FREMANTLE. E DAY and FRIDAY Evonings at 7,30

Total Page:16

File Type:pdf, Size:1020Kb

FREMANTLE. E DAY and FRIDAY Evonings at 7,30 ---- - - -- ---- - The .... The .... Minchinbury Minchinbury Cafe. JUST OPEN. Cafe. JU T OPEN. Hay=Street. Hay=Street. Grills Grills u~P~' Luncheons UPPERS Luncheons a peOlll.hty at Aftel'noon 0. peciality at any hour. any hour. Afternoon 'l'ea.s 'l'ea.s The o,uy "rolly select plnea ill 1'011'11. Thl' ollly renUy select pl[l"o in Towli. Pri\'nte upper Room. shortly to bo Registered for trnlllmi ion Primte npl",r Room , ,borHy to be opolled. 118 n Newsp"per. opened. A Wet!kly, Social, Commercial, Theatrical, and Literary Journal. NAT J. BARNET . EDITOR. PERTH [PRICE IXPENCE. R F ECTIO much merriment at the Council table-that he had no intention of • being a Councillor any longt:r, as he had got all the work done he ~- required, and if he were to remain in the ouncil for twenty Cr. Lyall Hall, in speaking at a social function during the years he could not get his property any more improved. By this weck, stated that the City Council is by no means a happy family; Cr. Lyall Hall will see that selfishness is the motive power of that, as a matter of fact, a dog in the manger spirit too much Councillors in other parts 01 the world besides Perth. inform the actions of too many of our City municipal representa­ tives, as he has found to his cost when striving to ha e certain • • necessary works undertaken in his ward. He averred that if it was The I.C parte actions of the W. .\.T.C. committee in having sought to have certain works carried out in a particular ward, elected their stewards from their own midst has, no doubt, tlVO representati ves of other wards were slow to assent to the work sides, but supporters and lovers of the" port of Kings " in its truest being done, becau e they were anxious to have the money spent and fairest ense will no doubt agree with our emphatic objection in their own wards. Herein, no doubt, lies the secret of Perth's to the practicl\1 union of two controlling powers of the Western backwardness, municipally considered. But it was always thus. Australian Turf, fnr duties of tewards and committee are as Councillors, the world over, get it into their heads that their distinct as that of P Jlice },Iagistrate and Chief Justice Honour mission is to have as much money spent in their own wards as and equity is the essence of racing law, and therefore, surely no possible. The true function of a Councillor is surely not thus matter how just may be the decision of the stewards, It cannot described. The general good is what they should look to, and in be said to be tqUlty, if from thei r decision "there shall be no a city that is improving. 0 rapidly as Pel th a gi e-Ilnd-take spirit appeal." 'Ve have all seell the sentence of racing stewards re­ should be brought iuto play more than in cities of larger growth versed by the higher tribunal, and we have thoroughly agreed with and more settled population. Cr. Lyall Hall has gOt the right such reversion. We have: known sttwards to adjudicate on cases idea of things, and we have no doubt that, while naturally in which they have been both biased and interested, and surely, keeping a very watchful eye on the requirements of the North since there is nothing in the racing laws of VV.A. to prevent a \ ard, the interests of tbe city of Perth generally will ever be prominent owner acting as a steward, the greatest possible reason uppermost in his mind. exists that the committee f:o houid be entirely distinct from * • • stewards, and we trust the committee of the \v.A.T C. will The news from New Guinea is not of a particularly re­ endeavor to rectiJ), so !!Tievous an error in practice and justice to assuring character. But it takes a very great deal to scare the the racing public and supporters. seeker after gold. He will brave almost any danger, he cares not • * a jot about comfi rt, and will allow hims If to g t as thin as a rake \ ESTERN TABLE TALK will give a fr e year's subscription to for want of food, and" droughty" for want of water, if he believes the man or woman who can mention a city in the British pos­ that there are rich stores of gold before him. ew uinea, how­ sessions \ here vehicular traffic is more disorganised than in the ever, is a field that the most daring treasure trove hunter would City of erth. Apll rt from the fe," miserable 'busses, which are do well to avoid. It is said to be a jungle·covered, rai n-sodden, more miserably appointed, and still more miserably driven, there fever-producing country, with the reputed goldfields in the midst is absolutely no c m eyance (unless one pays a special fare), to of a wild congeries of mountains running up to altitudes of take one home from the city. It is acknowledged that Perth is 10,000 feet and 13,000 feet. Addcd to this is the warlike ripe for cable cars, but faillllg these, why is it we have no three· character of the nati\·es. The man who will adventure into such a penny waggonettes, and how is it the 'busses don't run more country as that rather than try his luck in West Australia, must be frequently? People ' living over the line" have to wait half-an­ particularly anxious to cut shorr his earthly existence. L et them hour for a 'bus with tbe off chance " that the 'bus is crowded. The look at the gold remrns for the past six months. They run very sooner the cables are laid and the cars are set in motion, the better close up to what they were for the whole of last year, and by the the peopl of Perth will be satisfi d, and the higher will be the end of the year who will say that they will not overtop the returns price of suburban property. of any other of the Australian olonies. • * * • It is saudening to hear that close on three million pounds of .tlpl'OpO of the selfish spirit that animates Municipal English capital has, during the last ten months, been sunk in the Councillors commented upon by Cr. Hall in a brief speech at the gold mines of British Columbia. It is saddening to Western Opening ceremony of the Queen's Hotel, Highgate Hill, there Australians, inasmuch as we must be convinced that this large recurs to our mind an incident that occurred in one of the sum of money would have come to us had we kept faith with the sUburban municipalities of Melbourne. Mr. O'Dwyer came to English speculator. It is Iitt! speculation to venture the reside in the dis~rict, he became a property holder, and made assertion that the 'wild cats" have be n the cause of robbing us things generally "hum" in the neighbourhood. As the annual of the three millions which ha e gone to British olumbia We municipal elections approached, he was r quisiti ned to allow don't assert that we r.nv)' our Canadian friends their good luck in himself to be nominated for the Normanby \ ard. The favor obtaining this capital j it is a matter of " not that we love resar shown him by the ratepayers gave b.im weight in the ouncil's less, but that we love Rome more. We do, however, think it is deliberations. By degrees he had the r ads made, the streets sad to contemplate, and we wish a law existed which would put a phalted, and lamps erected round his property. H had all this , behind the bars f ju tice those who have caused the "slump" . done within the term of his office. When his seat became we are experiencing at present. vacant by cffiuxion of time, he did not announce himself for re­ election. _\.s the day of nomination drew nigh, a deputation of • * * his friends waited upon him to kn w if he intended placing his The people of Perth should congratulate themselves upon services at their disposal f r anuther term of thr e years. He having in the Police ourt a magistrate who would grace the replied in a full rich brogue-a brogue that had frequently caused bench in any country. 1r. J, C. H. J ames has an abundance of 2 WESTERN TABLE TALK .JULY 10, 1 97. qualities which just exactly suit his position, and to say that he is case, howeve" was tbat she had found a publisher who was willing "to the manner born" is simply asserting what has heen said by to launch her book. But he made the proviso, as do most pub­ the m~jority of those gentlemen who have watched his short lishers, that she should pay for the printing. Ladies now-a-days magisterial career. A magistrate should, before all else, be a man bitterly complain of the extreme difficulty they experience in without reproach; he should be a scholar, a gentleman, a man of securing good domestic servants. But certainly this action shows the world, shrewd, yet not cunning, and a judge of human nature. that the evolution of the domestic is likely to run on intellectual Mr. James is an this. If it becomes necessary to talk French to lines rather than that of dress, jewellery and such like.
Recommended publications
  • A STUDY GUIDE by Katy Marriner
    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
    [Show full text]
  • A Critical Biography of Henry Lawson
    'From Mudgee Hills to London Town': A Critical Biography of Henry Lawson On 23 April 1900, at his studio in New Zealand Chambers, Collins Street, Melbourne, John Longstaff began another commissioned portrait. Since his return from Europe in the mid-1890s, when he had found his native Victoria suffering a severe depression, such commissions had provided him with the mainstay to support his young family. While abroad he had studied in the same Parisian atelier as Toulouse­ Lautrec and a younger Australian, Charles Conder. He had acquired an interest in the new 'plein air' impressionism from another Australian, Charles Russell, and he had been hung regularly in the Salon and also in the British Academy. Yet the successful career and stimulating opportunities Longstaff could have assumed if he had remained in Europe eluded him on his return to his own country. At first he had moved out to Heidelberg, but the famous figures of the local 'plein air' school, like Tom Roberts and Arthur Streeton, had been drawn to Sydney during the depression. Longstaff now lived at respectable Brighton, and while he had painted some canvases that caught the texture and tonality of Australian life-most memorably his study of the bushfires in Gippsland in 1893-local dignitaries were his more usual subjects. This commission, though, was unusual. It had come from J. F. Archibald, editor of the not fully respectable Sydney weekly, the Bulletin, and it was to paint not another Lord Mayor or Chief Justice, First published as the introduction to Brian Kiernan, ed., The Essential Henry Lawson (Currey O'Neil, Kew, Vic., 1982).
    [Show full text]
  • University of Queensland Library
    /heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published.
    [Show full text]
  • Have We Found
    ON STAGE The Summer 2005 newsletter of Vol.6 No.1 Have we found it? When offered the opportunity to be directly involved in the new musical production, Eureka, Darien Sticklen found himself asking with many others: Might this be the one? ow many of us over the years about five years—and list the creative team, have wanted to see a truly including Gale Edwards (directing and Horiginal Australian musical make co-authoring a new book with John it to hit status? Countless numbers have Senzcuk), Max Lambert and Michael Tyack tried. Here are selected extracts from (music), Peter England and Gabriella Darien Sticklen's Eureka Diary… Coslovich (set and costume design), Tony March 2004 Bartuccio (choreography) Trudy Dagleish (lighting design)…a talented team indeed. Seemingly out of the blue, I’m given a They’ve just had a workshop of the message that Simon Gallaher would like me new Act I script in Sydney and are to call him. After days of phone tag, we also planning a workshop of Act II finally speak. there in July, before rehearsals start. Simon wonders what my work schedule Their enthusiasm for the new is like in the later part of this year but is musical is infectious, of course. I very mysterious about the ‘acorn of an make it clear that I am not available idea’. Eventually he explains that on behalf during the Act II workshop period— of the producers of Eureka, he wants to this is not seen as a ‘deal- know if I’d be interested in taking the role breaker’.
    [Show full text]
  • 1 – Published Music by Date
    1 – Published music by date The dating of sheet music is notoriously difficult. The dates supplied here have been determined by a combination of: • Publication date on the item • Copyright date on the item • Additional information on the item e.g. an event or reference to earlier works • Address information on the publishers/printer • 3rd part information, e.g. review by a newspaper • Biographical information • Estimate based on style This listing is not intended to follow full descriptive bibliographic conventions. Thus where the date has any sort of collaboration (e.g. advertisement of publication or copyright registration) it is considered to be confirmed. Where no collaboration has been able to be found and an estimate is given, this is indicated by comment “estimated date” in the notes column. First editions only are included, except where a later edition involved a change of publisher. Any queries or comments should be addressed to: Elizabeth Nichol ([email protected]) Abbreviations used: AS Auckland Star BH Bruce Herald DSC Daily Southern Cross (Auckland) EP Evening Post (Wellington) ES Evening Star (Dunedin) ODT Otago Daily Times OW Otago Witness SMH Sydney Morning Herald TH Thames Herald NZ-OW – New Zealand edition of overseas work, published by license or otherwise. No known New Zealand connection to composer or subject. Nichol_NZ published music 1850-1913 by date 1 Date Place of Last name First name Title Publisher Notes published publication Davis Daniel A gallop to the Diggins Robert Cocks London 1852 Davis Daniel Auckland Waltz Robert Cocks London Composed and arranged for the pianoforte. Composed and arranged for the pianoforte on the Davis Daniel Governor Wynyard Polka Robert Cocks London occasion of the inauguration of His Excellency to the government of New Ulster in New Zealand.
    [Show full text]
  • Catalogue of Manuscripts
    UQFL2 CATALOGUE OF HAYES SINGLE ITEM MANUSCRIPT COLLECTION Catalogue of the Hayes Manuscript Collection Page 2 Subject index Page 200 Name index: Correspondents Page 216 Name index - Appendix Page 246 PREFACE The chief interest of this catalogue for scholars lies, I think, in the literary material - manuscripts and correspondence of A.G. Stephens, Mary Gilmore, Paul Grano, John Howlett Ross, F.W.S. Cumbrae- Stewart and many others - but there is much else of value. Father Hayes’ wide interests included anthropology, geology, Australian history, particularly Queensland local histories, wildlife and conservation. There is evidence of all these. He was above all a good parish priest, as well as a scholar and bibliophile, and as he seldom threw anything away, so far as one can judge, there is much Catholic Church history hidden away in his papers. He kept numerous letters from parishioners, nuns and fellow priests which reflect changing social patterns in Queensland. No attempt has been made to evaluate the importance of manuscripts listed in this catalogue. Much apparently trivial correspondence has been included. The only concession has been to exclude the personal papers and family and parish correspondence of Leo Hayes and Michael Potter, restricting entries in the published catalogue to broad general ones. The arrangement of the catalogue is alphabetical. There are two indexes: a name index, which is predominantly a list of correspondents, though certain names appear because they are editors or illustrators, or otherwise qualify for added entry according to normal cataloguing conventions. The second is a subject index. This includes places, institutions, names of periodicals and personal names where the person is the subject of a letter.
    [Show full text]
  • Mrs L, a Work of Literary Journalism, and Exegesis: the Poetics of Literary Journalism and Illuminating Absent Voices in Memoir and Biography
    Mrs L, a work of literary journalism, and exegesis: The poetics of literary journalism and illuminating absent voices in memoir and biography. K.M Davies Department of Media and Communication University of Sydney September 2017 Thesis submitted in fulfillment of the requirements for the Degree of Doctor of Arts (Literary Journalism) in Department of Media and Communications, University of Sydney 1 Statement of Originality I certify that the worK in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acKnowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research worK and the preparation of the thesis itself has been acKnowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis has been prepared in accordance with Human Ethics Approval, University of Sydney: Project No: 2013/444. 2 Acknowledgements This thesis began as a memoir of single parenting that gradually became a worK of biography and theoretical reflection. I was encouraged to Keep researching and writing by Dr. Megan Le Masurier, Dr. Fiona Giles and Dr. Bunty Avieson at the Department of Media and Communications, University of Sydney. I was additionally given permission to view Ruth ParK’s unpublished notes about Bertha Lawson by Tim Curnow. I spent many hours researching at the State Library of NSW, the State Archives of NSW, the Fisher Library, University of Sydney and State Library Victoria, assisted by their wonderful librarians.
    [Show full text]
  • Towards a History of Transtasman Literary Relations
    The Neglected Middle Distance: Towards a History of Transtasman Literary Relations TERRY STURM Prefatory Note. The following article was originally delivered as a public lecture at the University of Auckland. In some intro• ductory remarks I spoke of contemporary economic and political developments in Transtasman relations as giving some urgency to the more specific literary and cultural questions raised in the lecture. I was also conscious — in thinking about the ways in which New Zealand and Australian literature might be related — of pressures from a very different quarter : the burgeoning academic industry in comparative Commonwealth literary studies. I remain obstinately sceptical about many of its tendencies, and the lecture was an implicit argument against at least one of them : the anti-historical tendency in comparative studies to treat authors and works, and the national traditions they belong to, as autonomous, self-contained totalities. What is attempted here is a mapping of the historical contours of Australian cultural influ• ence on, and presence in, New Zealand literature: a continuous, shifting history within which any comparative literary analysis needs, in my view, to be situated. JLHE TITLE OF THIS ESSAY is a phrase used by Allen Curnow in a longish review of twentieth-century Australian poetry which appeared in the second number of the New Zealand magazine Landfall in 1947.1 Its implication was that New Zealanders had concerned themselves too little with understanding a neighbour• ing culture which occupied the "middle distance" of their out• ward perspective — too much, perhaps, with the Anglo-European and American horizons beyond. Until very recently, awareness of each other's literature has been at an even lower ebb, perhaps, 30 TERRY STURM than when Allen Curnow wrote.
    [Show full text]
  • Theatre in Melbourne, 1914–18: the Best, the Brightest and the Latest
    6 ELISABETH KUMM Theatre in Melbourne, 1914–18: the best, the brightest and the latest Australian theatre was already undergoing momentous change when war broke out in 1914. Corporations were replacing actor–managers, theatre interests were contracting from multiple groups to just a few, and Australian audiences were increasingly open to American plays and players. The years immediately before the war saw the passing of two of the country’s leading entrepreneurs – music hall singer and founder of the Tivoli circuit Harry Rickards, and actor–manager JC Williamson, founder of JC Williamson Ltd – while other 19th-century show-business luminaries – George Coppin, George Rignold and Bland Holt – had died or retired.1 What did not change was the role of the audience as the arbiter of taste, which saw the public demanding the best, the brightest and the latest. JC Williamson and its competitors Known as JCW or ‘The Firm’, JC Williamson Ltd was the dominant force in Australian theatrical promotion, with controlling interests in theatres throughout Australia and New Zealand. The company was founded by American actor James Cassius Williamson, who first visited Australia under the auspices of George Coppin in 1874. He made his preliminary foray into Front cover of musical score for George R Hyam’s ‘Imshi’, which was first sung inStop Your Nonsense – an original Australian musical burlesque – at the King’s Theatre in December 1915. Sydney: J Wynter, c. 1915. National Library of Australia MUS N mba 783.2421599 H992 Theatre in Melbourne, 1914–18 8 The La Trobe Journal No. 97 March 2016 management in 1879 when he purchased the Australian performance rights for the operas of Gilbert and Sullivan.
    [Show full text]
  • A Tangled Web
    A Tangled Web By Allison Oosterman 2012 Centre for Creative Writing A creative work and exegesis submitted to AUT University in partial fulfilment of the requirements for the degree of Master of Creative Writing. 1 Table of Contents 1. Attestation of Authorship 2. Acknowledgements Page 2 3. Abstract Page 3 4. Exegesis Page 4 5. A Tangled Web Page 16 6. Afterword Page 213 Attestation of Authorship “I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person (except where explicitly defined in the acknowledgements), nor any material which to a substantial extent has been submitted for the award of any other degree or diploma of a university or other institution of higher learning.” Signed: ………………………………………………………. 2 Acknowledgments Writing can be a very solitary activity requiring hours of concentration and application but nevertheless would be impossible without the support and encouragement of many people, colleagues, friends, tutors, fellow students, Kitchen descendants and even random strangers with whom you might happen to discuss your work. My thanks to my journalism colleagues, Greg Treadwell, Alan Lee, Lyn Barnes et al, who sighed resignedly when I announced I intended to embark on yet another postgraduate project, but nevertheless bolstered me up when I looked like fading and had faith I would complete the work. Friends such as Jan Jenson, Kath Mills and Rosemary Brewer, likewise have been patient and interested as I spent the year worrying about various facets of the writing. Their enthusiasm for the story I was telling ensured I completed the task and they always managed to divert me when pessimism and lethargy set in.
    [Show full text]
  • A Study of the Relationship Between Mining and the Performing Arts in Australia 1850-1914: Case Studies of the Ballarat and Kalgoorlie-Boulder Goldfields
    School of Media, Creative Arts and Social Inquiry A Study of the Relationship between Mining and the Performing Arts in Australia 1850 – 1914: case studies of the Ballarat and Kalgoorlie-Boulder goldfields. by Norma Latchford This thesis is presented for the degree of Doctor of Philosophy – Social Sciences of Curtin University March 2020 i To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Date : 13th March 2020 ii ACKNOWLEDGEMENTS Many thanks and appreciation for the tolerance and support that has been given by my supervisors to this non- academic student. To Emeritus Professor Roy Jones for his gentle guidance and scrupulous editing of my work: to Doctor Patrick Bertola who gave me the confidence to embark on the project and has been an invaluable support and source of information on mining. To Teresa Bennett and her staff at the Curtin School of Mines library in Kalgoorlie, for ensuring that living in a regional community was not a disadvantage to research. For inspiration, my fellow thespians at the Goldfields Repertory Club, and finally the unstinting encouragement and support of Stan and Jane Latchford. iii A Study of the Relationship between Mining and the Performing Arts in Australia 1850-1914: case studies of the Ballarat and Kalgoorlie-Boulder goldfields. ABSTRACT This study into the relationship between mining and the performing arts during the second half of the nineteenth century and the early twentieth century, a transformative period in the economic, social, and cultural history of Australia, investigates the interconnectedness and interdependence of the two components, mining and the performing arts, and demonstrates how each contributed to the support and development of the other.
    [Show full text]
  • George Fawcett
    GEORGE FAWCETT aka George Curtis Rowe / George Fawcett Rowe / George F. Rowe Although his association with Australia was only brief, George Fawcett he nevertheless played a significant part in the early development of professional theatre at that time. He arrived in Australia in 1853 and spent several years touring regional Victoria before moving to Melbourne. Mostly associated with the Prince of Wales Theatre, Fawcett wrote and staged more than 15 works, ranging from pantomime and burlesque to comediettas and musical entertainments. He left the country in 1864, spending several years in New Zealand before establishing himself in both the USA and UK. The eldest son of artist/lithographer, George Rowe, and his wife Elizabeth, George Curtis Rowe was born in Exeter, Devon, on 24 July 1832 and initially followed his father's footsteps by becoming a scenic artist. When George Rowe Snr suffered a significant financial loss in the early 1850s (through the default of a partner) he travelled to Australia leaving in the hope of finding fortune on the Victorian goldfields. He arrived at the Bendigo diggings in early 1853 and was joined in November by his son George, who by that time had decided to undertake a career in acting. Taking the name George Fawcett he initially established his reputation in Victoria as a character actor and impersonator, playing regional centres like Ballarat and Geelong and even in the goldfields themselves. Within a few years he moved to Melbourne where he began writing for the stage as well as acting on it. Between 1859 and 1963 he was almost exclusively associated with the Princess Theatre, his involvement being as an actor, sometimes manager and lessee, director and playwright.
    [Show full text]