1990-06 Music Man.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

1990-06 Music Man.Pdf ~I' :~ ~. f t II t: '"Y West Valley Light Opera Presents MEREDITH WILLSON's Director: JOHN P. HEALY ~Iu,ic & Choral Direction hy: Choreograph,' hv: FRANKMATOSICH DEBBIE WILSON Pl'rforming at The Saratoga Civic Theatre lr~~Fruitvale An', Saratoga Reservations: (408) 268-3777 Co-Produced h~ Iem Huutun -, &: John P Hcalv eminently civilized, the 1990 Jaguar XJ-S Convertible adds the sun, the moon and the wind in your hair. On the open road, Jaguar's legendary V-12engine moves you The 1990 effortlessly. Its sophisticated suspension system provides an JaguarXJ-S unusual balance of smooth ride tonvertible. and athletic agility. Soft and luxurious leather seats A Place are contoured to provide support during spirited driving, while burl In The Sun walnut adds a refined elegance. That Moves Like But, perhaps the most satisfying aspect of the XJ-S Convertible is The Wind. the thrill of driving, top down, in a modern classic. h We invite you to test drive a 1990 4040 SITVENS CREEKBLVD SAN JOSE CA 95129 Jaguar XJ-S Convertible. 408/246-7600 West Valley Light Opera Presents MEREDITH WILLSON's • 1 'Jf • Book, Music & Lyrics by MEREDITH WILLSON FEATURING STEWART LYLE and CARA-L YNNE BERGMAN WITH Sean Burger, Robert P. Bergman, Dee Dee Healy, Marge Hand, Zachary Propersi, Elana Goer, Justin Sandoval, Tarah Flanagan, Sara Stein, Chuck Eger, Ken Wallis, Tony Martin, Greg Casper, Lisa Ellison, Carol Knouf, Shelley Smith, and Janet Miller. "THE MUSIC MAN" is presented through special arrangement with Music Theatre International, 545 Eighth Avenue, New York, NY. Performance Dates West Valley Box Office c/o Jean Hutchins Gala Opening Sat.June 23,1990 (8:30 p.m.) 1411 Redmond Road Friday· June 29 •July 6,13,20,27 (8:30 p.m.) San Jose. CA 95120 (408) 268-3777 or 358-1896 Saturday· June 30· July 7, 14, 21, 28 (8:30 p.m.) Sunday· June 24 •July 1, 8,15,22 (2:30 p.m.) Saratoga Civic Theater 13777 Fruitvale Ave., Saratoga 741-9508 1 hour before curtain PLEASE NOTE: By order of the City Council and the Fire Marshall, smoking, refreshments and recording or taking photographs during performances are not permitted. CAST OF CHARACTERS (IN ORDER OF APPEARANCE) Travelling Salesmen Leonard Calvelli, Christopher Frye, Carl Honore, Michael Ladasky, Jason Miller, Abe Sylva Charlie Cowell John Tralongo Conductor John Ladasky Harold Hill Stewart Lyle Mayor Shinn Robert P. Bergman Ewart Dunlop Tony Martin Oliver Hix Ken Wallis Jacey Squires Greg Casper Olin Britt Chuck Eger Marcellus Washburn Sean Burger Tommy Djilas Justin Sandoval Marian Paroo Cara-Lynne Bergman Mrs. Paroo Marge Hand Amaryllis Elana Goer Winthrop Paroo Zachary Propersi Eulalie Mackecknie Shinn Dee Dee Healy Zaneeta Shinn Tarah Flanagan Gracie Shinn Sara Stein Alma Hix Shelley Smith Maude Dunlop. .. .. .. .. Carol Knouf Ethel Toffelmier Lisa Ellison Mrs. Squires Janet Miller Constable Locke Alan Glover Little Boy Mark Dannenberg Little Girl Kathryn McElroy River City Citizens: Henci Goer, Simone Skeels, Dina Soldavini, Marsha Sternin, Zachary Propersi, Kathryn McElroy. Dancers: Barbara Cowie, Alissa Dariano, Matthew Harvey, Michael Murry, Christina Pellett, Angela Rush, Karl Schweitzer, Mark Stadelman, Robert Summers, Shari Yankovich, Kristin Young. Understudies: Harold Hill - Mike Boston (Performing July 14, Matinee), Winthrop - Mark Dannenberg (Performing July 15, Matinee), Amaryllis - Kathryn McElroy (Performing July 15, Matinee), Douglas Hagdohl, II - General Male Understudy. ORCHESTRA: Conductor - Frank Matosich, Jr. Violin: Pat Healy, Gretchen Spitzer, Doris Wallis. Cello: John Healy, Linda Bloomquist. Bass: Steve Adkins. Woodwinds: Linda Black, Bill Gay, Mike Meida, Jim Nash, Eileen Bowman, Ed Holm, Lynn Bonnicelli. Trumpet: Bill Hunsicker, John Halblieb, Jeremy Bolt. Trombone: Eric Seidel, Merle Knouf, Gary Black, Dan Percell, Gordon Bowman. Piano/Celeste: Ken Getz, Dave Close. Percussion: Nancy Welchly. P.O. Box 2627 Edward G. Howie Saratoga, CA 95070 (408) 374-8487 E. Howle & Associates Business Services Controllership Services, Business Plans and Bookkeeping Authorized Dealer for Real World Accounting Software SYNOPSIS OF SCENES ACT I SCENE 1: A Railway Coach - Morning, July 4, 1912 "Rock Island" Charlie Cowell & Travelling Salesmen SCENE 2: River City, Iowa, Center of Town - Immediately Following "Iowa Stubborn" Townspeople of River City "Trouble" Harold & Townspeople SCENE 3: The Paroos' House - That Evening "Piano Lesson" Marian, Mrs. Paroo & Amaryllis "Goodnight My Someone" Marian & Amaryllis SCENE 4: Madison Gymnasium - Thirty Minutes Later "Seventy Six Trombones" Harold, Boys & Girls "" "Sincere" Olin, Oliver, Ewart, Jacey SCENE 5: A Street In River City - Immediately Following "The Sadder-But-Wiser Girl" Harold & Marcellus "Pickalittle" Eulalie, Maud, Ethel, Alma, Mrs. Squires, Ladies of River City SCENE 5: "Goodnight Ladies" Olin, Oliver, Ewart, Jacey SCENE 6: Interior of Madison Library - Immediately Following "Marian The Librarian" Harold, Marian & Dancers SCENE 7: A Street - The Following Saturday Noon SCENE 8: The Paroos' Porch - That Evening "My White Knight" Marian SCENE 9: Center of Town - Noon the Following Saturday "Wells Fargo Wagon" Winthrop & Townspeople INTERMISSION ACT II SCENE 1: Madison Gymnasium - The Following Tuesday Evening "It's You" Olin, Oliver, Ewart, Jacey, Eulalie, Maude, Ethel, Alma & Mrs. Squires "Shipoopi" Marcellus, Harold, Marian, Tommy, Zaneeta and Kids "Pickalittle Reprise" Eulalie, Maud, Ethel, Alma, Mrs. Squires & Ladies SCENE 2: A Back Alley - The Following Wednesday Evening "Lida Rose" Olin, Oliver, Ewart, Jacey "Will I Ever Tell You" Marian SCENE 3: The Paroos' Porch - Immediately Following "Gary, Indiana" Winthrop SCENE 4: The Footbridge - Fifteen Minutes Later "Till There Was You" Marian & Harold SCENE 5: Madison Park - A Few Minutes Later "Seventy Six Trombones" & "Goodnight My Someone" Harold & Marian SCENE 6: A Street In River City - A Few Minutes Later 'Till There Was You, Reprise" Harold SCENE 7: Madison Gymnasium - Immediately Following "Finale" Entire Company STEWART LYLE- Professor Harold Hill We welcome Stewart back to our staqe for his third production with WVLO after an absence of six years. He was our butler in "Annie" and a featured performer in "Rodgers & Hart" review. He earned his BS in Chemical Engineering from UC Berkeley and is currently a marketing communications specialist for KLA Instruments. His long list of impressive credits include nine years of vocal training, performances in "Once Upon A Mattress", "Jesus Christ, Superstar", 'Tomfoolery", "Cabaret", "Fantasticks", "Everything's Coming Up Sondheim", "Merrily We Roll Along", "Sunday After Dark With Sondheim", and "Have A Birthday, Mr. Sondheim", his most recent production. He enjoys books and his drums and states his life's ambition is the "life upon the wicked stage." We wish you well, Stewart, in following that 'wicked' path, but we hope you take your time so that we may enjoy your talents for a few more years! CARA-L YNNE BERGMAN - Marian Paroo Cara-Lynne appeared in our production of "Girl Crazy" as Charity and the role of Marian is very familiar to her after having performed it ten years ago for SJCMTs production. Among her many. credits, she has played leading roles in G&S's "HMS Pinafore", "Pirates of Penzance", "Iolanthe", "Trial By Jury", "Patience", "Ruddigore", "The Gondaliers", and "Princess Ida". For SJCMT she appeared in "Cinderella", "Scrooge", "HMS Pinafore", "Bye Bye Birdie", and "Oklahoma". In addition, she has performed for the Lamplighters, Saratoga Chamber Theater, SCP and Centerstage Productions. Before she met and married Bob (Mayor Shinn), she traveled extensively with her family for World Vision International throughout the US and Central America. She even has played the Opry House Melodramas! She looks forward to someday playing Guenevere in "Camelot". With all her performing, she has also found time to do costumes, makeup and hair design in her 15years' involvement in Community Theater here in the Bay Area! We are delighted to welcome Cara-Lynne back to our stage! SEAN T. BURGER - Marcellus Washburn Our regular audience members will remember this talented young man from last season's "Guys & Dolls" when he was featured as Nicely-Nicely Johnson and his rousing rendition of "Sit Down, You're Rocking The Boat"! A native of San Jose, Sean celebrates his 20th year in show business this year. He earned his BA Degree in Advertising at SJSU and has done two TV commercials and several radio spots. His favorite roles include Nicely- Nicely (of course), Charlie in "You're A Good Man, Charlie Brown", the Cowardly Lion in "Wizard Of Oz" and Marryin' Sam in "Li'l Abner". His main ambitions are to be successfully self-employed and to play Pseudolus in "A Funny Thing Happend On The Way To The Forum". Just wait 'til you see what happens to him on a street in River City, Iowa! ROBERT P. BERGMAN - Mayor Shinn This will be Bob's seventh production with WVLO, his most memorable was Sancho Panza in "Man Of La Mancha", but his other leading roles were in "Girl Crazy", "Oklahoma", "Pajama Game", "Good News" and "Perfectly Frank". His most recent stage appearance was at the Opry House in the old-fashioned melodrama! A native of Libya, Bob has lived in the Santa Clara Valley since 1968 and is a graduate of Santa Clara University Law School. Bob has worked with the Saratoga Chamber Theater, G & S, CAST, SCP, SJMTand the Foothill Summer Theater. Bob is an attorney and his practice emphasizes estate planning, probate, real estate, corporate and personal injury law. He is married to Cara-Lynne, has several cats and is an avid miniature wargaming hobbiest. If you need a singing attorney, Bob is your man and I'm sure he has plenty of his business cards to hand out! DEE DEE HEALY - Eulalie Mackecknie Shinn This marks Dee Dee's third production with WVLO; our 'regulars' will remember her as "Irene" and as Ado Annie in "Oklahoma", both memorable performances. Not only is she a talented and versatile performer, she is also an experienced costumer, her 'other' role in this production.
Recommended publications
  • Herbert's Songs: Designed for Classical Singers A
    HERBERT’S SONGS: DESIGNED FOR CLASSICAL SINGERS A CREATIVE PROJECT PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE MASTERS OF MUSIC BY LAURA R. KRELL DR. MEI ZHONG-ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA JULY, 2012 Herbert’s Songs: Designed for Classical Singers Introduction Victor Herbert has undoubtedly provided America some of its greatest, most tender, romantic, invigorating, and challenging songs for soprano. Today, Herbert’s masterworks appear simultaneously in both Musical Theater Anthologies and Operatic Collections. Many students encounter questions as to performance practice: can these songs be sung as “musical theater,” with young, immature voices, or should they be studied by classical singers? Despite the pool of speculation swirling around this issue, there has not been any significant research on this particular topic. This study will detail the vocal abilities of Herbert’s most prolific sopranos (Alice Nielsen, Fritzi Scheff, and Emma Trentini), and identify compositional elements of three of Herbert’s most famous arias (“The Song of the Danube,” “Kiss Me Again,” and “Italian Street Song”), using historical data to demonstrate that each composition was tailored specifically for the versatility and profound vocal ability of each opera singer, and is poorly mishandled by those without proper classical training. The writer will offer observations from three amateur online recordings of “Art Is Calling For Me.” The writer will use the recordings to highlight specific pitfalls untrained singers may encounter while singing Herbert, such as maneuvering coloratura passages, breath control, singing large intervallic leaps, and the repeated use of the upper tessitura.
    [Show full text]
  • 61368/Sheet Music/9-36
    10 Sheet Music Direct 11 Complete Alphabetical Sheet Listing 30 Wedding Sheet Music 30 Easy Piano Sheet Music 31 Piano Solo Sheet Music 33 Big-Note Piano Sheet Music 34 Five-Finger Sheet Music 34 Piano Duet Sheet Music 34 Vocal Sheet Music 35 Organ Sheet Music 35 Guitar Sheet Music 35 Accordion Sheet Music 35 Instrumental Sheet Music 10 SHEETSHEET MUSICMUSIC DIRECTDIRECT SHEET MUSIC The most popular site on the web for downloading top-quality, accurate, legal sheet music! Sheet Music Direct (www.SheetMusicDirect.com) features nearly 10,000 popular songs in a variety of musical and notation styles, ranging from piano/vocal to guitar tablature. More top songs are added to Sheet Music Direct daily and are searchable by title, artist, composer or format. With state-of-the-art Scorch® 2 technology from Sibelius®, sheet music files are quick to download, fun to interact with, and easy to use; visitors can see the music on screen, transpose the song to any key, and even listen to a MIDI file of the tune before you buy it! We have the strongest encryption commercially available so you can be assured that all transactions are completely safe. Hal Leonard offers excellent in-store and on-line affiliate programs: The In-Store Program allows you to sell your customers sheet music from a computer within your store. You can view the music, transpose to any key, test print it, and listen to it before the customer purchases it. The On-Line Affiliate Program allows you to place a link to SMD on your own website, and earn commissions on the sales that these click- These programs are available to any throughs generate.
    [Show full text]
  • {DOWNLOAD} Timbuktu Ebook
    TIMBUKTU PDF, EPUB, EBOOK Paul Auster | 192 pages | 03 Jan 2008 | FABER & FABER | 9780571229093 | English | London, United Kingdom Timbuktu PDF Book Fact Monster - World - Timbuktu, Mali. Timbuktu quickly grew in importance by the start of the 12th century, with a thriving economy based on trading salt, gold, spices, slaves and dyes. In , Timbuktu became part of the independent country of Mali. In the German geographer Heinrich Barth reached the city during a five-year trek across Africa. Barth gained fame through the publication of five volumes of his experiences. Geography Expert. Sections of the river flood periodically, providing much-needed fertile agricultural soil along its…. Thus, Timbuktu became renown as an African El Dorado, a city made of gold. The IMDb editors are anxiously awaiting these delayed movies. Words nearby Timbuktu timber wolf , timberwork , timberyard , timbre , timbrel , Timbuktu , time , time after time , time and a half , time and motion study , Time and tide wait for no man. Give Feedback External Websites. Pimp Nails Known wells would be dry or would not provide enough water upon an expedition's arrival. History at your fingertips. Added to Watchlist. Many of them remain, though in precarious condition, to form a priceless written record of African history. His body was never found. Luther Davis. Sound Mix: Dolby Digital Dolby 5. Skip to main content. In , a London company was formed to establish trade with Timbuktu. Sands Of Time. Night Of My Nights. In addition to that, these three Mosques are also witnesses to the commercial role that Timbuktu played in the southern trans-Saharan trading route.
    [Show full text]
  • Developmental Cross Training Repertoire for Musical Theatre
    Developmental Cross Training Repertoire for Musical Theatre Women The repertoire suggestions below target specific developmental goals. It is important to keep in mind however that the distinguishing characteristic of musical theatre singing is the variability of tonal resonance within any given song. A predominantly soprano song might suddenly launch into a belt moment. A chest dominant ballad may release into a tender soprano. Story always pre-empts musical choices. “Just You Wait” from My Fair Lady is part of the soprano canon but we would be disappointed if Eliza could not tell Henry Higgins what she really felt. In order to make things easier for beginning students, it’s a good idea to find repertoire with targeted range and consistent quality as students develop skill in coordinating registration. Soprano Mix—Beginner, Teens to Young Adult Examples of songs to help young sopranos begin to feel functionally confident and enthusiastic about characters and repertoire. Integrating the middle soprano is a priority and it is wise to start there. My Ship Lady in the Dark Weill Far from the Home I Love Fiddler on the Roof Bock/ Harnick Ten Minutes Ago Cinderella Rodgers/Hammerstein Mr. Snow Carousel Rodgers/Hammerstein Happiness is a Thing Called Joe Cabin in the Sky Arlen/Harburg One Boy Bye Bye Birdie Strouse/Adams Dream with Me Peter Pan Bernstein Just Imagine Good News! DeSylva/Brown So Far Allegro Rodgers/Hammerstein A Very Special Day Me and Juliet Rodgers/Hammerstein How Lovely to be a Woman Bye Bye Birdie Strouse/Adams One Boy Bye Bye Birdie Strouse/Adams Lovely Funny Thing.
    [Show full text]
  • THE SINGER's MUSICAL THEATRE ANTHOLOGY Series ALL SOPRANO VOLUMES
    THE SINGER'S MUSICAL THEATRE ANTHOLOGY series ALL SOPRANO VOLUMES S1 = Volume 1 S2 = Volume 2 S3 = Volume 3 S4 = Volume 4 S5 = Volume 5 S-Teen = Teen's Edition S16 = Soprano "16-Bar" Audition Alphabetically by Song Title SONG SHOW VOLUME Ah! Sweet Mystery of Life Naughty Marietta S3, S16 All Through the Night Anything Goes S2 And This Is My Beloved Kismet S2 Another Suitcase in Another Hall Evita S2, S16 Another Winter in a Summer Town Grey Gardens S5, S16 Anything Can Happen Mary Poppins S5 Around the World Grey Gardens S5 S2, S-Teen, Art Is Calling for Me The Enchantress S16 Barbara Song The Threepenny Opera S1 Baubles, Bangles and Beads Kismet S5 S5, S-Teen, The Beauty Is The Light in the Piazza S16 Before I Gaze at You Again Camelot S3 Begin the Beguine Jubilee S5 Belle (Reprise) Beauty and the Beast S-Teen Bewitched Pal Joey S4, S16 Bill Show Boat S1 Bride's Lament The Drowsy Chaperone S5 A Call from the Vatican Nine S2, S16 Can’t Help Lovin’ Dat Man Show Boat S1, S16 Children of the Wind Rags S4, S16 S4, S-Teen, Children Will Listen Into the Woods S16 Christmas Lullaby Songs for a New World S3 Climb Ev’ry Mountain The Sound of Music S1 Come Home Allegro S1 Cry Like the Wind Do Re Mi S5, S16 Daddy's Girl Grey Gardens S5, S16 Dear Friend She Loves Me S2, S16 Fable The Light in the Piazza S5 Falling in Love with Love The Boys from Syracuse S1, S16 S1, S-Teen, Far from the Home I Love Fiddler on the Roof S16 Fascinating Rhythm Lady, Be Good! S5 Feelings The Apple Tree S3, S16 The Flagmaker, 1775 Songs for a New World S5 Follow Your
    [Show full text]
  • SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
    THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass,
    [Show full text]
  • HAL LEONARD VOCAL MUSIC 2006–2007 Recent Releases and Highlghts
    HAL LEONARD VOCAL MUSIC 2006–2007 Recent Releases and Highlghts A RT SONG O PERA M USICAL THEATRE J AZZ AND POPULAR S ACRED B OOKS This brochure of highlighted recent publications is only a small portion of our thousands of solo vocal and opera titles. We invite you to search online at www.halleonard.com for other publications. We have a complete Hal Leonard Vocal Catalog available, which includes all vocal publications and opera scores through early 2006. To request your free copy, please contact us: • by email to [email protected] • by mail to: Hal Leonard Corporation attn: Vocal Catalog Request 7777 W. Bluemound Road Milwaukee, WI 53213 Throughout this brochure, publications with companion CDs are marked with this icon: CHANGE THE KEY, CHANGE THE TEMPO ON CDs Our most recent companion CDs include new CD-ROM software that allows you to transpose to any key and change the tempo. You can even change the tempo without changing the pitch. This means that the key or tempo of accompaniment tracks on these enhanced CDs, when played in a computer as a CD-ROM, can be adjusted for an individual singer’s needs. This CD-ROM software, the Amazing Slow Downer was originally created for use in pop music, but we have adapted it for classical and theatre use. It is added without additional cost on recent companion CD releases. The trans- posing and tempo adjustment features work only when using these enhanced CDs in a computer, as a CD-ROM. The CDs also can be played on any con- ventional CD player.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399
    RCA Discography Part 10 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399 LPM/LSP 2800 – Country Piano-City Strings – Floyd Cramer [1964] Heartless Heart/Bonaparte's Retreat/Streets Of Laredo/It Makes No Difference Now/Chattanoogie Shoe Shine Boy/You Don't Know Me/Making Believe/I Love You Because/Night Train To Memphis/I Can't Stop Loving You/Cotton Fields/Lonesome Whistle LPM/LSP 2801 – Irish Songs Country Style – Hank Locklin [1964] The Old Bog Road/Too-Ra-Loo-Ra- Loo-Ral (That's An Irish Lullaby)/Danny Dear/If We Only Had Ireland Over Here/I'll Take You Home Again Kathleen/My Wild Irish Rose/Danny Boy/When Irish Eyes Are Smiling/A Little Bit Of Heaven/Galway Bay/Kevin Barry/Forty Shades Of Green LPM 2802 LPM 2803 LPM/LSP 2804 - Encore – John Gary [1964] Tender Is The Night/Anywhere I Wander/Melodie D'amour (Melody Of Love)/And This Is My Beloved/Ol' Man River/Stella By Starlight/Take Me In Your Arms/Far Away Places/A Beautiful Thing/If/(It's Been) Grand Knowing You/Stranger In Paradise LPM/LSP 2805 – On the Country-Side – Norman Luboff Choir [1964] Detroit City/Jambalaya (On The Bayou)/I’m So Lonesome I Could Cry/Your Cheatin’ Heart/You’re The Only Star (In My Blue Heaven)/Tennessee Waltz/I Can’t Stop Loving You/It Makes No Difference Now/Words/Four Walls/Anytime/You Are My Sunshine LPM/LSP 2806 – Dick Schory on Tour – Dick Schory [1964] Baby Elephant Walk/William Told/The Wanderin’ Fifer/Charade/Sing, Sing, Sing/St.
    [Show full text]
  • THE SINGER's MUSICAL THEATRE ANTHOLOGY Soprano Volumes
    THE SINGER’S MUSICAL THEATRE ANTHOLOGY Series Guide and Indexes for Soprano Volumes • Alphabetical Song Index • Alphabetical Show Index Updated October 2019 KEY Accompaniment Book CDs Book/Online Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 S7 = Soprano, Volume 7 00287553 00293737 00293731 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 - - Accompaniment Book CDs Book/Online Audio M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00740313 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 M7 = Mezzo-Soprano/Belter, Volume 7 00287554 00293738 00293734 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 - - Accompaniment Book CDs Book/Online Audio T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00074238 00000495 T4 = Tenor, Volume 4 00001153 00001160 00001164 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume
    [Show full text]
  • Voice Syllabus / 2012 Edition
    74058_MDP_SyllabusCovers_RELEASE2_Layout 1 13-02-06 11:14 AM Page 56 74058_MDP_SyllabusCovers_RELEASE2_LayoutVoice 1 13-02-06 11:14 AM Page 56 VoiceSYLLABUS EDITION SYLLABUS EDITION S35_Voice Syllabus_2016.indd 2 2016-10-17 4:12 PM Contents Message from the President . 5 Register for an Examination Examination Sessions and Registration Deadlines . 106 Getting Started Online Registration . 106 What’s New . 6 Examination Fees . 106 Contact Us . 6 Examination Centers . 106 Examination Scheduling . 106 About Us The Royal Conservatory . 7 Examination Regulations The Royal Conservatory Examinations and Examination Procedures . 107 The Achievement Program . 7 Credits and Refunds for Missed Examinations . 107 The College of Examiners . 7 Candidates with Special Needs . 108 Examinations Offered . 7 Examination Results . 108 Notable Alumni . 8 Tables of Marks . 109 Strengthening Canadian Society Since 1886 . 8 Supplemental Examinations . 110 Musicianship Examinations . 111 Quick Reference— Practical Examination Certifi cates . 111 Examination Requirements Second ARCT Diplomas . 111 School Credits . 111 Certifi cate Program Overview . 9 Medals . 111 Theory Examinations . 10 RESPs . 112 Co-requisites and Prerequisites . 11 Editions . 112 Examination Repertoire . 12 Substitutions . 113 Technical Requirements . 15 Abbreviations . 114 Ear Tests and Sight Singing . 15 Thematic Catalogs . 115 International Phonetic Alphabet (IPA) Symbols . 16 Resources Grade-by-Grade Requirements General Resources . 117 Preparatory . 17 General Reference Works . 118 Grade 1 . 18 Voice Resources . 118 Grade 2 . 21 Grade 3 . 24 Grade 4 . 28 Frequently Asked Questions Grade 5 . 32 Practical Examinations . 122 Grade 6 . 37 Theory Co-requisites . 123 Grade 7 . 42 Grade 8 . 49 Practical Examination Day Grade 9 . 58 Checklist for Candidates Grade 10 . 70 Before you Leave Home .
    [Show full text]
  • BOLTON and WODEHOUSE and ^ WRIGHT and Forresti
    P lum Lines The quarterly newsletter o f The Wodehouse Society Vol. 17 No i Spring 1997 BOLTON AND WODEHOUSE AND ^ WRIGHT AND fORRESTI By Elin Woodger n 1945, the Trio of Musical Fame became a duo, ment in the center of Manhattan, filled to the brim with Iirrevocably, when Jerome Kern died suddenly and the evidence of their long, productive careers in show unexpectedly. It had been 21 years since the triad of business. Awards, memorabilia, and photographs of Bolton, Wodehouse and Kern had last worked to­ famous friends and colleagues are distributed hand­ gether, and the Broadway musical had changed com­ somely throughout the place, and cover the top of their pletely—thanks, in no small part, to their ground­ grand piano in the living room. Every inch o f every wall breaking work in the first part of this century. But the seems to be lined with the covers o f sheet music for Princess Theater shows were a thing of the past, much songs they have written and posters o f shows they have to the sorrow of both Plum Wodehouse and Guy produced. As Tony and I wandered through the rooms, Bolton. Although each was to go on to score other examining all these treasures, we experienced much the successes, with or without other collaborators, they same emotion as the stout Cortez must have felt when were never again to recreate the heady days of working with eagle eye he stared at the Pacific! on the Princess musicals —until the late 1960s, when After showing us around their impressive apart­ Broadway producer-composer Frank Loesser brought ment, our genial hosts settled down with us to talk them together with two extraordinary men named about P.G.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.
    [Show full text]