March 25, 1976 EXTENSIONS of REMARKS 8217 of Conditions Attached to Certificates of PROGRAM the PRESIDING OFFICER
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BIG ARTS Won't Expand Party Role Or Serve Alcohol
i*s*&&&A& VOLUME 32. NUMBER 45 WEEK OF JANUARY 4, 2007 Giants in the Storml BIG ARTS won't expand party role or serve alcohol Author Mark Renz leads Audubon's It's beer and wine only at BIG ARTS functions 2007 lecture By EMILIE ALFINO assured council members. "You'll series dis- "It seems to me the lease is functioning well. I ealfino @ breezenevvspapers.com never see another request from a cussing his renter trying to serve hard liquor." think the partnership is working well." book on fossils and Florida Groups looking to plan a party with a full bar will not have BIG In addition to council's concern — Mayor CarSa Johnston ARTS' facilities on their short list of about serving alcohol on city prop- 7 possible locations. This fall, after erty, some members were afraid an reviewing a civic group's request to increasing number of functions held serve alcohol during a Christmas at BIG ARTS might represent unfair functions for about $100 to $200, be in the food catering business." Mew party at BIG ARTS, Sanibel City competition with island businesses. money Ketteman said represents He went on to say that BIG Council asked the nonprofit agency BIG ARTS rents its Dunlop Road only about one half of one percent ARTS refers renters with catering committee to define the parameters of its rental facility from the city pursuant to a of the agency's revenue. needs to island businesses, and the starts policy. Part of the policy BIG 30-year lease that expires in 2024. -
White House Photographs September 22, 1975
Gerald R. Ford Presidential Library White House Photographs September 22, 1975 This database was created by Library staff and indexes all photographs taken by the Ford White House photographers related to this subject. Use the search capabilities in your PDF reader to locate key words within this index. Please note that clicking on the link in the “Roll #” field will display a 200 dpi JPEG image of the contact sheet (1:1 images of the 35 mm negatives). Gerald Ford is always abbreviated “GRF” in the "Names" field. If the "Geographic" field is blank, the photo was taken within the White House complex. The date on the contact sheet image is the date the roll of film was processed, not the date the photographs were taken. All photographs taken by the White House photographers are in the public domain and reproductions (600 dpi scans or photographic prints) of individual images may be purchased and used without copyright restriction. Please include the roll and frame numbers when contacting the Library staff about a specific photo (e.g., A1422-10). To view photo listings for other dates, to learn more about this project or other Library holdings, or to contact an archivist, please visit t White House Photographic Collection page View President Ford's Daily Diary (activities log) for this day Roll # Frames Tone Subject - Proper Subject - Generic Names Geographic Location Photographer A6520 3-4 BW Trip to San Francisco, CA sitting, relaxing, talking; long GRF, Hartmann, Nessen San Francisco, CA St. Francis Kennerly shots Hotel - President's Suite A6520 5-10 BW Trip to San Francisco, California - KPIX-TV setting up microphones, GRF, Sid Davis, Stan Borman, San Francisco, CA St. -
We Are Looking to Cast 9 Main Roles and 15 Supporting/Ensemble/Choir Roles
Thank you for joining us today for auditions for Assassins. Before we get started today please read the following: About the Show: Assassins lays bare the lives of nine individuals who assassinated or tried to assassinate the President of the United States, in a historical "revusical" that explores the dark side of the American experience. From John Wilkes Booth to Lee Harvey Os- wald, writers, Stephen Sondheim and John Weidman, bend the rules of time and space, taking us on a nightmarish roller coaster ride in which assassins and would-be assassins from different historical periods meet, interact and inspire each other to harrowing acts in the name of the American Dream. We are looking to cast 9 main roles and 15 supporting/ensemble/choir roles. The main roles are as follows: John Wilkes Booth (Vocal Range: F2-G4) Charles Guiteau (Vocal Range: A2-Ab4) Leon Czologosz (Vocal Range: G#2-G4) Giuseppe Zangara (Vocal Range: B2-A4) Samuel Byck (Vocal Range: D3-G4) Lynette “Squeaky” Fromme (Vocal Range: A3-B5) John Hinckley (Vocal Range: A2-G4) Sara Jane Moore (Vocal Range: F3-Eb5) Lee Harvey Oswald (Vocal Range: A2-G4) Balladeer (Vocal Range: C3-G4) The Proprietor (Vocal Range: Gb2-F4) Ensemble/ Choir: Emma Goldman David Herold Billy Moore No vocal range required No vocal range required No vocal range required Choir members will have a chance to play the roles of the presidents, tourists, news reporters, bystanders, or photographers. There are also some solo parts for the choir. Just a few more things… Auditions will consist of your prepared song. -
Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style
University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers June 2018 Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style Dustin Jones University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Museum Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Public History Commons, and the United States History Commons Recommended Citation Jones, Dustin, "Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style" (2018). Major Papers. 43. https://scholar.uwindsor.ca/major-papers/43 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of History in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2018 © 2018 Dustin Jones Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones APPROVED BY: ______________________________________________ N. Atkin Department of History ______________________________________________ M. Wright, Advisor Department of History May 17th, 2018 DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication. -
19 CHAPTER II LITERATURE REVIEW This Chapter Provides Theories for the References in This Research. This Chapter Is Named Litera
perpustakaan.uns.ac.id digilib.uns.ac.id CHAPTER II LITERATURE REVIEW This chapter provides theories for the references in this research. This chapter is named Literature Review which contains some studies conducting by other researches which are related with my thesis. The writings used for this literature review are comprehended from various sources, such as journals, books, and articles distribute information about American politics and American society in 1970s era. This chapter is classified into four subchapters. The first subchapter discusses Taxi Driver movie literature and short review as the main data for this thesis. The second subchapter defines the American situation in 1970s decade, including the political and the socio-cultural condition of 1970s America which includes New York as American urban city and the cases of presidential assassinations in 1970s. The next subchapter comprises information about American presidencies in 1970s era and in what way they relate with Richard M. Nixon as the most notable president through the decade. Then, I explain the film semiotics theory in the last subchapter. The theory is used to observe the signs in the film, including the basic terminology of cinematography. commit to user 19 perpustakaan.uns.ac.id digilib.uns.ac.id A. Movie Literature: Taxi Driver (1976) In this research, I am going to put a deeper discussion regarding a movie entitled Taxi Driver made in 1976. Written by Paul Schrader, the genre of this movie is melodrama thriller with a heavy element of film noir. Tim Dirks in Filmsite mentions that this film became popular as it carries the essence of urban hostility related with the history (http://www.filmsite.org/taxi.html). -
Forced out of the Closet: Sexual Orientation and the Legal Dilemma of "Outing"
University of Miami Law Review Volume 46 Number 3 Symposium: Gender and Law Article 7 1-1-1992 Forced out of the Closet: Sexual Orientation and the Legal Dilemma of "Outing" David H. Pollack Follow this and additional works at: https://repository.law.miami.edu/umlr Part of the Civil Rights and Discrimination Commons, and the Jurisprudence Commons Recommended Citation David H. Pollack, Forced out of the Closet: Sexual Orientation and the Legal Dilemma of "Outing", 46 U. Miami L. Rev. 711 (1992) Available at: https://repository.law.miami.edu/umlr/vol46/iss3/7 This Comment is brought to you for free and open access by the Journals at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in University of Miami Law Review by an authorized editor of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. COMMENTS Forced out of the Closet: Sexual Orientation and the Legal Dilemma of "Outing" I. INTRODUCTION .......................................................... 711 II. OUTING, SEXUALITY, AND PRIVACY: A SOCIOLOGICAL OVERVIEW ......... 715 A. The Origins of Outing .............................................. 715 B. Homosexuality and Privacy: Social Attitudes .......................... 716 III. THE ETHICS OF OUTING .................................................. 719 IV. OUTING AND COMMON LAW PRIVACY ................................... 722 A . Invasion of Privacy ................................................ 723 B. Is Sex a Private Fact? .............................................. 724 C. Is Outing Highly Offensive to a Reasonable Person of Ordinary Sensibilities? ...................................................... 731 D. The "Newsworthiness" Privilege...................................... 734 1. HOMOSEXUALITY AND NEWSWORTHINESS ......................... 735 2. THE HOMOSEXUALITY OF PUBLIC FIGURES/PUBLIC OFFICIALS ........ 738 3. THE HOMOSEXUALITY OF INVOLUNTARY PUBLIC FIGURES ........... 741 4. THE HOMOSEXUALITY OF PRIVATE FIGURES ...................... -
ASSASSINS Program
Photos by Allen Weeks Theater Latté Da presents ASSASSINS Music and Lyrics by Stephen Sondheim Book by John Weidman ASSASSINS is based on an idea by Charles Gilbert, Jr. Playwrights Horizons, Inc. - New York City Produced ASSASSINS Off-Broadway in 1990 Directed by Peter Rothstein** Music Direction by Jason Hansen† FEATURING Dieter Bierbrauer*, Shinah Brashears*, James Detmar*, Benjamin Dutcher, Mario Esteb, Tyler Michaels*, Eric Morris*, Rodolfo Nieto, Sara Ochs, Matt Riehle, and Evan Tyler Wilson *Member of Actors’ Equity Association, the Union of Professional Actors ** Member of SDC, the Stage Directors and Choreographers Society, a national theatrical labor union †Member of Twin Cities Musicians Union, American Federation of Musicians ASSASSINS will be performed without an intermission. Opening Night: Saturday, February 10, 2018 ASL Interpreted and Audio Described Performance: Thursday, February 22, 2018 Director’s Dialogue with Peter Rothstein: Sunday, February 11, 2018 Post-Show Discussions: Thursdays February 8, 15, and 22 and March 1, 8, and 15. Sundays February 11, 18, and 25, March 4, 11, and 18. First Broadway Production, 2004 Roundabout Theatre Company Todd Haimes, Artistic Director ASSASSINS is presented through special arrangement with Music Theatre International [MTI]. All authorized performance materials are also supplied by MTI, New York, NY. Tel: 212-541-4684. Fax: 212-397-4684. www.mtishows.com The videotaping or other video or audio recording of this production is strictly prohibited. As a courtesy to the performers and other patrons, please check to see that all cell phones, pagers, watches, and other noise-making devices are turned off. Theater Latté Da is grateful for the generosity of our Assassins Production Sponsors, Kent Allin and Tom Knabel. -
The Two Western Cultures of Privacy: Dignity Versus Liberty
Article The Two Western Cultures of Privacy: Dignity Versus Liberty t James Q. Whitman CONTENTS I. A TRANSATLANTIC CLASH ............................................................ 1153 II. DIGNITY VERSUS LIBERTY ............................................................ 1160 III. THE EUROPEAN TRADITION OF DIGNITY: LEVELING UP .............. 1164 IV. THE RISE OF FRENCH PRIVACY LAW ............................................ 1171 V. THE RISE OF GERMAN PRIVACY LAW ........................................... 1180 VI. CONTEMPORARY CONTINENTAL LAW: PROTECTING THE AVERAGE PERSON'S PUBLIC IMAGE ...................................... 1189 VII. CONTEMPORARY CONTINENTAL LAW: FREE EXPRESSION AND PUBLIC N UDITY ..................................................................... 1196 t Ford Foundation Professor of Comparative and Foreign Law, Yale University. Earlier versions of this paper were presented to the helpful audiences at the Unidem Seminar on European and American Constitutionalism, the Institut des Hautes ltudes sur la Justice, the French- American Foundation of Paris, and Columbia and Yale Law Schools. The author would also like to thank Anita Allen, Friedrich Wenzel Bulst, Agnes Dunogu&, Edward Eberle, William Edmundson, Christoph Paulus, and Jeffrey Rosen for their aid and advice. Unless otherwise noted, all translations are my own. 1151 ImagedHeinOnline with the --Permission 113 Yale L.J. of 1151 Yale 2003-2004 Law Journal 1152 The Yale Law Journal [Vol. 113:1151 VIII. WARREN AND BRANDEIS REVISITED ........................................... -
Gerald R. Ford Oral History Interview – 7/8/2003 Administrative Information Creator: Gerald R. Ford Interviewer: Vicki Daitch
Gerald R. Ford Oral History Interview – 7/8/2003 Administrative Information Creator: Gerald R. Ford Interviewer: Vicki Daitch Date of Interview: July 8, 2003 Place of Interview: Avon, Colorado Length: 22 pp. Biographical Note Gerald Ford was the 38th President of the United States (1974-1977) and member of the Warren Commission investigating the assassination of President John F. Kennedy (1963). In the interview he discusses his relationship with President Kennedy, his involvement on the Warren Commission, and controversy surrounding the President’s death among other issues. Access Restrictions No restrictions. Usage Restrictions According to the deed of gift signed September 7, 2003, copyright of these materials has been assigned to the United States Government. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. The copyright law extends its protection to unpublished works from the moment of creation in a tangible form. Direct your questions concerning copyright to the reference staff. -
Congressional Record—Senate S5837
June 14, 2006 CONGRESSIONAL RECORD — SENATE S5837 committee had all the facts we needed pass this bill but to serve the interests Mr. LEVIN. Maybe we could ascer- to proceed to making a decision on the of our country. tain that. He is on his way to the floor. President’s request. I am happy to recommend this con- I know he was willing to make the Our staff members are the very best. ference report to the Senate. I yield modification. It is helpful to put the We are very fortunate in the Senate to back the remainder of the time avail- date of his amendment in line with our have the benefit of the services of able under the order. bill, the fiscal year, as I understand it. Keith Kennedy, who is staff director of f Mr. WARNER. I suggest the absence the Appropriations Committee, and his of a quorum. NATIONAL DEFENSE AUTHORIZA- counterpart on the other side, Terry The PRESIDING OFFICER. The TION ACT FOR FISCAL YEAR 2007 Sauvain, is equally dutiful and depend- clerk will call the roll. able in his efforts on behalf of our com- The PRESIDING OFFICER. The Sen- The legislative clerk proceeded to mittee. Chuck Keiffer managed much ator from Virginia. call the roll. of the floor activity and was at the Mr. WARNER. Mr. President, under Ms. STABENOW. Madam President, I markup session that we had that ran the standing order, is not the Senate ask unanimous consent that the order way past midnight the night we were now to return to the annual authoriza- for the quorum call be rescinded. -
Assassins Study Guide
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
GUIDE to HISTORICAL MATERIAL in the GERALD R. FORD PRESIDENTIAL LIBRARY
Gerald R. Ford Library Guide: Introduction GUIDE TO HISTORICAL MATERIAL in the GERALD R. FORD PRESIDENTIAL LIBRARY October 2009 By David A. Horrocks Supervisory Archivist Address: 1000 Beal Avenue, Ann Arbor, MI 48109 Telephone: 734-205-0555 E-mail: [email protected] Fax: 734-205-0571 Library-Museum Website: www.fordlibrarymuseum.gov General reception and main numbers: Gerald R. Ford Library, Ann Arbor, Michigan 734.205.0555 Gerald R. Ford Museum, Grand Rapids, Michigan 616.254.0400 ____________________________________ Allen Weinstein, Archivist of the United States Sharon Fawcett, Assistant Archivist for Presidential Libraries Elaine K. Didier, Director Gerald R. Ford Library, Ann Arbor, Michigan 734.205.0566 Gerald R. Ford Museum, Grand Rapids, Michigan 616.254.0398 Permanent-appointment and contract staff of the Library, Ellen Brown 734.205.0540 Stacy Davis 734.205.0563 Mark Fischer 734-205-0554 Christian Goos 734-205.0554 Geir Gundersen 734.205.0556 Kenneth Hafeli 734.205.0568 David Horrocks 734.205.0562 John Hurley 734.205.0553 Donna Lehman 734.205.0560 William McNitt 734.205.0557 Nancy Mirshah 734.205.0561 Kate Murray 734.205.0567 Helmi Raaska 734.205.0559 s:\bin\guides\2009 guide to collections 2 TABLE OF CONTENTS I. INTRODUCTION.................................................................................. 1 1. OVERVIEW .............................................................................. 1 2. ANSWERS TO QUESTIONS ABOUT RESEARCH PROCEDURES.............................................................................. 2 2.1 Who may use the library's research collections? ............................ 2 2.2 When is the library open?............................................................... 2 2.3 How do I plan to do research at the library?................................... 2 2.4 How do I find the documents I need?. ................................... 2 2.5 What is PRESNET?.......................................................................