“For which we haven’t yet a satisfactory name” : the birth of Linguistically Innovative Poetry and the practice of a collective poetics in Robert Sheppard’s Pages and Floating Capital Thurston, SD Title “For which we haven’t yet a satisfactory name” : the birth of Linguistically Innovative Poetry and the practice of a collective poetics in Robert Sheppard’s Pages and Floating Capital Authors Thurston, SD Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/48250/ Published Date 2019 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at:
[email protected]. 1 “For which we haven’t yet a satisfactory name”: The Birth of Linguistically Innovative Poetry and the Practice of a Collective Poetics in Robert Sheppard’s Pages and Floating Capital. In July 1987 Robert Sheppard published the first issue of a little magazine called Pages. The magazine was a humble affair, comprised of four folded A4 sheets to give eight printed pages per issue. Typescript material was pasted into camera ready copy format and photocopied.1 The editorial opens: Anybody concerned for a viable poetry in Britain must be depressed by the persistence of the Movement Orthodoxy from the 1950s into the late 80s; by its consolidation of power for a bleak future; by its neutralising assimilation of the surfaces of modernism; by its annexation of the increasingly fashionable term postmodernism; and by its ignorance – real or affected – of much of the work of the British Poetry Revival.2 This is very much a downbeat tone on which to begin a new enterprise.