The Use of Relevance Theory in Celebrity Advertisements
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Celebrity Line-Up for Grand Opening of Universal Studios Singapore®
p r e s s r e l e a s e Celebrity line-up for Grand Opening of Universal Studios Singapore® Jet Li, Paula Abdul, Maggie Cheung, Fantasia Barrino and Vicki Zhao Wei Lead list of stars at the Region’s No. 1 Theme Park’s biggest celebrations! SINGAPORE, 24 MAY 2011 – The Grand Opening of Universal Studios Singapore is set to be one of the entertainment highlights of the year, with big names from East and West hitting the shores of Singapore to wow the audiences during the theme park’s Grand Opening celebrations on 27 and 28 May 2011. Leading the outstanding line-up of international celebrities coming together and bringing the silver screen to life with true Hollywood style and glitz are: Chinese martial artist, film producer, philanthropist and international superstar, Jet Li; American recording artist, dancer, choreographer, actress & television personality, Paula Abdul; One of Asia’s most decorated actresses and screen icons, Maggie Cheung; Singing sensation, Broadway actress and former American Idol winner, Fantasia Barrino; and Asia’s well-loved TV and film personality, Vicki Zhao Wei. Action-packed Pow-wow Legendary for his thrilling action-packed martial arts epics, international film star Jet Li will be immersed in the celebration and excitement of this milestone event. Fans have long admired him for his role in many Chinese and Hollywood action films as well as his social entrepreneurial spirit, having founded One Foundation, which advocates broad-based participation in philanthropy and volunteerism as a way of life. The American Idols American recording artist, dancer, choreographer, actress and television personality, best known for her dance prowess, choreography talent and stint on American Idol – Paula Abdul brings her sweet sense of optimism with her to celebrate the Grand Opening. -
Shiseido Launches Progressive Makeup Line in China a Passport to Contemporary Beauty the Debut of New AUPRES Makeup for “Chinese Women of the New Millennium”
Shiseido Launches Progressive Makeup Line in China A Passport to Contemporary Beauty The Debut of New AUPRES Makeup for “Chinese Women of the New Millennium” From January 2004, Shiseido launched its new AUPRES Makeup line (8 items, 56 items, price range: RMB35-120) for “Chinese women of the new millennium” at roughly 350 AUPRES counters throughout China via its joint venture company, Shiseido Liyuan Cosmetics Co., Ltd. Popular actress Vicky Zhao Wei, who enjoys a successful career mainly in China as well as Asia, has been appointed image model. She will be featured on posters, magazine ads, Internet advertising and in Shiseido’s first Chinese TV commercial, which is to be broadcast from late December 2003 onwards primarily in the Beijing and Shanghai areas. Spearheading the launch, a press conference was held on December 22 of this past year at the Yan Club Art Centre, a complex that is making a name for itself among Beijing’s art community as the hub for transmitting cultural information. Additionally, six-day promotional events were staged from December 23 in Beijing and December 30 in Shanghai. Ms. Zhao Wei appeared on the first day at both events to promote the new line. With the launch of the new AUPRES Makeup line, Shiseido will impart new value by incorporating a greater sense of fashion and style to its AUPRES brand, which has won customers’ trust for its superb quality, excellent usability and effectiveness, and is planning to grow the AUPRES brand into a mega brand achieving sales of ¥30 billion (retail basis) by 2008. -
2008 International Symposiums on Information Processing ISIP 2008 2008 International Pacific Workshop on Web Mining and Web-Based Application WMWA 2008
Table of Contents 2008 International Symposiums on Information Processing ISIP 2008 2008 International Pacific Workshop on Web Mining and Web-Based Application WMWA 2008 Message from ISIP 2008 Symposium Chairs.......................................................................................................................................................xv Message from the WMWA 2008 Workshop Chairs..........................................................................................................................................xvi ISIP 2008 and WMWA 2008 Organizing Committee ...................................................................................................................................... xvii ISIP 2008 and WMWA 2008 Committee Members........................................................................................................................................xviii Session 1: Intelligent Computing A New Method Based on Goal Programming for Solving Transportation Problem with Fuzzy Cost ........... 3 Lingyun Li, Zuqing Huang, Qingli Da, and Jinsong Hu A Query-Sensitive Graph-Based Sentence Ranking Algorithm for Query-Oriented Multi-document Summarization .............................................................................................................................................. 9 Furu Wei, Yanxiang He, Wenjie Li, and Qin Lu A Decentralized Fusion Algorithm Established in Geodetic Coordinate System for Naval Ships Cooperative Engagement................................................................................................. -
Social Science Research on Chinese Organizations in the English Literature: a Survey
Social Science Research on Chinese Organizations in the English Literature: A Survey Xueguang Zhou and Wei Zhao Introduction: Intellectual Landscape in the Study of Chinese Organizations In this essay, we survey and assess the English literature of what we have loosely grouped under the umbrella of “social science research on Chinese organizations.” Let us first delineate the boundary of this literature. Most of what is being surveyed here are those studies carried out by social scientists, especially those in sociology, political science, economics, and management research, published in social science journals or by academic presses, and focused on Chinese organizations broadly defined—those analyses and discussions that have implications for the organizational aspects of Chinese society. We pay particular attention to the more recent research activities, especially those in the last two decades, partly because this is the period when social science disciplines have provided important theoretical models and analytical tools for understanding the organizational phenomena, and partly because the transformation of Chinese society in the last three decades has greatly stimulated social research in this area. Our survey is motivated by two general observations. First, formal organizations play a central role in the Chinese society. It is not exaggerating to say that contemporary China since 1949 has been an organizational society, where various aspects of political, economic, and social life have been organized by formal organizations, especially those of the state apparatus. Hence, the study of Chinese organizations provides a key to understanding different arenas of Chinese society. In the post-Mao era, the transformation of Chinese organizations has been at the center of the ongoing, fundamental institutional changes of Chinese society in the last three decades. -
China Daily 0803 D7.Indd
CHINA DAILY FRIDAY, AUGUST 3, 2012 lifearts 19 EDITOR’S PICKS Chinese art treats New king of the box offi ce at London Olympics Fans watching the London 2012 Olym- pic Games can take a break from sports to The director of China’s box-offi ce record breaker switched from high-brow fare to mass have a taste of culture. One of the fringe activities is a Chinese entertainment in one fell swoop, taking the industry by surprise, Raymond Zhou writes. art exhibition unveiled at the Royal Acad- emy of Arts in London on Monday. Named China Arts Exhibition, London t is surprising to know that the new 2012, Chinese Elegant Transcending Cul- ture, the exhibition displays 160 Chinese record holder of China’s box offi ce for brush paintings, oil paintings and sculp- a domestic release is a closeted fan of ture works of 35 modern Chinese arts masters. experimental fi lm. Wuershan grew up “Th e exhibition is a showcase of con- temporary Chinese arts,” Liu Xiaoming, on a heavy dose of Alan Resnais and China’s ambassador in the United King- dom, says in his speech. Andrei Tarkovsky, European auteurs Th e seven-day exhibition is jointly whose works are known for being inaccessible. hosted by the China National Academy of I Arts and the China Arts Foundation, with “Whenever they presented Hollywood fare,” says Wuershan, support from the Chinese Ministry of referring to his college exposure to foreign cinema, “I’d get up Culture, the Chinese Embassy in Britain and leave the theater.” and the British Embassy in China. -
Alibaba Pictures , Ruyi Films and Enlight Pictures' Once Upon a Time to Be
IMAX CORPORATION ALIBABA PICTURES , RUYI FILMS AND ENLIGHT PICTURES’ ONCE UPON A TIME TO BE RELEASED IN IMAX® THEATRES ACROSS CHINA SHANGHAI – July 20, 2017 – IMAX Corporation (NYSE:IMAX) and IMAX China Holding Inc. (HKSE: 1970) today announced that Enlight Pictures’, Ruyi Films’ and Alibaba Pictures Group’s much-anticipated fantasy flick, Once Upon a Time, will be digitally re-mastered in the immersive IMAX 3D format and released in approximately 420 IMAX® theatres in China, beginning Aug. 3. Directed by Zhao Xiaoding and Anthony LaMolinara, Once Upon a Time was adapted from the popular fantasy romance novel, illustrating the story of Bai Qian (Liu Yifei) and Ye Hua (Yang Yang). It is produced by well-known filmmaker Zhang Yibai, and stars Liu Yifei, Yang Yang, Luo Jin, Yan Yikuan, Lichun, Gu Xuan and Peng Zisu. Once Upon a Time marks the first Chinese local-language IMAX DMR film in partnership with Alibaba Pictures Group and Ruyi Films, and the second with Enlight Pictures, which released Lost in Hong Kong in 2015. “We are excited to team up with Alibaba Pictures, Ruyi Films and Enlight Pictures, and directors Zhao Xiaoding and Anthony LaMolinara to bring this beloved fantasy novel to life in IMAX,” said Greg Foster, CEO of IMAX Entertainment and Senior Executive Vice President, IMAX Corp. “The film's incredible visual effects showcase The IMAX Experience and create a powerful addition to our summer movie slate.” The IMAX 3D release of Once Upon a Time will be digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology. -
CHINA DAILY for Chinese and Global Markets
OLD MOBILES CHANCE RELATIONS LOTUS FROM SPACE Outlining the high stakes Flower seeds made Showroom opening to attract > p13 in future China-US ties a tour beyond Earth buyers of hand-assembled cars > ACROSS AMERICA, PAGE 2 > CHINA, PAGE 7 WEDNESDAY, June 19, 2013 chinadailyusa.com $1 The ‘Long March’ to Tinseltown By LIU WEI in shanghai “It is a long way to go,” he [email protected] says, “but I believe as the Chi- nese = lm market keeps growing The next Kung Fu Panda so fast, it is totally possible that will be the brainchild of both Chinese capital will hold shares American and Chinese film- in the major six Hollywood stu- makers and production will dios. It is just a matter of time.” start in August, says Peter Li, China’s Wanda Cultural managing director of China Group is one of the pioneers Media Capital, co-investor of in this process. In 2012 Wanda Oriental DreamWorks, a joint acquired AMC, the second venture with DreamWorks largest theater chain in North Animation. America, for $2.6 billion. CMC co-founded Oriental What Ye Ning, the group’s DreamWorks in 2012 with vice-president, has learned DreamWorks, Shanghai Media from the following integration Group and Shanghai Alliance is, = rst of all, trust and respect. Investment, with the aim of “The managing team of CHARACTER BUILDING producing and distributing ani- AMC was worried that we mated and live-action content would send a group of yellow PHOTO BY SUN CHENBEI / CHINA DAILY for Chinese and global markets. faces to replace them,” Ye says, From le : Li Xiaolin, president -
Final Program of CCC2020
第三十九届中国控制会议 The 39th Chinese Control Conference 程序册 Final Program 主办单位 中国自动化学会控制理论专业委员会 中国自动化学会 中国系统工程学会 承办单位 东北大学 CCC2020 Sponsoring Organizations Technical Committee on Control Theory, Chinese Association of Automation Chinese Association of Automation Systems Engineering Society of China Northeastern University, China 2020 年 7 月 27-29 日,中国·沈阳 July 27-29, 2020, Shenyang, China Proceedings of CCC2020 IEEE Catalog Number: CFP2040A -USB ISBN: 978-988-15639-9-6 CCC2020 Copyright and Reprint Permission: This material is permitted for personal use. For any other copying, reprint, republication or redistribution permission, please contact TCCT Secretariat, No. 55 Zhongguancun East Road, Beijing 100190, P. R. China. All rights reserved. Copyright@2020 by TCCT. 目录 (Contents) 目录 (Contents) ................................................................................................................................................... i 欢迎辞 (Welcome Address) ................................................................................................................................1 组织机构 (Conference Committees) ...................................................................................................................4 重要信息 (Important Information) ....................................................................................................................11 口头报告与张贴报告要求 (Instruction for Oral and Poster Presentations) .....................................................12 大会报告 (Plenary Lectures).............................................................................................................................14 -
Zhang Ziyi and China's Celebrity–Philanthropy Scandals
Zhang Ziyi and China’s Celebrity–Philanthropy Scandals Elaine Jeffreys, University of Technology Sydney Zhang Ziyi is arguably China’s most famous female celebrity, being ranked after basketball player, Yao Ming, at number two on Forbes’s (mainland) China Celebrity List in 2009 and 2010 (‘2010 Forbes China Celebrity List’ 2010).1 Forbes issued its inaugural list of China’s top 100 power-ranking celebrities in 2004, demonstrating the growing importance of the People’s Republic of China (PRC) in global cultural markets. As with the US list, China’s celebrities are ranked by combining income from salaries and endorsements with the number of times they appear in various media formats (Jeffreys & Edwards 2010: 2). Zhang Ziyi rose to international fame via her starring role in Ang Lee’s martial arts movie, Crouching Tiger, Hidden Dragon (2000). A global cinematic phenomenon in 2000 and 2001, Crouching Tiger earned more than US$200 million worldwide, becoming the most commercially successful foreign-language film in US history and the first Chinese-language film to find a broad American audience (Klein 2004: 18). Since then, Zhang has gone on to enjoy critical acclaim for her starring roles in Hollywood films, such as Memoirs of a Geisha (dir. Rob Marshall 2005), and in Chinese-language blockbusters, such as Hero (dir. Zhang Yimou 2002) and House of Flying Daggers (dir. Zhang Yimou 2004). Voted as one of the ‘most beautiful people in the world’ by many fashion and celebrity magazines, she has appeared as the ‘face’ of 1 Forbes extended its China list in 2010 to include celebrities from Taiwan and Hong Kong, as well as mainland China. -
1 RELEVANCE THEORY Deirdre Wilson to Appear in Y. Huang (Ed.)
1 RELEVANCE THEORY Deirdre Wilson To appear in Y. Huang (ed.) Oxford Handbook of Pragmatics. Oxford University Press. Published online Jan 2016: 10.1093/oxfordhb/9780199697960.013.25 Abstract This paper outlines the main assumptions of relevance theory (while attempting to clear up some common objections and misconceptions) and points out some new directions for research. After discussing the nature of relevance and its role in communication and cognition, it assesses two alternative ways of drawing the explicit–implicit distinction, compares relevance theory’s approach to lexical pragmatics with those of Grice and neo- Griceans, and discusses the rationale for relevance theory’s conceptual–procedural distinction, reassessing the notion of procedural meaning in the light of recent research. It ends by looking briefly at the relation between the capacity to understand a communicator’s meaning, on the one hand, and the capacity to assess her reliability and the reliability of the communicated content, on the other, and considers how these two capacities might interact. Keywords: Relevance, communication, explicatures, lexical pragmatics, procedural meaning 1. Introduction One of the most original features of Grice’s approach to communication was his view that meaning is primarily a psychological phenomenon and only secondarily a linguistic one: for him, speaker’s meanings are basic and sentence meanings are ultimately analysable in terms of what speakers mean (Grice 1957, 1967). Despite this reference to psychology, Grice’s goals were mainly philosophical or semantic: his analysis of speaker’s meaning was intended to shed light on traditional semantic notions such as sentence meaning and word meaning, and his accounts of the derivation of implicatures were rational reconstructions of how a speaker’s meaning might be inferred, rather than empirical hypotheses about what actually goes on in hearers’ minds. -
Chomsky: Ideas and Ideals, Second Edition Neil Smith Frontmatter More Information
Cambridge University Press 0521546885 - Chomsky: Ideas and Ideals, Second Edition Neil Smith Frontmatter More information Chomsky Noam Chomsky is one of the leading intellectual figures of modern times. He has had a major influence on linguistics, psychology, and philosophy, and a significant effect on a range of other disciplines from anthropology to mathematics, education to literary criticism. In this rigorous yet accessible account of Chomsky’s work and influence, Neil Smith analyzes Chomsky’s key contributions to the study of language and the study of mind. He gives a detailed and partly historical exposition of Chomsky’s linguistic theorizing, and examines the ideas (such as deep and surface structure) for which he is best known. Smith discusses the psycholog- ical and philosophical implications of Chomsky’s work, and argues that he has fundamentally changed the way we think of ourselves, gaining a position in the history of ideas on a par with that of Darwin or Descartes. Finally, he examines Chomsky’s political ideas and how these fit intellectually with his scholarly work. Smith argues that, despite Chomsky’s own disavowal of any very close connection, there are fundamental ideas of rationality, creativity, and modularity that draw together the disparate strands of his vast output. Throughout, Smith explores the controversy surrounding Chomsky’s work, and explains why he has been both adulated and vilifed. This second edition has been thoroughly updated and revised to account for Chomsky’s most recent work, including his continued contributions to linguis- tics (in particular new developments in the Minimalist Program), his further discussion on evolution, and his extensive work on the events of September 11, 2001 and their aftermath. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema.