DOCSLIB.ORG

We Are Looking to Cast 9 Main Roles and 15 Supporting/Ensemble/Choir Roles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
We Are Looking to Cast 9 Main Roles and 15 Supporting/Ensemble/Choir Roles Thank you for joining us today for auditions for Assassins. Before we get started today please read the following: About the Show: Assassins lays bare the lives of nine individuals who assassinated or tried to assassinate the President of the United States, in a historical "revusical" that explores the dark side of the American experience. From John Wilkes Booth to Lee Harvey Os- wald, writers, Stephen Sondheim and John Weidman, bend the rules of time and space, taking us on a nightmarish roller coaster ride in which assassins and would-be assassins from different historical periods meet, interact and inspire each other to harrowing acts in the name of the American Dream. We are looking to cast 9 main roles and 15 supporting/ensemble/choir roles. The main roles are as follows: John Wilkes Booth (Vocal Range: F2-G4) Charles Guiteau (Vocal Range: A2-Ab4) Leon Czologosz (Vocal Range: G#2-G4) Giuseppe Zangara (Vocal Range: B2-A4) Samuel Byck (Vocal Range: D3-G4) Lynette “Squeaky” Fromme (Vocal Range: A3-B5) John Hinckley (Vocal Range: A2-G4) Sara Jane Moore (Vocal Range: F3-Eb5) Lee Harvey Oswald (Vocal Range: A2-G4) Balladeer (Vocal Range: C3-G4) The Proprietor (Vocal Range: Gb2-F4) Ensemble/ Choir: Emma Goldman David Herold Billy Moore No vocal range required No vocal range required No vocal range required Choir members will have a chance to play the roles of the presidents, tourists, news reporters, bystanders, or photographers. There are also some solo parts for the choir. Just a few more things… Auditions will consist of your prepared song. If we stop you before you have finished it’s because we’ve heard all we need to hear. Please don’t take that personally. Our music director may have you match pitch so we can get an accurate vocal range. The crew will not clap after you finish singing. We’re taking notes about your performance. Once again, it’s not anything you should take personally. Call backs will consist of a song from the show. You will be given music at the end of the audition. If you are being consid- ered for more than one role you may receive more than one excerpts. We will limit this as much as possible. Call backs will also consist of cold reads from the script. You will not see these pages until call backs. The main will be contacted via phone by the director(s). A cast list will be released once parts have been accepted. Please limit the amount of people you tell to a minimum. A video announcement will be released by South Jackson as soon as pos- sible. We will meet to discuss the rehearsal schedule ASAP. Please take note of the Absenteesim Policy from your audition form. Thank you for coming today! We look forward to seeing you! Sincerely, Heather Kleinfeld, Director ~ Todd Nichols, Music Director ~Coleen Saunders, Producer ~Tim Warren, Stage Manager ~Ben Ferrell, Technical Director ~Cynthia Laughlin, Cast Coordinator Character Information John Wilkes Booth- (1838-1865) Assassinated President Abraham Lincoln during a performance at Ford's Theater in Washington D.C. on April 14, 1865. Foreman and inspirational celebrity to the other assassins. Killed Lincoln at 27 years old. Range: F2-G4 Charles Guiteau- (1841-1882) Assassinated President James Garfield in the waiting room of the Baltimore and Potomac Railroad Station, Washington, D.C., on July 2, 1881. Dashing but mad. Killed Garfield 39-40 years old. Range: A2-Ab4 Leon Czologosz- (1873-1901) Assassinated President William McKinley at the Pan American Exposition in Buffalo, N.Y. on September 6, 1901. A young poverty-worn radical. Killed McKinley at 28 years old. Range: G#2-G4 Giuseppe Zangara- (1900-1933) Attempted to assassinate President-elect Franklin D. Roosevelt as he greeted well-wishers in Bayfront Park, Miami, FL on February 15, 1933. An angry, heavily-accented immigrant. Attempted to assassinate Roosevelt at 33 years old. Range: B2-A4 Lee Harvey Oswald- (1939-1963) Assassinated President John F. Kennedy from the sixth floor of the Texas School Book Depository in Dallas, TX on November 22, 1963. A suicidal, dejected shipping clerk. Killed Kennedy at 24 years old. Vocal range: A2-G4 John Hinckley- (1955- ) Attempted to assassinate President Ronald Reagan as he left the Washington Hilton in Washington, D.C. on March 30, 1981. A love-obsessed and depressed college student. Attempted to assassinate Reagan at 26 years old. Vocal range: A2-G4 Lynette “Squeaky” Fromme- (1930- ) Attempted to assassinate President Gerald Ford at the St. Francis Hotel in San Francisco, CA, on September 22, 1975. A frazzled housewife with little sense. Attempted to assassinate Ford at 27 years old. Vocal range: A3-B5 Sara Jane Moore- (1930- ) Attempted to assassinate President Gerald Ford at the St. Francis Hotel in San Francisco, CA, on September 22, 1975. A fraz- zled housewife with little sense. Attempted to assassinate Reagan at 45 years old. Vocal range: F3-Eb5 Samuel Byck- (1930-1974) Attempted to assassinate President Richard Nixon by hi- jacking a commercial jetliner. Hysterically irate schlep in a Santa Claus suit. Attempted to assassinate Nixon at 44 years old. Vocal range: D3-G4 David Herold- (1842-1865) An accomplice of John Wilkes Booth in the assassination of President Abraham Lincoln. Hanged as a coconspirator at the age of 23. Herold doesn’t sing. No vocal range is required for this character. Emma Goldman (1869-1940) An anarchist political activist. She interacted with as- sassin Leon Czolgosz. Goldman doesn’t sing. No vocal range is required for this character. Additional Characters: President James Garfield– 20th President of the United States James Blaine– Secretary of State who received a deluge of letters from Charles Guiteau President Gerald Ford– 38th President of the United States Billy Moore– Sara Jane’s son (described as whiny) Photographers News reporters Tourists Bystanders Audition Form Audition #__________ Name: Phone Number: Can we text you? Yes or No Email: Do you have Facebook? Yes or No Vocal Range (if known): This show will happen October 29-November 1, 2020. Please note this show takes place on Halloween. How old will you be on October 29? _____________ Any person auditioning that is under 18 at the time of the audition is required to have a completed parental permission form. No permission form = No audition Parent permission form attached? Yes or No Part(s) Desired: See information sheet for roles. Will you take any part offered? Yes or No Are you comfortable with cursing on stage or saying things that may not be politically correct? Yes or No Are you comfortable with kissing another cast member on stage? Yes or No Audition Song: Anything else you’d like the directors to know? Any special skills? Set building, costuming, set decoration, etc. Please list them here: Absenteeism policy: I understand if I miss six rehearsals (whether “no show” or “call out”) the director(s) reserve the right to dismiss me from the cast. Signature: __________________________________________ Printed name: _________________________________ Thank you! Please return the show information sheet and this audition form to the front table and wait for your number to be called. South Jackson Use ONLY: Name: Part Offered: Accepted: Yes or No .
Load more

Recommended publications
  • BIG ARTS Won't Expand Party Role Or Serve Alcohol
    i*s*&&&A& VOLUME 32. NUMBER 45 WEEK OF JANUARY 4, 2007 Giants in the Storml BIG ARTS won't expand party role or serve alcohol Author Mark Renz leads Audubon's It's beer and wine only at BIG ARTS functions 2007 lecture By EMILIE ALFINO assured council members. "You'll series dis- "It seems to me the lease is functioning well. I ealfino @ breezenevvspapers.com never see another request from a cussing his renter trying to serve hard liquor." think the partnership is working well." book on fossils and Florida Groups looking to plan a party with a full bar will not have BIG In addition to council's concern — Mayor CarSa Johnston ARTS' facilities on their short list of about serving alcohol on city prop- 7 possible locations. This fall, after erty, some members were afraid an reviewing a civic group's request to increasing number of functions held serve alcohol during a Christmas at BIG ARTS might represent unfair functions for about $100 to $200, be in the food catering business." Mew party at BIG ARTS, Sanibel City competition with island businesses. money Ketteman said represents He went on to say that BIG Council asked the nonprofit agency BIG ARTS rents its Dunlop Road only about one half of one percent ARTS refers renters with catering committee to define the parameters of its rental facility from the city pursuant to a of the agency's revenue. needs to island businesses, and the starts policy. Part of the policy BIG 30-year lease that expires in 2024.
    [Show full text]
  • The Confession of George Atzerodt
    The Confession of George Atzerodt Full Transcript (below) with Introduction George Atzerodt was a homeless German immigrant who performed errands for the actor, John Wilkes Booth, while also odd-jobbing around Southern Maryland. He had been arrested on April 20, 1865, six days after the assassination of Abraham Lincoln by John Wilkes Booth. Booth had another errand boy, a simpleton named David Herold, who resided in town. Herold and Atzerodt ran errands for Booth, such as tending horses, delivering messages, and fetching supplies. Both were known for running their mouths, and Atzerodt was known for drinking. Four weeks before the assassination, Booth had intentions to kidnap President Lincoln, but when his kidnapping accomplices learned how ridiculous his plan was, they abandoned him and returned to their homes in the Baltimore area. On the day of the assassination the only persons remaining in D.C. who had any connection to the kidnapping plot were Booth's errand boys, George Atzerodt and David Herold, plus one of the key collaborators with Booth, James Donaldson. After David Herold had been arrested, he confessed to Judge Advocate John Bingham on April 27 that Booth and his associates had intended to kill not only Lincoln and Secretary of State William Seward, but Vice President Andrew Johnson as well. David Herold stated Booth told him there were 35 people in Washington colluding in the assassination. This information Herold learned from Booth while accompanying him on his flight after the assassination. In Atzerodt's confession, this band of assassins was described as a crowd from New York.
    [Show full text]
  • How a Failed Assassination Attempt on Franklin Delano Roosevelt Ended in the Death of Anton Cermak, Mayor of Chicago
    Review Article Clinics in Surgery Published: 07 Jan, 2019 How A Failed Assassination Attempt on Franklin Delano Roosevelt Ended in the Death of Anton Cermak, Mayor of Chicago Theodore N Pappas* Department of Surgery, Duke University, Durham NC, North Carolina, USA Abstract On February 15 1933, Franklin Delano Roosevelt was returning from a Florida fishing trip and passed through the Biscayne Park area of Miami to give a brief speech. The mayor of Chicago, Anton Cermak, was in Florida on vacation and planned to meet the president-elect just after the speech. Moments after Cermak and Roosevelt shook hands, several shots were fired. A 32-year-old bricklayer, Giuseppe Zangara, was attempting to assassinate Roosevelt but missed and hit Cermak and four other bystanders. Cermak was taken to Jackson Memorial Hospital where he died 19 days later. This manuscript reviews the health care provided to the mayor during those 19 days. Although the cause of death has been contested, Anton Cermak probably recovered from his gunshot wounds but died of complicated ulcerative colitis. Introduction On February 15 1933, president-elect, Franklin Delano Roosevelt (FDR), was returning from a fishing trip off Miami. He and his security detail were passing through the Biscayne Park area of Miami for an announced stop where he was to give a brief speech. At the same time the Mayor of Chicago, Anton Cermak, was on vacation in Florida and wanted to meet with the president-elect. He contacted Roosevelt’s team and was instructed to wait at the grandstand area of the Bay front Park where the president-elect would be able to meet with the mayor.
    [Show full text]
  • How Did Booth Break His
    STATE YOUR CASE (No. 2), John Elliott: How Did John Wilkes Booth Break His Leg? I believe that John Wilkes Booth did not break his leg when jumping from the balustrade to the stage at Ford’s Theatre. I support Michael Kauffman’s theory that Booth broke his Fibula when his horse fell on him after he crossed in to Maryland. First I will refute the diary entry Booth wrote during his escape, claiming he broke his leg in jumping. Booth’s version of events is filled with exaggerated claims that were written in response to newspaper articles calling him a coward. Next, I will present the first eyewitness accounts taken in the early days after the assassination that state John Wilkes Booth ran or rushed across the stage after jumping from the box. Surely a man who had just broken his leg would show some signs of pain or would limp after breaking his leg. Last, I will present the evidence that I believe shows JWB broke his leg when his horse fell on him. This includes more eyewitness accounts and medical opinions. Sources: We Saw Lincoln Shot Timothy S. Good American Brutus Mike Kauffman The Lincoln Assassination/The Evidence Edwards and Steers Jr. Booth’s Diary Entry History books tell us that John Wilkes Booth broke his leg while jumping from the balustrade of President Lincoln’s box to the stage at Ford’s Theatre. This is the most commonly held belief because John Wilkes Booth wrote that it happened that way. But should we take his word for it? A closer examination of his diary entry shows that he tried to paint a more daring and heroic image of himself during what he believed to be his crowning achievement.
    [Show full text]
  • USSS) Director's Monthly Briefings 2006 - 2007
    Description of document: United States Secret Service (USSS) Director's Monthly Briefings 2006 - 2007 Requested date: 15-October-2007 Appealed date: 29-January-2010 Released date: 23-January-2010 Appeal response: 12-April-2010 Posted date: 19-March-2010 Update posted: 19-April-2010 Date/date range of document: January 2006 – December 2007 Source of document: United States Secret Service Communications Center (FOI/PA) 245 Murray Lane Building T-5 Washington, D.C. 20223 Note: Appeal response letter and additional material released under appeal appended to end of this file. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.
    [Show full text]
  • Debunking 911 Myths.Pdf
    PRAISE FOR DEBUNKING 9111 MYTHS "Debunking 9111 Myths is a reliable and rational answer to the many fanciful conspiracy theories about 9/11. Despite the fact that the myths are fictitious, many have caught on with those who do not trust their government to tell the truth anymore. Fortunately, the govern­ ment is not sufficiently competent to pull off such conspiracies and too leaky to keep them secret. What happened on 9/11 has been well established by the 9/11 Commission. What did not happen has now been clearly explained by Popular Mechanics." -R 1 cHARD A. cLARKE, former national security advisor, author of Against All Enemies: Inside America's War on Terror "This book is a victory for common sense; 9/11 conspiracy theorists beware: Popular Mechanics has popped your paranoid bubble world, using pointed facts and razor-sharp analysis." -Au s T 1 N BAY, national security columnist (Creators Syndicate), author (with James F. Dunnigan) of From Shield to Storm: High-Tech Weapons, Military Strategyand Coalition Warfare in the Persian Gulf "Even though I study weird beliefs for a living, I never imagined that the 9/11 conspiracy theories that cropped up shortly after that tragic event would ever get cultural traction in America, but here we are with a plethora of conspiracies and no end in sight. What we need is a solid work of straightforward debunking, and now we have it in Debunking 9111 Myths. The Popular Mechanics article upon which the book is based was one of the finest works of investigative journalism and skep­ tical analysis that I have ever encountered, and the book-length treat­ ment of this codswallop will stop the conspiracy theorists in their fantasy-prone tracks.
    [Show full text]
  • White House Photographs September 22, 1975
    Gerald R. Ford Presidential Library White House Photographs September 22, 1975 This database was created by Library staff and indexes all photographs taken by the Ford White House photographers related to this subject. Use the search capabilities in your PDF reader to locate key words within this index. Please note that clicking on the link in the “Roll #” field will display a 200 dpi JPEG image of the contact sheet (1:1 images of the 35 mm negatives). Gerald Ford is always abbreviated “GRF” in the "Names" field. If the "Geographic" field is blank, the photo was taken within the White House complex. The date on the contact sheet image is the date the roll of film was processed, not the date the photographs were taken. All photographs taken by the White House photographers are in the public domain and reproductions (600 dpi scans or photographic prints) of individual images may be purchased and used without copyright restriction. Please include the roll and frame numbers when contacting the Library staff about a specific photo (e.g., A1422-10). To view photo listings for other dates, to learn more about this project or other Library holdings, or to contact an archivist, please visit t White House Photographic Collection page View President Ford's Daily Diary (activities log) for this day Roll # Frames Tone Subject - Proper Subject - Generic Names Geographic Location Photographer A6520 3-4 BW Trip to San Francisco, CA sitting, relaxing, talking; long GRF, Hartmann, Nessen San Francisco, CA St. Francis Kennerly shots Hotel - President's Suite A6520 5-10 BW Trip to San Francisco, California - KPIX-TV setting up microphones, GRF, Sid Davis, Stan Borman, San Francisco, CA St.
    [Show full text]
  • The Assassination 1 of 2 a Living Resource Guide to Lincoln's Life and Legacy
    5-2 The Assassination 1 of 2 A Living Resource Guide to Lincoln's Life and Legacy The Assassination Lincoln Assassination. Clipart ETC. 18 July 2008. Educational Technology Clearinghouse. University of South Florida. <http://etc.usf.edu/clipart> March 17, 1865 John Wilkes Booth’s plot to kidnap Lincoln is foiled by Lincoln’s failure to show up at the soldiers’ hospital where Booth planned to carry out the kidnapping. April 14,1865 Booth fires his derringer the President while Lincoln, his wife Mary Todd Lincoln, Maj. Henry R. Rathbone, and his fiancée Clara Harris are in a private box in Ford’s Theater viewing a special performance of Our American Cousin. Entering through the President's left ear, the bullet lodges behind his right eye, leaving him paralyzed. Booth leaps from the box on to the stage, declaring “Sic simper tyrannis” and breaking his right fibula. Nearly simultaneously, Lewis Paine twice slashes Secretary of State William Henry Seward’s throat while the Secretary lies in bed recovering from a carriage accident. A metal surgical collar prevents the attack from accomplishing its deadly objective. Believing his attempt successful, Paine fights his way out of the mansion. Dr. Charles Leale examines the President. Lincoln is moved to a boarding house, now called the Peterson House, across Office of Curriculum & Instruction/Indiana Department of Education 09/08 This document may be duplicated and distributed as needed. 5-2 The Assassination 2 of 2 A Living Resource Guide to Lincoln's Life and Legacy from the theater on 10th Street. Co-conspirator George Atzerodt fails to carry out the plan to assassinate Vice President Andrew Johnson.
    [Show full text]
  • The Lincoln Assassination
    The Lincoln Assassination The Civil War had not been going well for the Confederate States of America for some time. John Wilkes Booth, a well know Maryland actor, was upset by this because he was a Confederate sympathizer. He gathered a group of friends and hatched a devious plan as early as March 1865, while staying at the boarding house of a woman named Mary Surratt. Upon the group learning that Lincoln was to attend Laura Keene’s acclaimed performance of “Our American Cousin” at Ford’s Theatre in Washington, D.C., on April 14, Booth revised his mastermind plan. However it still included the simultaneous assassination of Lincoln, Vice President Andrew Johnson and Secretary of State William H. Seward. By murdering the President and two of his possible successors, Booth and his co-conspirators hoped to throw the U.S. government into disarray. John Wilkes Booth had acted in several performances at Ford’s Theatre. He knew the layout of the theatre and the backstage exits. Booth was the ideal assassin in this location. Vice President Andrew Johnson was at a local hotel that night and Secretary of State William Seward was at home, ill and recovering from an injury. Both locations had been scouted and the plan was ready to be put into action. Lincoln occupied a private box above the stage with his wife Mary; a young army officer named Henry Rathbone; and Rathbone’s fiancé, Clara Harris, the daughter of a New York Senator. The Lincolns arrived late for the comedy, but the President was reportedly in a fine mood and laughed heartily during the production.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title A Soldier at Heart: The Life of Smedley Butler, 1881-1940 Permalink https://escholarship.org/uc/item/6gn7b51j Author Myers, Eric Dennis Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles A Soldier at Heart: The Life of Smedley Butler, 1881 - 1940 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Eric Dennis Myers 2013 ! ! ! ! ! ! ! ABSTRACT OF THE DISSERTATION A Soldier at Heart: The Life of Smedley Butler, 1881 - 1940 by Eric Dennis Myers Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Joan Waugh, Chair The dissertation is a historical biography of Smedley Darlington Butler (1881-1940), a decorated soldier and critic of war profiteering during the 1930s. A two-time Congressional Medal of Honor winner and son of a powerful congressman, Butler was one of the most prominent military figures of his era. He witnessed firsthand the American expansionism of the late nineteenth and early twentieth centuries, participating in all of the major conflicts and most of the minor ones. Following his retirement in 1931, Butler became an outspoken critic of American intervention, arguing in speeches and writings against war profiteering and the injustices of expansionism. His critiques represented a wide swath of public opinion at the time – the majority of Americans supported anti-interventionist policies through 1939. Yet unlike other members of the movement, Butler based his theories not on abstract principles, but on experiences culled from decades of soldiering: the terrors and wasted resources of the battlefield, ! ""! ! the use of the American military to bolster corrupt foreign governments, and the influence of powerful, domestic moneyed interests.
    [Show full text]
  • You're Such a Character!
    Name:_____________________________________________ 2018 Humanities WS Summer Reading Assignment Directions: Over the summer you are required to read Chasing Lincoln’s Killer by James L. Swanson. Please complete the chart and bring it with you the first day of school. We have done the first character as an example to show you what we are expecting. Enjoy! You’re such a Character! Role in the Book & Evidence from Book Character Personality Trait Changes made by (Quote or Paraphrase & pg. #) Character Thomas Jones An expert smuggler “Cox helped them decide on their Jones helped Herold and for the Confederacy. next move. He told Booth there Booth cross the Potomac into He knew how to help was only one man who could get Virginia during the manhunt. those who were in the them safely across the Potomac He helped David Herold and John Wilkes Booth during plan to assassinate River. That man was Thomas their escape after Lincoln. Jones” (74). assassinating Abraham Lincoln. Jones ended up arrested and imprisoned for his acts of treasonous activity. Abraham Lincoln Role in the Book & Evidence from Book Character Personality Trait Changes made by (Quote or Paraphrase & pg. #) Character John Wilkes Booth Edwin Stanton George Atzerodt Role in the Book & Evidence from Book Character Personality Trait Changes made by (Quote or Paraphrase & pg. #) Character John Garrett John Surratt Role in the Book & Evidence from Book Character Personality Trait Changes made by (Quote or Paraphrase & pg. #) Character Mary Surratt Mary Todd Lincoln Role in the Book & Evidence from Book Character Personality Trait Changes made by (Quote or Paraphrase & pg.
    [Show full text]
  • Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style
    University of Windsor Scholarship at UWindsor Major Papers Theses, Dissertations, and Major Papers June 2018 Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style Dustin Jones University of Windsor, [email protected] Follow this and additional works at: https://scholar.uwindsor.ca/major-papers Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Museum Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Public History Commons, and the United States History Commons Recommended Citation Jones, Dustin, "Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style" (2018). Major Papers. 43. https://scholar.uwindsor.ca/major-papers/43 This Major Research Paper is brought to you for free and open access by the Theses, Dissertations, and Major Papers at Scholarship at UWindsor. It has been accepted for inclusion in Major Papers by an authorized administrator of Scholarship at UWindsor. For more information, please contact [email protected]. Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones A Major Research Paper Submitted to the Faculty of Graduate Studies through the Department of History in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario, Canada 2018 © 2018 Dustin Jones Built Ford Tough: Masculinity, Gerald Ford's Presidential Museum, and the Macho Presidential Style By Dustin Jones APPROVED BY: ______________________________________________ N. Atkin Department of History ______________________________________________ M. Wright, Advisor Department of History May 17th, 2018 DECLARATION OF ORIGINALITY I hereby certify that I am the sole author of this thesis and that no part of this thesis has been published or submitted for publication.
    [Show full text]