The Role of Guanxi in Chinese Entrepreneurship
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Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Chinese “Guanxi”: Does It Actually Matter?
Asian Journal of Management Sciences & Education Vol. 8(1) January 2019 __________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ CHINESE “GUANXI”: DOES IT ACTUALLY MATTER? Md. Bashir Uddin Khan 1, Yanwen Tang 2 1Researcher, Department of Sociology, School of Sociology and Political Science, Shanghai University, CHINA and Assistant Professor, Department of Criminology and Police Science, Mawlana Bhashani Science and Technology University, Santosh, Tangail, BANGLADESH; 2Associate Professor, Department of Sociology, School of Sociology and Political Science, Shanghai University, Shanghai, CHINA. [email protected], [email protected] ABSTRACT Guanxi, which evolved out of the Chinese social philosophy of Confucianism, is treated as one of the inevitable issues in the Chinese culture. The impact of guanxi starts from the family and ends up to the international trades and mutual agreements. This mutual and long-term reciprocity of exchanging some benefits often seems to be obscure to the foreigners, specially to the Westerners. Chinese social web is cemented by this strong phenomenon that is embedded in the Chinese people’s philosophical aspects. -
How Poetry Became Meditation in Late-Ninth-Century China
how poetry became meditation Asia Major (2019) 3d ser. Vol. 32.2: 113-151 thomas j. mazanec How Poetry Became Meditation in Late-Ninth-Century China abstract: In late-ninth-century China, poetry and meditation became equated — not just meta- phorically, but as two equally valid means of achieving stillness and insight. This article discusses how several strands in literary and Buddhist discourses fed into an assertion about such a unity by the poet-monk Qiji 齊己 (864–937?). One strand was the aesthetic of kuyin 苦吟 (“bitter intoning”), which involved intense devotion to poetry to the point of suffering. At stake too was the poet as “fashioner” — one who helps make and shape a microcosm that mirrors the impersonal natural forces of the macrocosm. Jia Dao 賈島 (779–843) was crucial in popularizing this sense of kuyin. Concurrently, an older layer of the literary-theoretical tradition, which saw the poet’s spirit as roaming the cosmos, was also given new life in late Tang and mixed with kuyin and Buddhist meditation. This led to the assertion that poetry and meditation were two gates to the same goal, with Qiji and others turning poetry writing into the pursuit of enlightenment. keywords: Buddhism, meditation, poetry, Tang dynasty ometime in the early-tenth century, not long after the great Tang S dynasty 唐 (618–907) collapsed and the land fell under the control of regional strongmen, a Buddhist monk named Qichan 棲蟾 wrote a poem to another monk. The first line reads: “Poetry is meditation for Confucians 詩為儒者禪.”1 The line makes a curious claim: the practice Thomas Mazanec, Dept. -
The Increasing Significance of Guanxi in China's Transitional Economy
41st ANNUAL SOROKIN LECTURE The Increasing Significance of Guanxi in China’s Transitional Economy Dr. Yanjie Bian University of Minnesota and Xi’an Jiaotong University Delivered January 29, 2010, at the University of Saskatchewan, Saskatoon, Saskatchewan, Canada © 2013 University of Saskatchewan, Saskatoon ISBN: 978-0-88880-591-1 ABSTRACT How do we understand the increasing significance of guanxi (social connections) in China's transitional economy? Sociologist Yanjie Bian presents a theoretical model in which the fate of guanxi is considered as a function of institutional uncertainty and market competition. His Chinese data show that social networking is increasingly active when labor market competition increases, personal connections become extremely important when entrepreneurs start up their business or when they try to minimize negative consequences of economic crisis, and relational dependence decreases when business organizations gain a stable market position. ABOUT THE AUTHOR Yanjie Bian is Professor of Sociology at the University of Minnesota, and the Dean of the School of Humanities and Social Science and the Director of the Institute for Empirical Social Science Research, Xi'an Jiaotong University. He formerly taught at the Hong Kong University of Science and Technology, where he was the Founding Director of the Survey Research Center, Chair Professor, and Head of the Division of Social Science. An author of several books and numerous articles on social stratification and social networks, Dr. Bian is an internationally recognized authority on the sociology of China. He is currently leading a large research project to examine the changing roles of social networks in employment processes in urban China. Dr. -
The Poetic Ideas Scroll Attributed to Mi Youren and Sima Huai*
The Poetic Ideas Scroll Attributed to Mi Youren and Sima Huai │ 85 The Poetic Ideas Scroll paintings extant, is one of the best represented painters of the Song dynasty.1Moreover, especially in the eyes of later admirers, his paintings share a uniform subject and style: Attributed to Mi Youren and Sima Huai* cloudy landscapes (yunshan 雲山) rendered largely with blunt strokes, repetitive dots, and wet ink tones. In contrast, Sima Huai is essentially an unknown figure—so unknown, in Peter C. Sturman University of California, Santa Barbara fact, that even his given name, Huai, is not unequivocally established. Poetic Ideas is composed of two separate paintings, neither of which is signed or imprinted with an artist’s seal. Both are landscapes, though of different types: the first Abstract: (unrolling from right to left) presents a scene of distant mountains by a river with dwellings From the time it came to the attention of scholars and connoisseurs in the late Ming dynasty, the and figures (color plate 8)—I refer to this as“the riverside landscape.” The latter is a “small Poetic Ideas scroll attributed to Mi Youren (1074–1151) and Sima Huai (!. twel"h century) has scene” (xiaojing 小景) of more focused perspective, presenting a pair of twisted trees ’ long been considered an important example of Song dynasty literati painting. #e scroll s two backed by a large cliff and a quickly moving stream that empties from a ravine (color plate 9) paintings, each of which is preceded by single poetic lines by Du Fu, o$er a rare window into —I refer to this as “the entwined trees landscape.” The images complement one another the inventive manner in which Song scholar-o%cial painters combined texts with images. -
蔡 佳 葳 Charwei Tsai Born 1980 Bonsai Series III – No
蔡 佳 葳 Charwei Tsai Born 1980 Bonsai Series III – no. VII, 2011 black ink on lithographs, 26 x 31 cm 蔡 佳 葳 DISCUSSION 1 The artist has created lithographic prints of Bonsai trees. Can you see what the artist has Charwei Tsai included on the tree in place of leaves? Born 1980 2. The words are the lyrics of love songs by the sixth Dalai Lama. Why do you think the artist Bonsai Series III – no. VII, 2011 chose to depict the Bonsai trees with these lyrics? CONTEMPORARY ART FROM MAINLAND CHINA, TAIWAN AND HONG KONG black ink on lithographs, 26 x 31 cm 3 Do you think the work has a spiritual, philosophical or religious connotation? Why? ABOUT THE ARTIST 4. How did the artist give the work a sense of time and also of movement? Charwei Tsai explores spiritual and environmental Born in Taiwan, Charwei was educated overseas, and she 5. The colour palette of the work is minimal. Why do you think Charwei decided to do this? themes through a variety of media including videos, currently lives between Taipei, Taiwan and What mood or feeling do you think it gives the work? photographs, installation and performance based works. Ho Chi Minh City, Vietnam. She is fascinated by Charwei often uses calligraphy to explore Buddhist concepts of impermanence and emptiness, which are texts on a range of natural surfaces such as tofu, tree central to Buddhist belief, and which the artist defines ACTIVITIES trunks, mushrooms and ice. Through a detailed and as an ‘understanding of the interdependence between Thinking repetitive process she reaches a meditative state. -
Ink Remix Exhibition Catalogue.Pdf
墨 變 中 國 大 陸 臺 灣 香 港 當 Contemporary art 代 from mainland China, 藝 Taiwan and Hong Kong 術 INK REMIX Contemporary art from mainland China, Taiwan and Hong Kong 墨 變 : 中 國 大 陸 臺 灣 香 港 當 代 藝 術 curated by Sophie McIntyre Published in association with the exhibition INK REMIX Contemporary art from mainland China, Taiwan and Hong Kong 墨 變 : 中 國 大 陸 臺 灣 香 港 當 代 藝 術 Canberra Museum and Gallery 3 July – 18 October, 2015 Exhibition curator: Sophie McIntyre TOUR DATES Bendigo Art Gallery: 31 October 2015 – 7 February 2016 UNSW Galleries: 26 February – 21 May 2016 Museum of Brisbane: 16 September 2016 – 19 February 2017 Text © Sophie McIntyre, Pan An-yi, Eugene Wang 2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or information retrieval system without permission in writing from the publisher. Exhibition website: www.inkremix.com.au ISBN is 978-0-9872457-3-1 Design: Coordinate Printing: Paragon Printers Australasia Canberra Museum and Gallery Cnr London Circuit and Civic Square, Canberra City, Australia www.museumsandgalleries.act.gov.au Cover Image: Ni Youyu, Galaxy, 2012-2015, 80 (approx.) painted coins, size variable (detail). Contemporary art from mainland China, Taiwan and Hong Kong CONTENTS Chief Minister’s Foreword 墨 Andrew Barr, MLA, ACT Chief Minister 2 變 中 Director’s Foreword 國 Shane Breynard 4 大 陸 INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong 臺 Sophie McIntyre 8 灣 All in the Name of Tradition: Ink Medium in Contemporary Chinese Art 香 港 Eugene Wang 14 當 Ink Art in Taiwan 代 An-yi Pan 20 藝 術 Artists’ Works & Essays Sophie McIntyre 27 List of Works 76 Artists’ Biographies 78 Writers’ Biographies 86 Curator’s Acknowledgements Sophie McIntyre 87 Museum Acknowledgements 89 1 INK REMIX CHIEF MINISTER’S FOREWORD I am delighted to introduce the exhibition, INK REMIX: Contemporary art from mainland China, Taiwan and Hong Kong to Australian audiences. -
Business Strategy and Guanxi
Marshall Review, Volume 2, May 4, 2004 (an online magazine) Business in China As the China Country Desk Officer, USC professor Thomas Lin arranges for Marshall MBA PRIME students to interact with businesses in Beijing and Shanghai. Dr. Lin prepares students for successful interactions in China by teaching those basics in culture, relationships and business strategies. Business Strategy and Guanxi Business Strategies By Thomas W. Lin, PhD It is important to devise a clear strategy prior to entering China and to develop personal, professional and governmental contacts there. China welcomes foreign investment (unlike nations such as Russia and India). In fact, in the first three months of 2001, China generated about $16 billion in contracts from direct foreign investors ("Contracted Foreign Investment up 44% in 1Q," ChinaOnline.com, April 17, 2001). And in 2002, China attracted more foreign direct investment in a year than the United States. Foreign investors benefit China in that they produce jobs, produce material benefits that lead to higher living standards, and in some cases, companies put idle assets to good use (e.g., materials or equipment not otherwise being used). Companies doing business in China can, by and large, be categorized as: 1. Companies using China as a base for low-cost manufacturing; 2. Companies selling goods in China that are not made locally (e.g., Proctor & Gamble, Coca-Cola); 3. Companies that have changed their operations from a local joint venture to a wholly owned subsidiary (e.g., Motorola). Contracts • Prepare contracts in both Chinese and English to ensure accurate translation and interpretation. • Contracts do not have as much significance in China as they do in the United States; principles are more important in China, whether written or discussed. -
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University by Amanuel Ajawin Ahmed Al-Muharraqi Talah Hamad Alyaqoobi Hamad Alzaabi Molor-Erdene Amarsanaa Baya Bensmail Lorena Gimenez Zina Ibrahem Haig Kuplian Jose Mendoza-Nasser Abdelghani Merabet Alice Mungwa Seddiq Rasuli Fabrizio Trezza Editor Ahmad Kamal Published by: Fairleigh Dickinson University 1000 River Road Teaneck, NJ 07666 USA April 2011 ISBN: 978-1-457-6945-7 The opinions expressed in this book are those of the authors alone, and should not be taken as necessarily reflecting the views of Fairleigh Dickinson University, or of any other institution or entity. © All rights reserved by the authors No part of the material in this book may be reproduced without due attribution to its specific author. THE AUTHORS Amanuel Ajawin is a diplomat from Sudan Ahmed Al-Muharraqi is a graduate student from Bahrain Talah Hamad Alyaqoobi is a diplomat from Oman Hamad Alzaabi a diplomat from the UAE Molor Amarsanaa is a graduate student from Mongolia Baya Bensmail is a graduate student from Algeria Lorena Gimenez is a diplomat from Venezuela Zina Ibrahem is a graduate student from Iraq Ahmad Kamal is a Senior Fellow at the United Nations Haig Kuplian is a graduate student from the United States Jose Mendoza-Nasser is a graduate student from Honduras Abdelghani Merabet is a graduate student from Algeria Alice Mungwa is a graduate student from Cameroon Seddiq Rasuli is a graduate student from Afghanistan Fabrizio Trezza is a graduate student from Italy INDEX OF -
Understanding Chinese Culture and Communication: the Yin Yang Approach1
Understanding Chinese Culture and Communication: 1 The Yin Yang Approach Tony Fang Stockholm University INTRODUCTION China is emerging as a world economic superpower in the age of globalization, foreign direct investment (FDI), and Internet. China has been for many years rated as the most attractive destination for FDI by CEOs and CFOs from around the world (see A.T. Kearney Investor Confidence Index for miscellaneous years). Many share the assertion of Charles Browne, President of Du Pont China, that “If you go to our headquarters and ask which region we are concentrating on, the answer is that we are focused on China, China, China” (Fernandez & Underwood, 2006: xiv). With nearly 600,000 foreign-invested companies including over 400 of the Fortune 500 global firms operating on Chinese soil (Fang, Zhao, & Worm, 2008) China is undisputedly one of the world’s most competitive marketplaces. As Schlevogt (2002: 18) observed: “China is the ultimate test ground for leadership skills and a company’s ability to excel in other nonstructured situations… If you can make it here, you can make it anywhere!” Research shows that an in-depth understanding of Chinese culture is key to success in the Chinese market in particular and in the relationships with China in general (Chen, 2001; Child, 1990; Fang, 1999; Tung, Worm, & Fang, 2008; Fernandez & Underwood, 2006). China is one of the world’s oldest civilizations with a splendid culture. But what is the uniqueness of Chinese culture that transcends the Chinese society from its “blue gowns” and “bound -
Water Management in Jingjue 精絕 Kingdom: the Transfer of a Water Tank System from Gandhara to Southern Xinjiang in the Third and Fourth Centuries C.E
SINO-PLATONIC PAPERS Number 223 April, 2012 Water Management in Jingjue 精絕 Kingdom: The Transfer of a Water Tank System from Gandhara to Southern Xinjiang in the Third and Fourth Centuries C.E. by Arnaud Bertrand Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. -
The Transition of the Kuomintang Government's Policies Towards
International Journal of Korean History (Vol.20 No.2, Aug. 2015) 153 a 1946: The Transition of the Kuomintang Government’s Policies towards Korean Immigrants in Northeast China* Zhang Muyun** Introduction Currently, the research on the Kuomintang Government’s policies to- wards Korean immigrants has gradually increased. Scholars have attached great importance to the use of archival resources in Shanghai, Tianjin, Peking, Wuhan and Liaoning. Yang Xiaowen1 (2008) made use of the original records to discuss post-war China’s policies towards the repatria- tion of Korean immigrants in the Wuhan area. Ma Jun, Shan Guanchu2 (2006) adequately utilized Zhongguo diyu hanren tuanti guanxi shiliao * An earlier version of this paper was presented at the 3rd Annual Korea University Korean History Graduate Student Conference, 2015, Korea University. I thank my discussant and conference participants for valuable discussions. I also appreciate the IJKH reviewers for very helpful comments. ** MA student, Major in history of modern China, School of Marxism, Tsinghua University. 1 Yang Xiaowen. “Zhanhou zhongguo guannei hanren de jizhong qianfan zhengce ji qi shijian yanjiu: yi wuhan wei gean fenxi” (the post-war Chinese’s policies to- wards repatriation of Korean immigrants in Wuhan area) (Master diss., Fudan University, 2008). 2 Ma Jun, Shan Guanchu. “Zhanhou guomin zhengfu qianfan hanren zhengce de yanbian ji zai shanghai diqu de shijian” (the development of the Kuomintang gov- ernment’s policies towards repatriation of Korean immigrants in Shanghai area), Shilin, 2006(2). 154 1946: The Transition of the Kuomintang Government’s Policies ~ huibian3(the Comprehensive Collection of Archival Papers on Korean immigrants’ organizations in China) to investigate the development of the Kuomintang government’s policies towards the repatriation of Korean immigrants in the Shanghai area.