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UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
The Matrix of Poetry: James Schuyler's Diary
Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of EnglishVol. 11 (Autumn Studie 2017)s, University of Warsaw Vol. 8 (2014) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk AMERICAN STUDIES CENTER UNIVERSITY OF WARSAW INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 11 (Autumn 2017) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk Warsaw 2017 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWER Paulina Ambroży TYPESETTING AND GRAPHIC DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Bluescape” from the series “New York City.” By permission. https://www.flickr.com/photos/jurek_durczak/ ISSN 1733–9154 Publisher Polish Association for American Studies Al. Niepodległości 22 02–653 Warsaw www.paas.org.pl Nakład: 140 egz. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents Kacper Bartczak and Małgorzata Myk From the Editors ......................................................................................................... 271 Joanna Orska Transition-Translation: Andrzej Sosnowski’s Translation of Three Poems by John Ashbery ......................................................................................................... 275 Mikołaj Wiśniewski The Matrix of Poetry: James Schuyler’s Diary ...................................................... 295 Tadeusz Pióro Autobiography and the Politics and Aesthetics of Language Writing ............... -
Small Press Poetry Collection
Small Press Poetry Collection Alphabetical by press UPDATED MARCH 2019 Numbers 20 Pages 1204. Bernstein, Charles and Susan Bee. The nude formalism. Los Angeles: 20 Pages 1989. 811 Books 998. Corless-Smith, Martin. of the Universe The way things are On the Nature of things The Nature of and being by Lucretius: Incorporating marginalia. [Phoenix, Arizona]: 811 Books [1999] A Aard Press 541. Aaboe, Ruth. Zyzh. London: Aard Press 1978. Abbeygate Books 1339. Cooke, David. On the front. Grimsby: Abbeygate Books 2009. 1340. Cooke, David. Bruegel’s dancers. Grimsby: Abbeygate Books 2009. Acadia Press 484. Adam, Helen. Ballads. Illustrated by Jess. New York: Acadia Press 1964. Active in Airtime 1206. Hawkins, Ralph. Pelt. Brightlingsea, Essex: Active in Airtime 2002. 1219. Hawkins, Ralph. Writ. Colchester: Active in Airtime 1993. Actual Size Press 734. Raworth, Tom. Heavy light. New York: Actual Size Press [1984]. 947. Muckle, John and Ian Davidson. It is now as it was then. London: MICA in association with Actual Size 1983. 1228. De Wit, Johan. Rose poems. [London]: Actual Size 1986. Adam McKeown 1375. Intimacy. Edited by Adam McKeown. Maidstone, Kent: Adam McKeown 1992–1998. Volumes 1–3, 5. Adrian Blamires 1358. Blamires, Adrian. Eliza’s entertainments. [Reading: The Author 2015] Adventures in Poetry 100. O’Hara, Frank. Belgrade, November 19, 1963. New York City: Adventures in Poetry [1972 or 1973] 911. Bernheimer, Alan. The Spoonlight Institute. Princeton NJ: Adventures in Poetry 2009. Afterdays Press 1319. Hullah, Paul and Susan Mowatt. Unquenched. [Edinburgh]: Afterdays Press 2002. Aggie Weston’s 201. Mills, Stuart. ‘There is nothing outside the text’. -
In Early March 1981, Lyn Sent a Letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, Proposing That Each Would Write A
In early March 1981, Lyn sent a letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, proposing that each would write a page on a topic that she named, the whole to serve as an introduction to a selection of Language writings in French translation that would appear in Change magazine, as part of the March 1982 issue focused on “L’espace amérique,” edited (with an additional introduction) by Nanos Valaoritis. In 1989, our same six-person introduction was retranslated into Serbian and published in an issue of Delo, in Yugoslavia. Here is the six-person introduction. Ron Silliman, Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, Bob Perelman Begun in the sixties, the writing of the American poets gathered here for Change matured into an organized, ongoing literary discourse in the following decade, a period of significant transition for the United States. From the perspective of capital, the war in Indochina was lost, a critical blow to national military prestige. More importantly, 1974 marked the end of capital’s longest “boom,” the expansionist years following the Second World War (on top of which the essential optimism of every variety of “New American” poetry had been constructed). Simultaneously, the largest generation in U.S. history, the “baby boom” of the 40’s and early 50’s, passed from college to the daily practices of material life. Tied to that generation and crippled from the beginning by its rejection of historical knowledge, the American New Left rapidly dissolved, although several of its veterans were to re-emerge as leaders of cross-class movements based on forms of personal oppression, as women or as gays of either sex. -
“Too Philosophical for a Poet”: a Conversation with Charles Bernstein
b2 Interview “Too Philosophical for a Poet”: A Conversation with Charles Bernstein Andrew David King ADK: I wanted to start by asking about the phenomenon of the book—as object and as commodity. In 2010, you spoke with Thom Donovan about the process and rationale behind putting together your selected poems, All the Whiskey in Heaven. Certain types of work (nonpoems; this is, of course, a tricky distinction) were excluded: the essays and libretti, for instance, whose presentations alongside poems in My Way unsettle more mainstream, big- publishing- house attitudes toward the compilation of written work. You said that the final product “has a very strong connection from beginning to end,” but that “it’s not in the way that the poems look, or the tone, or the style”: a connection, instead, in the “potentiating recombinations among parts,” which, at the same time, were linearly fused via your decision to exclude book titles from the text proper (making “a kind of text opera”—and there’s your libretto!) from the chronological selections, or, as the case may be, excerpts (Donovan 2010: n.p.). You recently released Recalculating, your first full- length volume of new poems in seven years, and so I wanted to Andrew David King and Charles Bernstein conducted this exchange by email from December 20, 2012, to March 7, 2015. boundary 2 44:3 (2017) DOI 10.1215/01903659- 3898094 © 2017 by Duke University Press Downloaded from http://read.dukeupress.edu/boundary-2/article-pdf/44/3/17/498982/BOU44_3_03King_Fpp.pdf by guest on 30 September 2021 18 boundary 2 / August 2017 know if there was anything significantly different for you about the act of putting a collection together now, after curating All the Whiskey in Heaven— or, alternatively, if there’s anything significantly different about the project of assembling a “new” collection versus a selected poems. -
Hélène Aji (Le Mans)
From Poetry & Autobiography to Poetry & “Autothanatography” by Hélène Aji (Le Mans) The project for this issue started in a questioning about the possible bridges between poetry today and Romantic poetry. How to think beyond the now consensual but also constructed oppositions that helped the Modernists define themselves against their anxiety-inducing immediate predecessors? In the line of Marjorie Perloff’s 21st-Century Modernism, one is urged to this re-reading of the 19th and of the 20th and 21st centuries. Thus comes to be examined one of the major post-Romantic assessments of Romanticism which foregrounds the centrality of self and the imperialistic posture of the individual. Constructing personal experience into collective wisdom and conferring general relevance to the self’s idiosyncrasies are some of the projects and processes underpinning the Romantic autobiographical poem from William Wordsworth’s Prelude to Walt Whitman’s Leaves of Grass. Even if such an approach can be (and has been) argued and questioned, this supremacy of the individual, and more specifically of the poetic self, finds itself brought to important consequences with Thoreau and Emerson’s ideals of ‘self-reliance’ and solitary meditation. In Transcendentalism, but not just there, assessing the self in seclusion (or even in confinement with Emily Dickinson) is paradoxically meant to lead to a better, more accurate and more lucid, understanding of the world and man’s condition. The self’s poetic autobiography would thus coincide with collective destiny and its narrative stand as an allegory for communal fate. It is precisely this presupposed osmosis between individual experience and general existential issues which lies at the origins of the Modernist ostentatious rejection of Romanticism. -
$5.00 #219 April-JUNE 2009 New Poetry from Coffee House Press
$5.00 #219 APRIL-JUNE 2009 New Poetry from Coffee House Press Portrait and A Toast in Dream: the House New and of Friends Selected Poems POEMS BY BY BILL BERKSON AKILAH OLIVER ISBN: 978-1-56689-229-2 ISBN: 978-1-56689-222-3 The major work from Bill Berkson, “a “A Toast in the House of Friends brings us serene master of the syntactical sleight and back to life via the world of death and transformer of the mundane into the dream . Akilah Oliver’s book is an miraculous.” (Publishers Weekly) extraordinary gift for everyone.” —Alice Notley Coal Mountain The Spoils Elementary POEMS BY POEMS BY TED MATHYS MARK NOWAK WITH PHOTOGRAPHS BY IAN TEH ISBN: 978-1-56689-228-5 ISBN: 978-1-56689-230-8 “A tribute to miners and working people “Reading Mathys, one remembers that everywhere . [Coal Mountain Elementary] poetry isn’t a dalliance, but a way of sorting manages, in photos and in words, to por- through life-or-death situations.” tray an entire culture.” —Howard Zinn —Los Angeles Times � C O M I N G S O O N � Beats at Naropa, an anthology edited by Anne Waldman and Laura Wright Poetry from Edward Sanders, Adrian Castro, Mark McMorris, and Sarah O’Brien Good books are brewing at www.coffeehousepress.org THE POETRY PROJECT ST. MARK’S CHURCH in-the-BowerY 131 EAST 10TH STREET NEW YORK NY 10003 NEWSLETTER www.poetryproject.com #219 april-june 2009 NEWSLETTER EDITOR John Coletti DISTRIBUTION Small Press Distribution, 4 ANNOUNCEMENTS 1341 Seventh St., Berkeley, CA 94710 THE POETRY PROJECT LTD. -
After Language Writing: in Defense of a Provisional Poetics
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-06-26 After Language Writing: In Defense of a Provisional Poetics Roberson, Michael Roberson, M. (2013). After Language Writing: In Defense of a Provisional Poetics (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/24737 http://hdl.handle.net/11023/768 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY After Language Writing: In Defense of a Provisional Poetics by Michael Roberson A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA JUNE, 2013 © Michael Roberson 2013 Abstract This dissertation contextualizes North American “Post-Language” writing within a discourse about poetry and ethics—a discourse that I associate with explorations of ethical responsibility in poetic defenses. I posit a theory of “provisionality” in order to account for both the poetics and the ethics of the poetic defense. Provisionality consists of three aspects—the necessary, the conditional, and the anticipatory—aspects that characterize how apologists organize their defenses, and how poetry takes responsibility for the world, the audience, the poet, and the text. -
Recording Voice and the Racial Politics of American Experimental Poetry
Copyright by Jeffrey Kyle Boruszak 2018 The Dissertation Committee for Jeffrey Kyle Boruszak Certifies that this is the approved version of the following dissertation: Sound Off!: Recording Voice and the Racial Politics of American Experimental Poetry Committee: Lisa Moore, Co-Supervisor Chad Bennett, Co-Supervisor Brian Bremen Tanya Clement Meta DuEwa Jones Sound Off!: Recording Voice and the Racial Politics of American Experimental Poetry by Jeffrey Kyle Boruszak Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Acknowledgements The prefix “ac-” in the word “acknowledgement” derives from the Latin preposition “ad,” meaning “to” or “towards.” It implies a vector, a spatial directionality that mirrors the physical properties of sound and the electric mechanisms in recording devices that make signal processing possible. Sound, listening, and knowledge are never solo performances, and this project was no exception. As I reflect on the countless people, who either in their direct or indirect contributions made this dissertation possible, I am prepared to fail in the impossible task I now commence: naming them all. I am incredible fortunate to be the recipient of such overwhelmingly gracious support from so many people, without whom I could never have made it this far. My gratitude towards my parents, Amy and Allan, will never be enough. I don’t think they ever really understood why I got into this poetry “business” to begin with, but they never tried to sway me from the course. -
Carlaharryman Gp1.Pdf
An Experiment in Collective Autobiogrqphy The EÑE EE 3l I'f qn Frqnci¡ co, 1975-1980 Bob Perelman Barrett \ffatten Steve Benson Carla Harrymán Tom Nlandel Ron Silliman Kit Robinson Lyr Hejinian Rae Armantrout Ted Pearson 978-0979C198-0-7M tt$tz"gs t lilrr¡ t crl t o this seernirtg episternolo¡¡ical cornpul- their tlrerrres rvould linger irr abundance. Governments siorr" I <'¿rn onll'v.orttler antl suslrer:t. Where is ¿r con- ¿rnd nrctli¿r reprothrr:e these f¿rnt¿rsies: the nrothers of I rol ¡ro¡rulation to conrparc us" or rnvscll, to, as I tlead softlicrs are politicnl subjccts rvhonr [hr-- st¿rtc rtconst ruct it'/ had bct-tcr not betray! Oh ves. ther there is the rrert rlilcrnnra, u'hcn thc archaic liurt¿rsv is nriretl in rvith T 111¡11. gun<k'r rrlations. Ámeric¿rn \t-omel} are visiblr' soldiers, ¿urd soltlier-*' fathers nr¿rl- have perfbrrnctl a \ ot \\t) T kne$- eaoh other then. What rnalernal role irt theit Jrarerrtirrg. Sut:h arnbiguitics rlo rorr lhinh'/ Is nrt'rccollcct.ion sorrnd- tentl to evatle t.lre tclcvision scrccn t--r cn if' thc\ rc- irrg irct:urate, too ¡rartial? llorv rvas it the rrrain irr public consciorr -.uess. s:un(' fi)r you? Ilolt r.as it difTerent? This piece w¿is very dif1i<'rrlt firr rrre to begirr. In thc 1970s u-ornen l.err''rr't allo'rved ¿r-\ nr¿ur\ roles in the militarv ¿rs ther- are no\\. T have alr.avs been opposetl to tllc rlrilitarr irr Love, Di¡cord, Arymmetry ant' lbrrrr. -
Sincerity and the Second Person: Lyric After Language Poetry
Sincerity and the Second Person: Lyric after Language Poetry Jennifer Ashton This paper began as an effort to understand the simultaneous emergence of two striking trends in U.S. poetry during the past decade: 1) the popularity of appropriative techniques (e.g., collage, cross-outs, or—particularly relevant to this context—transcription) and 2) new imperatives to construct poems that ap- pear to resist artifice, whether in the form of a commitment to sincerity, a lack of irony, a childlike innocence or wonder, artlessness, etc. Most of these projects as well as the statements created to explain and promote them are delivered to some degree with tongue in cheek (in the case of Kenneth Goldsmith, whom I’ll discuss at greater length below, quite literally), but at the same time, I will argue, they are serving to make visible a particular set of problems that have dominated Western poetry over (at least) the past two centuries, persisting across move- ments and forms (the Romantic lyric and Language poetry alike) that would otherwise seem diametrically opposed. The problem set recurs in a number of guises: in the efforts to differentiate, for example, between poems that emphasize the “personal” and those that announce their “impersonality”; between a speak- er’s sincerity or authenticity, or between either of these and their imagined impossibility; between denying and asserting the poem’s relation to a reader/ listener/audience. In short, a set of problems that epitomize the kinds of projects we commonly identify either with lyric as such or with its critique.1 As examples of what I am calling (admittedly very roughly speaking) appropriative projects, I have in mind the practice of “Flarf,” in which poets 1 For critical arguments that have explicitly asserted or otherwise helped to secure the idea of lyric’s domination, see (among others): Helen Vendler, W.R. -
The Invisible Universe
b=A=N=G=U=A=G=E Volume Four drews & Cm Open Letter 5.1 L=A=N = G=U=A = G=E Issue Volume 4 Bruce Andrews & Charles Bernstein, Editors Contents Thought's Measure. CHARLES BERNSTEIN 7 'Language-Centered'. JACKSON MAC LOW 23 How to Read IV. PETER SEATON 2,7 The Indeterminate Interval: From History to Blur. 31 ALAN DAVIES & NICK PIOMBINO 1-10. BOB PERELMAN 40 from On the Way to Silence (Heidegger and the Poetic Word). 47 GIANNI VATTIMO Thought, Word, Deed. Meditations for a Field Theory (1970-80). 50 CRAIG WATSON The Political Economy of Poetry. RON SILLIMAN 52 from Poetry in the Tropics: A Political History of Poetics. 66 JED RASULA Howe. TINA DARRAGH 69 Letter to the Editors. LARRY EIGNER 73 Existential Architecture and the Role of Geometry. HIROMI FUJII 74 Approaches Kathy Acker. STEVE BENSON 77 The Invisible Universe. KATHY ACKER 83 Production as Metaphor, and 'Nature' in Baudrillard's Mirror. 87 GERRIT LANSING Robert Creeley's Later. ROBERT GRENIER 90 French Dents. KIT ROBINSON 94 Poetics of the Paranormal? PAUL A. GREEN 96 Sound Poetry How? BERNARD HEIDSIECK 101 Leads. TOM MANDEL 106 Limits of Grammar. JAMES SHERRY 108 Some Books. CRIS CHEEK 113 Eye & Breath. AUGUSTO DE CAMPOS 116 from Alignment as a Conceit, A Book of Drawings. 119 MADELEINE BURNSIDE Writing's Current Impasse and the Possibilities for Renewal. 121 BRUCE BOONE Method and Surrealism: The Politics of Poetry. BARRETT WATTEN 129 Orange County California and the Economics of Language. 141 ALAN SONDHEIM A Word on Spatola's Zeroglyphics.