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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Southern Hosts Career and Internship Fair Increase for the Next Academic School Year
Annual art crawl exhibit Sweets and eats are opens as precursor to Owls sweep burning a hole in main event Saint Rose students’ wallets PAGE 9 PAGE 8 PAGE 4 WWW.THESOUTHERNNEWS.ORG APRIL 5, 2017 VOL. 54— ISSUE 22 Tuition to Southern hosts Career and Internship Fair increase for the next academic school year By Alex Palmieri Plans call for a 4 percent tuition increase to take place for the 2017-18 school year for Connect- icut schools. Lewis DeLuca, coordinator of Student Financial Literacy and Advising, said this can have a big impact on students because there is an increase in tuition, he said students can be looking at hundreds of more dollars in tuition fees for the fall. “Right now,” said DeLuca, “we are looking at $10,054 a year. If we go up four percent, it will be $10,456. This is over a $400 increase.” DeLuca talked about students who are living on campus as well. As of now, a student who lives on campus for the 2016-17 year is paying $12,025. Once the increase of the tuition goes up, DeLuca said he is not sure if it will affect room and board as well but if it does, the cost would PHOTO | PALMER PIANA jump just over $600, costing a Stephanie Hadden, representing Lindamood-Bell at the Career and Internship Fair in the Adanti Student Center Ballroom. total of $12,626 a year. A 4 percent increase might not seem like much to people but By Josh LaBella nications and marketing right in my comfort zone.” “I think this is a great oppor- DeLuca said any sort of increase major, said he was looking for The ballroom was filled with tunity for students like myself will impact students. -
Music Issue.Pub
The Red Meridian Volume I, Issue 4 May 22, 2014 The Music Issue “Thank You” by Miralya Rosado as one generaon and stand MKTO, is a duo consisng of they were signed and up for a greater cause, the fu‐ Malcolm Kelly and Tony Oller. began living their ture, and to learn for the pasts’ Their debut album, MKTO, “American Dream.” I see mistakes. “Thank you for feed‐ featuring “Thank You”, the guys are wanng to ing us years of lies. / “American Dream” and be the voice of their gen‐ “Classic” was released January Thank you for the wars you le eraon. Many of their 30, 2014, in Australia and New us to fight. /Thank you for the songs have a message for Zealand. “Thank You” was the world you ruined overnight. / teens to make their first single of their album; But we'll be fine, yeah we'll be with its Pop/ Rap sounds, it a fine. “ These lyrics show message about the younger that they are just trying say generaon’s sarcasc atude thank you to the previous toward the generaons be‐ generaons for leaving us fore them and how they have their wrongdoings. This just to live with the mistakes and brings out their message to wrongdoings that they le us the world about what we to “fight”. have to do to overcome what has been le for us to The guys from MKTO weren’t deal with. always in the music business. Inside this They started as very young This song gets people up and issue: actors. -
Mike Green P= Producer, W= Writ Er, M= Mixer, E=Eng, A= Arranger
MIKE GREEN P= PRODUCER, W= WRIT ER, M= MIXER, E=ENG, A= ARRANGER ARTIST PROJECT RECORD CO JOB Set It Off Upcoming Album Equal Vision CW/P/M With Confidence Upcoming Album Hopeless CW/P/M Real Friends Upcoming Release Fearless CW/P Hands like Houses Upcoming Release Hopeless P/CW/M The Aces When My Heart Felt Volcanic Red Bull CW/P State Champs Living Proof Fearless CW/CP Tim Schou “Nirvana” BMG CW/P/M The Aces “Holiday” Red Bull P “Ground Control,” “Vampire Shift,” All Time Low Atlantic CW “Chemistry” Neck Deep The Peace and the Panic Hopeless CW/P/M “Come Undone,” “If I Ever See You Greyscale Fearless CW/P Again” ARTIST PROJECT RECORD CO JOB Sum 41 “War,” “Breaking the Chain” Hopeless CW State Champs “Stitches” Fearless M Axel Muniz “Siempre Tu” Warner Latin CP Seaway Vacation Pure Noise Ent CW/CP Icon for Hire You Can’t Kill Us Indie P/M As It Is okay. Fearless CW/P/M Gwen Stefani “Getting Warmer” Interscope CP/CW Leslie Grace “3 Little Words” Sony Latin CW/P Set it Off “Tug of War” Equal Vision CW/P Martina Stoessel “Finders Keepers” Disney CP Seaforth “Undo” Universal CW/P Hands Like Houses “Colourblind,” “Division Symbols” Rise CW/CP The Mowgli’s Kids in Love Photofinish P/M 5 Seconds of Summer Sounds Good Feels Good Capitol CW/P ARTIST PROJECT RECORD CO JOB Hopeless All Time Low Future Hearts P/CW Records Fearless The Color Morale Hold On Pain Ends P Records MC Yogi Only Love is Real Indie P Columbia Lea Michele “Cannonball” P/M Records Redzone Semi Precious Weapons Aviation P/M/CW Records Wind-Up Genevieve Show Your Colors P/CW Records Fueled By Ghost Town The After Party P/M/CW Ramen Republic Cassadee Pope “Frame By Frame” CW Nashville “You Wear a Crown But You’re No Fearless Blessthefall CW King” Records Icon For Hire Icon For Hire Tooth and Nail CP Forever The Sickest Fearless J.A.C.K. -
Holding the Spymasters Accountable After 9/11: a Proposed Model for CIA Disclosure Requirements Under the Freedom of Information Act Martin E
Hastings Communications and Entertainment Law Journal Volume 27 | Number 1 Article 3 1-1-2004 Holding the Spymasters Accountable after 9/11: A Proposed Model for CIA Disclosure Requirements under the Freedom of Information Act Martin E. Halstuk Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Martin E. Halstuk, Holding the Spymasters Accountable after 9/11: A Proposed Model for CIA Disclosure Requirements under the Freedom of Information Act, 27 Hastings Comm. & Ent. L.J. 79 (2004). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol27/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Holding the Spymasters Accountable After 9/11: A Proposed Model for CIA Disclosure Requirements Under the Freedom of Information Act by MARTIN E. HALSTUK, PH.D.* I. Introduction ............................................................................... 81 II. Transparency or Secrecy .......................................................... 86 A. A Philosophy of Full Disclosure-The Freedom of Inform ation A ct ........................................................................ -
Passion to Profession JMU Alumnus Captures the Stories of Sports Stars
FAREWELL FROM OUR FAVES Departing editors reflect on their time with The Breeze OPINION | 5 NEWS CHASING CARS ARTS THROWING SHADE Capstone project tests fuel Kendrick Lamar releases new 3 efficiency 8 hip-hop song Vol. 95, No. 26 Thursday, March 30, 2017 breezejmu.org JMU purchases most of neighborhood for over $4 million By MATT D’ANGELO purchased to provide JMU faculty and staff AND MIKE DOLZER with the opportunity to rent homes from The Breeze the university, and that there are currently no long-term plans for the area. Soft, fluttering wind chimes could be “Anytime a property becomes available heard as Carmenza Kline looked around that’s sort of contiguous to campus,” Wyatt in the backyard she’s called home for said, “we’ll consider, ‘Do we have a need almost 50 years. for it?’” “My children grew up here; I planted No student at JMU is foreign to the all the trees here. It’s my home; it’s my idea that the univer sity is growing. In the home and I don’t want to see my home, past four years, the university has turned you know, go and become a building … it UREC into an almost 300,000 square- means a lot,” Kline said. foot colossus; the Student Success Center Kline, 71, is one of two independent has cemented itself in the JMU skyline; homeowners in the Forest Hills D-Hall’s massive exoskeleton is under neighborhood, a development tucked construction behind Wilson Hall; the Grace away among the Edith J. Carrier Street corridor has been transformed into Arboretum, Forest Hills Manor and a route peppered with JMU buildings and Interstate 81. -
The Grizzly, April 20, 2017
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 4-20-2017 The Grizzly, April 20, 2017 Brian Thomas Sarah Hojsak Courtney A. DuChene Erin McKinney Sienna Coleman See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Authors Brian Thomas, Sarah Hojsak, Courtney A. DuChene, Erin McKinney, Sienna Coleman, Leighnah L. Perkins, Colin McCloskey, Johnny Cope, and Andrew Simoncini THE GRIZZLY Student newspaper of Ursinus College Collegeville, Pa. thursday, April 20, 2017 Vol. 41 Issue 21 Record Store Day comes to Collegeville to carrying a wide array of new Sarah Hojsak and used records, owner Adam [email protected] Matone has some big plans for his first Record Store Day. The vinyl renaissance is in In addition to offering many full swing, and it hasn’t escaped exclusive Record Store Day the Collegeville area. releases, Matone has assembled Now in its 10th year, Record a variety of merchandise for Store Day has become a national customers to peruse. He will be movement of sorts. Started in featuring several hundred used 2008 as a way for independent records priced under $5, which record store owners and em- he describes as “a crate digger’s ployees to celebrate their unique dream.” He also has around 200 form of business, the movement new records coming into the has spread rapidly over the last store in time for April 22. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Keeping Hopewell's Halls Safe
Hopewell Hi-Lites 1215 Longvue Avenue, Aliquippa, PA 15001 that Hopewell does not put students Keeping Hopewell’s Halls Safe in danger. “Obviously, we’re taking BY: LAUREN TRIMBER safety precautions because we place they’ve come all 16. They’re staff in the hallway and don’t let typically brought in when we students near the dogs.” can arrange a visit with different With the success of the drug canine officers. Some years it’s checks, Mr. Allison suggests that five times and other years it’s any school that does not already only once or twice. A while ago, bring in dogs consider doing it. He Hopewell had its own dog, so appreciates all the officers who take there were more drug checks the time to keep Hopewell’s halls then.” He decides when to ask safe. for a visit, but the amount and Mr. Allison is proud of the time of the checks are up to the program, and he also disproved one police officers, depending on misconception. When the dogs find when they are available. something, they do not bark. On the In the 16 years Mr. Allison contrary, they sit quietly awaiting has been at Hopewell High the officer. School, a few students have Thank you to the been found with drugs. “Those administration and the officers for students have been prosecuted,” keeping Hopewell’s halls safe. Mr. Allison said. “I also think our student body knows it could happen at any time and Mock Trial Makes therefore creates some hesitancy for students bringing drugs History BY: RACHAEL KRIGER into school. -
LSA Template
CONCERTS Copyright Lighting &Sound America January 2017 http://www.lightingandsoundamerica.com/LSA.html Days of Future L Past Pierce the Veil’s recent tour was informed by a retro-futuristic concept By: Sharon Stancavage 46 • January 2017 • Lighting &Sound America ate this fall, the rock band Pierce the Veil of the show, with projection on a white silk Kabuki. Maker toured the US and Europe in support of the album notes, “The band’s idea was that they were going to crash Misadventures. The US leg was titled The Made to Destroy land in every market, as shown in the video intro. Tour , while the European leg was known as The European Consequently, we would have a new intro every day, from Vacation Tour. “Pierce the Veil is very involved in the pro - the first-person perspective of someone riding inside a duction process; they really enjoy being a part of it,” rocket, flying through space; they would encounter the eLxplains the group’s lighting designer/director, Jeff Maker. album’s artwork, and then they would crash-land in every The tour depicted a kind of retro-future world. Maker city.” When the Kabuki dropped, the band was revealed. explains, “The boys are all big fans of Disney, the parks Maker adds, “The rocket split in two, and the band came and everything like that, so a lot of their stuff has a car - out if it, dressed in space suits. The fans loved it; it was a toony vibe, especially when it comes to the video intro and great way to start the show.” Microphones from Shure, Sennheiser, Neumann, and AKG were all used onstage with Pierce the Veil. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
THE ROAR Vol. 29 Issue 2
ROARMAGAZINE Volume 29 Issue 2 Featuring: College Deadlines...12 Winter Formal...14 Election Results...17 Page 1- Cover Final.indd 1 12/1/2016 2:23:13 PM ROAR Dear Red Mountain, As the holidays draw near, students and teachers finish up the first semester of the year and MAGAZINE prepare for the very deserved winter break. The Roar Magazine staff delivers the second issue of Volume 29 Issue 2 the year consisting of news and entertainment on every page. Ranging from our holiday spread to our new Principal’s Post, Vol. 29 Issue 2 has a wide arrangement of stories for the student body. Principal: The staff would like to congratulate the Welding Team for winning a first place at the Welding Mr. Ryan Thunder Competition. We would also like to congratulate Girl’s Golf for earning fourth place at the State Championship, and the Varsity Football team for qualifying for State Semi-finals. Red Adviser: Mountain students are preparing for the future one step at a time and achieving success in all Ms. Saquella fields. Editor-in-Chiefs: The staff has worked diligently to put quality information into the hands of our readers, and Heilee Pentz, Paul we hope that our dedication and creativity are enjoyed by all. Stanton, Victoria Stout Heilee Pentz, Paul Stanton and Victoria Stout Editors: Editors-in-Chief Michaela Brown, Maymuna Elmi, Taylor Guzik, Ava Hansen, Hailey Hardy, Marlee Quote of the Issue: Hotchkiss, Carly House, Elijah “Be bold because fortune McKay, Veronica Moraila, Taylor Page favors the bold. Be able to accept the negative Staff: Emily Benyamin, Porter criticism of your work because Blackhurst, Cebada Boyles, it is likely to happen...” Dominic Dilling, Lauren #BeCourageous Godlewski, Elizabeth Goodin, –Mr.