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Home , Anna Friel, Beatrice Welles, Bruce Robinson, Franco Zeffirelli, Imelda Staunton, Joseph Fiennes

Guy Patricia, Anthony. "INDEX." Queering the Shakespeare Film: Gender Trouble, Spectatorship and Male Homoeroticism. : Bloomsbury Arden Shakespeare, 2017. 259– 292. Bloomsbury Collections. Web. 1 Oct. 2021. <>.

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Copyright © Anthony Guy Patricia 2017. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. INDEX

a word and a blow (William all-male (sauna) xxiv, 74–5, 87, Shakespeare’s + 97, 185, 196–7, 200–1, ) 115 219 abnormal/ity 8, 45, 202 Amazon/ian/s 3, 6, 32, 225 Achilles 117 n.25 active 58, 60, 63, 66 America/n xiv–xv, xvii, xxi, 1, adaptation/s xx–xxi, xxvii, 2, 73, 90, 190, 192, 197, 4, 9, 25, 30, 37, 43, 54, 201, 206, 214, 215, 221 56, 68, 82, 84–5, 90, n.8, 222 n.2, 230 n.10, 109, 138, 174, 182, 190, 237 n.33, 245 n.39, 230 n.5, 237 n.29, 253 246 n.1, 247, 249, Adelman, Janet 140, 240 n.9, 250 249 anachronism 68, 115, 186 Adler, Renata 55, 216, 232 anal penetration 63 n.39, 249 anality 30, 63, 66–7, 244 n.12, adult/child eroticism 29–30 256 adulterous 28 anal-retentive 186 adultery 188, 209–10 anatomizes 199 Adventures of Priscilla, Queen Ancient Assyria 50 of the Desert, The (Film, Anderegg, Michael 190 dir. Stephan Elliot, 1994) androgynous 161 110 Anger, Kenneth 226 n.36 affection/s/ate 36, 56, 70–1, 81, Anglophone xxii, 28, 219 113, 142, 144, 148, 151, anthropomorphic 21 165, 171, 214 antiquity 21, 119, 131, 231 affective/ly 45, 155, 165–6, n.27, 250 170, 177, 197 anti-Semitism 138 agency 65, 138, 214 antisocial 198 albatross 113 Antonio (character; The Alexander, Ross (Demetrius; Merchant of Venice) xxv, A Midsummer Night’s 135–7, 139–42, 144–6, Dream; 1935) ix, 32, 34 153–60, 217–18, 239

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n.1, 242 n.30, 243 n.39, 31, 46, 48, 52, 53, 253, 255 57, 61, 62, 67–71, 73, Antonio (character, Twelfth 77, 81–2, 85–6, 90–2, Night) xxv, 135–7, 95, 98, 100, 103, 113, 160–74, 176–7, 217–18, 118–19, 122, 124–30, 239 nn.1–2, 242 nn.25, 132, 142, 149, 155, 28–30, 243 n.39, 253, 159, 162, 166, 175, 255 177, 178, 182, 197 Antonio (; The Aurora 18, 19 Merchant of Venice, auteur 196 2004) x–xi, xxvi, 137, 139, 140–60, 178, 179, Babbington, Bruce 14, 37, 38, 217, 218 226 nn.36–7, 229 n.78, Antonio (Nicholas Farrell; 249 , 1996) xi, Baedeker Guidebook to Illyria xxvi, 103, 137, 160–77, 167 217–18, 242 n.29 Bakhtin, Mikhail 124 anus 63, 186, 244 n.14 Bale, Christian (Demetrius; apes 21 A Midsummer Night’s Appleman, Hale (Cadet Neff; Dream, 1999) 128 , 2011) 77 Balthazar (; art/ful/ist/istic 2, 42–4, 49, 56, , 1968) 73, 119, 186, 192 57 artificial construction 95 Balthazar (; (Play) 125, 136, ’s 239 n.1 , Ashurnasirpal II (883–859 bc) 2004) 157, 159 50 Barrymore, John (; ass xxiii, 16, 21, 23, 25–8, 30, Romeo and Juliet; 1936) 38, 225 n.31, 226 n.44, ix, 43, 44, 48, 50, 51, 228 nn.61, 65, 68, 253, 52 256, 258 Bassanio (character, The Athenian/s xxv, 4, 10, 11, 124 Merchant of Venice) xxv, Athens xxiii, 4–6, 10, 14, 18, 136, 139–42, 144–7, 31–2, 119, 123, 130, 149–60, 179, 217–18 131, 225 n.25, 240 Bassanio (; The n.14 Merchant of Venice, aubade 56, 68, 81, 216 2004) x–xi, xxv–xxvi, audience/s ix, xx, 1, 2, 5, 139–60, 177–9, 217–18 8, 10, 14, 19, 25, 29, Batchelor, John 226 n.36

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bathhouse/s 201 111, 113, 116, 151, 211, bawdy 115, 204, 242 219 bears 21 bitchy wit 192, 194, 195 beast 21, 22 black (ram) ix, xix, 4, 5, 6, 39, Belmont 145, 146, 147, 149, 54, 61, 93, 107, 109, 150, 152, 153, 154, 156, 110, 157, 161, 163, 170, 177, 179, 218 178, 188 Belton, John 247, 258 Black, Gregory D. 213, 214, Benshoff, Harry M. 44, 197, 246 n.1, 249 203, 230 n.10, 245 n.39, blood vow 205 247 n.1, 249 blow/s 149, 238 n.43 Benvolio (; BMBC (British Mutoscope and Romeo and Juliet, 1968) Biograph ) xvii 66, 86 boars 21 Benvolio (Dash Mihok; Romeo Boehrer, Bruce Thomas 22–4, + Juliet, 1996) 114 28–30, 227 nn.49, 51, Benvolio (Reginald Denny; 57, 228 nn.65, 66, 249 Romeo and Juliet; 1936) Bollywood xxi ix, 48, 49, 215 Boston Globe 48 Benvolio/Gus Sanchez (Sean Boswell, John 207, 246 n.46 Hudock; Private Romeo, Bottom (character, A 2011) 77 Midsummer Night’s Berry, Edward 124, 125, 130, Dream) xxiii, 25–9, 238, 249 37–8 best friend/s x, 108, 109, 117, Bottom/Pyramus (James 118 Cagney; A Midsummer bestial/ity xxiii, 21–5, 28–9, Night’s Dream, 1935) 2, 30, 39, 188, 215, 227 16, 20–9, 38–9, 227 n.59 nn.49, 51, 57, 228 Bottom/Pyramus (; nn.65, 66, 69, 249 A Midsummer Night’s betrothal/ed 152, 154, 225 Dream, 1999) 119–23, n.25 129, 131–2 Big Bad Wolf 112 Bottom’s Wife (Heather big death 72 Elizabeth Parisi; A bigamist/ous/y 28, 30, 215 Midsummer Night’s biological sex/es 75, 89, 94, Dream, 1999) 119 111, 132, 217 boy actor/s xix, 93, 94, 124, Birdcage, The (Film, dir. Mike 125, 131 Nichols, 1996) 110 boys 17, 19, 94, 226 n.40, 251 bisexual/ity xxiii, 18, 24, 55, Branagh, Kenneth (Iago;

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Othello, 1995) xi, xviii, Butler, Judith 75–6, 95, 111, 131, 202, 206, 208, 211, 114, 217, 234, 236, 237 238 n.55, 251 nn.34, 39, 250 Bray, Alan 23–4, 28, 142, 149, buttocks 69 151, 154, 171, 189, 227 nn.52, 54, 241 n.17, Cadet Neff (Hale Appleman; 249, 250 Private Romeo, 2011) 77 Brindisi 119 Cagney, James (Bottom/ British Museum 50 Pyramus; A Midsummer British Mutoscope and Night’s Dream, 1935) 2, Biograph Company 223 n.3 (BMBC) xvii Caliban (character, The Brooks, Harold F. 224 n.15, Tempest) 125 238 n.46, 257 Captain (Sid Livingstone; brothel/s 171 Twelfth Night, 1996) Brown, Alan (dir. Private 91–3, 96 Romeo, 2011) ix–x, xxiv, Capulet Ball 77, 107, 110 42, 73–8, 80–4, 87, 213, Capulet’s Wife (character, 219, 234 n.83, 256 Romeo and Juliet) 76 Brown, Sheila (Changeling Boy; Carlei, Carlo 41 A Midsummer Night’s Carter, Helena Bonham Dream, 1935) 14, 226 (Countess ; Twelfth n.36 Night, 1996) 92, 175 Buchanan, Judith xvii, 221 n.1, Cassio (character, ) 250 183, 185–9, 197, 199, bugger/y 22–4, 28, 227 nn.49, 218, 244 n.14 57, 228 nn.65, 66, 69, 249 Cassio (Michael Laurence; Buggery Act 21–3 Othello, 1955) 200–1, Buhler, Stephen M. xx 218 bulls 21 Cassio (; Burnett, Mark Thornton xx Othello, 1995) 202–4, Burt, Richard xix, xxi, 43–6, 209, 218 49, 52, 84–7, 109, 215, Cassio’s dream 185, 188 221 n.8, 230 nn.9, 17, castration 63 231 nn.26, 33, 235 n.91, catamite 23 237 n.33, 250 192, 215 Burton, Richard 53 cats 21 Bury, Shirley 49, 50, 231 n.27, Celluloid Closet: 250 in the Busby Berkeley 107 Movies, The 246 n.1

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Cephalus 18–19 Constitutional 206 changeling boy (character, A contained/ment 11, 118, 126 Midsummer Night’s continuum 2, 74 Dream) 12–14, 18–19, 20 Coote, Robert (Roderigo; changeling boy (Sheila Brown; Othello, 1952) xi, 194, A Midsummer Night’s 200 Dream, 1935) 14–16, Cordelia (character, ) 19–20, 25, 30, 38–9 83 Chedgzoy, Kate xix–xx, 221 costume/s 4, 9, 43, 45, 47, 51, n.7, 250 54, 91, 94, 122, 127, child abusive 28 191, 193, 214 child-love 30 Count Orsino’s court 165 (dir. Orson Countess Olivia (Helena Welles, 1965) 198 Bonham Carter; Twelfth Christ 167 Night, 1996) xxiv, xxvi, Christian/s 4, 22, 125, 138, 92, 97, 100–1, 172, 175 167, 186, 210 Coursen, H. R. 91, 96, 174, cinaedus 23 175, 235 n.3, 236 n.11, cinematography 2, 192, 213 242 n.36, 251 Cinthio 183–4 Cox, Charlie (Lorenzo; The classical 6, 11, 23, 70, 228 Merchant of Venice, n.60, 252 2004) 142 claustrophobic 191 Craik, T. W. 236 n.19, 257 Clautier, Suzanne (Desdemona; crime/s xxiii, 22–4, 28, 190–1, Othello, 1952) 195 214 Clayton, Tom 6–7, 12, 17, 224 Cromwell, Thomas 21–3 n.17, 225 nn.26, 33, 226 cross-dress/es 78, 107 n.41, 250 crossdressing 233 n.64, 237 clyster-pipes 186–7 n.35, 251 codpiece 61, 64–6, 69 Crowl, Samuel 131, 132, 238 Coleridge, Samuel Taylor 76, n.55, 251 218, 234 n.89, 250 Crying Game, The (Film, dir. Collins, Lynn (Portia; The , 1992) 110 Merchant of Venice, cuckold/ed/ing/ry 187, 209, 2004) 139 240 n.10, 253 Columbine 182 Cukor, George (dir. Romeo and Come Away Death 101 Juliet, 1936) ix, xxiii– compulsory heterosexuality xx, xxiv, 42–55, 72–4, 85–7, xxii, 8–10, 118, 138, 224 106–7, 211, 215, 219, n.21, 225 n.25, 256 230–1, 234, 253–4, 256

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Cypriot xi, 200, 201 32–9, 42, 123–5, 130–1, Cyprus 181, 186, 191, 204–5 211, 213, 215, 219, 222 n.1, 224 nn.12, 15, 25, damsel 172 226 n.36, 227 n.59, 249 debauchery 24 DiPietro, Cary 222 n.9 decadence 192, 200 discordant 4, 9 deconstruction 60, 75, 132 disidentification 68 Demetrius (; displace/d/ment 20, 106, 114, A Midsummer Night’s 140, 189 Dream, 1999) 128, 130 distrust of elders 55 Demetrius (Ross Alexander; Dollimore, Jonathan 53, 231 A Midsummer Night’s n.34, 251 Dream, 1935) ix, xxiii, Donaldson, Peter S. xx, 55, 56, 10, 31–6 57, 58, 59, 231 n.37, demonic semen 209 232 nn.43, 47, 251 Denny, Reginald (Benvolio; Douglas, Mark xxi, 95, 176, Romeo and Juliet; 1936) 236 n.10, 242 n.37, 254 ix, 48–9 Doyle, Matt (Glenn Mangan/ Desdemona (character, Othello) Juliet; Private Romeo, 174, 183, 185–9, 209, 2011) ix, x, 77, 80, 83 210, 244 n.14 drag 127 Desdemona (Irène Jacob; drag queen xxiv, 107, 110, Othello, 1995) 202, 204, 112, 124, 217 207 Drakakis, John 240 n.6, 257 Desdemona (Suzanne Clautier; duchess 10, 119, 126–7 Othello, 1952) 191, duke 6, 10, 33, 92 194–5, 198 Duke of (character, Desmet, Christy 18, 226 n.42, ) 104 251 Duke of York (character, Henry detritus 186 V) 104 deviant/s 34, 112, 137, 149, Duke Orsino (Toby Stephens; 187, 198 Twelfth Night, 1996) x, DiCaprio, Leonardo (Romeo; 93, 95–103, 105, 157, Romeo + Juliet, 1996) x, 165, 167, 173 107, 118 Duke Theseus (David Dieterle, William (dir. A Strathairn; William Midsummer Night’s Shakespeare’s A Dream, 1935) vii, ix, xxii, Midsummer Night’s xxiii, 1–5, 8–12, 14–16, Dream, 1999) 119, 18–21, 23–5, 27–30, 126–7, 156

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Duncan-Jones, Katherine 241 empathy 209 n.19, 257 enema tubes 186 dupe 205 enforced marriage 8 Dyer, Richard 191–4, 196, 245 engaged 152 nn.30, 38, 251 ensign 188, 199 dysfunctional episode 69 Erickson, Peter 240 nn.9, 10, 249, 253 Earl of Suffolk (character, eros xx, 96, 231 n.37, 251 Henry V) 104 erotic/ally/ises/ized 13–16, 18, earring(s) ix, 49–51, 231 n.27, 21, 30, 37–9, 45, 58–63, 250 65–6, 68–9, 74, 81, 98, economic circumstances 208 112, 144, 148, 153, 155, Edgar (character, King Lear) 83 163, 177, 187, 189, 197, educational opportunities 208 205, 210–11, 225 n.35 effeminacy 36, 52, 116, 193, eroticism xxiii, 12, 13, 20, 29, 215, 229 n.77 30, 37, 38, 39, 160 effeminate/ly/s xi, xxiii, 32, Euripides 225 n.30 34–7, 52, 117, 194, 211 Europe/an 22, 50, 189, 197, Egeus (Grant Mitchell; A 207, 210, 246 n.46, 254 Midsummer Night’s evil 186–7, 209, 211, 218–19 Dream, 1935) 31–3 exhibitionist 58–9 Eisenhower 190 expressionistic camera work Elam, Keir 90, 92, 98, 99, 100, 191 103, 104, 105, 162, 163, extreme means 156, 158 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, Fabian (Peter Gunn; Twelfth 235 nn.1, 5, 236 n.7, Night, 1996) 172–3 241 n.23, 242 nn.24, 32, fag hags 52 251, 257 Fairy in Titania’s Service (Nina Elephant, The 170–2, 242 n.32 Theilade; A Midsummer Elizabethan 5, 24–5, 28, 41, Night’s Dream, 1935) 14 54, 106, 115, 149, 155, fairy king/dom xxiii, 12, 16, 171, 182, 225 n.27, 227 18–20, 29–30, 33, 39 n.54, 241 n.17, 250, 254 fairy queen 12, 14–16, 18, 25, Ellis, Havelock 36 28, 30 Ellis, Jim xix falsetto 32, 34, 37, 115, 122, Emilia (Anna Patrick; Othello, 127, 129 1995) 207, 209 (character,The Merry Emilia (character, Othello) 185, Wives of Windsor, Henry 209 IV Parts 1 and 2) 125

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fantasmatic 60–3, 65, 67–8 Food and Drug Administration Farmer, Brett 59–60, 62–3, 232 (United States) 216 n.52, 233 n.57, 251 forbidden love 47, 86 Farrell, Nicholas (Antonio; Foucauldian 112 Twelfth Night, 1996) xi, Foucault, Michel 24, 34, 76, 103, 160, 163–4, 168 184, 224 n.20, 227 n.56, fellatio 115–16 231 n.34, 251–2 Fellowes, Julian 41 Fradenburg, Aranye 15–16, feminine gender 94 226 n.40, 251 feminism xxii, 132, 182, 222 Francis Flute/Thisbe (Sam n.9, 224 n.21, 236 n.9, Rockwell; A Midsummer 250, 256 Night’s Dream, 1999) x, Fernie, Ewan 222 n.9 xxv, 120–1, 217 Feste (; Twelfth Freud, Sigmund xxvii, 15, 26, Night, 1996) 101, 103, 38, 199, 222 n.9, 226 161, 175 n.39, 231 n.34, 251, 255 fetish/ization/ized/izes 12, 65, Freudian xxvi, 63, 184, 186, 111 188, 201 Fiennes, Joseph (Bassanio; The Friar Laurence (Adam Barrie; Merchant of Venice, Private Romeo, 2011) 2004) x, xi, 139, 148, 83 150, 160 Friar Laurence (Milo O’Shea; film noir xxvii, 190–4, 196, Romeo and Juliet, 1968) 245 n.28, 255 67 fine dining 193 Friedman, Michael D. xx First Duke of Buckingham Friel, Anna (Hermia; A (George Villiers) 51 Midsummer Night’s First Folio 91 Dream, 1999) 128 Fishburne, Laurence (Othello; Othello, 1995) xi, 202, G/ganymede 18, 23 206, 208, 211 Gajowski, Evelyn v, xiii, xv, Fisher, Gregor (Solanio; The 222 n.9, 223 n.10, 228 Merchant of Venice, n.64, 239 n.3, 243 n.41, 2004) 159 254–5 Fisher, Will 64, 233 n.65, 251 Galen 35 flashback 191 gangsta rap 106 Flockhart, Calista (Helena; Garber, Marjorie 64, 111–13, A Midsummer Night’s 126, 233 n.64, 237 n.35, Dream, 1999) 119, 128 238 n.53, 251 Florentine 199 Garner, Shirley Nelson 12, 13,

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20, 29, 225 nn.32, 34, 51, 56, 60–1, 64, 75–6, 228 n.67, 251 78–9, 85, 87, 89, 91, gay xxiii–xxiv, 3, 18, 24, 44–6, 94–5, 100, 102, 105, 52, 54, 59–61, 65, 67, 107, 110–12, 114, 122, 69, 82, 84–5, 87, 104, 126, 129, 130, 132–3, 109, 111–14, 116, 126, 148, 160, 182–4, 194, 139, 150–1, 171, 178, 201, 217, 222, 222 n.9, 187, 192–4, 196–7, 201, 223 n.10, 228 nn.64, 70, 211, 219, 224 n.20, 230 229 n.77, 232 n.56, 233 nn.9, 10, 241 n.15, 245 n.65, 234 n.87, 236 n.17, n.39, 246 n.1, 247 n.1, 237 nn.34, 39, 239 nn.1, 249–50, 252–3 3, 243 n.41, 250–6, 258 gay and lesbian studies xxiii– gender bending 132, 161 xxiv, 132, 222 n.9 gender conventions 208 gay desire 52, 85 gender identity 57, 95, 132 gay director 73, 215 gender trouble iii, vii, xxii, gay drag queen 107 xxiv–xxv, 89, 90, 91, 96, gay film spectatorship iii, vii, 97, 99, 108, 109, 118, xxii, xxiv, 41, 60, 61, 62, 120, 126, 132, 215, 217, 63, 229, 232 n.52, 251 235, 236 n.9 gay male crossdresser 110 gender undecidability 64 gay male fantasmatic 60, 61, gendered 20, 111 67 gendered self 111 gay male gaze 66, 67 generosity 154 gay male subjectivities 60 genital homosexuality 3 gay oppression 192 genital/s 13, 35, 36, 48, 64, 92 gay pornography 65 genitalia 200 gay rights movement 51, 73, George Villiers (First Duke of 216, 217 Buckingham) 51 gay sex xx, 85 Gibson, Mel 54 gay spectatorship 66 Gil, Daniel Juan xxi, 198–200, gay subject 62, 63, 65 245 n.41, 252 gay utopian fantasy 84, 87 Glenn Mangan/Juliet (Matt gay writer 73 Doyle; Private Romeo, gayness 43, 44, 45, 46, 52 2011) ix–x, 77–83 gaze xxi, 52, 58–9, 61, 66–7, Goldberg, Jonathan xix, 227 69–70, 79, 141, 207, 232 n.54, 241 n.17, 250 n.56, 233 n.70, 258 government policies 208 gender vii, xv, xxii, xxiv, 1, Grady, Hugh 222 n.9 3–4, 35–6, 39, 44, 49, Grant, Richard E. (Sir Andrew

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Aguecheek; Twelfth Hays Code 214–15 Night, 1996) 172 Hays, William Harrison 214 Graziano (Kris Marshall; The Hecatomithi 183 Merchant of Venice, Hector 117 2004) 141, 153–4, 178 hegemonic 112, 184 Greek etymology 13 Helena (Calista Flockhart; Greek mythology 11 A Midsummer Night’s Greek warrior 31 Dream, 1999) 128, 130 Greenblatt, Stephen 18, 183, Helena (Jean Muir; A 207–10, 226 n.43, 252 Midsummer Night’s Griffin, C. W. 4, 6, 8–9, 224 Dream, 1935) 10, 31–3 nn.13, 19, 22, 252 Henry V (Play) xix, 104, 236 Griffin, Sean 44, 46, 197, 203, n.19, 257 230 n.10, 245 n.39, 247 heritage 119, 197 n.1, 249 Hermia (; A grotesque xx, 38, 188, 207, Midsummer Night’s 228 n.61 Dream, 1999) 127, 130 Gunn, Peter (Fabian; Twelfth Hermia (character, A Night, 1996) 172 Midsummer Night’s Gus Sanchez/Benvolio (Sean Dream) 240 n.14 Hudock; Private Romeo, Hermia (; 2011) 77 A Midsummer Night’s Dream, 1935) 10, 32, Hall, Peter 123–5, 130, 224 33, 37 n.12 Hermione (character, The Hall, Savannah v Winter’s Tale) 124 Halperin, David M. 8, 38, 224 Hester Prynne (character; n.20, 252 Hawthorne novel, The (Film, dir. Franco Scarlet Letter) 4 Zeffirelli, 1990) 54 heterocentric 8 Hamlet (Play) 181, 243 n.1 heteroerotic 95 Harlow, Jean 107 heteronormative xxiv, xxvi, Havilland, Olivia de (Hermia; 28–9, 62, 66, 68–9, 79, A Midsummer Night’s 84–7, 100–1, 114, 122, Dream, 1935) 60 124, 126, 132, 137, 142, Hawkes, Terence 222 n.9 177, 179, 187, 192–6, Hawthorne, Nathaniel 4 217 Hawthorne, Nigel (; heteronormative imaginary Twelfth Night, 1996) 130 175 heteronormative utopia 136

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heteronormativity xxi, 73, 85, 138 139–41, 151, 216–17 Homer 117 heterosexist 34, 69, 71, 76, 78, homoerotic/ism/izing/s iii, viii, 188, 236 n.16, 257 xv, xx–xxvi, 29–30, heterosexual marriage 140 48–9, 56, 59, 61, 67, heterosexual marriage rite 206 69, 70–4, 86, 91, 95–6, heterosexual/ity/ized/ly xx, 98–9, 100–5, 107–9, xxii–xxiii, xxvi–xxvii, 114, 116–18, 120, 8–10, 19, 28, 30, 129–32, 135–79, 185, 38–9, 42, 49, 52, 56, 188–90, 194, 197, 199, 58–9, 62–3, 69, 75, 201–3, 205, 207, 211, 79, 82, 84–6, 107, 216–18, 229 n.77, 239, 109, 112–14, 118, 239 nn.1, 3, 242 n.29, 121, 125–6, 130, 138, 255 140, 144, 149, 176–8, homonormativity 84–5, 230 184–8, 224 n.21, 225 n.9, 250 n.25, 229 n.77, 256 homophobia/ic/ically xxv, 45, hiphop 106 58, 113–14, 116, 148, Hippolyta (character, A 186, 193, 202 Midsummer Night’s homosexual/ity/s xx, xxi, xxiii, Dream) 6, 9, 11, 31 xxvi–xxvii, 3, 23–4, Hippolyta (Sophie Marceau; 34, 36, 42, 44–5, 47, A Midsummer Night’s 49, 51, 54–6, 59–61, Dream, 1999) 120 63, 71, 74–5, 77, 84, Hippolyta (Verree Teasdale; 86, 112–15, 126, 148, A Midsummer Night’s 151, 171, 176, 183–97, Dream; 1935) ix, xxiii, 199–202, 209, 211, 3–11, 31, 39, 224 nn.13, 214, 216, 218–19, 227 19, 22, 225 nn.25, 30, nn.51, 52, 54, 232 n.56, 227 n.59, 252 233 n.70, 234 n.90, 241 Hippolytus 11, 225 n.30 nn.15, 17, 243 n.40, 244 historical situation 210 n.14, 245 n.45, 246 n.1, History of Sexuality, The 247 n.1, 249, 250, 253, (Foucault) 184, 227 257–8 n.56, 234 n.90, 251 homosocial/ity/ly xix, 66, 70–1, Hobbes, Thomas 124 74, 95, 107, 116–17, Hobbesian 124–5 146, 151, 155, 170, 189, Holland, Peter 11, 225 n.28, 201–2, 218, 234 n.85, 252 257 Hollywood B movies 190 Honigmann, E. A. J. 226 n.36,

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242 nn.33, 34, 243 n.4, Illyria/n xi, 91–3, 97–8, 249, 257 166–71, 173, 218 Houlahan, Mark xv, 239 n.3, impossible penetration 69 255 impotence 192, 201 Howard, Jean E. 64, 103, 236 Indian king (character, A n.17, 252 Midsummer Night’s Howard, Leslie (Romeo; Dream) 12, 14 Romeo and Juliet; 1936) Indian prince (character, A ix, 43, 48, 85 Midsummer Night’s Howard’s End (Film, dir. James Dream) 12, 226 n.36 Ivory, 1992) 119 infidelity 209 Hull, Suzanne W. 223 n.11 ingle 23 Hunter, Ian (Theseus; A Inns of Court 90 Midsummer Night’s institution of marriage 214 Dream, 1935) 4 international youth movement Hussey, Olivia (Juliet; Romeo 55 and Juliet, 1968) ix, 53, interpolation 92, 177 67 intertextually 18, 84 Hyman, Stanley Edgar 183–8, intimate/ly 20, 56, 71, 78, 95, 244 n.6, 252 97–8, 101–2, 116–17, hyper-masculine 2, 62 140–1, 144–5, 165, 167, 182, 189, 198, 204–6, Iago (character, Othello) viii, 214 xxvi, 181, 183–9, 208–11, Introduction (Twelfth Night, 218–19, 243, 244 nn.6, 1996; ) 160, 12, 14, 15, 252, 256 241 n.22 Iago (; Irons, Jeremy (The Merchant of Othello, 1995) xi, xxvi– Venice, 2004) x–xi, 139, xxvii, 202–8 148, 150–1, 160 Iago (Micheál MacLiammóir; Irwin, Bill (Snout; A Othello, 1952) xi, xxvi– Midsummer Night’s xxvii, 190, 193–201 Dream, 1999) 120 iconography 192, 196 119, 231 n.35 idealizing incorporation 62 identification 14, 54, 60, 63, 68 Jackson, Russell xviii, 2, 47–9, identity 34, 51, 57, 63, 79, 87, 52, 221 n.3, 222 n.2, 225 111–12, 116, 126, 132, n.25, 231 nn.24, 35, 252 140, 186, 192, 195, 203, Jacobean 54, 115, 149, 155, 182 207, 216, 236 n.9, 250 Jacques (character, As You Like Iliad, The 117 It) 125

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Jarman, Derek xix–xxi, 221 King Charles I 51 n.7, 250 King Henry VIII 22, 65 Jbara, Gregory (Snug; A King James I 51, 97 Midsummer Night’s King John (Film), BMBC, 1899 Dream, 1999) 120 xvii–xviii, 221 n.2 Jennings, Talbot 42 King Lear (character, King Jensen, Michael P. 26–7, 228 Lear) 83 nn.60, 63, 252 King Lear (Play) 83 Jews 138 Kingsley, Ben (Feste; Twelfth jockstrap 65 Night, 1996) 101, 161, Jorgens, Jack J. 2, 38–9, 70, 175 223 n.5, 229 n.80, 234 Kinney, Arthur F. 224 n.17, 250 n.79, 252 Kleinberg, Seymour 146, 176, Jory, Victor (Oberon; A 241 n.15, 253 Midsummer Night’s Kline, Kevin (Bottom/Pyramus; Dream, 1935) 16 A Midsummer Night’s Jove 18 Dream, 1999) x, 119, joyful 174 128, 132 Juliet (character, Romeo and knight in shining armor 172 Juliet) 43, 44, 68–9, Ko, Yu Jin 171, 242 n.32, 253 76–7, 82, 85, 104, 114, Kolb, Bobby 225 n.36 117–18, 131, 215–17 Korngold, Erich Wolfgang 26 Juliet ( Shearer; Romeo Kott, Jan 21, 26, 226 n.44, 228 and Juliet, 1936) 46, 72, n.61, 253 85 Kristeva, Julia 15 Juliet (; Romeo and Juliet, 1968) ix, Lady (character, 67–70, 216 Macbeth) 4, 124, 223 Juliet/Glenn (Matt Doyle; n.10 Private Romeo, 2011) Lamont, Claire 226 n.36 ix–x, 77–83, 219 ‘Law in , The, jump-cuts 191 1290–1885’ 226 n.47 Jun, Joon-Taek xix Leggatt, Alexander 238 n.47, 249 Kahn, Coppélia 140, 240 nn.9, Lehmann, Courtney 42–3, 52, 10, 249, 252–3 107, 230 n.5, 237 n.29, Katherina 124–5 253 Kehler, Dorothea 226 nn.42, leopards 21 44, 251, 253 Lerner, Daniel 209, 246 n.48 Kemp-Welch, Joan 224 n.12 Levine, Laura 253

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Levy, Emanuel 45–7, 230 n.15, Lysander (Dick Powell; A 231 n.22, 253 Midsummer Night’s Lewis, Cynthia 167, 242 n.28, Dream; 1935) ix, xxiii, 253 10, 31–6 lieutenant 188–9, 193, 199, Lysander (; A 202–3, 205, 218 Midsummer Night’s lions 21 Dream, 1999) 127, 130 little death 72 Little, Jr., Arthur L. xiii, 27, Macbeth (dir. , 139–40, 146, 178, 1948) 198 187–8, 228 n.64, 240 Macbeth (Play) 223 n.10, 257 n.7, 243 n.41, 244 n.19, Mackintosh, Stephen 253–4 (Sebastian; Twelfth Livingstone, Sid (Captain; Night, 1996) xi, 92, 160, Twelfth Night, 1996) 91 164, 168 Lobrutto, Vincent xx MacLiammóir, Micheál (Iago; Lodovico (; Othello, 1952) xi, Othello, 1995) 207 193–7, 200, 211, 245 Loehlin, James N. 107, 113, n.35, 254 237 n.28, 254 MacQueen, Scott 2, 223 nn.4, Loncraine, Richard xx–xxi 6, 225 nn.25, 36, 254 London xvii, xix, 41, 90, 131, Magnus, Laury xxi, 142, 148, 138, 171, 181 240 n.11, 241 n.16, 254 Lorenzo (Charlie Cox; The Magro, Maria F. xxi, 95, 176, Merchant of Venice, 236 n.10, 242 n.37, 254 2004) 142, 153 male arousal 204 Louise, Anita (Titania; A male body 47, 49, 86 Midsummer Night’s male friendship/s 142, 155, Dream, 1935) 14 177, 227 n.54, 240 n.10, Luhrmann, Baz (dir. William 241, 250, 252 Shakespeare’s Romeo + male same-sex kiss 103 Juliet, 1996) vii, x, xviii– male spectator/s/ship 58, 62, xix, 89–90, 106–18, 232 n.52, 251 132–3, 217, 219, 235, male-male desire 186 237 nn.22, 25, 238 n.42, Maloney, Michael (Roderigo; 255–6 Othello, 1995) 202 lynxes 21 Malvolio (character, Twelfth Lysander (character, A Night) 125, 242 n.31 Midsummer Night’s Malvolio (; Dream) 240 n.14 Twelfth Night, 1996) 175

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manicured nails 192–3 melancholy xxvi, 66, 97, 101, Maria (; 146, 160, 174, 176 Twelfth Night, 1996) Mendelssohn, Felix 27, 38, 119 175 Menon, Madhavi xix–xxi, 3, marriage/s vii, ix, xxii, xxvi, 1, 223 nn.7, 9, 225 n.31, 3, 6, 8, 9, 11, 21, 27–8, 226 n.40, 240 n.7, 251, 30, 65, 67–8, 82–3, 90, 253–4, 256 117, 136, 138, 140, 146, mercenary 171 152, 154–5, 159, 176, Merchant of Venice, The (Play) 178, 182, 184, 202, 204, xv, xxii, 125, 135, 160, 206, 210, 214, 218, 222, 236 n.16, 239 n.1, 240 228 n.64, 236 n.8, 240 nn.6, 7, 10, 241 n.15, n.7, 243 n.41, 253, 256 253, 255–8 married same-sex couple 82 ‘Merchant of Venice, The: Marshall, Kris (Graziano; The Shakespeare through the Merchant of Venice, Lens’ 150, 241 n.18, 258 2004) 142 Mercutio (character, Romeo masculinity vii, xxii, 1, 3, 14, and Juliet) 71, 231 n.32, 17, 30, 32, 35–6, 51, 60, 234 n.80, 256 63–7, 76, 114, 117–18, Mercutio (Harold Perrineau; 130, 193–4, 222, 236 Romeo + Juliet, 1996) x, n.18, 237 n.20, 257 xxiv–xxv, 107–18, 132, matrimony 6, 27, 95, 154, 184, 217 198 Mercutio (John Barrymore; Matz, Robert 187–9, 244 n.23, Romeo and Juliet; 1936) 254 ix, xxiii, 43, 48–52, 215 Maurice (Film, dir. , Mercutio (John McEnery; 1987) 119 Romeo and Juliet, 1968) Mazell, Kym 110 67, 70–2, 86, 109 McEnery, John (Mercutio; Merry Wives of Windsor, The Romeo and Juliet, 1968) 125 70 Messaline 161, 163, 177 McGilligan, Patrick 44–7, 230 Messel, Oliver 46, 85, 215 n.11, 231 nn.20, 23, 254 Metro-Goldwyn-Mayer McKellen, Ian xx–xxi, 240 (MGM) 42 n.5 Middle Temple 90 McKinley Military Academy Midsummer Night’s Dream 74, 77, 81–2 (Film, A dir. Max McRuer, Robert xx Reinhardt and William Mediterranean 72, 191 Dieterle, 1935) vii, ix,

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xxii, 1, 5, 34, 213, 222, and Thisbe, The’ 2, 10, 222 n.1, 249, 252–5, 120, 127, 128–9, 131 257–8 Motion Picture Association of Midsummer Night’s Dream, America (MPAA) 214 A (Play) xxii, 27, 224 Motion Picture Producers and nn.13, 15, 16, 17, 225 Distributors of America nn.27, 28, 32, 34, 226 (MPPDA) 214 nn.36, 42, 43, 44, 227 Motion Picture Production nn.49, 57, 228 nn.60, Code 214 61, 63, 65, 66, 67, 69, motiveless malignancy 218 238 nn.45, 46, 250–2 Mrs. Doubtfire (Film, dir. Chris minstrels 116 Columbus, 1993) 110 mirthful 174 MTV (Music Television) 106, mise-en-scene xxvi, 2, 74 110 misogynistic/y 8, 12, 58, 182, Muir, Jean (Helena; A 192, 215 Midsummer Night’s moneylender 156, 159 Dream, 1935) 32 monkeys 21 Muir, Kenneth 223 n.10, 257 monstrous birth 187 Mulvey, Laura 57–61, 66, 69, montage xxvi, 92, 108, 177, 216, 232 n.48, 255 179 murderous 38, 202 Monte Athena 119–20, 131 music/al/s xxiii, 2, 26, 43, 46, Montrose, Louis Adrian 11, 66, 73, 81, 85, 92, 101, 17–19, 225 n.27, 254 110, 190, 192–3, 200, Moonlight and Night (A 215 Midsummer Night’s My Own Private Idaho (Film, Dream, 1935) 38–9 dir. Gus Van Sant, 1991) Moor/ish 186, 190, 198 xix–xxi Moore, Helen 221 n.9, 254 moral/ists/s xvii, 22, 114, 138, narrative cinema 59, 61, 69, 214, 215 232 n.48, 255 morning-after-the-wedding- national traditions 208 night/morning after 56, necrophilia 201 216 Nelson, Tim Blake (dir. ‘O’, Morning’s love 18 2001) 182 Morocco 191 New Historicism/t 18, 208 Moshinsky, Elijah 123, 224 City 73, 197, 216 n.12 New York Times, The 55, 232 ‘Most Lamentable Comedy and n.39, 249 Cruel Death of Pyramus Noble, Adrian 123–4, 130

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non-gay 111 O’Shea, Milo (Friar Laurence; non-genital 13 Romeo and Juliet, 1968) non-heteronormative 100, 126, 67 137, 187, 193 Otello (Verdi), 1986 54 non-transvestite 111 Othello (character, Othello) normal/ally/ity/ized xxii, 8, 21, 174, 183, 185, 209, 210, 30, 34, 38, 85–7, 126, 218, 244 n.14 129, 148, 187–8, 196 Othello (Film, dir. Oliver Norton Shakespeare, The 18, Parker, 1995) viii, xi, 226 n.43, 252 xxvi–xxvii, 181–2, Numrich, Seth (Sam 186–9, 202–3, 205–8, Singleton/Romeo; 210–11, 218–19, 243, Private Romeo, 2011) 245 n.44, 255 ix–x, 77, 80, 83 Othello (Film, dir. Orson Welles, Nurse (character, Romeo and 1952) viii, xi, xxvi, Juliet) 76 181–2, 190–1, 193–202, Nuttall, A. D. 228 n.61, 255 210, 218–19, 243, 245 nn.26, 35, 37, 254–5 Oberon (character, A Othello (Laurence Fishburne; Midsummer Night’s Othello, 1995) xi, 202–8 Dream) xxiii, 12–14, Othello (Orson Welles; 17–21, 29–30 Othello, 1952) 191–9 Oberon (Victor Jory; A Othello (Play) xxii, xxvi, 174, Midsummer Night’s 181–3, 185–9, 209, Dream, 1935) 12, 14, 218–19, 242 nn.33, 34, 16–21, 27–8, 30–3, 38–9 243 nn.2, 4, 244 nn.19, obscenity 23, 214 23, 254, 256–7 OED (Oxford English Other/s 112, 125, 184, 238 Dictionary) 13, 115, 240 n.47, 249 n.14 Overture to A Midsummer Oedipal 14, 38, 62 Night’s Dream 119 Old Testament 22 Ovid/ian 18, 224n.16, 226 Oliphant 171, 242 n.32 n.46, 258 Olivier, Laurence xviii O’Loughlin, Katrina xv, 239 P/platonic 13, 62, 136, 142, n.3, 255 145, 147, 201, 203, 215 ontological/ly 60, 75 pacifism 55, 117 Orgel, Stephen 35, 36, 43, 52, Pacino, Al (Shylock; The 228 n.70, 230 n.8, 255 Merchant of Venice, O’Rourke, James 222 n.9 2004) 138

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page 95, 100 penetration 63, 69, 72, 199, palazzo 139, 178 209 parent–child eroticism xxiii penis/es 36, 49, 61, 63, 68, 204 is Burning (Film, dir. Pequigney, Joseph xix, 135–8, Jennie Livingston, 1990) 163, 166, 170, 176, 239 107 nn.1, 2, 242 nn.25, 30, Parisi, Heather Elizabeth 243 n.39, 255 (Bottom’s Wife; A performative acts 111 Midsummer Night’s perfume 192–3, 221 n.9, 255 Dream, 1999) 119 Perrineau, Harold (Mercutio; Park, William 190, 245 n.28, Romeo + Juliet, 1996) 255 x, 107, 108, 113, 115, Parker, Nathaniel (Cassio; 118 Othello, 1995) 202 Perry, Curtis 98, 236 n.15, Parker, Oliver (dir. Othello, 256 1995) viii, xi, xxvi–xxvii, perverse/sion/sity/ed 26–7, 109, 181–2, 189, 202–3, 187, 192, 194, 199, 201, 205–8, 211, 218–19, 214 243, 245 n.44, 255 Peter Quince (; passive/ly 58, 60, 62, 63, 66, William Shakespeare’s 179 A Midsummer Night’s passive-aggressive 195 Dream, 1999) x, xxv, Paster, Gail Kern 26, 228 n.62, 120–1, 123 255 Pfeiffer, Michelle (Titania; pathic 23 William Shakespeare’s patriarchal xxiii, 4–5, 11, 17, A Midsummer Night’s 28–9, 31, 56, 58–9, 63, Dream, 1999) 119 69, 71, 78, 82, 86, 138, Phaedra 11, 225 n.30 184, 186, 216 phallic 60, 62–3, 66–7 Patricia, Anthony Guy iii–iv, phallocentric 63, 69, 82 xxi, 239 n.3, 255 phallus 21, 201 Patricia, Margaret v, xiii Philostrate (John Sessions; Patricia, Richard v, xiii William Shakespeare’s PCA (Production Code A Midsummer Night’s Administration) 213, Dream, 1999) 123 214, 246 n.1 physical beauty 174 Pearce, Craig 115, 238 n.42, play-within-a-film xxv, 130, 255 131 penetrability 63 play-within-a-play 119 penetrated 201 poison 83, 185, 198

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pop culture 193 psychological 19, 30, 45, 60, Porter, Joseph A. 52, 55, 71, 124, 140 109, 231 n.32, 234 n.80, psychopath(s) 185 256 Puck (Mickey Rooney; A Portia (Lynn Collins; The Midsummer Night’s Merchant of Venice, Dream, 1935) 2, 12, 14, 2004) xxvi, 145–7, 149, 18, 20, 21, 27, 33, 222 151–5, 157–9, 177–9, n.2, 223 n.3 218 purge 187 post-classical 6 Puritans 76 postcolonial/ism 182–3 purse 144, 156, 158, 170–1, postmodern xix, 13, 106 173, 242 n.29 Potter, Lois 181, 195–7, 201, Put Money In Thy Purse 196, 224 n.17, 243 n.2, 245 245 n.35, 254 n.37, 250, 256 Powell, Dick (Lysander; A Queen Elizabeth I 22 Midsummer Night’s Queen Mab 70–1, 107 Dream; 1935) ix, 32, 34 Queen Mary 22 predatory 171 queer audience/s 8, 69, 103, premature climax 69 175, 177, 197 presentism/ist xv, xxii, 19, 222 queer character 218 n.9, 223 n.10, 228 n.64, queer desire/s xxvii, 18, 178 239 n.3, 243 n.41, 253, queer marriage 27, 178, 228 255 n.64, 240 n.7, 243 n.41, Prince Escalus (character, 253 Romeo and Juliet) 108 queer primal scene 27 Private Romeo (Film, dir. Alan queer problematics vii, 1, 222 Brown, 2011) ix–x, xxiv, queer self-fashioning xxii, xxvi, 42, 73–8, 80–4, 87, 213, 181, 183, 210, 243 219, 234 n.83, 256 queer subversion 219 profanity 214 queer theory xxi projection 68 queer/ed/er/est/ly/s vii–viii, prologue (Twelfth Night, dir. xvii, xix–xxvii, 1, 3, 8, , 1996) 160, 10–13, 16, 18–21, 24, 163, 166, 177, 190 27, 30–1, 34, 37, 41–2, promotion (Othello) 193, 202–3 44, 46–7, 49, 52–3, proscriptive heteronormativity 55–6, 59, 61–2, 65–72, xxi, 217 75, 78–9, 82, 85–6, psychoanalysis xix, 38 90–1, 101, 103–5, 108, psychoanalytic theory 13, 58 111–13, 116, 119, 126,

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132, 137, 139, 149, 2004) viii, x–xi, xxi, 151, 157, 160, 166, 173, xxv–xxvi, 135, 137–45, 175–9, 181, 183, 186–7, 148–51, 154–5, 159–60, 189, 199, 201–3, 205, 177–9, 217–19, 239, 207, 209–11, 215–19, 239 n.4, 240 n.11, 241 221, 222 n.9, 223 nn.7, n.16, 241 n.18, 254, 9, 225 n.25, 226 n.35, 256, 258 228 n.64, 229, 230 n.10, Rambuss, Richard 12, 30, 225 237 n.33, 240 n.7, 243 n.31, 228 n.68, 256 n.41, 245 n.39, 249–51, Rathbone, Basil (; 253–4 Romeo and Juliet; 1936) queer-allied 52, 105, 197 ix, 43, 48 queering i–iii, viii, xv, xxi, 2, Rees, Roger (Peter Quince; 47, 70, 73, 84, 100, A Midsummer Night’s 107, 177, 179, 198, 213, Dream, 1999) x, 120–1 219–20, 239 n.3, 241 refashioning 87 n.17, 246 n.1, 247 n.1, Reinhardt, Max (dir. A 250, 255–6 Midsummer Night’s queerness xxi, xxiii, 3, 8–9, Dream, 1935) vii, ix, 12, 18, 28, 38, 43–4, xxii–xxiii, 1–5, 8–12, 51–2, 64, 74, 81, 85, 87, 14–16, 18–21, 23–5, 182–3, 188–91, 193–5, 27–30, 32–9, 42, 123–5, 197, 209, 211, 215, 130–1, 211, 213, 215, 218–19, 223 n.9, 226 219, 222 n.1, 224 nn.12, n.35, 227 n.54, 247 n.1 15, 25, 226 n.36, 227 n.59, 249, 254 R/romance xviii, 4, 55, 82, religious doctrines 208 84–5, 87, 95, 165, 230, Renaissance 3, 6, 21–2, 35, 37, 250 54, 61, 65, 119, 124, race 106, 182, 211, 221 n.9, 142, 186, 208, 227 n.49, 237 n.25, 254, 256 227 nn.52, 54, 236 n.8, Rackin, Phyllis 64, 93, 236 n.8, 240 n.9, 241 n.17, 244 256 n.23, 246 n.47, 249–50, Radel, Nicholas F. 106, 107, 252–4, 256, 258 109, 114, 117, 237 n.25, Renaissance Self-Fashioning: 237 nn.30, 38, 238 n.44, From More to 256 Shakespeare 207 Radford, Michael (dir. William repellant subjects 214 Shakespeare’s The representational strategy xxvii, Merchant of Venice, 218

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requited/unrequited 75, 97, 101, ix, xxiv, 56–7, 61, 117, 136, 176, 199, 203 66–72, 81, 86, 215–16 resistance 4, 8–10, 225 n.25 Romeo (Leonardo DiCaprio; rich golden shaft 100 Romeo + Juliet, 1996) x, Rich, Adrienne 8, 224 n.21, xxiv, 107–10, 113–14, 256 116–18, 217 Richard III (Film, dir. Richard Romeo (; Romeo Loncraine, 1995) xx, xxi and Juliet; 1936) ix, Robin Starveling (Max Wright; 43–4, 46, 48 William Shakespeare’s Romeo (Seth Numrich; Private A Midsummer Night’s Romeo; 2011) ix–x, 76, Dream, 1999) 120 77, 78, 79, 80, 81, 82, Rockwell, Sam (Francis 83 Flute/Thisbe; William Romeo and Juliet (Film, dir. Shakespeare’s A , 1968) Midsummer Night’s ix, xx–xxi, xxiii, xxiv, Dream, x, 120–1, 128–9, 42, 53–7, 59, 61–2, 64, 131–2 66–8, 70, 72, 74, 86, Roderigo (character, Othello) 106–7, 109, 216, 231 209 nn.35, 37, 232 n.39, Roderigo (; 249, 251, 256 Othello, 1995) 202, Romeo and Juliet (Film, dir. 204–5 , 1936) ix, Roderigo (Robert Coote; xxiii–xxiv, 42–53, 73–4, Othello, 1952) xi, 85, 106–7, 211, 215, 194–5, 197–8, 200–1 219, 230 n.3, 256 Román, David xix Romeo and Juliet (Play) vii, romantic/ally vii, 13, 21, 36, xxii, xxiv, 41–2, 65, 44–5, 51–2, 66, 73, 77, 68–9, 73–6, 78–85, 87, 90, 96, 98, 103, 109, 106, 109, 115–16, 219, 112–13, 132, 135–7, 229, 230 nn.5, 9, 233 142, 145–6, 148–9, 151, n.72, 237 nn.28, 29, 40, 165–6, 169–70, 172, 250, 253–5, 257 178, 195, 197, 228 n.64, Room With a View, A (Film, 234 n.89, 239, 243 n.41, dir. James Ivory, 1985) 253 119 Romeo (character, Romeo and Rooney, Mickey (Puck; A Juliet) 104 Midsummer Night’s Romeo (; Dream, 1935) 2, 14, 222 Romeo and Juliet; 1936) n.2, 223 n.3

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Rothwell, Kenneth S. 41–2, 52, Sebastian (Stephen Mackintosh; 54, 90, 92, 96, 106–7, Twelfth Night, 1996) xi, 113, 138, 167, 174, 182, xxv, xxvi, 92–3, 137, 190, 221 n.2, 229 n.1, 160–77, 217–18, 242 231 n.36, 235 nn.2, 6, n.29 236 n.12, 237 nn.23, 26, Sedgwick, Eve Kosofsky xix, 239 n.5, 242 nn.27, 35, 74, 142, 234 n.85, 257 243 n.5, 245 n.27, 256 Seneca 225 n.30 royal favorite/s 98 serpent 4, 10 Rude Mechanicals 119 servant/s x, 90, 95–6, 100–4, Russo, Vito 246 n.1 165 service 14, 76, 92, 96–7, 165, sacrifice/s 68, 145, 157, 159, 169, 185, 190, 203, 206, 162 236 n.13, 237 n.21, 242 sadistic/ally 21, 159 n.26, 257 Salerio (John Sessions; The Sessions, John (Philostrate; Merchant of Venice, William Shakespeare’s 2004) 139, 141, 149, A Midsummer Night’s 153 Dream, 1999; Salerio; Sam Singleton/Romeo (Seth William Shakespeare’s Numrich; Private The Merchant of Venice, Romeo, 2011) ix–x, 76, 2004) 123, 139 77, 78, 79, 80, 81, 82, sex object/s 60, 64, 86 83 sex perversion 214 same-sex desire/s 62, 82, 84 sex/es/iness/y xx–xxi, xxv, 3, same-sex friendship 140 17–19, 24, 31, 35, 47, same-sex intimacy 104 52, 56, 68–9, 72, 74, 75, Saunders, Ben 186–8, 244 81–2, 85–6, 89, 94, 106, nn.12, 14, 15, 256 111–12, 115, 126, 132, Scarlet Letter, The (Novel) 4 137, 171, 184, 188, 201, Schalkwyk, David 96–7, 105, 209–10, 214, 217, 241 165, 236 n.13, 237 n.21, n.14 242 n.26, 257 sexologist 36 scopophilia 58, 224 n.13, sexual dissidence 53 252 sexual identity 51, 79, 87, 126, 37 192, 195 Sebastian (character, Twelfth sexual intercourse 96, 101 Night) xxv, 136–7, 163, sexual inversion 36 165–7, 171, 176–7, 242 sexual liberation 55 n.29 sexual objectification 59

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Sexual Revolution 55, 73, 216 106–8, 110, 114–15, sexual/ity/ized/ly xv, xix–xxii, 117–21, 125, 128, 131, xxvi, 12–13, 15, 19, 136–45, 148–50, 155, 21, 23–6, 28, 30, 36, 160–1, 163, 165–6, 169, 38, 52, 54–5, 57–8, 61, 171–2, 174–5, 177–9, 63, 65–6, 72, 74, 81, 181–3, 190–1, 193–5, 85, 103, 106, 109, 111, 198–9, 202–5, 207–9, 113–14, 116, 126, 137, 211, 215, 217–21, 221 142, 144, 148, 151, 153, nn.7, 8, 222 n.9, 223 161, 166–7, 172, 182–8, nn.4, 9, 10, 225 n.31, 192, 194, 196–201, 226 nn.36, 37, 44, 228 203–5, 209–11, 215–16, nn.64, 66, 68, 70, 229 218, 221 n.7, 222 n.9, nn.77, 78, 229, 230 n.5, 223 n.10, 226 n.39, 230 nn.8, 9, 231 nn.32, 227 n.56, 226 n.64, 35, 232 n.56, 233 n.70, 231 n.34, 232 n.37, 234 nn.79, 80, 235, 235 233 n.73, 234 n.90, 236 n.3, 236 nn.7, 10, 11, nn.10, 16, 237 n.25, 13, 16, 18, 237 nn.20, 239 nn.1, 3, 240 n.14, 21, 25, 28, 29, 238 241 n.20, 242 n.37, 243 nn.42, 45, 54, 55, 239 nn.39, 41, 245 n.41, n.1, 239 n.3, 239 n.4, 250–8 240 nn.7, 9, 10, 14, 241 Shakespeare film/s i, iii, vii–viii, nn.18, 19, 20, 21, 242 xv, xvii–xviii, xix–xxiii, nn.24, 26, 27, 28, 32, xxvii, 2, 64, 70, 84–7, 36, 243 nn.37, 39, 40, 90–1, 119, 132–3, 137, 41, 42, 245 nn.37, 45, 191, 211, 213, 217, 249–58 219–21, 222 n.2, 225 Shearer, Norma (Juliet; Romeo n.25, 226 n.36, 231 and Juliet, 1936) 43, 85 nn.24, 35, 241 n.41, Sheen, Michael (Lodovico; 246, 252 Othello, 1995) 207 (Film, dir. She’s the Man (Film, dir. Andy John Madden, 1998) xxi Fickman, 2006) 90 Shakespeare, William vii, x–xi, shipwreck 91, 170 xv, xvii–xxv, 1–3, 8–12, shot/reverse shot technique 18–19, 21, 23, 25–31, 198–9, 206 37–8, 41–3, 46–7, 51, Shylock (; The 53–6, 65, 68, 71, 73, Merchant of Venice, 75–83, 85, 87, 89–91, 2004) 146, 152, 154–7, 95–7, 99, 101, 103, 159

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Shylock (character, The 28, 116, 221 n.9, 222, Merchant of Venice) 125 227 n.51, 234 n.90, 244 sick 81, 187, 211 n.23, 254–5 simulacrum 58 Solanio (Gregor Fisher; The sin/ner 78–81, 210 Merchant of Venice, Sinfield, Alan 100, 154, 176–7, 2004) 139, 141, 149 188, 236 n.17, 241 n.20, Sonnet 72 ‘O, lest the world 243 n.39, 257 should task you to recite’ (Richard 153 E. Grant; Twelfth Night, spangled bra 107 1996) 172–3 spectatorial fantasmatic 63 Sir Toby Belch (Mel Smith; Staunton, Imelda (Maria; Twelfth Night, 1996) Twelfth Night, 1996) 172–3, 175 175 Sir Walter Raleigh 51 steamer 161–2 Skinner, Keith (Balthazar; Steinbach, Ronald D. 50–1, Romeo and Juliet, 1968) 231 n.30, 257 57 Stephens, Toby (Duke Orsino; slavery 182 Twelfth Night, 1996) iv, Smith, Beatrice-Welles 190 x, 92–3, 102, 175 Smith, Bruce R. 104, 177, 206, stereotype/s 36, 91, 113, 151, 223 n.10, 227 n.51, 178, 185, 196 236 n.18, 237 n.20, 243 sterility 192 n.40, 245 n.45, 257 Stewart, Patrick 240 n.5 Smith, Mel (Sir Toby Belch; Stonewall Riots 51, 73, 197, Twelfth Night, 1996) 216 172 straight 19, 30, 52, 54, 57, 59, snake ix, 4–6 60, 62, 65, 69, 85–7, 109, Snout (; William 111–12, 114, 126, 151, Shakespeare’s A 171, 187, 193, 197, 216 Midsummer Night’s straight man 113 Dream, 1999) 120, 122, straight-acting 113 123 straighter-than-straight 194 Snug (; William straightest vii, 41, 82, 87, 229 Shakespeare’s A straightgeist xix Midsummer Night’s straightjacket xx, 8 Dream, 1999) 120 strangle 185 social customs 208 strikingly homosexual wish sodomite 23, 24 185, 187 sodomy vii, xxii–xxiii, 1, 3, 24, Stubbs, Imogen (Viola/Cesario;

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Twelfth Night, 1996) iv, Midsummer Night’s x, 91, 93–5, 102, 175 Dream) 6, 9, 11, 19, 225 sublimated 185, 199, 244 n.14 nn.28, 30, 252 sublimation 201, 211 Theseus (David Strathairn; subversion 62–3, 219, 236 n.9, A Midsummer Night’s 250 Dream, 1999) 120 subversive/ly xx, 10, 62, 112 Theseus (Ian Hunter; A Summers, Joseph H. 29, 228 Midsummer Night’s n.66, 258 Dream, 1935) xxiii, suppressed 118 3–11, 16, 19, 31–2, 39, suppression 53 225 n.25, 227 n.59 Sycamore Grove Theatre 117 Thisby 131–2 tights ix, 31, 48–9, 57, 61, 66, Taming of the Shrew, The 193 (Film, dir. Franco Titania (Anita Louise; A Zeffirelli, 1967) 53 Midsummer Night’s Taming of the Shrew, The Dream, 1935) xxiii, (Play) 125 12–17, 19–21, 23, Tate, Nahum 83 25–31, 37–9, 227 n.59 Taylor, A. B. 5, 21, 224 n.16, Titania (character, A 226 n.46, 258 Midsummer Night’s Taylor, Elizabeth 53 Dream) 12–14, 17–18, Taymor, Julie xviii 20–1, 23, 25–31, 38–9, Tchaikovsky 42–3, 46, 85, 226 n.44, 228 n.61, 253 215 Titanic (Film, dir. James Teasdale, Verree (Hippolyta; Cameron, 1997) 92 A Midsummer Night’s Titus Andronicus (Play) 243 Dream; 1935) ix, 4–5 n.1 Tempest, The (Film, dir. Derek To Wong Foo, Thanks For Jarman, 1979) xix–xxi Everything, Julie Newmar Tempest, The (Play) 125 (Film, dir. Beeban Kidron, testicles 61 1995) 110 textual criticism xxv, 14 to-be-looked-at-ness 58–9 Thalberg, Irving 43 transgression/s 21, 29, 114, Theilade, Nina (Fairy in 188, 191 Titania’s Service; A transgressive 4, 23, 49, 62, Midsummer Night’s 130, 188 Dream, 1935) 14 transvestite xxv, 110–13, 130 theological 23 Traub, Valerie 136–7, 239 n.1, Theseus (character, A 258

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traumatic experience 170 Tybalt (; Romeo Tree, Herbert Beerbohm (King and Juliet; 1968) ix, 57, John; King John, 1899) 61–2, 64–7, 70–2, 86 xvii Tucci, Stanley (Puck; William ugly 174, 199 Shakespeare’s A ultimate horror 194 Midsummer Night’s unclimactic fumble 68–9 Dream, 1999) 119 Ungerer, Gustave 171, 242 Tulchin, Alan A. 207, 246 nn.31, 32 n.46 unrequited 75, 97, 101, 117, Turks 182 199, 203 Tuscan/y 119, 131 unsexing 4 Twelfth Night (Film, dir. Trevor usury 138, 160 Nunn, 1996) iv, vii–viii, x–xi, xxi, xxiv–xxvi, vagina 36, 68 89–91, 93–100, 102–5, Van Sant, Gus xix–xxi 126, 132–3, 135, 137–8, Van Watson, William xx, 55, 160, 162–4, 166–7, 66, 216, 232 n.56, 233 169–72, 174–7, 217–18, n.70, 258 235, 235 n.5, 236 nn.7, Varnado, Christine 68, 82, 233 10, 239, 241 nn.21, 22, n.73, 258 23, 242 n.24, 243 n.37, Venetian Senate 210 254–5, 258 Venetians 182 Twelfth Night (Play) xxii, 90–1, Venice 146–7, 149, 152–5, 95, 97–8, 103, 125, 159, 178–9, 181, 191, 135–7, 160, 165–9, 171, 202 174–7, 217–18, 235 nn.1, Verona ix, 48, 52, 61 5, 236 n.7, 239 n.1, 241 Verona Beach 114, 116 n.23, 242 nn.24, 32, 251, vicious 174 256–7 Victorian xiv, 119, 131 Two Antonios, The 135–7, Viola/Cesario (character, 217–18, 239 nn.1, 2, Twelfth Night) 93, 95, 242 nn.25, 30, 243 n.39, 103, 136 255 Viola/Cesario (Imogen Stubbs; Tybalt (; Romeo Twelfth Night, 1996) iv, and Juliet; 1936) ix, 43, x, xxiv, xxvi, 91–6, 99, 48–9, 215 102–3, 132, 162–3, 175, Tybalt (; 217 Romeo + Juliet, 1996) visual grammar xxi, 198–200, 115–17 245 n.41, 252

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visual pleasure 59, 232 n.48, vii, x, xxv, 89, 90, 118, 255 121, 128, 217, 235, 238 visual representation 14, 108, nn.45, 54, 252, 258 203 William Shakespeare’s Romeo visual rhetorical 109, 122 + Juliet (Film, dir. Baz visual semiotics 106 Luhrmann, 1996) vii, Vitagraph 41, 90, 138, 182 x, xxiv, 89–90, 106–8, voiceover/s 74, 161, 190–1 110–11, 115–18, 126, votaress 12, 15–16, 18, 25, 31 132–3, 217, 230 n.2, vulgarity 214 235, 237 nn.22, 25, 238 n.42, 256 Warner Brothers 1, 37, 42, William Shakespeare’s The 214, 226 nn.36, 37, 229 Merchant of Venice n.78, 249 (Film, dir. Michael warrior queen 5 Radford, 2004) x, xi, wedding ceremony 207 xxv, 138, 148, 150, 239 Wedding March 27 n.4, 241 n.18, 256, 258 Weis, René 115–16, 233 n.72, willing suspension of disbelief 237 n.40, 257 76, 234 n.89 Welles-Smith, Beatrice 190 Willson, Jr., Robert F. 38, 229 West, Dominic (Lysander; A n.79, 258 Midsummer Night’s witchcraft 173–4 Dream, 1999) 127 wolves 21 Western xviii, 4, 17, 19, 25, woman warrior 10 31, 73, 81, 110, 113, Woo, John 106 122, 126, 182, 184, 202, wrestling 72 206, 219 Wright, Max (Robin; A Western Asia 49 Midsummer Night’s white ewe 188 Dream, 1999) 120 White, R. S. xv, 239 n.3, 255 Wyrick, Deborah 28, 29, 228 Whiting, Leonard (Romeo; n.65, 258 Romeo and Juliet, 1936) ix, xxiv, 53, 56, 57, 67, York, Michael (Tybalt; Romeo 216 and Juliet, 1936) ix, 57, Wilde, Oscar 84, 222 n.9, 231 65 n.34, 251, 255 Young Hearts Run Free 107, William Shakespeare’s A 110 Midsummer Night’s YouTube 73 Dream (Film, dir. Michael Hoffman, 1999) Zabus, Chantal xix

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Zeffirelli, Franco (dir.Romeo and Juliet, 1968) ix, xvii, xix–xxi, xxiii–xxiv, 42, 53–7, 59, 61–2, 64–74, 81, 86–7, 106–7, 109, 216, 219, 231 nn.35, 37, 232 nn.39, 46, 56, 233 n.70, 249, 251, 256, 258

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