George Jackson, Black Power and the Radical Prison Rights
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Race, Gender and Class in the Autobiography of Huey P. Newton 1
Race, gender and class in the autobiography of Huey P. 1 Newton Chloé Avril, University of Gothenburg “We’ll just have to get guns and be men”, such was the powerful rallying cry uttered by Black Panther member (and later leader) Elaine Brown in her 1969 song “The End of Silence”. I take Brown’s words as the point of departure for my article, since they seem to encapsulate much of what is at stake in relation to gender and the Black Power movement. Brown’s call to arms in “The End of Silence” immediately poses the question of the significance as well as the function of masculinity in the movement. It also highlights the link between masculinity and armed resistance. However, the use of the verb “to be” signals that “men” are the product of an action—getting guns—rather than a pre-existing subject performing the action, thus putting into question the automatic correlation between masculinity and the male body, a feeling reinforced by the words being uttered by the female voice of Elaine Brown. The contradictions and problematic aspects of the Black Power movement’s invocation of black masculinity, as well as the intersections of race, gender and class, will be at the core of this discussion. In order to explore these issues, I will focus on the autobiography of Black Panther leader Huey Newton, Revolutionary Suicide , where I will examine the tensions in this activist narrative’s construction of a racialized, classed and gendered self. Historical background As far as mainstream U.S. history goes, the Black Power movement has characteristically been understood as a distinct historical phenomenon following on, and breaking from the more widely accepted Civil Rights movement. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
And at Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2018 And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind Linda Garrett University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Education Commons Recommended Citation Garrett, Linda, "And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind" (2018). Doctoral Dissertations. 450. https://repository.usfca.edu/diss/450 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. University of San Francisco And At Once My Chains Were Loosed: How the Black Panther Party Freed Me from My Colonized Mind A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment For the Requirements for Degree of the Doctor of Education by Linda Garrett, MA San Francisco May 2018 THE UNIVERSITY OF SAN FRANCISCO DISSERTATION ABSTRACT AND AT ONCE MY CHAINS WERE LOOSED: HOW THE BLACK PANTHER PARTY FREED ME FROM MY COLONIZED MIND The Black Panther Party was an iconic civil rights organization that started in Oakland, California, in 1966. Founded by Huey Newton and Bobby Seale, the Party was a political organization that sought to serve the community and educate marginalized groups about their power and potential. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
The Place of Art in Black Panther Party Revolutionary Thought and Practice: from Revolution to Reform, a Content Analysis
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2018 The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis Michael James Macaluso Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Politics and Social Change Commons Recommended Citation Macaluso, Michael James, "The Place of Art in Black Panther Party Revolutionary Thought and Practice: From Revolution to Reform, A Content Analysis" (2018). Dissertations. 3364. https://scholarworks.wmich.edu/dissertations/3364 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PLACE OF ART IN BLACK PANTHER PARTY REVOLUTIONARY THOUGHT AND PRACTICE: FROM REVOLUTION TO REFORM, A CONTENT ANALYSIS by Michael Macaluso A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology Western Michigan University December 2018 Doctoral Committee: Zoann Snyder, Ph.D., Chair Thomas VanValey, Ph.D. Richard Yidana, Ph.D. Douglas Davidson, Ph.D. Copyright by Michael Macaluso 2018 ACKNOWLEDGEMENTS First, I would like to thank Dr. Zoann Snyder, Dr. Richard Yidana, Dr. Thomas Lee VanValey, and Dr. Douglas Davidson for agreeing to serve on this committee. Zoann, I want thank you for your patience throughout this journey, I truly appreciate your assistance. Richard, your help with this work has been a significant influence to this study. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip. -
Hip Hop Matters
HIP HOP MATTERS HIP HOP MATTERS Politics, Pop Culture, and the Struggle for the Soul of a Movement S. Craig Watkins Beacon Press, Boston Beacon Press 25 Beacon Street Boston, Massachusetts 02108-2892 www.beacon.org Beacon Press books are published under the auspices of the Unitarian Universalist Association of Congregations. © 2005 by S. Craig Watkins All rights reserved Printed in the United States of America 09 08 07 06 8 7 6 5 4 3 2 1 This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. Text design by Patricia Duque Campos Composition by Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Watkins, S. Craig (Samuel Craig) Hip hop matters : politics, pop culture, and the struggle for the soul of a movement / S. Craig Watkins. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-8070-0986-5 (pbk. : acid-free paper) 1. Rap (Music)—History and criticism. 2. Hip-hop. I. Title. ML3531.W38 2005 782.421649—dc22 2004024187 FOR ANGELA HALL WATKINS, MY WIFE AND BEST FRIEND CONTENTS PROLOGUE Hip Hop Matters 1 INTRODUCTION Back in the Day 9 PART ONE Pop Culture and the Struggle for Hip Hop CHAPTER ONE Remixing American Pop 33 CHAPTER TWO A Great Year in Hip Hop 55 CHAPTER THREE Fear of a White Planet 85 CHAPTER FOUR The Digital Underground 111 PART TWO Politics and the Struggle for Hip Hop CHAPTER FIVE Move the Crowd 143 CHAPTER SIX Young Voices in the Hood 163 CHAPTER SEVEN “Our Future...Right Here, Right Now!” 187 CHAPTER EIGHT “We Love Hip Hop, But Does Hip Hop Love Us?” 207 CHAPTER NINE Artificial Intelligence? 229 EPILOGUE Bigger Than Hip Hop 249 ACKNOWLEDGMENTS 257 NOTES 261 BIBLIOGRAPHY 279 INDEX 283 PROLOGUE Hip Hop Matters Stakes is high. -
Locked Down: the Hidden History of the Prisoners' Rights Movement
Locked Down: The Hidden History of the Prisoners’ Rights Movement Tiana Alexandria Williams* Mentor: Dr. Jesse Drew Department of Cinema and Digital Media, UC Davis Abstract In recent years, there has been an increasing discourse centered on the prison-industrial complex, addressing issues that range from ending the school-to-prison pipeline to calls for the abolition of prisons entirely. However, this movement is far from a novelty, rather, it is the resurgence of a forgotten moment in history that is being revitalized by a new generation. In order to understand the recent development of the anti- incarceration movement, it is important to provide context to these current conversations and ensure that the contributions of the prisoner’s rights movement are properly understood. Through the uncovering and analysis of archival materials, collections of recorded oral histories and published prison letters, this paper illustrates how prisoner activism of the 1970s brought the plight of prisoners into the limelight, while also leading to increased systemic repression and a debilitating historical declension narrative. By highlighting this history of prisoner activism, this paper challenges the declension hypothesis approach to the prisoners’ rights movement and investigates the movement’s effects on the current day structure of the criminal justice system. Introduction The prisoners’ rights movement is an undermentioned and understudied movement that grew for decades in the United States, finally reaching maximum visibility in the early 1970s. The dominant narrative surrounding the movement can be traced as: The American prison system was cruel, inhumane and unjust. Prisoners fought for better conditions and rights, using similar rhetoric to that of the Civil Rights Movement. -
Berkeley-In-The-60S-Transcript.Pdf
l..J:J __J -- '-' ... BERKELEY IN THE SIXITES Transcript House n-American Activities Committee Demonstration, May 196(J (Music. "Ke a Knockin") T Narrator: y In the 1960s y generation set out on a journey of change. Coming out of an atmosphere f conformity a new spirit began to appear. One of the first signs was a demo tration, organized by Berkeley students in May of 1960 against .;')~u.P -'- the House -American Activities Committee. Archival/Co gressman Willis, HUAC Chairman: \ ' .., iJ' ,o-, «\' What we are ere to do is to gather information as we are ordered to by an act of Congress ith respect to the general operation of the communist conspiracy. Chairman W lis (off camera): Proceed to th next question. Archival/Un entified Witness: I'm not in the habit of being intimidated and I don't expect to start now. Now what was yo_ question? "{/\Thatwas your question. C Lawyer (off camera): Are you now n this instant a member of the communist party. BITS TRAN RIPT 2 t,...J-,,i._l-.. } 'Li..- Narrator: We came out 0 protest because we were against HUAC's suppression of political free m. In the 50s HUAC created a climate of fear by putting people on trial for t ir political beliefs. Any views left of center were labeled subversive. e refused to go back to McCarthyism. Archival/Wi liam Mandel: )/",'; 0 ~ If you think am going to cooperate with this collection of Judases, of men who sit ther in violation of the United States Constitution, if you think I will cooperat with you in any way, you are insane. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS