DOCSLIB.ORG

December 1922) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1922 Volume 40, Number 12 (December 1922) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 40, Number 12 (December 1922)." , (1922). https://digitalcommons.gardner-webb.edu/etude/41 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Theodore Presser Co. Publishers DECEMBER. 1922 Philadelphia, Pa. PRESSER’S MUSICAL MAGAZINE RENEWAL.—-No receipt krth °b"e Thirty-Fourth Annual Holiday Offer of Musical Gifts 7He Gift Suggestions for Teachers, Students or Lovers of Music. The best in ^u***'a. tv ature and Collections offered at Holiday Cash Prices that in most cases are from twenty- five per cent to fifty per cent less than the Publisher’s Price, and, m a * 1°"’ toSITIVELY charges are prepaid. The prices given are for Cash with Order. THIS OF EXPIRES JANUARY 1, 1923. Send All Orders to THEODORE PRESSER CO. PHILADELPHIA, PA. MUSICAL LITERATURE COLLECTIONS OF MUSIC cal. history, biographies rs acceptable, and the compilati md in the works fisted re ideal gifts Cloth Bound, Unless other¬ Hymns Every Child Should Know— Bacon . For the Pianist Popular Parloi .. wise Noted Story of Lives of Master Musicians Popular Home Collection. , History of Music—Baltsell. «i a Advanced Study Pieces. Popular Recital Repertoire. Business Manual for Music Teachers Home Help in Music Study—Brower American Composers’ Album. Rachmaninoff Album. Vocal Mastery—Brower . Album of Descriptive Pieces. Salon Album Master Lessons in Pianoforte Play¬ Self Help Pianoforte Study- Bach Album of Favorite Pieces... Russian Album . ing—Bowman. Beethoven Selected Sonatas . School and Home Marches .. Pronouncing Dictionary of Musical iterval Choi s and Ear Training- Selections from Piano Works by Sonata Album: 2 volumes each.. M“.lU^*6”ttlngWr 0lnCucaudTrW d^Esmeraldas me and Lohengrin were among the worKS per SSSMi Terms—Dr. Clarke. Sonatina Album—Koehl, r .... ?The “searcher 8for Emeralds) a poem ^ formed with great success. P (Paper)* /fT0£°u]'cine Dictionary Harmonic Analysis—Cutter _ Favorite Compositions by Carl Bohm Album for the Piano by Spauldii ninva Bilac, furnished the plot, which is lam Charles D.ekens- love for — may ^Qn^et. the Ft anciscc.Chamber Standard Advanced Album. Inathe Brazilian Interior and In the seven¬ Stephen C. Foster Day is to be cele¬ have been prompted by his stat Muslc of Music Society to come for it- Great Pianists on Piano piaying— The Lure of Music—Douses_ Celebrated Compositions by Famous brated throughout America, on January lS, come tor j, S i Standard American Album. teenth century. student at the Koyal^ Acaue^y^^.^^ poor ance - American Composers—Elson .. Composers . Standard Brilliant Album; Hi, Music Club Programs—Elson... Celebrated Pieces in Easier Ar¬ Standard Elementary Album. Mromment to Gtullo Rlcordi has lfa3’ Wal London Listening Lessons in Music- rangements—Grades 3 and 4. Standard First Pieces; 7.’ Hasp Hi,, been 'unveiled In the atrium of the Rlcord^ This movement Is fostered by those Interested labels“be^Vnr^tng on blacking bottlesbottles. A^/theAt be(jn the Budapest, war this yea;; the winner ^ bergcr . Album of Selected Compositions by in Community Music. vonuren 10 U Marshalsea Coolidge prize e Art of Singing Caruso and the Art of Singi: Chopin .. Dickens’ fathSi’„0^„ was in Marshalsea Coolidge prize of |1,00U, characterlzea as Lighter Compositions by Chopin.... longhbeen lading music publishers of Italy. nt weekly to Quartet, whic ■alist should read. Ecudes—Op. 10 and 25—Chopin. „k .SKsrs, s?™* 5*52 ,<*■?&awith him to having very harmonic ureas,sj * • Polonaises—Chopin . Tranquil Hours . diversified and modernP-Mwtinctly modern Preludes—Chopin . Modest ffiRfir. S«ndu^°ory cep£grits ipendUwTL.-ra'd 1“ pesoii. wholewhdl<: compdaltloncomposition being distinctly mu Writers- Treble Clef Album.. ? . t i th anniversary season, byt>y a concertcunn at sp of- --Music ofnf £in feeling, without being bizarre,bizarre. Music Appreciation—Hamilton . Nocturnes—Chopin . Tschaikowsky Album ... gent let _ik nBpniina Sent ember 25. Waltzes—Chopin . Nutcracker Suite- - is,-hail otte, North Carolina, September 2o uundon wWeh has just becn cel^bra^ting^^thc ^ ^ Illinois J*a Cm ”o’ieAOc”o" Outlines of Musical History—lie Compositions for the Pianoforte by Very First Pieces. Quartette Trleatlno has arrived tick. Sir Hen>_Hadow Sir Hugh Allen, lllim Woman Composers . Paul Wachs’ Album.. Italy and begun an extended tour of T^t^ that in 1884 the Professors elation convened at valuable Piano Teaching — Principles and Famous Compositions by Chaminade. Young Folks’ Piano Folio. Problems—Hamilton . Concert Album, Volume I, Classical.. Young Players’ Album; 70 s£SK®3Sa«5£aa cathedral, included such a ?iBtb“%Uss^s How Music Developed—Hende Concert Album, Volume 11, Popular.. Vovnes, the brilliant Brazilian by Lessons in Musical History—Fillt Music Lover’s Cyclopedia—Hu Album of Favorite Compositions by r an nbsencc of two years, is re- Pianoforte Music—Fillmore . Half-Hour Lessons—Iiotzschmai Piano Tuning, Regulating and Re¬ How to Listen to Music—Kreh the United States for a trans- pairing— Either. Famous Singers—Lahee_ Easy Engelmann Album....... .... - in the Interim she has aThe P*Anofo^etTe.chers.t8oe.e^y of ma , celebrated Diamond aft Gallery of Distinguished Musicians First Dance Album. 3 But the great event of tne occasmu Musical Accompaniment to K First Parlor Pieces. was the unveiling in the cathedral of a Mem (Port r^a i t Biographies)— Garbett. First Recital Pieces. S/ tS to8 HubertHubert_Parry,j;One_ol Parry, "one » Gallery of Eminent Musicians (Por- First Sonatinas . Sle sJSl pli^^e^Iarfy t£r'i'theySimday s^ces* ti'aitBiogiaphies)—Gorhcif. (Paper, Stor; Favorite Compositions by Godard... vpolio Clnh, of Cbicago, one of the ‘ ’ Lillie. Album of Miscellaneous Compositions Gallery of Musical' Celebrities '(PoV- States C*bosl starfm!"^‘movement ‘ to follows HUBERT PARRY Critical and Historical Essays—Mac- Album ^of Selected Compositions by Art Bound) .'. Foundation of *50,000. occur again in tbe early sp 1 j>lanlsta under hag long been popular, Violin Mastery—Martens Handel Album _" Anecdotes of Great Musicians—Gates. Opera Stories—.1/,won. From boyhood's eager19play called by the can Vocalists, Violinists ») le to compete In Praise of Music—Gales. Haydn’s Sonatas; 2 volumes, cacti... ^,?ndg°.“nd^o0r^“dst ha^hr'olg thirty years of age are e g Mch the first «viennn is Musical Mosaics—Gain. Primer of Organ Registration— Album of Pianoforte Pieces—Heins. English Muse Hungarian Melodies -Hartmann option and are Introducing into the Her flneBScholaT“io be then her Masters’ for the attractive prizes, o particulars dea(j people r- Grove’s Dictionary of Music and Leschetizky as I Knew Him—New- ’scenes or part scenes from opera. j^ay Me- Julius Steiner Musicians; 6 volumes (not prepaid). S Mississippi River Scenes---Hern. A SpirnTlect whom no unworthy Thought Music and Morals-Haweft ........ Left-Hand Recreation Album.1 How to Think Music—Scy™*— 1 iril Strnnss purposes soort direct Diction for Singers and Composers— Stories of-- ” • Liszt Album . i visit Asia Nor any'feVtoufh thee joyously o’er life’s Concert Album -Liszt .!. ' concerts in ^ ' Piano Playing with Piano'Sues Album of Wagner Opera Transcrip¬ politico, v vents permit, Answered—Hofmann. tions by Liszt... Cairo, and, on me Navlgattag'thy Soul Into her holy Haven: journey, “ His'P Life''and s Ta Musician,"file Art -- Tb, nnta Simoni, who 'and ' Their ' Music". of Carlo Gozzl. China. The chi the masculine s the test of thret Suitable for Gifts to the Child Music Student unsolvable. The the others shall^, flatteHngly 6 their SSSp-SE ; there is a victor- 88§f« victims before the The Seven! What ^hey'in* Wondertowii sic Festival , May Peterson, . and Carolina IJ ties appearing sit§ A St ne -^rv£kLi,The ggill: ’ thePaauspic^of'th “ umTef„fSweIl0nwrme0n^tgtanhieesT01' CbM’s Own Book of Great Musi- tion, organized memory of Jenny ingale,’—famous « and noble Sir Charie. Pictures from Fairyiand-mtrr "" i°n baritones, died . ^Sai^ii:?°° Blenheim Road, was for years i f toneB, holding i opera, oratorio - Child’s PFSTrBooPk'”of' Melodies- '4° triumphs were in in Mendelssohn s beautiful English f despair of all Spaulding.. The Mas* thm*at^he other Gifts for Music Lovers December 27-' O Master Let Me wan. p Ambrose 843 the topic ~ ’ 88 %‘£S‘Z ,K DECEMBER 1922 Page THE ETUDE THE ETUDE Page 798 DECEMBER 1922 (iJhtrtit-jfomtli Annual ijnlfoag lifter of (Eifts for iUuatr Cnurra SPECIAL HOLIDAY CASH PRICES=THIS OFFER POSITIVELY EXPIRES JAN. 1, 1923 THE PRICES GIVEN ARE FOR CASH WITH ORDER THE PRICES GIVEN ARE FOR CASH WITH ORDER TRANSPORTATION CHARGES PREPAID TRANSPORTATION CHARGES PREPAID Many Suggestions for the Teacher, Student and Lover of Music. Shop Early by Mail—Save Time and Money Send All Orders for These “Holiday Offers’* to Child’s Own Book Great Pianists None of These Publications Will be Sent ^On Sale^ on the Art of Standard History Pronouncing Dictionary Theo. Presser Co., Philadelphia, Pa. -at~These Special Holiday Prices Great Musicians Piano Playing of Music of Musical Terms By Thomas Tapper ALBUM OF DESCRIPTIVE PIECES ALBUMS FOR SINGERS VIOLIN AND PIANO ALBUMS Regular Price 20 Cents Each Cooke By James Francis Cooke By H. A. CLARKE PIANO ALBUMS—Very Easy Regular Price $125 Holiday Cash Price 65 cents Holiday Cash Price, 12 cts.
Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 31,1911-1912, Trip

    Boston Symphony Orchestra Concert Programs, Season 31,1911-1912, Trip

    ACADEMY OF MUSIC . BROOKLYN Thirty-first Season, J9U-J9I2 Soaimt Symphony t§tttymm MAX FIEDLER, Conductor frogramm? of % FOURTH CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY EVENING, FEBRUARY 23 AT 8.15 . COPYRIGHT, 1911, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER ha6> MIGNONETTE GRAND In Fancy $700 Mahogany 5 feet 2 inches Where others have failed to build a Small and Perfect Grand Piano meeting with present-day requirements, the House of Knabe, after years of research and experiment, has succeeded in producing The World's Best Grand Piano as attested by many of the World's best musicians, grand opera artists, stars, composers, etc. The Knabe Mignonette Grand is indispensable where space is limited— desirable in the highest degree where an abundance of space exists. Wm. KNABE & Co. Division—American Piano Co. 5th Avenue and 39th Street - - NEW YORK CITY Established 1837 Boston Symphony Orchestra PERSONNEL Thirty-first Season, 1911-1912 MAX FIEDLER, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Theodorowicz, J. Concert-master. Kuntz, D. Krafft, F. W. Mahn, F. Noack, S. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Eichheim, H. Bak, A. Mullaly, J. Goldstein, H. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kurth, R. Fabrizio, C. i Goldstein. S. Werner, H. Griinberg, M. Violas. Ferir, E. Spoor, S. Pauer, H. Kolster, A. VanWynbergen, C Gietzen, A. Hoyer, H. Kluge, M '.. Forster, E. Kautzenbach, W. Violoncellos. Schroeder, A. Keller, Belinski, J. Barth , C. M Warnke, J.
  • Billboard-1997-08-30

    Billboard-1997-08-30

    $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration.
  • Forgotten Splendour

    Forgotten Splendour

    FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death.
  • Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911–1917

    Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911–1917

    Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911–1917 AARON ZIEGEL Abstract As the genre of American opera was coming of age during the 1910s, composers and librettists began to incorporate the materials of sacred music into the operatic context with surprising frequency. This often took the form of prayer arias, sacred choruses, hymnody, or choral apotheoses, examples of which appear in Frederick Converse’s The Sacrifice (1911), Victor Herbert’s Natoma (1911), Mary Carr Moore’s Narcissa (1912), and Henry Hadley’s Azora (1917). These composers modeled their efforts after familiar European precedents, including Wagner’s Lohengrin, Gounod’s Faust, and Meyerbeer’s Les Huguenots, among other works. Close examination of the music, however, reveals a distinctively American approach in which sacred materials function to reinforce statements of patriotic nationalism. By situating these long-overlooked American operas alongside contemporaneous commentary on the United States’ sense of its sacred purpose, this article illustrates how the composers and librettists sought to participate in the discourses of providentialism, the “Christian nation” concept, manifest destiny, and “True Americanism” in order to craft a characteristically national style. The inclusion of sacred musical ingredients thus helped redefine the genre for US listeners, as the operas’ characters give voice to their Americanness through the sacred music they sing. A woman prays to God seeking strength and perseverance through troubled times. A recent convert narrates a dream-vision in which the coming of Christ is revealed. A congregation sings hymns of praise. A choir performs an anthem based upon a liturgical text.
  • L'opéra De Paris—Une Histoire Sonore

    L'opéra De Paris—Une Histoire Sonore

    L’Opéra de Paris—Une Histoire Sonore (1900-60) so many of the men, especially the Excerpts from operas by Auber, Berlioz, Borodin, Bourgault-Ducoudray, Büsser, leading tenors—not just Léon Escalaïs, Canteloube, Chabrier, Cherubini, d’Indy, d’Ollone, Donizetti, Dukas, Dupont, Paul Franz and Thill, but also singers Duvernoy, Enesco, Fauré, Février, Georges, Gluck, Gounod, Hahn, Halévy, Honegger, familiar only to collectors, among them Hue, Ibert, Lalo, Leroux, Magnard, Massenet, Meyerbeer, Milhaud, Mozart, Agustarello Affre, Léon Beyle, Fontaine, Paladilhe, Poulenc, Puccini, Rabaud, Rameau, Reyer, Rimsky-Korsakov, Rossini, and Emile Marcelin. Baritones, Rousseau, Roussel, Saint-Saëns, Sauguet, Strauss, Thomas, Tomasi, Verdi, Wagner, beginning with such legends as Maurice Wolf-Ferrari. With various artists. Malibran CDRG 215 (ten CDs) Renaud, Jean Lassalle and Jean-François Delmas, continue strongly over years This set offers limitless pleasure to Gigli and Mario Del Monaco, all true to before a final burst of talent in the 1950s anyone interested in historically form—and three other singers heard here with the group I’ll refer to henceforth as important French singing. More than 100 in exceptionally authentic, meaningfully the ‘Five Bs’: Bacquier, René Bianco, singers are heard in repertoire produced inflected French: Marjorie Lawrence Ernest Blanc, Jean Borthayre and Roger at the Opéra de Paris during the first six (sublime in Brünnhilde’s plaint to Bourdin. Another baritone, recorded in decades of the 20th century. Many of the Wotan), Eidé Norena (an enchanting 1947, provides the single most performances are live, some actually Gilda, technically immaculate) and remarkable display of vocal opulence in recorded at the Palais Garnier.
  • Untitled, It Is Impossible to Know

    Untitled, It Is Impossible to Know

    VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................
  • Boston Symphony Orchestra Concert Programs, Season 47,1927-1928

    Boston Symphony Orchestra Concert Programs, Season 47,1927-1928

    SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. SERGE KOUSSEVITZKY, Conductor FORTY-SEVENTH SEASON, 1927-1928 TOgIB.mil WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1928, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1153 STEINWAY the instrument of the immortals Not only the best piano, bnt the best piano value It is possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com' never have been built to a — meet munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The he extended over a period of two years* partial result is the world's finest piano. Used pianos accepted in exchange. Such an instrument costs more Prices: an^ up than a commonplace product—yet $()75 in point of long life, prestige, and Plus transportation STEINWAY & SONS, Steinway Hall, 109 W.
  • Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream

    Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream

    POP MUSIC, CULTURE AND IDENTITY Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Edited by Tamas Tofalvy · Emília Barna Pop Music, Culture and Identity Series Editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK Pop music lasts. A form all too often assumed to be transient, commer- cial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global market- ing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies. More information about this series at http://www.palgrave.com/gp/series/14537 Tamas Tofalvy · Emília Barna Editors Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Editors Tamas Tofalvy Emília Barna Department of Sociology and Department of Sociology and Communication Communication Budapest University of Technology Budapest University of Technology and Economics and Economics Budapest, Hungary Budapest, Hungary Pop Music, Culture and Identity ISBN 978-3-030-44658-1 ISBN 978-3-030-44659-8 (eBook) https://doi.org/10.1007/978-3-030-44659-8 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright.
  • GEORGE HAMLIN [T] 3941

    GEORGE HAMLIN [T] 3941

    VOCAL 78 rpm Discs CHARLES HACKETT [t] 1974. 10” Purple acous. Columbia 4013-M [79287-2/79879-2]. A DREAM (Bartlett)/ BECAUSE (d’Hardelot). Just about 1-2. $12.00. 3078. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. TOSCA: Recondita armonia (Puccini)/BAR- BIERE DI SIVIGLIA: Se il mio nome (Rossini). Just about 1-2. $8.00. 2280. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. Same as previous listing (#3078). Small harmless mk. (rub) side two, few lightest rubs. Cons. 2. $7.00. 3316. 12” TC Columbia 49666. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi). With RICCARDO STRAC- CIARI [b]. Label autographed by Hackett. Couple small PBs. 3. $12.00. 3318. 12” TC Columbia 98003. PARTED (Tosti). Excellent quiet pressing, cons. 1-2. $12.00. 1685. 12” Purple acous. Columbia 9016-M [49604-4/98045-3]. BARBIERE DI SIVIGLIA: Ecco ridente (Rossini)/ ROMÉO ET JULIETTE: Ah! lève-toi CHARLES HACKETT soleil (Gounod). Wonderful pressing. Just about 1-2. $20.00. 1775. 12” Purple acous. Columbia 9017-M [49645-1/49895-10]. BOHÊME: Che gelida manina (Puccini)/ELISIR D’AMORE: Una furtiva lagrima (Donizetti). 1” crk. side one from rim into grooves, likely superficial. Otherwise just about 1-2. $8.00. 1776. 12” Purple acous. Columbia 9018-M [49947-7/98047-2]. CARMEN: Air de la fleur (Bizet)/DON GIOVANNI: Il mio tesoro (Mozart). Just about 1-2. $15.00. 3255. 12” Purple acous. Columbia 9020-M [98094-3/98095-3]. FAVORITA: Spirto gentil (Donizetti)/MANON: Ah, fuyez, douce image (Massenet). Just about 1-2.
  • Livret-Num-Faure -Wagner:Mise En Page 1

    Livret-Num-Faure -Wagner:Mise En Page 1

    FAURÉ PELLÉAS ET MÉLISANDE ÉLÉGIE, MÉLODIES WAGNER SIEGFRIED-IDYLL ORCHESTRE DE L'OPÉRA DE ROUEN HAUTE-NORMANDIE OSWALD SALLABERGER DIRECTION KARINE DESHAYES MEZZO-SOPRANO FRANÇOIS SALQUE VIOLONCELLE TERRITOIRES ZIG-ZAG FAURÉ - WAGNER ZZT 300 GABRIEL FAURÉ (1845-1924) PELLÉAS ET MÉLISANDE OP. 180 1 I. PRÉLUDE - QUASI ADAGIO 5’30 2 II. ANDANTINO QUASI ALLEGRETTO 2’51 3 III. SICILIENNE : ALLEGRETTO MOLTO MODERATO 3’36 4 CHANSON DE MÉLISANDE (ACTE III, SCÈNE I)* 2’25 5 IV. MOLTO ADAGIO 4’09 6 SOIR* 2’06 7 LES ROSES D’ISPAHAN, OP. 139* 3’25 8 CLAIR DE LUNE* 3’06 9 LE PARFUM IMPÉRISSABLE OP. 76- N01 * 2’18 10MANDOLINE* 1’57 11 LAMENTO * 3’15 12 ÉLÉGIE OP. 24** 6’40 RICHARD WAGNER (1813-1883) 13SIEGFRIED-IDYLL 16’33 ORCHESTRE DE L’OPÉRA DE ROUEN HAUTE-NORMANDIE OSWALD SALLABERGER, DIRECTION KARINE DESHAYES, MEZZO-SOPRANO* FRANÇOIS SALQUE, VIOLONCELLE** ZZT © Nicolas Tavernier © Guy Vivien © Aymeric Girandel 300 ZZT FIGURE POÉTIQUE DU SON ZZT Connaissez-vous, à la faveur d’une promenade dans la nature, le moment d’une météo si 300 particulière: celui qui suit immédiatement la tempête? Rappelez-vous votre impatience lorsque vous attendiez le moment de la levée des rideaux de brume entre l’orage et le beau temps! Imaginons : ... nous marchons sur un chemin, familier depuis l’enfance toujours le même et pourtant si différent à chaque fois. Dans l’opacité du brouillard, nous sommes guidés par la mémoire: « ici devrait se trouver telle chose, tel virage, et là, tel objet, tel paysage, etc.… » Soudain, le rideau s’évanouit en un lieu précis, alors le regard se fixe et permet de percevoir dans ce cadre dévoilé, une ouverture admirable sur un arbre en beauté, sur un panorama profond, sur un sommet lointain.
  • Download File

    Download File

    PORTLAND SEASON OF GRAND OPERA 1913 BY THE CHICAGO GRAND OPERA COMPANY ORPHEUM THEATRE FORMERLY HEILIG'S THEATRE 7th and Taylor Streets SEASON OF GRAND OPERA March 31 to April 2, 1913 Presented by CHICAGO GRAND OPERA COMPANY ANDREAS DIPPEL, General Manager BERNHARD ULRICH CLEOFONTE CAMPANINI Business Manager General Musical Director ORPHEUM THEATRE Formerly Heilig's Theatre 7th and Taylor Streets PORTLAND LOIS STEERS, WYNN COMAN COLUMBIA BUILDING Local Management CHICAGO GRAND OPERA COMPANY OFFICERS HAROLD F. MCCOEMICK President *OTTO H. KAHN . Vice-Presidents CHARLES G. DAWES CHARLES L. HUTCHINSON Treasurer F. H. CHANDLER Secretary EXECUTIVE COMMITTEE PHILIP M. LYDIG Chairman JOHN C. SHAFFER Vice-Chairman R. T. CRANE, JR. HAROLD F. MCCORMICK *PAUL D. CRAVATH LA VERNE W. NO YES CHARLES G. DAWES MAX PAM *OTTO H. KAHN JOHN G. SHEDD *CLARENCE H. MACKAY *HARRY PAYNE WHITNEY BOARD OF DIRECTORS FREDERICK BODE HAROLD F. MCCORMICK H. M. BYLLESBY JOHN J. MITCHELL R. T. CRANE, JR. IRA N. MORRIS *PAUL D. CRAVATH LA VERNE W. NOYES CHARLES G. DAWES MAX PAM *GEORGE J. GOULD GEORGE F. PORTER FREDERICK T. HASKELL JULIUS ROSENWALD CHARLES L. HUTCHINSON JOHN C. SHAFFER *OTTO H. KAHN JOHN G. SHEDD ALVIN W. KHECH CHARLES A. STEVENS PHILIP M. LYDIG F. D. STOUT *CLARENCE H. MACKAY *HARRY PAYNE WHITNEY ADMINISTRATION ANDREAS DIPPEL General Manager CLEOFONTE C AMPANINI General Musical Director BERNHARD ULRICH Business Manager * The gentlemen whose named are marked with the asterisk are also Members of the Board of Directors of the Metropolitan Opera Company of New York. Prospectus Miss Lois Steers and Wynn Coman announce the first annual visit of the Chicago Grand Opera Company, under the general management of Andreas Dippel.
  • 18.3 Vocal 78S. Fugère-Marcato, Pp 73-106

    18.3 Vocal 78S. Fugère-Marcato, Pp 73-106

    VOCAL 78 rpm Discs LUCIEN FUGÈRE [b]. Paris, 1848-Paris, 1935. His first singing experience was as a chansonnier at the Bataclan in 1870 and then as an operetta singer. His Opéra-Comique debut was in 1877 where he last performed in 1929, creating there important roles in a number of operas such as Louise , Don Quichotte, Grisélidis, Fortunio and Le Jongleur de Notre- Dame . At the age of twelve, he had an earlier connection with Notre-Dame. There, as an apprentice mason along with his brothers, he worked on repairing the Cathedral’s statues and gargoyles. Fugère’s Columbia recordings were made when he was in his early 80s. 1549. 10” PW Blue Eng. Columbia D13083 [WL1315- 2/WL1316]. L’OMBRE: Couplet du docteur / L’OMBRE: Midi-Minuit (Flotow). Orch. dir. Elie Cohen. Just about 1-2. $15.00. 1388. 10” PW Blue Eng. Columbia D13093 [WL1482/ WL1487]. DON GIOVANNI: Madamina (Mozart). Two sides. In French. Orch. dir. Elie Cohen. Couple lightest rubs side two, otherwise just about 1-2. $12.00. 3420. 12” late Blue Columbia D15119 [WLX350/ WLX768]. LE JONGLEUR DE NOTRE-DAME: Légende de la Sauge (Massenet) / MARISE BEAUJON [t], GEORGES THILL [t]. LOHEN- GRIN: Acte III duo (Wagner). Excellent late pressing. Just about 1-2. $12.00. MIKLOS GAFNI [t] 1402. 10” Orange Columbia 15233-F [co38255/ co38431]. TORNA A SURRIENTO (De Curtis) / FUNICULÍ, FUNICULÁ (Denza). In Italian. Orch. dir. Gleb Yellin. Just about 1-2. $10.00. LUCIEN FUGÈRE as The Devil in 3207. 12” Orange PoW Columbia 57063-F [xco37842/ Massenet's Grisélidis xco37843].