank obverse with feint bands, rev. stylised trophy design, S-shaped ornaments and other parts of devolved Apollo head pattern, wt. 1.40gms. (cf. S.47; ABC.2246; cf. VA.146-1), reverse partly weakly struck, very fine £200-300 1004. Celtic coinage, Tincomarus (c. 25 BC – AD 10) gold quarter stater, COMF on tablet, rev. horse to l., TI above, C below, wt. 0.96gms. (S.81; M.103; ABC.1088 [extremely rare]), flan ‘clip’ at 3-5 o’clock, about very fine £100-150 1005. Celtic coinage, Catuvellauni, Tasciovanus (c.25 BC - AD 10), gold ¼-stater, cruciform wreath patterns, two curved and two straight, two crescents back to back in centre, pellet in centre and in angles, rev. -
British Gold Sovereigns
A Comprehensive Guide to the Gold Price British Gold Sovereigns A Comprehensive Guide to British Gold Sovereigns Table of Contents __________________________________ Introduction ..................................................................................................................... 2 Dimensions and Physical Specifications .................................................................. 3 Description and Design ............................................................................................. 3 Historical Sovereigns ................................................................................................. 5 Manufacturing .............................................................................................................. 7 The Sovereign as a Circulating Currency ................................................................. 9 Universal Money .......................................................................................................... 9 Tax Exemptions on Sovereigns ................................................................................. 10 EU-Wide VAT exemption ........................................................................................ 10 UK Capital Gains Tax (CGT) exemption .............................................................. 10 Why Own Gold Sovereigns ......................................................................................... 12 Contact GoldCore ................................................................................................