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Acquisizioni Fino Al 30 Giugno 2006
AUTORE/CURATORE TITOLO ANNO PRIMA PAROLA DEL TITOLO A A comme …60 fiches de pédagogie concrète 1979 A A voce alta 2002 AA.VV. Dimensioni attuali della professionalità docente 1998 AA.VV. Donne e uomini nelle guerre mondiali 1991 AA.VV. faccia scura della Luna (La) 1997 AA.VV. insegnamento delle scienze nella scuola... (L') 1981 AA.VV. legge antimafia tre anni dopo (La) 1986 AA.VV. Lessico oggi 2003 AA.VV. libro nero del comunismo (Il) 2000 AA.VV. Per conoscere la mafia 1994 AA.VV. Per una nuova cultura dell'azione educativa 1995 AA.VV. Renato Vuillermin… 1981 AA.VV. soggetti dell'autonomia (I) 1999 AA.VV. Storia di Torino - vol. 1 1997 AA.VV. Storia di Torino - vol. 2 1997 AA.VV. Storia di Torino - vol. 3 1997 AA.VV. Storia di Torino - vol. 4 1997 AA.VV. Storia di Torino - vol. 5 1997 AA.VV. Storia di Torino - vol. 6 2000 AA.VV. Storia di Torino - vol. 7 2001 AA.VV. Storia di Torino - vol. 8 1998 AA.VV. Storia di Torino - vol. 9 1999 AA.VV. Volontariato e mezzogiorno-vol. 1 1986 AA.VV. Volontariato e mezzogiorno-vol. 2 1986 AAI Politica locale dei servizi 1975 Aarts, Flor English Syntactic Structures 1982 Abastado, Claude Messages des médias 1980 Abbate, Michele alternativa meridionale (L') 1968 Abburrà, Luciano modello per l'analisi e la previsione dei flussi…(Un) 2002 Abete, Luigi Professionalità zero? 1979 Abitare Abitare la biblioteca 1984 Abraham, G. sogno del secolo (Il) 2000 Abruzzese, A. Sostiene Berlinguer 1997 Acanfora, L. Come logora insegnare 2002 Accademia di San Marciano guerra della lega di Augusta fino alla battaglia…(La) 1993 Accame, Silvio Perché la storia 1981 Accordo Accordo di revisione del Concordato Lateranense 1984 Accornero, Aris paradossi della disoccupazione (I) 1986 Acerboni, Lidia Italiano-Progetto ARCA 1995 Achenbach, C. -
William Carlos Williams' Indian Son(G)
The News from That Strange, Far Away Land: William Carlos Williams’ Indian Son(g) Graziano Krätli YALE UNIVERSITY 1. In his later years, William Carlos Williams entertained a long epistolary relationship with the Indian poet Srinivas Rayaprol (1925-98), one of a handful who contributed to the modernization of Indian poetry in English in the first few decades after the independence from British rule. The two met only once or twice, but their correspondence, started in the fall of 1949, when Rayaprol was a graduate student at Stanford University, continued long after his return to India, ending only a few years before Williams’ passing. Although Williams had many correspondents in his life, most of them more important and better known literary figures than Rayaprol, the young Indian from the southeastern state of Andhra Pradesh was one of the very few non-Americans and the only one from a postcolonial country with a long and glorious literary tradition of its own. More important, perhaps, their correspondence occurred in a decade – the 1950s – in which a younger generation of Indian poets writing in English was assimilating the lessons of Anglo-American Modernism while increasingly turning their attention away from Britain to America. Rayaprol, doubly advantaged by virtue of “being there” (i.e., in the Bay Area at the beginning of the San Francisco Renaissance) and by his mentoring relationship with Williams, was one of the very first to imbibe the new poetic idiom from its sources, and also one of the most persistent in trying to keep those sources alive and meaningful, to him if not to his fellow poets in India. -
The Development of Dylan Thomas' Use of Private Symbolism in Poetry A.Nne" Marie Delap Master of Arts
THE DEVELOPMENT OF DYLAN THOMAS' USE OF PRIVATE SYMBOLISM IN POETRY By A.NNE" MARIE DELAP \\ Bachelor of Arts Oklahoma State University Stillwater, Oklahoma 1964 ~ubmitted to the faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May, 1967 0DAHOMI STATE IJIIVERsifi'li' 1-~BR,AYRV dlNlQN THE DEVELOPMENT OF DYLAN THOMAS O USE OF PRIVATE SYMBOLISM IN POETRY Thesis Approved: n n 11,~d Dean of the Graduate College 658670 f.i PREFACE In spite of numerous explications that have been written about Dylan Thomas' poems, there has been little attention given the growth and change in his symbolism. This study does not pretend to be comprehensive, but will atte~pt, within the areas designated by the titles of chapters 2, 3, and 4, to trace this development. The terms early 129ems and later poems will apply to the poetry finished before and after 1939, which was the year of the publication of The Map tl Love. A number of Thomas• mature poems existed in manu- script form before 1939, but were rewritten and often drastically altered before appearing in their final form. .,After the funera1° ' i is one of these: Thomas conceived the idea for the poem in 1933, but its final form, which appeared in The Map .Q! ~' represents a complete change from the early notebook version. Poem titles which appear in this study have been capitalized according to standard prac- tice, except when derived from the first line of a poem; in thes,e cases only the first word is capitalized. -
11 Ronald Mar and the Trope of Life
11 Ronald Mar and the Trope of Life The Translation of Western Modernist Poetry in Hong Kong Chris Song Abstract This essay examines the Chinese-language debut of Western surrealist poetry in Hong Kong and its effect on the local poetry scene through the work of Ronald Mar 馬朗, from the early years of the Cold War era onward. It traces the trope of poetry being “true to life” – as resistance to the surrealist influence – through evolving notions and experiences of Hong Kong identity over time, up to the present day in the post-handover era. Keywords: Chinese poetry, translation, Ronald Mar, Hong Kong, modern- ism, surrealism Twenty years since the handover of sovereignty from the British Crown to the People’s Republic of China, Hong Kong society has known increasingly severe conflicts with China, fueled by animosity toward the mainland among the local population. Growing up in such a politically intense environment, Hong Kong youths feel that political and economic systems have conspired to leave them a hopeless future. As their demand for universal suffrage in the election of the Chief Executive of the Hong Kong Special Administrative Region government was denied in September 2014, their anxiety finally broke into realization as the Umbrella Movement. Apart from responding through poetry to this large democratic movement, some young local poets perceived a need to redefine the “localness” of Hong Kong poetry. Though without much theoretical depth, their quest is quite clear: they believe that the localness of their poetic language lies, paradoxically, in the distance from external reality – a symbolic denial of the Umbrella Movement’s failed demands for universal suffrage, or any further realistic democratization, in Van Crevel, Maghiel and Lucas Klein (eds.), Chinese Poetry and Translation: Rights and Wrongs. -
The Computer As Author and Artifice
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Silicon poetics| The computer as author and artifice Lawrence Andrew Koch The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Koch, Lawrence Andrew, "Silicon poetics| The computer as author and artifice" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 3555. https://scholarworks.umt.edu/etd/3555 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of J M O N T A N A Pennission is granted by the author to reproduce tliis material in its entirety, provided that tliis material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature** Yes, I grant permission No, I do not grant permission Author's Signature D ate Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. SILICON POETICS: THE COMPUTER AS AUTHOR AND ARTIFICE by Lawrence Andrew Koch B. A., Rutgers College, Rutgers University, 1991 Presented in partial fulfillment of the requirements for the degree of Master of Arts in English (Literature option) The University of Montana 1996 Approved by: Chair, Board of Examiners Dean, Graduate School Date UMI Number: EP35509 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Ron Silliman
© 2007 UC Regents Buy this book UC-Silliman 12/18/06 3:29 PM Page iv University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Silliman, Ronald, 1946–. [Age of huts] The age of huts (compleat) / Ron Silliman. p. cm. — (New California poetry ; 21) This title is one of a four-part poem cycle, which is entitled Ketjak. The parts are: The age of huts, Tjanting, The alphabet, & Universe. isbn: 978-0-520-25014-7 (cloth : alk. paper) isbn: 978-0-520-25016-1 (pbk. : alk. paper) I. Silliman, Ronald, 1946– Ketjak. II. Title. ps3569.i445a7 2007 811'.54—dc22 2006025507 Manufactured in Canada 16 15 14 13 12 11 10 09 08 07 10987654321 This book is printed on New Leaf EcoBook 50, a 100% recycled fiber of which 50% is de-inked post-consumer waste, processed chlorine-free. EcoBook 50 is acid-free and meets the minimum requirements of ansi/astm d5634–01 (Permanence of Paper). UC-Silliman 12/18/06 3:29 PM Page vii Contents Preface ix Acknowledgments xi Ketjak / 1 Sunset Debris / 103 The Chinese Notebook / 147 -
DOCTORAL THESIS Stack Minimalist Poetics Davies, James
DOCTORAL THESIS stack Minimalist Poetics Davies, James Award date: 2018 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 DAVIES 1 stack: Minimalist Poetics By James Davies BA (hons), MA. A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of English and Creative Writing Roehampton University 2018 DAVIES 2 Abstract stack: Minimalist Poetics consists of a portfolio of practice-led research — a volume-length minimalist poem entitled stack — and a critical essay. The poem applies and adapts several minimalist writing strategies, which are evaluated in the critical essay to create a text that is rich in imagery yet indeterminate in meaning. In addition, stack is innovative in its structural approach — through original use of enjambment, footnoting and repetition, lines may be treated as discrete entities and, also, as combinations. A key research question that the practice- led component and the critical essay interrogate is the applicability and development of the poetics of the “New Sentence”, and other formally innovative approaches in the field of minimalist writing The first part of the critical essay contextualises the creative portfolio in relation to the field of minimalist poetics as a whole. -
Eigner Preface
Charles Bernstein: Foreword to Selected Poems of Larry Eigner (forthcoming, University of Alabama Press) The Imagined, Returning: Larry Eigner’s Endless Song Larry Eigner was born in Lynn, Massachusetts on August 7, 1927 and spent most of his life in nearby Swampscott, midway between Boston and Gloucester, just a few blocks from the ocean. Eigner lived in his parents’ house in Swampscott until 1978, when, shortly after his father’s death, he moved to Berkeley, where he lived until his death in 1996. These facts are bare, commensurate to Eigner’s poems, which bear witness to the preternatural spareness of his life, just as they bear the weight of a gravitational aesthetic force field unprecedented in American poetry. That’s an extravagant claim for a poet who averted extravagance. And it’s an incredible claim too, given Eigner’s obscurity: despite legions of fervent readers, Eigner’s magisterial four-volume, almost 2000-page Collected Poems, received virtually no public recognition when it was published by Stanford University Press in 2010. With this volume, Collected editors Robert Grenier and Curtis Faville have created a perfectly scaled introduction to the full scope of Eigner’s work.* To be an obscure poet is not to be obscure, to invert John Ashbery’s quip that a famous poet is not famous. Eigner’s work has made an indelible impact among the generation of poets brought together in the iconic 1960 New American Poetry anthology. Eigner’s poetry was recognized early on by Robert Creeley, Charles Olson, Denise Levertov, and Cid Corman and was subsequently published by hundreds of small press editors in pamphlets, books, and magazines. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
The Matrix of Poetry: James Schuyler's Diary
Polish Journal for American Studies Yearbook of the Polish Association for American Studies and the Institute of EnglishVol. 11 (Autumn Studie 2017)s, University of Warsaw Vol. 8 (2014) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk AMERICAN STUDIES CENTER UNIVERSITY OF WARSAW INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 11 (Autumn 2017) Special Issue Technical Innovation in North American Poetry: Form, Aesthetics, Politics Edited by Kacper Bartczak and Małgorzata Myk Warsaw 2017 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Izabella Kimak, Mirosław Miernik, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWER Paulina Ambroży TYPESETTING AND GRAPHIC DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Bluescape” from the series “New York City.” By permission. https://www.flickr.com/photos/jurek_durczak/ ISSN 1733–9154 Publisher Polish Association for American Studies Al. Niepodległości 22 02–653 Warsaw www.paas.org.pl Nakład: 140 egz. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents Kacper Bartczak and Małgorzata Myk From the Editors ......................................................................................................... 271 Joanna Orska Transition-Translation: Andrzej Sosnowski’s Translation of Three Poems by John Ashbery ......................................................................................................... 275 Mikołaj Wiśniewski The Matrix of Poetry: James Schuyler’s Diary ...................................................... 295 Tadeusz Pióro Autobiography and the Politics and Aesthetics of Language Writing ............... -
The Birth of Linguistically Innovative Poetry and the Practice of a Collective Poetics in Robert Sheppard’S Pages and Floating Capital Thurston, SD
“For which we haven’t yet a satisfactory name” : the birth of Linguistically Innovative Poetry and the practice of a collective poetics in Robert Sheppard’s Pages and Floating Capital Thurston, SD Title “For which we haven’t yet a satisfactory name” : the birth of Linguistically Innovative Poetry and the practice of a collective poetics in Robert Sheppard’s Pages and Floating Capital Authors Thurston, SD Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/48250/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. 1 “For which we haven’t yet a satisfactory name”: The Birth of Linguistically Innovative Poetry and the Practice of a Collective Poetics in Robert Sheppard’s Pages and Floating Capital. In July 1987 Robert Sheppard published the first issue of a little magazine called Pages. The magazine was a humble affair, comprised of four folded A4 sheets to give eight printed pages per issue. Typescript material was pasted into camera ready copy format and photocopied.1 The editorial opens: Anybody concerned for a viable poetry in Britain must be depressed by the persistence of the Movement Orthodoxy from the 1950s into the late 80s; by its consolidation of power for a bleak future; by its neutralising assimilation of the surfaces of modernism; by its annexation of the increasingly fashionable term postmodernism; and by its ignorance – real or affected – of much of the work of the British Poetry Revival.2 This is very much a downbeat tone on which to begin a new enterprise. -
Symbolism in Blake's Animal Poems “Lamb and Tyger” An
Research Journal of English Language and Literature (RJELAL) Vol.5.Issue 1. 2017 A Peer Reviewed (Refereed) International Journal (Jan-Mar) http://www.rjelal.com; Email:[email protected] RESEARCH ARTICLE SYMBOLISM IN BLAKE’S ANIMAL POEMS “LAMB AND TYGER” AN ANALYTICAL AND DESCRIPTIVE STUDY AMAL M.A.IBRAHIM* & YOUSIF OMER BABIKER University of Jeddah College of Sciences and Arts province *Email:[email protected] ABSTRACT The objectives of this study are attempts to clarify animal symbolism in some of Blake’s work in the “Songs of Innocence & Experience” especially The Lamb & “The Tiger.” The study provides a general survey of Symbolism by tracing the early origins and precursors of Symbolism. In “The Songs of Innocence” William Blake tries to reflect the child’s innocence and ignorance of worldliness through the innocent lamb in The Lamb poem. While “The Songs of Experience” According to Bowra (1969), The Songs of Experience are of a pessimistic view of life that has been conveyed through Blake's symbolic use of language. ©KY PUBLICATIONS INTRODUCTION 4) wrote that “Although the school of symbolism The word symbol is derived from appeared in France in 1880, but one thousand year "'symballein, meaning ‘to throw together’, from the before appearing this school, people used symbols Greek ‘symbolon’ and Latin ‘symbolum’, which for expressing their feelings and thoughts about meant token, sign” Webster (2003: 1190) phenomena, life and death. "The founders of school 2‘Symbolism’ is a technique used in literature when of symbolism were three great poets, Stephan some things are not to be taken literally. As Perrine Mallarme, Poul Verlaine and Arthur Rimbaud, who (1974)3 states, "a literary symbol is something that used symbols for expressing their thoughts" Wellek, means more than what it is.