Renaissance Quarterly Books Received January–March 2012

Adams, Alison, Stephen Rawles, and Alison Saunders. A Bibliography of Claude-Francois Menestrier: Printed Editions, 1655-1765. Travaux du Grand Siècle 40. Geneve: Librairie Droz, 2012. lvii + 516 pp. $122.40. ISBN: 978–2–600–01526–4. Aït-Touati, Frédérique. Fictions of the Cosmos: Science and Literature in the Seventeenth Century. Trans. Susan Emanuel. Chicago: University of Chicago Press, 2011. ix + 262 pp. $45. ISBN: 978–0–226–01122–6. Van Amberg, Joel. A Real Presence: Religious and Social Dynamics of the Eucharistic Conflicts in Early Modern Augsburg, 1520–1530. Studies in the History of Christian Traditions 158. Leiden: Brill, 2012. ix + 270 pp. $143. ISBN: 978–90–04–21698–3. Andretta, Elisa. Roma medica: anatomie d’un système médical au XVIe siécle. Collection de l’École française de Rome 448. [Rome]: École française de Rome, 2011. 648 pp. + 3 b/w pls. + 8 color pls. €80. ISBN: 978–2–7283–0898–9. De Angelis, Gilberto. Il Prognosticum astrologicum di fra’ Tommaso Campanella per la “congiunzion magna” del 24 dicembre 1603 e l’inaugurazione dell’Academia dei Lincei. Contributo critico allo studio di una “amicizia filosofica”. Museo naturalistico-preistorico dei Monti Lucretili “Federico Cesi” Quaderni 5. San Polo dei Cavalieri: Comitato promotore Parco naturale regionale Monti Lucretili, 2012. 52 pp. n.p. Arena, Antoine. Ad suos compagnones ... 1531: Édition bilingue. Ed. and trans. Marie-Joëlle Louison-Lassablière. Textes Littéraires de la Renaissance 9. Paris: Honoré Champion Éditeur, 2012. €55. ISBN: 978–2–7453–2303–3. Ariew, Roger. Descartes among the Scholastics. History of Science and Medicine 20. Scientific and Learned Cultures and Their Institutions 1. Leiden: Brill, 2011. x + 358 pp. $136. ISBN: 978– 90–04–20724–0. Baïf, Jean-Antoine de. OŒuvres complètes II: Euvres en rime, Deuxième partie: Les amours. Volume 1: introduction et textes; Volume 2: notices, notes et index. Ed. Jean Vignes. 2 vols. Textes littéraires de la Renaissance 1. Paris: Honoré Champion Éditeur, 2010. 1274 pp. €200. ISBN: 978–2–7453–1984–5. Ballester Rodríguez, Mateo. La identidad española en la Edad Moderna (1556–1665): Discursos, símbolos y mitos. Colección Biblioteca de Historia y Pensamiento Político. Madrid: Tecnos, 2010. 478 pp. €22.12. ISBN: 978–84–309–5084–3. Barbierato, Federico. The Inquisitor in the Hat Shop: Inquisition, Forbidden Books, and Unbelief in Early Modern Venice. Farnham: Ashgate Publishing Limited, 2012. xxxiii + 396 pp. $124.95. ISBN: 978–1–4094–3547–1. Baroni, Alessandra. I “libri di stampe” dei Medici e le stampe in volume degli Uffizi. Gabinetto Disegni e Stampe degli Uffii Inventario generale delle stampe III. Florence: Leo S. Olschki, 2011. xv + 276 pp. €95. ISBN: 978–88–222–6111–3. Beckwith, Carl L. Ezekiel, Daniel. Reformation Commentary on Scripture; Old Testament 12. Downers Grove, Ill.: IVP Academic, 2012. lix + 452 pp. $50. ISBN: 978–0–8308–2962–0. Benson, Sean. Shakespeare, Othello and Domestic Tragedy. Continuum Shakespeare Studies. London: Continuum, 2011. ix + 174 pp. $110. ISBN: 978–1–4411–9470–1. Biehler, Birgit. Der Eigennutz — Feind oder “wahrer Begründer” des Gemeinwohls? Frühneuzeit-Forschungen 17. Epfendorf: Bibliotheca Academica Verlag, 2011. 424 pp. €49. ISBN: 978–3–928471–68–8. Bodart, Diane. Pouvoirs du portrait sous les Habsbourg d’Espagne. Paris: Editions du CTHS, 2011. 558 pp. €46. ISBN: 978–2–7355–0756–6. Boucher, Jacqueline, Pierre Champion, and Michel François, eds. Lettres de Henri III, roi de France: Tome VII (21 mars 1585 – 31 décembre 1587). Société de l’historie de France 543. Paris: Société de l’histoire de France, 2012. xix + 634 pp. €80. ISBN: 978–2–35407–136–3. Boulton, Matthew Myer. Life in God: John Calvin, Practical Formation, and the Future of Protestant Theology. Grand Rapids: Eerdmans, 2011. x + 242 pp. $28. ISBN: 978–0–8028– 6564–9. Boys, Jayne E. E. London’s News Press and the Thirty Years War. Studies in Early Modern Cultural, Political and Social History 12. Woodbridge: The Boydell Press, 2011. x + 338 pp. $99. ISBN: 978–1–84383–677–3. Braider, Christopher. The Matter of Mind: Reason and Experience in the Age of Descartes. Toronto: University of Toronto Press, 2011. xii +340 pp. $75. ISBN: 978–1–4426–4348–2. Bromley, James M. Intimacy and Sexuality in the Age of Shakespeare. Cambridge: Cambridge University Press, 2011. viii + 210 pp. $95. ISBN: 978–1–107–01518–0. Brown, Alison. Medicean and Savonarolan Florence: The Interplay of Politics, Humanism, and Religion. Turnhout: Brepols, 2011. xxviii + 326 pp. €80. ISBN: 978–2–503–52851–9. Brown, Andrew. Civic Ceremony and Religion in Medieval Bruges c.1300–1520. Cambridge: Cambridge University Press, 2011. xiv + 368 pp. $99. ISBN: 978–0–521–76445–2. Burnett, Stephen G. Christian Hebraism in the Reformation Era (1500–1660): Authors, Books, and the Transmission of Jewish Learning. Library of the Written Word 19; The Handpress World 13. Leiden: Brill, 2012. xx + 344 pp. €105. ISBN: 978–90–04–22248–9. Bussels, Stijn. Spectacle, Rhetoric and Power: The Triumphal Entry of Prince Philip of Spain into Antwerp. Ludus: Medieval and Early Renaissance Theatre and Drama 11. Amsterdam: Rodopi, 2012. 258 pp. $77. ISBN: 978–90–420–3471–6.

Cabello Balboa, Miguel. Miscel nea Ant rtica. Ed. Isaías Lerner. Clásicos Andaluces. Seville: Fundación José Manuel Lara, 2011. xxxvii + 550 pp. €29.90. ISBN: 978–84–96824–81–2.

Cacho Casal, Marta. Francisco Pacheco y su Libro de retratos. Colección Internacional Alfonso E. Pérez Sánchez 1. Seville; Madrid: Fundación Focus-Abengoa; Marcial Pons, 2011. 376 pp. + 30 color pls. €30. ISBN: 978–84–92820–55–9.

Cambers, Andrew. Godly Reading: Print, Manuscript and Puritanism in England, 1580–1720. Cambridge Studies in Early Modern British History. Cambridge: Cambridge University Press, 2011. xiii + 304 pp. $99. ISBN: 978–0–521–76489–6. Caravale, Giorgio. Forbidden Prayer: Church Censorship and Devotional Literature in Renaissance Italy. Trans. Peter Dawson. Catholic Christendom, 1300–1700. Farnham: Ashgate Publishing Limited, 2011. xi + 296 pp. $124.95. ISBN: 978–1–4094–2988–3. Chabot, Isabelle. La dette des familles: femmes, lignage et patrimoine à Florence aux XIVe et XVe siècles. Collection de l’École française de Rome 445. Rome: École française de Rome, 2011. viii + 450 pp. €60. ISBN: 978–2–7283–0900–3. Christman, Robert J. Doctrinal Controversy and Lay Religiosity in Late Reformation Germany: The Case of Mansfeld. Studies in Medieval and Reformation Traditions 157. Leiden: Brill, 2012. xi + 302 pp. $136. ISBN: 978–90–04–21565–8. Clouse, Michele L. Medicine, Government, and Public Health in Philip II’s Spain Shared Interest, Competing Authorities. The History of Medicine in Context. Farnham: Ashgate Publishing Limited, 2011. xiv + 204 pp. $104.95. ISBN: 978–1–4094–3795–6. Coolahan, Marie-Louise. Women, Writing, and Language in Early Modern Ireland. Oxford: Oxford University Press, 2010. x + 294 pp. £69. ISBN: 978–0–19–956765–2. Cooper, Tim. John Owen, Richard Baxter, and the Formation of Nonconformity. Farnham: Ashgate Publishing Limited, 2011. xi + 344 pp. $134.95. ISBN: 978–0–7546–6361–4. Cummings, Anthony. The Lion’s Ear: Pope Leo X, the Renaissance Papacy, and Music. Ann Arbor: University of Michigan Press, 2012. xx + 300 pp. $75. ISBN: 978–0–472–11791–8. Dahl, Gina. Books in Early Modern Norway. Library of the Written Word 17; The Handpress World 11. Leiden: Brill, 2011. xi + 242 pp. + 7 b/w pls. €99. ISBN: 978–90–04–20720–2. Danner, Bruce. Edmund Spenser’s War on Lord Burghley. Early Modern Literature in History. Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011. xiv + 264 pp. $85. ISBN: 978–0–230–29903–0. Dempsey, Charles. The Early Renaissance and Vernacular Culture. The Bernard Berenson Lectures on the Italian Renaissance. Cambridge, MA: Harvard University Press, 2012. xii + 384 pp. $39.95. ISBN: 978–0–674–04952–9. Dickinson, Janet. Court Politics and the Earl of Essex, 1589–1601. Political and Popular Culture in the Early Modern Period 6. London: Pickering & Chatto, 2012. viii + 188 pp. £60. ISBN: 978–1–84893–0077–3. Donaldson, Ian. Ben Jonson: A Life. Oxford: Oxford University Press, 2011. xx + 534 pp. + 16 color pls $39.95. ISBN: 978–0–19–812976–9. Enterline, Lynn. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion. Philadelphia: University of Pennsylvania Press, 2012. 202 pp. $45. ISBN: 978–0–8122–4378–9. Esser, Raingard. The Politics of Memory: The Writing of Partition in the Seventeenth-Century Low Countries. Brill’s Studies in Intellectual History 208. Leiden: Brill, 2012. xi + 364 pp. $163. ISBN: 978–90–04–20807–0. Evans, Kasey. Colonial Virtue: The Mobility of Temperance in Renaissance England. Toronto: University of Toronto Press, 2012. xii + 276 pp. $60. ISBN: 978–1–4426–4359–8. Falkenburg, Reindert Leonard. The Land of Unlikeness: Hieronymus Bosch, The Garden of Earthly Delights. Studies in Netherlandish Art and Cultural History 10. [Zwolle, Netherlands]: W Books, 2011. 320 pp. €69.95. ISBN: 978–904007767–8. Ferer, Mary Tiffany. Music and Ceremony at the Court of Charles V: The Capilla Flamenca and the Art of Political Promotion. Studies in Medieval and Renaissance Music. Woodbridge: The Boydell Press, 2012. xii + 306 pp. $99. ISBN: 978–1–84383–699–5. Fletcher, John Edward. A Study of the Life and Works of Athanasius Kircher, “Germanus incredibilis”: With a Selection of his Unpublished Correspondence and an Annotated Translation of his Autobiography. Ed. Elizabeth Fletcher. Trans. John Edward Fletcher. Aries Book Series: Texts and Studies in Western Esotericism 12. Leiden: Brill, 2011. xxxiv + 608 pp. $251. ISBN: 978–90–04–20712–7. Fosi, Irene. Convertire lo straniero: Forestieri e inquisizione a Roma in età moderna. La corte dei papi 21. Rome: Viella, 2011. 286 pp. €26. ISBN: 978–88–8334–642–2. Fox, Harry, and Justin Jaron Lewis, eds. Many Pious Women: Edition and Translation. Studia Judaica 62. Berlin: De Gruyter, 2011. xiv + 338 pp. €93.41. ISBN: 978–3–11–026205–6. Garzoni, Giovanni. Historiae Bononienses. Ed. Alessandra Mantovani. Studi e Testi 2. Bologna: Bononia University Press, 2010. 552 pp. €60. ISBN: 978–88–7395–499–6. Georgopoulou, Xenia. The Body as Text in Shakespeare’s Plays: The Fashioning of the Sexes. Lewiston: Edwin Mellen Press, 2011. iii + 262 pp. $49.95. ISBN: 978–0–7734–1602–4. Gerbino, Giuseppe. Music and the Myth of Arcadia in Renaissance Italy. New Perspectives in Music History and Criticism. Cambridge: Cambridge University Press, 2009. $133. ISBN: 978– 0–521–89956–7. Goldstein, Carl. Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print. Cambridge: Cambridge University Press, 2012. xvi + 222 pp. $99. ISBN: 978–1–107– 01214–1. Grafton, Anthony. The Culture of Correction in Renaissance Europe. The Panizzi Lectures 2009. London: British Library, 2011. xii +244 pp. $45. ISBN: 978–0–7123–5845–3. Gregory, Brad S. The Unintended Reformation: How a Religious Revolution Secularized Society. Cambridge, MA: Belknap Press of Harvard University Press, 2012. 574 pp. $39.95. ISBN: 978– 0–674–04563–7. Grell, Ole Peter. Brethren in Christ: A Calvinist Network in Reformation Europe. Cambridge: Cambridge University Press, 2011. xx + 318 pp. $99. ISBN: 978–1–107–00881–6. Guenther, Genevieve. Magical Imaginations: Instrumental Aesthetics in the English Renaissance. Toronto: University of Toronto Press, 2012. xi + 170 pp. $65. ISBN: 978–1–4426– 4241–6. Häberlein, Mark. The Fuggers of Augsburg: Pursuing Wealth and Honor in Renaissance Germany. Studies in Early Modern German History. Charlottesville: University of Virginia Press, 2012. xi + 286 pp. $39.50. ISBN: 978–0–8139–3244–6. Von Habsburg, Maximilian. Catholic and Protestant Translations of the Imitatio Christi, 1425– 1650: From Late Medieval Classic to Early Modern Bestseller. St. Andrews Studies in Reformation History. Farnham: Ashgate Publishing Limited, 2011. x + 366 pp. $134.95. ISBN: 978–0–7546–6765–0. Harbison, Craig. Jan Van Eyck: The Play of Realism. London: Reaktion, 2012. 318 pp. $29.95. ISBN: 978–1–86189–820–3. Harris, Max. Sacred Folly: A New History of the Feast of Fools. Ithaca: Cornell University Press, 2011. xi + 322 pp. $49.95. ISBN: 978–0–8014–4956–7. Hinrichs, William H. The Invention of the Sequel: Expanding Prose Fiction in Early Modern Spain. Colección Támesis Serie A: Monografías 299. Woodbridge: Tamesis, 2011. x + 244 pp. $99. ISBN: 978–1–85566–232–2. Hirai, Hiro. Medical Humanism and Natural Philosophy: Renaissance Debates on Matter, Life, and the Soul. History of Science and Medicine Library 26; Medieval and Early Modern Science 17. Leiden: Brill, 2011. ix + 228 pp. $136. ISBN: 978–90–04–21871–0. Hirschi, Caspar. The Origins of Nationalism: An Alternative History from Ancient Rome to Early Modern Germany. Cambridge: Cambridge University Press, 2012. xiv + 242 pp. $27.99. ISBN: 978–0–521–74790–5. Hiscock, Andrew. Reading Memory in Early Modern Literature. Cambridge: Cambridge University Press, 2011. xi + 320 pp. $99. ISBN: 978–0–521–76121–5. Holmberg, Eva Johanna. Jews in the Early Modern English Imagination: A Scattered Nation. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2011. vii + 180 pp. $114.95. ISBN: 978–1–4094–1191–8. Hoppe, Ilaria. Die Räume der Regentin: Die Villa Poggio Imperiale zu Florenz. Berlin: Reimer, Dietrich, 2011. 344 pp. €49. ISBN: 978–3–496–01442–3. Hopper, David H. Divine Transcendence and the Culture of Change. Grand Rapids: William B. Eerdmans Publishing Company, 2011. xiii + 262 pp. $35. ISBN: 978–0–8028–6505–2. Ianziti, Gary. Writing History in Renaissance Italy: Leonardo Bruni and the Uses of the Past. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2012. xiii + 418 pp. $49.95. ISBN: 978–0–674–06152–1. Joblin, Alain. Les protestants de la Côte au XVIIe siècle (Boulonnais, Calaisis). Vie des Huguenots 62. Paris: Honoré Champion Éditeur, 2012. 250 pp. €60. ISBN: 978–2–7453–2278– 4. Joost-Gaugier, Christiane L. Pythagoras and Renaissance Europe: Finding Heaven. Cambridge: Cambridge University Press, 2009. xiv + 320 pp. $103. ISBN: 978–0–521–51795–9. Jorink, Eric. Reading the Book of Nature in the Dutch Golden Age, 1575–1715. Brill’s Studies in Intellectual History 191. Leiden: Brill, 2010. xxii + 472 pp. $183. ISBN: 978–90–04–18671–2. Kiernan, Michael, ed. The Oxford Francis Bacon VIII: The Historie of the raigne of King Henry the seventh and other works of the 1620s. The Oxford Francis Bacon VIII. Oxford: Oxford University Press, 2011. cxliii + 702 pp. $160. ISBN: 978–0–19–925666–2. Kindred-Barnes, Scott N. Richard Hooker’s Use of History in His Defense of Public Worship: His Anglican Critique of Calvin, Barrow, and the Puritans. Lewiston: Edwin Mellen Press, 2011. viii + 382 pp. $159.95. ISBN: 978–0–7734–1591–1. Knoppers, Laura Lunger. Politicizing Domesticity from Henrietta Maria to Milton’s Eve. Cambridge: Cambridge University Press, 2011. xiv + 226 pp. $95. ISBN: 978–1–107–00788–8. Kolb, Robert. Luther and the Stories of God: Biblical Narratives as a Foundation for Christian Living. Grand Rapids: Baker Academic, 2012. xx + 188 pp. $21.99. ISBN: 978–0–8010–3891–4. Kowalski, Christine. Die Augsburger Prunkkabinette mit Uhr von Heinrich Eichler d. Ä. (1637– 1719) und seiner Werkstatt. Neue Forschungen zur deutschen Kunst 10. Berlin: Deutscher Verlag für Kunstwissenschaft, 2011. 208 pp. €68. ISBN: 978–3–87157–232–6. Kritzman, Lawrence D. The Fabulous Imagination: On Montaigne’s Essays. New York: Columbia University Press, 2009. x + 228 pp. $22. ISBN: 978–0–231–11993–1. Kyle, Chris R. Theater of State: Parliament and Political Culture in Early Stuart England. Stanford: Stanford University Press, 2012. xi +276 pp. $60. ISBN: 978–0–8047–5288–6. Łabno, Jeannie. Commemorating the Polish Renaissance Child: Funeral Monuments and Their European Context. Farnham: Ashgate Publishing Limited, 2011. xiv + 458 pp. $134.95. ISBN: 978–0–7546–6825–1. Du Laurens, André. Discours des maladies mélancoliques (1594). Ed. Radu Suciu. La génie de la mélancolie. Paris: Klincksieck, 2012. cxii + 206 pp. €45. ISBN: 978–2–252–03592–4. Leavelle, Tracy Neal. The Catholic Calumet: Colonial Conversions in French and Indian North America. Early American Studies. Philadelphia: University of Pennsylvania Press, 2012. 256 pp. $39.95. ISBN: 978–0–8122–4377–2. Lecercle, François. Le retour du mort: Débats sur la sorcière d’Endor et l’apparition de Samuel (XVIe–XVIIIe siècle). Les seuils de la modernité 13. Geneva: Librairie Droz, 2011. 504 pp. $60. ISBN: 978–2–600–01488–5. Di Leone Leoni, Aron. La Nazione Ebraica Spagnola e Portoghese di Ferrara (1492–1559): I suoi rapporti col governo ducale e la popolazione locale e i suoi legami con le Nazioni Portoghesi di Ancona, Pesaro e Venezia. Ed. Laura Graziani Secchieri. 2 vols. Storia dell’ebraismo in Italia; Studi e testi 26. Florence: Leo S. Olschki, 2011. xxxviii + 1308 pp. €120. ISBN: 978–88–222–6005–5. Lyons, John D. The Phantom of Chance: From Fortune to Randomness in Seventeenth-Century French Literature. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2012. xx + 212 pp. $105. ISBN: 978–0–7486–4515–2. Mack, Peter. A History of Renaissance Rhetoric, 1380–1620. Oxford-Warburg Studies. Oxford: Oxford University Press, 2011. x + 346 pp. $150. ISBN: 978–0–19–959728–4. Maclean, Ian. Scholarship, Commerce, Religion: The Learned Book in the Age of Confessions, 1560-1630. Cambridge, MA: Harvard University Press, 2012. xiv + 380 pp. $49.95. ISBN: 978– 0–674–06208–5. Manes, Yael. Motherhood and Patriarchal Masculinities in Sixteenth–Century Italian Comedy. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2011. ix + 148 pp. $89.95. ISBN: 978–1–4094–3440–5. Marinella, Lucrezia. De’ gesti eroici e della vita maravigliosa della Serafica S. Caterina da Siena. Ed. Armando Maggi. Il portico. Biblioteca di lettere e arti 157. Ravena: Longo editore, 2011. 238 pp. €25. ISBN: 978–88–8063–701–1. Marinella, Lucrezia. Exhortations to Women and to Others If They Please. Ed. and trans. Laura Benedetti. The Other Voice in Early Modern Europe: The Toronto Series 15. Toronto: Iter Inc. and Centre for Reformation and Renaissance Studies, 2012. xi + 220 pp. $21.50. ISBN: 978–0– 7727–2114–3. Martin, David L. Curious Visions of Modernity: Enchantment, Magic, and the Sacred. Cambridge, MA: MIT Press, 2011. xviii + 256 pp. $32.95. ISBN: 978–0–262–01606–3. Mauelshagen, Franz Matthias. Wunderkammer auf Papier: Die “Wickiana” zwischen Reformation und Volksglaube. Frühneuzeit-Forschungen 15. Epfendorf: Bibliotheca Academica Verlag, 2008. 460 pp. €49. ISBN: 978–3–928471–74–9. Maus de Rolley, Thibaut. Élévations: L’écriture du voyage aérien à la Renaissance. Travaux d’Humanisme et Renaissance 489. Geneva: Librairie Droz S.A., 2011. 634 pp. $158.40. ISBN: 978–2–600–01500–4. McAuliffe, Mary Sperling. Clash of Crowns: William the Conqueror, Richard Lionheart, and Eleanor of Aquitaine: A Story of Bloodshed, Betrayal, and Revenge. Lanham: Rowman & Littlefield, 2012. xiii + 256 pp. $26. ISBN: 978–1–4422–1471–2. McGerr, Rosemarie. A Lancastrian Mirror for Princes: The Yale Law School New Statutes of England. Bloomington: Indiana University Press, 2011. xvi + 232 pp. + 80 pls.. $34.95. ISBN: 978–0–253–35641–3. McKendrick, Scot, John Lowden, and Kathleen Doyle. Royal Manuscripts: The Genius of Illumination. Ex. Cat. The British Library 11 November 2011 – 13 March 2012. London: British Library, 2011. 448 pp. $65. ISBN: 978–0–7123–5816–3. McLelland, Nicola. J.G. Schottelius’s Ausfuhrliche Arbeit von der Teutschen HaubtSprache (1663) and its Place in Early Modern European Vernacular Language Study. Publications of the Philological Society 44. Oxford: Wiley-Blackwell, 2011. v + 420 pp. $39.95. ISBN: 978–1– 4051–9270–5. Melvin, Karen. Building Colonial Cities of God: Mendicant Orders and Urban Culture in New Spain. Stanford: Stanford University Press, 2012. xv + 366 pp. $65. ISBN: 978–0–8047–7486–4. Minear, Erin. Reverberating Song in Shakespeare and Milton: Language, Memory, and Musical Representation. Farnham: Ashgate Publishing Limited, 2011. vii + 288 pp. $104.95. ISBN: 978– 1–4094–3545–7. Monfasani, John. Bessarion Scholasticus: A Study of Cardinal Bessarion’s Latin Library. Studies in Byzantine History and Civilization 3. Turnhout: Brepols Publishers, 2011. xiv + 306 pp. €65. ISBN: 978–2–503–54154–9. Montaigne, Michel de. Selected Essays with La Boétie’s Discourse on Voluntary Servitude. Trans. James B. Atkinson and David Sices. Indianapolis: Hackett Publishing Company, Inc., 2012. lix + 350 pp. $12.95. ISBN: 978–1–60384–595–3. Monter, E. William. The Rise of Female Kings in Europe, 1300–1800. New Haven: Yale University Press, 2012. xviii + 272 pp. $38. ISBN: 978–0–300–17327–7. Müller, Wolfgang, ed. Die datierten Handschriften der Universita tsbibliothek Mu nchen. Datierte Handschriften in Bibliotheken der Bundesrepublik Deutschland Bd. 6. Stuttgart: Anton Hiersemann Verlag, 2011. xxi +186 pp. + 480 b/w pls. €496. ISBN: 978–3–7772–1124–4. Nagel, Alexander. The Controversy of Renaissance Art. Chicago: The University of Chicago Press, 2011. xi + 358 pp. $60. ISBN: 978–0–226–56772–3. Nebrija, Antonio de. Gramática sobre la lengua castellana. Ed. Carmen Lozano. Biblioteca Clásica de la Real Academia Española 17. Barcelona: Galaxia Gutenberg, 2011. xii + 660 pp. €26.95. ISBN: 978–84–8109–910–2. Nelson, Alan H., and John R. Elliott, eds. Inns of Court. 3 vols. vols. Records of Early English Drama. Cambridge: D.S. Brewer, 2010. xcix + 1066 pp. $340. ISBN: 978–1–84384–259–0. Noirot-Maguire, Corinne. “Entre Deux Airs”: Style simple et ethos poétique chez Clément Marot et Joachim du Bellay (1515–1560). Les collections de la République des Lettres; Série études. Quebec: Presses de l’Université Laval, 2011. xix + 754 pp. $85. ISBN: 978–2–7637–8827–2. Oppenheimer, Paul. Machiavelli: A Life Beyond Ideology. London: Continuum, 2011. xxv +338 pp. + 1 b/w pl. $29.95. ISBN: 978–1–84725–221–0. Orgel, Stephen. Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England. Manchester: Manchester University Press, 2011. xix + 284 pp. $80. ISBN: 978–0–71908–168–2. Paige, Nicholas. Before Fiction: The Ancien Régime of the Novel. Philadelphia: University of Pennsylvania Press, 2011. xiv + 386 pp. $59.95. ISBN: 978–0–8122–4355–0. Parry, Glyn. The Arch-Conjuror of England: John Dee. New Haven: Yale University Press, 2012. xii + 336 pp. $55. ISBN: 978–0–300–11719–6. Parsons, Ben, and Bas Jongenelen, eds. Comic Drama in the Low Countries, c. 1450–1560: A Critical Anthology. Cambridge: D.S. Brewer, 2012. ix + 298 pp. $99. ISBN: 978–1–84384–291– 0. Paul, Benjamin. Nuns and Reform Art in Early Modern Venice: The Architecture of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo. Farnham: Ashgate Publishing Limited, 2012. xix + 314 pp. ISBN: 978–1–4094–1186–4. Pirillo, Diego. Filosofia ed eresia nell’Inghilterra del tardo Cinquecento: Bruno, Sidney e i dissidenti religiosi italiani. Studi e testi del Rinascimento europeo 38. Rome: Edizioni di storia e letteratura, 2010. xii + 226 pp. + 11 b/w pls. €35.00. ISBN: 978–88–6372–298–7. Potter, David. Henry VIII and Francis I: The Final Conflict, 1540–1547. History of Warfare 66. Leiden: Brill, 2011. xxix + 562 pp. $243. ISBN: 978–90–04–20431–7. Réforme, Humanisme, Renaissance. Vol. 71. Éditions lyonnaises de romans au XVIe siècle. Lyon: Association d’études sur la Renaissance, l’Humanisme et la Réforme, 2010. 238 pp. €18.50. ISSN: 1969–654X. Réforme, Humanisme, Renaissance. Vol. 72. Lyon: Association d’études sur la Renaissance, l’Humanisme et la Réforme, 2011. 138 pp. €25. ISSN: 1969–654X. Réforme, Humanisme, Renaissance. Vol. 73. Histoires tragiques. Lyon: Association d’études sur la Renaissance, l’Humanisme et la Réforme, 2011. 214 pp. Richardson, Todd. Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands. Visual Culture in Early Modernity. Farnham: Ashgate, 2011. xi + 244 pp. + 8 pls. $119.95. ISBN: 978–0–7546–6816–9. Roos, Anna Marie Eleanor. Web of Nature: Martin Lister (1639–1712), The First Arachnologist. History of Science and Medicine Library 22; Medieval and Early Modern Science 16. Leiden: Brill, 2011. xx + 478 pp. $177. ISBN: 978–90–04–20703–5. Rose, Jacqueline. Godly Kingship in Restoration England: The Politics of the Royal Supremacy, 1660–1688. Cambridge Studies in Early Modern British History. Cambridge: Cambridge University Press, 2011. ix + 320 pp. $99. ISBN: 978–1–10701–142–7. Rothman, E. Natalie. Brokering Empire: Trans-Imperial Subjects Between Venice and Istanbul. Ithaca: Cornell University Press, 2012. xx + 324 pp. $45. ISBN: 978–0–8014–4907–9. Ruan, Felipe E. Pícaro and Cortesano: Identity and the Forms of Capital in Early Modern Spanish Picaresque Narrative and Courtesy Literature. Lewisburg: Bucknell University Press, 2011. xi + 168 pp. $65. ISBN: 978–1–61148–050–4. Russell, Elizabeth Cooke Hoby. The Writings of an English Sappho. Ed. Patricia Phillippy. Trans. Jaime Goodrich. The Other Voice in Early Modern Europe: The Toronto Series, 14. Toronto: Iter Inc. and Centre for Reformation and Renaissance Studies, 2011. xvi + 541 pp. $37. ISBN: 9780772721129. Ryan, Michael A. A Kingdom of Stargazers: Astrology and Authority in the Late Medieval Crown of Aragon. Ithaca: Cornell University Press, 2011. xiv + 214 pp. $45. ISBN: 978–0– 8014–4984–0. Sánchez de Arévalo, Rodrigo. Tratado sobre la división del reino y cuándo es lícita la primogenitura. Ed. Jesús Ángel Solórzano Telechea. Logroño: Instituto de Estudios Riojanos, 2011. 222 pp. €10. Scarron, Paul. “Un vent de fronde s’est levé ce matin”: Poésies diverses attribuées à Paul Scarron (1610–1660). Ed. Hubert Carrier. Sources classiques 106. Paris: Champion, 2012. 146 pp. + 15 b/w pls. €45. ISBN: 978–2–7453–2190–9. Scheurer, Rémy, Loris Petris, and David Amherdt, eds. Correspondance du Cardinal Jean du Bellay. Tome V: 1549–1550. Société de l’histoire de France 544. Paris: Société de l’histoire de France, 2012. 404 pp. €45. ISBN: 978–2–35407–137–0. Schlueter, June. The Album Amicorum & The London of Shakespeare’s Time. London: British Library, 2012. xiii +210 pp. $65. ISBN: 978–0–7123–5838–5. Schofield, John. St Paul’s Cathedral before Wren. Swindon: English Heritage, 2011. x + 386 pp. $200. ISBN: 978–1–848020–56–6. Schreiner, Klaus, and Ernst Wenzel, eds. Hofkritik im Licht humanistischer Lebens- und Bildungsideale: Enea Silvio Piccolomini, De miseriis curialium (1444), Über das Elend der Hofleute and Vlrichi de Hvteen, Equitis Germani Aula Dialogus 1518), Aula, eines deutschen Ritters Dialog über den Hof. Mittellateinische Studien und Texte 44. Leiden: Brill, 2012. vii +242 pp. $144. ISBN: 978–90–04–21031–8. Scott, Tom. The City-State in Europe, 1000–1600: Hinterland, Territory, Region. Oxford: Oxford University Press, 2012. xi + 382 pp. $65. ISBN: 978–0–19–927460–4. Servet, Michel. Restitution du Christianisme: Édition bilingue. Ed. Rolande-Michelle Bénin. 2 vols. Textes Littéraires de la Renaissance 8. Paris: Honoré Champion Éditeur, 2011. 1752 pp. €250. ISBN: 978–2–7453–2301–9. Shaw, James E., and Evelyn S. Welch, eds. Making and Marketing Medicine in Renaissance Florence. The Wellcome Series in the History of Medicine; Clio Medica 89. Amsterdam: Rodopi, 2011. 356 pp. $97. ISBN: 978–90–420–3156–2. Simonsohn, Shlomo. Tra Scilla e Cariddi: Storia degli ebrei in Sicilia. La storia. Saggi 3. Rome: Viella, 2011. 646 pp. €65. ISBN: 978–88–8334–550–0. Smeesters, Aline. Aux rives de la lumière. La poésie de la naissance chez les auteurs néo-latins des anciens Pays-Bas entre la fin du XVe siècle et le milieu du XVIIe siècle. Supplementa Humanistica Lovaniensia 29. Leuven: Leuven University Press, 2011. 622 pp. €85. ISBN: 978– 90–5867–882–9. Soergel, Philip M. Miracles and the Protestant Imagination: The Evangelical Wonder Book in Reformation Germany. Oxford Studies in Historical Theology. Oxford: Oxford University Press, 2012. x + 234 pp. $65. ISBN: 978–0–19–984466–1. Stoppino, Eleonora. Genealogies of Fiction: Women Warriors and the Dynastic Imagination in the Orlando Furioso. New York: Fordham University Press, 2012. xii + 268 pp. $55. ISBN: 978– 0–8232–4037–1. Strier, Richard. The Unrepentant Renaissance: From Petrarch to Shakespeare to Milton. Chicago: University of Chicago Press, 2011. xii + 304 pp. $45. ISBN: 978–0–226–77751–1. Stronks, Els. Negotiating Differences: Word, Image and Religion in the Dutch Republic. Studies in Medieval and Reformation Traditions 155. Leiden: Brill, 2011. xx + 342 pp. $136. ISBN: 978–90–04–20423–2. Von Stuckrad, Kocku. Locations of Knowledge in Medieval and Early Modern Europe: Esoteric Discourse and Western Identities. Brill’s Studies in Intellectual History 186. Leiden: Brill, 2010. xiii + 240 pp. $141. ISBN: 978–90–04–18422–0. Syme, Holger Schott. Theatre and Testimony in Shakespeare’s England: A Culture of Mediation. Cambridge: Cambridge University Press, 2012. xiv + 284 pp. $95. ISBN: 978–1–107–01185–4. Terjanian, Pierre. Princely Armor in the Age of Dürer: A Renaissance Masterpiece in the Philadelphia Museum of Art. Ex. Cat. Philadelphia Museum of Art Bulletin 4. Philadelphia: Philadelphia Museum of Art, 2012. 54 pp. $18. ISBN: 978–0–300–17631–5. Teuscher, Simon. Lords’ Rights and Peasant Stories: Writing and the Formation of Tradition in the Later Middle Ages. Trans. Philip Grace. The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2012. 294 pp. $69.95. ISBN: 978–0–8122–4368–0. von Tippelskirch, Xenia. Sotto controllo: Letture femminili in Italia nella prima età moderna. I libri di Viella 125. Rome: Viella, 2011. 302 pp. + 13 color pls. + 2 b/w pls. €28. ISBN: 978–88– 833–4546–3. Tordella, Piera Giovanna. Ottavio Leoni e la ritrattistica a disegno protobarocca. Accademia toscana di scienze e lettere “La Colombaria” Serie Studi 249. Florence: Leo S. Olschki, 2011. vii + 242 pp. + 32 color pls. + 16 b/w pls. €34. ISBN: 978–88–222–6117–5. Tormes, Lázaro de. Lazarillo de Tormes. Ed. Francisco Rico. Biblioteca Clásica de la Real Academia Española 29. Barcelona: Galaxia Gutenberg, 2011. xii + 328 pp. €22.74. ISBN: 978– 84–8109–961–4. Torrance, Robert. Dante’s Inferno: A New Translation in Terza Rima. n.p.: Xlibris Corporation, 2011. 434 pp. $23.99. ISBN: 978–1–4628–4517–0. Varkemaa, Jussi. Conrad Summenhart’s Theory of Individual Rights. Studies in Medieval and Reformation Traditions 159. Leiden: Brill, 2012. viii + 266 pp. $139. ISBN: 978–90–04–21683– 9. Venier, Matteo, ed. Platonis Gorgias Leonardo Aretino interprete. Il Ritorno de Classici nell’Umanesimo III; Edizione nazionale delle Traduzioni dei testi greci in età umanistica e rinascimentale 7. Florence: Sismel Edizioni del Galluzzo, 2011. 422 pp. €68. ISBN: 978–88– 8450–408–1. Vermigli, Pietro Martire. Petrus Martyr Vermigli, Kommentar Zur Nikomachischen Ethik Des Aristoteles / Baschera, Luca,; 1980–. Studies in Medieval and Reformation Traditions 158; Text & Sources 1. Leiden: Brill, 2011. viii + 690 pp. €129. ISBN: 978–90–04–21873–4. Walton, Michael Thomson. Genesis and the Chemical Philosophy: True Christian Science in the Sixteenth and Seventeenth Centuries. AMS Studies in the Renaissance 45. AMS Press Inc., 2011. xv + 172 pp. $92.50. ISBN: 978–0–404–62345–6. Warnicke, Retha M. Wicked Women of Tudor England: Queens, Aristocrats, Commoners. Queenship and Power. New York: Palgrave Macmillan, 2012. x + 272 pp. $27. ISBN: 978–1– 137–03237–9. Weststeijn, Arthur. Commercial Republicanism in the Dutch Golden Age: The Political Thought of Johan & Pieter de la Court. Studies in the History of Political Thought 7. Leiden: Brill, 2012. xiv + 396 pp. $177. ISBN: 978–90–04–22139–0. Wilson, Christopher R. Shakespeare’s Musical Imagery. Continuum Shakespeare Studies. London: Continuum, 2011. xi + 260 pp. $120. ISBN: 978–1–84706–495–0. Wilson, Peter H. The Thirty Years War: Europe’s Tragedy. Cambridge, MA: Belknap Press of Harvard University Press, 2011. xxiv + 998 pp. $22.50. ISBN: 978–0–674–06231–3. Yang, Sharon Rose. Goddesses, Mages, and Wise Women: The Female Pastoral Guide in Sixteenth and Seventeenth-Century English Drama. Selinsgrove: Susquehanna University Press, 2011. 280 pp. $59.50. ISBN: 978–1–57591–156–4. Zmora, Hillay. The Feud in Early Modern Germany. Cambridge: Cambridge University Press, 2011. xiv + 212 pp. $99. ISBN: 978–0–521–11251–2.

Edited Collections:

Abbamonte, Giancarlo, Joana Barreto, Teresa D’Urson, Alessandra Perriccioli Saggese, and Francesco Senatore, eds. La battaglia nel Rinascimento meridionale: Moduli narrativi tra parole e immagini. I libri di Viella 126. Rome: Viella, 2011. 564 pp. + 48 b/w pls. €58. ISBN: 978–88– 8334–491–6. Includes: Alessandra Perriccioli Saggese, “Dall’Histoire ancienne al Roman du roy Meliadus. L’illustrazione della battaglia nella miniatura napoletana di età angioina”; Giancarlo Alfano, “Le ‘aspre battaglie amorose’. Boccaccio e il poema (da Marte a Venere)”; Paola Vitolo, “Miles Christi: san Ladislao d’Ungheria tra mito cavalleresco e culto dinastico. Il ciclo pittorico all’Incoronata di Napoli”; Luciana Mocciola, “La presa di Napoli di Carlo III di Durazzo nel pannello del Metropolitan Museum: nuove ipotesi”; Cristiana Pasqualetti, “Le illustrazioni di battaglia nel ms. 3061 della Biblioteca Comunale Augusta di Perugia: alle origini dell’immagine della città dell’Aquila”; Fulvio Delle Donne, “La presa di Marsiglia del 1423 nel racconto di Gaspare Pellegrino”; Joan Molina Figueras, “Contra Turcos. Alfonso d’Aragona e la retorica visiva della crociata”; Giuseppa Z. Zanichelli, “La battaglia delle imprese: araldica e chevalerie tra Milano e Napoli al tempo di Ippolita Sforza”; Giancarlo Abbamonte, “I modelli classici nei racconti di guerra di Bartolomeo Facio”; Jaume Torró Torrent, “L’assedio di Bonifacio di Alfonso il Magnanimo e l’assedio di Rodi nel Tirant lo Blanc di Joanot Martorell”; Claudio Buongiovanni, “Paradigmi storiografici classici in alcune allocuzioni militari del De bello Neapolitano di Giovanni Pontano”; Marc Deramaix, “Tamquam in acie. Lexique de la bataille et critique euphonique de la rencontre vocalique chez Virgile dans l’Actius de Pontano”; Guido Cappelli, “La sconfitta di Sarno nel pensiero politico aragonese”; Armando Miranda, “Una ‘nuova vecchia’ battaglia: Troia, 18 agosto 1462. Ricostruzione e analisi dell’evento militare”; Francesco Senatore, “La battaglia nelle corrispondenze diplomatiche: stereotipi lessicali e punto di vista degli scriventi”; Giuseppe Germano, “Realtà e suggestioni classiche nel racconto pontaniano della battaglia di Troia (18 agosto 1462)”; Antonietta Iacono, “Epica e strategie celebrative nel De proelio apud Troiam di Porcelio de’ Pandoni”; Laurent Vissière, “Rhodes et Otrante en 1480. Les leçons de sièges parallèles”; Nicolas Bock, “Vedere, raccontare, immaginare. La percezione della battaglia e le tappezzerie della Guerra di Troia nella collezione di Ferdinando d’Aragona”; Bianca De Divitiis, “I resoconti di guerra come fonte per la storia dell’architettura”; Teresa D’Urso, “Il Trionfo all’antica nell’illustrazione libraria al tempo di Ferrante e Alfonso II d’Aragona”; Chiara De Caprio, “Le battaglie nella Cronaca di Ferraiolo: strutture narrative e lessico”; Joana Barreto, “Le miroir exemplaire brisé: la première guerre d’Italie dans la Cronaca napoletana figurata de Ferraiolo”; Bruno Figliuolo, “La guerra lampo di Carlo VIII in Italia”; Ferdinando Cascone, “‘Antivenire’ la battaglia nelle lettere di Giovanni Pontano”; Gennaro Maria Barbuto, “Il Gran Capitano nelle opere di Machiavelli e Guicciardini”; Jean-Louis Fournel and Jean-Claude Zancarini, “I ‘fatti d’arme’ nel Regno di Napoli (1495– 1504): ‘disordini’ o ‘battaglie’?”; Matteo Palumbo, “Storia e cronistoria della battaglia di Benevento”; Concetta Restaino, “La congiura dei baroni nel Vallo di Diano e i suoi riflessi sulla produzione artistica: l’Andata al Calvario e il Compianto del convento della Pietà di Teggiano”; Enzo Bentivoglio, “Le battaglie di Seminara (1495 e 1503) nei bassorilievi del monumento di Carlo Spinelli”; Simonetta Valtieri, “I pannelli del monumento del duca Carlo Spinelli a Seminara”; John Nassichuk, “L’éloge du condottiere: Prosper Colonna dans les épigrammes de Pietro Gravina”; and Andrea Zezza, “Raffigurazioni di battaglie nell’arte meridionale del XVI secolo.” Andersen, Michael, Birgitte Bøggild Johannsen, and Hugo Johannsen, eds. Reframing the Danish Renaissance: Problems and Prospects in a European Perspective. Ex. Cat. Publications of the National Museum Studies in Archaeology & History 16; Papers from an International Conference in Copenhagen 28 September–1 October 2006. Odense: University Press of Southern Denmark, 2011. 408 pp. DKK375. ISBN: 978–87–7602–129–0. Includes: Michael Andersen, Birgitte Bøggild Johannsen, and Hugo Johannsen, “Preface”; Birgitte Bøggild Johannsen, “Introduction”; Thomas DaCosta Kaufmann, “The European Perspective”; Birgitte Bøggild Johannsen, “The Danish Perspective”; Claire Farago, “Reframing the Renaissance Problem Today”; Keith Moxey, “Do We Still Need a Renaissance?”; Jacob Wamberg, “The Renaissance: The Origin of Modernity or Its First Resistance?”; Maria Fabricius Hansen, “Renaissance Art and Art History in Denmark: Some Remarks on the Conference”; Jan Harasimowicz, “Wort-Bild-Wort. Die Rhetorik der lutherischen Kirchenkunst Nordeuropas im 16. und 17. Jahrhundert”; Margit Thøfner, “Imported Patterns and Homegrown Virtues: Hendrick Goltzius’s Exemplar Virtutum Prints and the Altarpieces of St Nicholas in Kolding and St Mary in Flensburg”; Krista Kodres, “Denmark in Estonia. Import and Domestic Renaissances?”; Hanne Kolind Poulsen, “A Tribute to the Reformation: Hesselagergård in a Lutheran Perspective”; Marianne Marcussen, “Implementing Perspective in Danish Renaissance Sculpture: Claus Berg as a Pioneer”; Mikael Bøgh Rasmussen, “Melchior Lorck’s Portrait of Sultan Süleyman the Magnificent (1562): A Double-Coded View”; Angelica Dülberg, “Die künstlerische Ausstattung des Dresdner Residenzschlosses in der zweiten Hälfte des 16. Jahrhunderts als Ausdruck der neu gewonnen Kurwürde”; Mario Titze, “Annaburg und Lichtenburg. Schloßbauten des Kurfürsten August von Sachsen und seiner Gemahlin Anna von Dänemark”; Uwe Albrecht, “Deutsche, französiche und niederländische Einflüsse als Wegbereiter und Katalysatoren der dänischen Renaissance-Architektur in der zweiten Hälfte des 16. Jahrhunderts: Das Beispiel des Herrenhauses”; Krista de Jonge, “A Netherlandish Model? Reframing the Danish Royal Residences in a European Perspective”; Juliette Roding, “King Solomon and the Imperial Paradigm of Christian IV (1588–1648)”; Mara R. Wade, “Duke Ulrik (1578–1624) as Agent, Patron, Artist: Reframing Danish Court Culture in the International Perspective c. 1600”; Barbara Uppenkamp, “Wolfenbüttel und Copenhagen: The Exchange of Architectural Ideas in the Time of Christian IV”; Badeloch Vera Noldus, “Art and Music on Demand — A Portrait of the Danish Diplomat Jonas Charisius and his Mission to the Dutch Republic”; Heiner Borggrefe and Thomas Fusening, “Pieter Isaacsz., Jacob van der Doordt, Hans Rottenhammer and their Artistic Networks”; Konrad Ottenheym, “Hendrick de Keyser and Denmark”; Mogens Bencard, “Ebony and Silver Furniture at Frederiksborg Castle”; Kristoffer Neville, “Christian IV’s Italianates. Sculpture at the Danish Court”; and Dirk van der Vijver, “Claiming Danish Renaissance. The Historiography of the Architectural Relations between the Low Countries and the Balticum/Denmark.” Ariani, Marco, Arnaldo Bruni, Anna Dolfi, and Andrea Gareffi, eds. La parola e l’immagine: Studi in onore di Gianni Venturi. 2 vols. Biblioteca dell’“Archivum Romanicum”; Serie I: Storia, Letteratura, Paleografia 375. Florence: Leo S. Olschki, 2011. viii + 892 pp. + 26 b/w pls. + 8 color pls. €90. ISBN: 978–88–222–6016–1. Includes: Fabio Pierangeli, “Immagini di Iacopone”; Lino Pertile, “Chiara di Montefalco, il ‘Catico dei Cantici’ e Dante”; Giovanni Falaschi, “Il ‘realismo’ del segno: alcune schede dalla ‘Vita Nuova’”; Marco Ariani, “Nota su ‘figurando il Paradiso’ (’Par.’ XXIII, 61): umbra lucis, lux infigurabilis”; Emilio Pasuini, “‘Paradiso’ XXIII come icona del terzo regno”; María de las Nieves Muñiz Muñiz, “Dante e le tre fiere nell’interpretazione figurativa”; Lucia Battaglia Ricci, “Immaginare l’Aldilà: Dante e l’arte figurativa medievale”; Stefano Prandi, “Teologia come pittura: Alain de Lille e Dante (’Purg.’ XI–XII)”; Giancarlo Breschi, “‘Visibile parlare’: i cartigli dell’affresco di Bruto nel Palagio dell’Arte della Lana a Firenze”; Carla Molinari, “‘Rerum vulgarium fragmenta’ LXXVII–LXXVIII”; Giuliana Ericani, “Per Bernardino Zaganelli ‘ferrarese’. Una tavola bassanese e una proposta per il maestro di Palazzo Pretorio”; Claudio Cazzola, “‘Clarior hoc pulcro regnans in corpore virtus’: sulle tracce di Virgilio (e di Dosso)”; Giovanna Rizzarelli, “‘E quivi s’incomincia una battaglia / di ch’altra mai non fu più fiera in vista’. I duelli nel ‘Furioso’ e la loro rappresentazione nelle prime edizioni illustrate”; Vincenzo Farinella, “Una nota sul rapporto di Ludovico Ariosto con le arti figurative”; Cristiana Lardo, “Immagini metriche nel ‘Furioso’”; Marco Chiarini, “Tasso, Tassi e un episodio della ‘Gerusalemme Liberata’”; Giovanni Careri, “Specchi d’amore e di guerra nel giardino di Armida: un conflitto di somiglianze”; Marco Bertozzi, “‘Caput Draconis’: i consigli astrologici di Pellegrino Prisciani alle principesse d’Este”; Lina Bolzoni, “Il fascino delle rovine e il fantasma di Beatrice”; Bodo Guthmüller, “‘Lesbia regula sum usus’: Barthélemy Aneau e l’arte emblematica”; Guido Arbizzoni, “Scipione Bargagli e il progetto iconografico per le nuove porte bronzee del Duomo di Pisa”; Monica Farnetti, “‘E piango ch’atta a pinger non mi sento’. Il ritratto dell’amato nel canzoniere di Gaspara Stampa”; Matteo Palumbo, “Un tema narrativo nella ‘Vita’ di Benvenuto Cellini: ‘l’impresa’ del Perso”; Giuliano Tanturli, “Il Bronzino poeta e il ritratto di Laura Battiferri”; Fernando Rigon, “Grazie cercansi”; Andrea Gareffi, “L’‘Hermathena’ di Federico Zuccari, di Lelio Guidiccioni e Achille Bocchi”; Gerarda Stimato, “La ‘Strage degli innocenti’ tra letteratura e pittura del secondo ’500 e del ’600: un’ecfrasi equivoca”; Gigliola Fragnito, “Ludovico Beccadelli tra ‘otium’ e ‘negotium’: da Pradalbino a Roma”; Laura Dolfi, “Góngora, El Greco e la struttura di una città”; Andrea Emiliani, “Giovan Francesco Guerrieri. Gli ultimi anni del ducato di Urbino”; Guido Baldassarri, “‘Sentir fortemente’ e ‘descriver naturalmente’. Cesarotti e l’‘Ossian’”; Daniela Goldin Folena, “Guardare il paesaggio: Turner, Ossian, Leopardi”; Luigi Zangheri, “Il parco di Laxenburg tra Rivoluzione e Restaurazione”; Arnaldo di Benedetto, “Appunti per un saggio su Alfieri e il neo- classicismo”; Antonio Pinelli, “Apoteosi e circolarità dell’‘ékfrasis’ nella scultura di Antonio Canova”; Manlio Pastore Stocchi, “L’ultimo ecfraste: Vittorio Barzoni e la gloria di Canova”; Ranieri Varese, “Una fonte non utilizzata: la autobiografia del Patriarca di Venezia Cardinale Johann Ladislaus Pyrker”; Arnaldo Bruni, “Foscolo critico di Canova”; Fernando Mazzocca, “Chateaubriand e il mito di Canova”; Ezio Raimondi, “Alle origini dell’‘Aemilia Ars’: ideologia e poetica”; Mariarosa Masoero, “‘La dama apparve nella tela enorme’. Guido Gozzano e le arti”; Giorgio Patrizi, “Parola ed immagine nell’estetica futurista”; Renzo Cremante, “Marino Moretti a Firenze fra D’Annunzio e Pascoli (e De Carolis)”; Marcello Ciccuto, “‘Poësis’ e ‘pictura’ in Eugenio Montale”; Anna Nozzoli, “Su uno scritto disperso di Anna Banti”; Raffaele Manica, “In una ‘crémerie’ di Rue de Rivoli: per un incipit di Longhi”; Franco Contorbia, “Un’intervista di Montale a ‘Playboy’”; Anco Marzio Mutterle, “Tre risvegli”; Anna Dolfi, “L’Idillio e l’astrazione. Le forme del paesaggio in poesia da Leopardi all terza generazione”; Maria Luisa Doglio, “Sette lettere inedite di Carlo Ludovico Ragghianti a Claudio Varese”; Portia Prebys, “Spring 1972: Three Important New York Articles in English: ‘I hate “today”, I say yesterday or tomorrow . . .’ Giorgio Bassani, 1972”; Salvatore Silvano Nigro, “Lo specchio nero (in margine a una copertina di Sciascia)”; Giuditta Isotti Rosowsky, “‘Pensare per immagini’. Su Manganelli e ‘Nuovo commento’”; Cesare de Seta, “Yves Bonnefoy o dell’arte come destino poetico”; Enza Biagini, “La parola dalle immagini. Appunti su ecfrasi, ‘graphic novels’ e ‘novelization’”; Paolo Orvieto, “Il perverso femminile dell’arte italiana. La Beatrice Cenci di Guido Reni e gli scrittori angloamericani”; Margherita Azzi Visentini, “L’isola tra realtà e immaginario nel mondo occidentale: riflessioni in margine alle isole Borromeo”; Massimo Venturi Ferriolo, “Paesaggi senza bordi”; Sandro Bernardi, “Da Thackeray a Kibrick. Il capitano Barry dal romanzo al film”; Marco Dorigatti, “Michelangelo Antonioni, ovvero ‘cinema, che racchiude in sé l’esperienza di tutte le altre arti’”; Gian Pietro Testa, “Lettera dalla tundra al divo Apollo”; Elettra Testi, “La muscarina”; and Fiammetta Gamba Varese, “Le bolle di sapone.” Battilotti, Donata, Gianluca Belli, and Amedeo Belluzzi. Nati sotto Mercurio: Le architetture del mercante nel Rinascimento Fiorentino. Florence: Edizioni Polistampa, 2011. 206 pp. €26. ISBN: 978–88–596–0948–3. Includes: Gianluca Belli, “Gli spazi del mercante e dell’artefice nella Firenze del Quattrocento”; Amedeo Belluzzi, “Le architetture mercantili a Firenze nel Cinquecento”; and Donata Battilotti, “I ‘dua begli occhi’ dell’industria fiorentina.” Bellavitis, Anna, and Isabelle Chabot, eds. La justice des familles : autour de la transmission des biens, des savoirs et des pouvoirs (Europe, nouveau monde, XIIe–XIXe siècles). Collection de l’École française de Rome 447. Rome: École françause de Rome, 2011. 505 pp. €65. ISBN: 978– 2–7283–0908–5. Includes: Anna Bellavitis and Isabelle Chabot, “Introduction”; Maria Ågren, “For Better or For Worse: Swedish Marriage and Property Law in a Comparative Perspective”; Linda Guzzetti and Roberta Fungher, “La dot à Venise et à Trévise au XIVe siècle”; Robert Descimon, “Patriarcat et discordes familiales: les conflits liés aux enjeux de l’alliance et de la transmission dans la robe parisienne aux XVIe et XVIIe siècles”; Tiziana Plebani, “Matrimoni segreti a Venezia tra XVII e XVIII secolo: il pericoloso ‘suismo’”; Zélie Navarro-Andraud, “Le conflit en héritage ou l’argent source de tous les maux (Saint-Domingue, XVIIIe siècle)”; Claire Chatelain, “Les tensions successorales dans une famille de la robe parisienne au tournant des XVIe et XVIIe siècles”; Delphine Cano, “Transmission héréditaire et batailles juridiques autour du cacicazgo en Nouvelle-Espangne, XVIe–XVIIIe siècles”; Françcois-Joseph Ruggiu, “Pour préserver la paix des familles . . . Les querelles successorales et leurs règlements au XVIIIe siècle”; Olivier Zeller, “Le rôle normalisateur de la fratrie dans les conflits familiaux de la France du XVIIIe siècle”; Karin Gottschalk, “Guardianship and inheritance: City Authorities, Family Disputes and the Distribution of Goods in 17th-Century Leipzig”; Christine Dousset, “Au risque du veuvage: veuves et conflits familiaux dans les mémoires judiciaires du parlement de Toulouse à la fin du XVIIIe siècle”; Sylvie Perrier, “Les familles toulousaines devant la justice civile du sénéchal au XVIIIe siècle”; Angela Groppi, “Le Tribunal du Vicariat et les obligations alimentaires intrafamiliales dans la Rome des Papes (XVIIIe–XIXe siècles)”; Francisco García González and Cosme Jesùs Carrasco, “Tensión familiar y conflictividad social en la España meridional: el ejemplo de Albacete, 1700–1830”; Anna Esposito, “Tra saperi intellettuali e conoscenze tecniche: il caso di Roma nel tardo Medioevo”; Marie Bouhaïk-Gironès, “Pierre Gringore, fils de juriste et homme de théâtre: famille et transmission des savoir-faire dans les ‘métiers de la parole’ (France du Nord, XVe–XVIe siècle)”; Caroline Giron-Panel, “Entre art et technique: l’apprentissage de la musique dans les familles et en dehors des familles à Venise (XVIe–XVIIIe siècles)”; Luciano Pezzolo, “Professione militare e famiglia in Italia tra tardo Medioevo e prima età moderna”; Corine Maitte, “Transmettre l’art et les secrets du verre à l’époque moderne, XVIe–XVIIIe siècles”; Grethe Jacobsen, “Kingship and Gender in the Nordic Countries during the Middle Ages: Female Transmission of Power in Elective Kingship Systems”; Anna Mirabella, “La transmission du pouvoir royal dans Phèdre et Hippolyte (1677) de Jean Racine”; Laura Casella, “Nom, noblesse et patrimonie en danger: transmission matérielle et immatérielle dans la famille Savorgnan au XVIIIe siècle”; and Laurence Croq, “Hommes nouveaux, pionniers et héritiers: la transmission du pouvoir dans l’échevinage parisien de 1685 à 1789.” Berbara, Maria Louro, and Karl A. E. Enenkel, eds. Portuguese Humanism and the Republic of Letters. Intersections: Interdisciplinary Studies in Early Modern Culture 21. Leiden: Brill, 2012. xx + 476 pp. $136. ISBN: 978–90–04–21721–8. Includes: Maria Berbara and Karl A. E. Enenkel, “Introduction. Transatlantic Crossroads — Portuguese Humanism and the Republic of Letters”; Sylvie Deswarte-Rosa, “Le voyage épigraphique de Mariangelo Accursio au Portugal, printemps 1527”; Ricarda Musser, “Building up Networks of Knowledge: Printing and Collecting Books in the Age of Humanism in the University City of Coimbra”, Catarina Barceló Fouto, “Diego de Teive’s Institutio Sebastiani Primi and the Reception of Erasmus’ Works in Portugal”; Karl Enenkel, “Die humanistische Kultur Coimbras als Wiege des emblematischen Kommentars: Sebastian Stockhamers Alciato- Kommentar für João Meneses Sottomayor (1552). With an English Summary”; Jens Baumgarten, “The Theological Debate on Images between Italy and Portugal: Bartholomew of Braga and Antônio Vieira”; Noël Golvers, “Circulation and Reception of Portuguese Books in the 17th/18th Century Jesuit Mission of China, mainly in Three Bishop’s Collections (Diogo Valente, Polycarpo de Sousa and Alexandre de Gouveia)”; Liam Matthew Brockey, “An Imperial Republic: Manuel Severim de Faria Surveys the Globe, 1608–1655”; Thomas F. Earle, “António Ferreira’s Castro: Tragedy at the Cross-Roads”; Tobias Leuker, “Die Sylvae aliquot des Aquiles Estaço und ihr Schlussgedicht, das Genethliacon Domini”; Alejandra Guzmán Almagro, “A Portuguese Contribution to 16th Century Roman Antiquarianism: The Case of Aquiles Estaço (1524–1581)”; Onésimo T. Almeida, “Experiência a madre das cousas — on the ‘Revolution of Experience’ in Sixteenth-Century Portuguese Maritime Discoveries and its Foundational Role in the Emergence of the Scientific Worldview”; Cristóvão S. Marinheiro, “The Conimbricenses: The Last Scholastics, the First Moderns or Something in between? The Impact of Geographical Discoveries on Late 16th Century Jesuit Aristotelianism”; Marília dos Santos Lopes, “From Discovery to Knowledge: Portuguese Maritime Navigation and German Humanism”; and Guiseppe Marcocci, “Prism of Empire: The Shifting Image of Ethiopia in Renaissance Portugal (1500–1570).”

Bergdolt, Klaus, and Manfred Pfister, eds. Dialoge zwischen Wissenschaft, Kunst und Literatur in der Renaissance. Wolfenbütteler Abhandlungen zur Renaissanceforschung 27. Wiesbaden: Harrassowitz Verlag, 2011. 332 pp. €84. ISBN: 978–3–447–06605–1. Includes: Vita Fortunati, “Foreword”; Manfred Pfister, “Renaissance Dialogues of Literature and the Sciences”; Ute Berns, “Ways of Seeing: Anantomy and Natural Philosophy in Shakespeare’s King Lear”; Maria del Sapio Garbero, “Troubled Metaphors: Shakespeare and the Renaissance Anatomy of the Eye”; Maddalena Pennacchia, “Stones on Canvas and on Stage. Early Earth Sciences in Leonardo’s Virgin of the Rocks and Shakespeare’s The Tempest”; Andreas Mahler, “Wissen und Imaginieren bei Montaigne und Bacon. Beobachtungen zur Spreizung wissenschaftlicher und literarischer Rede in früher Neuzeit”; Mariangela Tempera, “A Trail of Body Parts. Inflicting, Treating, and Staging Mutilations in Early Modern Italy and England”; Vita Fortunati and Claudio Franceschi, “Zerbi, Cornaro e Bacon: una rivisitazione delle concettualizzazioni sulla vecchiaia/longevità nel Rinascimento”; Mariacarla Gadebusch Bondio, “Die Muse der Krankheit. Francisco Delicado, dei Syphilis und dei heilende Lozana”; Heidi Marek, “‘Two Cultures’ in der Renaissance? Poetologischer und naturphilosophischer Diskurs im Werk von Pontus de Tyard”; François Roudaut, “Science et poésie chez quelques kabbalistes chrétiens de la Renaissance française”; Elio Nenci, “Tra fantasia e realtà: la machina nella scienza e nell’arte del Rinascimento”; Joachim Leeker, “Literatur aus der Feder eines Historikers und Politikers: Der Fall Machiavelli”; Winfried Wehle, “Formen der Dichtung und formate des Wissens. Zur Struktureinheit von Petrarcas Canzoniere”; and Thomas Ricklin, “Antonio Averlinos fantasia.” Blanchard, Joël, ed. 1511–2011, Philippe de Commynes: Droit, écriture: deux piliers de la souveraineté. Cahiers d’Humanisme et Renaissance 100. Geneva: Librairie Droz, 2012. $51.60. ISBN: 978–2–600–0154321. Includes: Joël Blanchard, “Présentation”; Irit Ruth Kleiman, “Lettres et procès dans les Mémoires: l’intertexte commynien”; Jan Dumolyn, “Philippe de Commynes et les discours politiques en Flandre médiévale”; Joël Blanchard, “La foi jurée: le rituel en écriture”; Frédéric F. Martin, “Jouer le jeu ou se jouer de ses règles: la pratique du droit selon Philippe de Commynes”; Franck Collard, “Le venin occulté? L’empoisonnement entre puissants dans les Mémoires de Commynes”; Jean-Louis Fournel, “Les violences de guerre dans les Mémoires de Commynes: contribution à une histoire de la violence prémoderne”; Christoph Mauntel et Klaus Oschema, “Le prince, l’affect et le politique: Commynes et les émotions”; Cédric Michon, “Commynes et le Conseil”; Gilles Lecuppre, “De l’ennemi séculaire au serviteur ingrat: regards croisés d’historiens sur les royaumes de France et d’Angleterre au temps de Commynes”; Jean- Philippe Genet, “Commynes et les événements d’Angleterre”; Marc Boone, “Philippe de Commynes et le monde urbain”; Stéphane Péquignot, “Les Espagnes de Commynes”; Patrick Gilli, “Commynes et les structures de la diplomatie à travers le cas italien”; Nadine Kuperty- Tsur, “Les Mémoires de Commynes: précurseur et modèle du genre”; Philippe Desan, “Des Mémoires de Commynes aux Essais de Montaigne: réflexion sur des genres”; Michael Jones, “The Reception of the Memoirs of Philippe de Commynes in Early Modern Britain”; Catherine Emerson, “Qui a lu Commynes au XIXe siècle?”; and Philippe Rigaud, “Une galeasse qui estoit myenne: La Nostre Dame Saincte Marie de Philippe de Commynes.” Bloemendal, Jan, Arjan van Dixhoorn, and Elsa Strietman, eds. Literary cultures and public opinion in the Low Countries, 1450–1650. Brill’s Studies in Intellectual History 197. Leiden: Brill, 2011. x + 324 pp. $136. ISBN: 978–90–04–20616–8. Includes: Jan Bloemendal and Arjan van Dixhoorn, “Literary Cultures and Public Opinion in the Early Modern Low Countries”; Samuel Mareel, “‘You serve me well’: Representations of Gossip, Newsmongering and Public Opinion in the Plays of Cornelis Everaert”; Judith Keßler, “‘Please Do Not Mind the Crudeness of its Weave’: Literature, Gender and the Polemic Authority of Anna Bijns”; Verena Demoed, “The Morality of Hypocrisy: Gnapheus’s Latin Play Hypocrisis and the Lutheran Reformation”; Juliette Groenland, “Playing to the Public, Playing with Opinion: Latin and Vernacular Dutch History Drama by Heinsius and Duym”; Moniek van Oosterhout, “Hugo Grotius in Praise of Jacobus Arminius: Arminian Readers of an Epicedium in the Dutch Republic and England”; Nelleke Moser, “Manuscript Pamphlets and Made-Up Performances: New Sources and Challenges in the Study of Public Opinion”; Helmer Helmers, “‘The Cry of the Royal Blood’: Revenge Tragedy and the Stuart Cause in the Dutch Republic, 1649–1660”; Joke Spaans, “‘A Vile and Scandalous Ditty’: Popular Song and Public Opinion in a Seventeenth-Century Dutch Village Conflict”; and Jan Bloemendal and Arjan van Dixhoorn, “Early Modern Literary Cultures and Public Opinion: An Epilogue in the Form of a Discussion.”

Bloemendal, Jan, and Frans-Willem Korsten, eds. Joost Van Den Vondel (1587–1679): Dutch Playwright in the Golden Age. Drama and Theatre in Early Modern Europe 1. Leiden: Brill, 2012. xi + 652 pp. $229. ISBN: 978–90–04–21753–9. Includes: Eddy Grootes and Riet Schenkeveld-van der Dussen, “Vondel’s Dramas: A Chronological Survey”; Riet Schenkeveld-van der Dussen, “Vondel’s Works for the Stage Read and Studied Over the Centuries”; Frans-Willem Korsten, “Vondel’s Dramas: Ways of Relating Present and Past”; Mieke B. Smits-Veldt and Marijke Spies, “Vondel’s Life”; Judith Pollmann, “Vondel’s Religion”; Eddy Grootes, “Vondel and Amsterdam”; Bettina Noak, “Vondel as a Dramatist: The Representation of Language and Body”; Louis Peter Grijp and Jan Bloemendal, “Vondel’s Theatre and Music”; Mieke B. Smits-Veldt, “Vondel’s Dramas: Their Afterlife in Performance”; Guillaume van Gemert, “Vondel’s Reception Abroad”; Jürgen Pieters, “New Historicism — Hierusalem verwoest (1620) and the Jewish Question”; Nina Geerdink, “Politics and Aesthetics — Decoding Allegory in Palamedes (1625)”; Madeleine Kasten, “Translation Studies — Vondel’s Appropriation of Grotius’s Sophompaneas (1635)”; Marco Prandoni, “Intertextuality — Gysbreght van Aemstel (1637)”; Peter G.F. Eversmann, “Dramaturgy — Staging Problems in Gysbreght van Aemstel (1637)”; Mieke Bal, Maaike Bleeker, Bennett Carpenter and Frans-Willem Korsten, “Cultural Analysis — Joseph Plays (1640)”; James A. Parente Jr. and Jan Bloemendal, “The Humanist Tradition — Maria Stuart (1646)”; Stefan van der Lecq, “Deconstruction — Unsettling Peace in Leeuwendalers (1647)”; Jan Frans van Dijkhuizen and Helmer Helmers, “Religion and Politics — Lucifer (1654) and Milton’s Paradise Lost (1674)”; Kristine Steenbergh, “Gender Studies — Emotions in Jeptha (1659)”; Frans- Willem Korsten, “Close Reading and Theory — The David Plays (1660)”; Yasco Horsman, “Psychoanalysis — Law, Theatre and Violence in Samson (1660)”; Jeanne Gaakeer, “Law and Literature — Batavische gebroeders (1663)”; Jan Bloemendal, “New Philology — Variants in Adam in ballingschap (1664)”; Wiep van Bunge, “Philosophy — Noah (1667) about God and Nature”; and Jan Bloemendal, “Bibliography of Vondel’s dramas (1850–2008).” Bond, H. Lawrence and Gerald Christianson. Reform, Representation and Theology in Nicholas of Cusa and His Age. Variorum Collected Studies Series. Farnham: Ashgate Publishing Limited, 2011. xxv + 334 pp. $149.95. ISBN: 978–1–4094–2960–9. Includes: Gerald Christianson, “The Conciliar Tradition and Ecumenical Dialogue”; Gerald Christianson, “G.G. Coulton: The Medieval Historian as Controversialist”; Gerald Christianson, “Aeneas Sylvius Piccolomini and the Historiography of the Council of Basel”; Gerald Christianson, “Annates and Reform at the Council of Basel”; Gerald Christianson, “Wyclif’s Ghost: The Politics of Reunion at the Council of Basel”; Gerald Christianson, “Cusanus, Concord and Conflict”; Gerald Christianson, “Cardinal Cesarini and Cusa’s Concordantia”; H. Lawrence Bond, Gerald Christianson and Thomas M. Izbicki, “Nicholas of Cusa, On presidential authority in a general council”; Gerald Christianson, “Nicholas of Cusa and the Presidency Debate at the Council of Basel, 1434”; Gerald Christianson, “Cusanus, Cesarini, and the Crisis of Conciliarism”; H. Lawrence Bond, “Nicholas of Cusa from Constantinople to ‘learned ignorance’: The Historical Matrix for the Formation of De docta ignorantia”; H. Lawrence Bond, “Nicholas of Cusa and the Reconstruction of Theology: The Centrality of Christology in the Coincidence of Opposites”; H. Lawrence Bond, “Mystical Theology”; H. Lawrence Bond, “The Journey of the Soul to God in Nicholas of Cusa’s De ludo globi”; H. Lawrence Bond, “The ‘Icon’ and the ‘Iconic Text’ in Nicholas of Cusa’s De visione dei I–XVII”; and H. Lawrence Bond, “The Changing Face of Posse: Another Look at Nicholas of Cusa’s De apice theoriae (1464).” Braddick, M. J., and David L. Smith, eds. The Experience of Revolution in Stuart Britain and Ireland: Essays for John Morrill. Cambridge: Cambridge University Press, 2011. xxxv + 312 pp. $99. ISBN: 978–0–521–86896–9. Includes: Mark A. Kishlansky, “JSM: A Tribute to a Friend”; Michael J. Braddick and David L. Smith, “Introduction : John Morrill and the Experience of Revolution”; Joong-Lak Kim, “The Scottish-English-Romish Book: The Character of the Scottish Prayer Book of 1637”; Dagmar Freist, “Popery in Perfection?: The Experience of Catholicism: Henrietta Maria between Private Practice and Public Discourse”; David L. Smith, “Sir Benjamin Rudyerd and England’s ‘Wars of Religion’”; James S. Hart, Jr, “Rhetoric and Reality: Images of Parliament as Great Council”; Ian Atherton, “Cathedrals and the British Revolution”; Michael J. Braddick, “History, Liberty, Reformation and the Cause: Parliamentarian Military and Ideological Escalation in 1643”; Anthony Milton, “Sacrilege and Compromise: Court Divines and the King’s Conscience, 1642– 1649”; D. Alan Orr, “Law, Liberty, and the English Civil War: John Lilburne’s Prison Experience, the Levellers and Freedom”; Tom Webster, “On Shaky Ground: Quakers, Puritans, Possession and High Spirits”; Jonathan Scott, “James Harrington’s Prescription for Healing and Settling”; Ariel Hessayon, “‘The Great Trappaner of England’: Thomas Violet, Jews and Crypto- Jews During the English Revolution and at the Restoration”; Mary K. Geiter, “The Cromwellian Legacy of William Penn”; John McCafferty, “Irish bishops, their Biographers and the Experience of Revolution, 1656–1686”; and Glenn Burgess, “Religion and Civil Society: The Place of the English Revolution in the Development of Political Thought.”

Brusati, Celeste, Karl A. E. Enenkel, and Walter S. Melion, eds. The Authority of the Word: Reflecting on Image and Text in Northern Europe, 1400–1700. Emory University, Lovis Corinth Colloquia III. Intersections: Interdisciplinary Studies in Early Modern Culture 20. Leiden: Brill, 2012. xl + 708 pp. $245. ISBN: 978–90–04–21515–3. Includes: Walter S. Melion, Celeste Brusati and Karl A.E. Enenkel, “Introduction: Scriptual Authority in Word and Image”; Geert Warnar, “The Dominican, the Duke and the Book. The Authority of the Written Word in Dirc van Delft’s Tafel van den kersten gelove (ca. 1400)”; Peter van der Coelen, “Producing Texts for Prints: Artists, Poets and Publishers”; Anita Traninger, “Embodying Hermeneutics: Rabelais and the Pythagorean Symbola”; Catherine Levesque, “Nature Discerned: Providence and Perspective in Gilles van Coninxloo’s Sylva”; Karl A.E. Enenkel, “The Author’s Portrait as Reader’s Guidance: The Case of Francis Petrarch”; Wim François, “Solomon Writing and Resting: Tradition, Words and Images in the 1548 Dutch ‘Louvain Bible’”; Bart Ramakers, “Eloquent Presence: Verbal and Visual Discourse in the Ghent Plays of 1539”; Michel Weemans, “The Earthly Paradise: Herri met de Bles’s Visual Exegesis of Genesis 1–3”; Andrew Morrall, “Representations of Adam and Eve in Late Sixteenth and Seventeent-Century English Embroidery”; John R. Decker, “‘Practical Devotion’: Apotropaism and the Protection of the Soul”; Achim Timmermann, “Highways to Heaven (and Hell): Wayside Crosses and the Making of Late Medieval Landscape”; Kathryn M. Rudy, “Images, Rubrics and Indulgences on the Eve of the Reformation”; Carolyn Muessig, “The Stigmata Debate in Theology and Art in the Late Middle Ages”; Birgit Ulrike Münch, “Towards a Transconfessional Dialogue on Pre-Modern Theological Texts and Images: Some Adnotationes on Nadal, Lipsius and Rubens”; Jan L. de Jong, “Responding to Tomb Monuments: Meditations and Irritations of Aernout van Buchel in Rome (1587–1588)”; Maarten Delbeke, “Miracle Books and Religious Architecture in the Southern Netherlands. The Case of Our Lady of Hanswijk in Mechelen”; Walter S. Melion, “Prayerful Artifice: The Fine Style as Marian Devotion in Hieronymus Wierix’s Maria ca. 1611”; James Clifton, “Secret Wisdom: Antoon Wierix’s Engravings of a Carmelite Mystic”; and Els Stronks, “Working the Senses with Words: The Act of Religious Reading in the Dutch Republic.” De Clippel, Karolien, Katharina Van Cauteren, and Katlijne Van der Stighelen, eds. The Nude and the Norm in the Early Modern Low Countries. Turnhout: Brepols Publishers, 2011. 220 pp. €65. ISBN: 978–2–503–53569–2. Includes: Eric Jan Sluijter, “The Nude, the Artist and the Model: The Case of Rembrandt”; Erna Kok, “The Female Nude from Life: On Studio Practice and Beholder Fantasy”; Victoria Sancho Lobis, “Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe”; Paul Taylor, “Colouring Nakedness in Netherlandish Art and Theory”; Hubert Meeus, “Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries”; Johan Verberckmoes, “Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands”; Ralph Dekoninck, “Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature”; Veerle De Laet, “Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting”; Fiona Healy, “Male Nudity in Netherlandish Painting of the Sixteenth- and Early Seventeenth Centuries”; Marie Geraerts, “Rubens’s Feast of Venus Reconsidered. The Turning of Hearts to or from Love? Sensuality of Virtue?”; Katharina Van Cauteren, “L’Honneur Animant la Beauté: Hendrick De Clerck’s Diana Paintings for the Archdukes Albert and Isabella”; and Karolien De Clippel, “Altering, Hiding and Resisting. The Rubensian Nude in the Face of Censorship.” Cohen, Adam Max. Wonder in Shakespeare. New York: Palgrave Macmillan, 2012. x + 226 pp. $85. ISBN: 978–0–230–10541–6. Includes: Adam Max Cohen, “Wonder, Amazement, and Surprise: Beginning a Stunning Story”; “Resurrections of the Living and the Dead: Natural and Spiritual Bodies and Souls”; “‘Die to Live’: Various Forms of Empathetic Wonder”; “The Metaphorical Use of the Prodigious Birth Tradition”; “More of a Prodigy than a Prophecy”; “Wonder, Awe, and Admiration: Shakespeare’s Cabinets of Curiosity”; “Transalpine Wonders: Shakespeare’s Marvelous Aesthetics”; Maura Tarnoff, “Embodying Wonder”; Janna Segal, “The Aesthetic Resurrection of the ‘Death-mark’d’ lovers in Romeo and Juliet”; M. G. Aune, “The ‘Spectacle of Conversion,’ Wonder, and Film in The Merchant of Venice ”; Rebecca Steinberger, “God Save the King: Richard II in Wonder-land”; Kristin Keating and Bryan Reynolds, “A World of (No) Wonder, or No Wonder-Wounded Hearers Here: Toward a Theory on the Vanishing Mediation of ‘No Wonder’ in Shakespeare’s Theater”; and Joshua B. Fisher, “Passing for Truth: Wonder Tales and Their Audiences in Othello.” Cull, John T., and Peter M. Daly, eds. In Nocte Consilium: Studies in Emblematics in Honor of Pedro F. Campa. Saecula spiritalia Bd. 46. Baden-Baden: Verlag Valentin Koerner, 2011. 515 pp. €96. ISBN: 978–3–87320–446–1. Includes: John T. Cull and Peter M. Daly, “Preface”; Ignacio Arellano, “Emblems in the Palace Plays of Calderón (The Symbolic Bestiary)”; José Azanza López, “An Emblematic Reading of A Regal Epistolary Exchange: Philip IV’s Letters to Sister Maria De Ágreda, in the Light of Saavedra Fajardo”; Christian Bouzy, “Latin Authors in the Emblemas Morales of Juan de Horozco”; Frederick A. De Armas, “Venus in Taurus: Epic and Emblematic Astrology in Lope de Vega’s Las almenas de Toro”; Aurora Egido, “The Heart of the King in Baltasar Gracián”; José Julio García Arranz, “The Whore of Babylon: Tradition and Iconography of an Apocalyptic Motif in Service of Modern Religious Polemics”; Rafael Zafra, “Clarifications and New Data on the Works of Juan de Horozco y Covarrubias”; Peter M. Daly, “How Many Printed Emblem Books Were There? And How Many Printed Emblems Does That Represent?”; Lubomír Konečný, “The Emblem Theory and Practice of Bohuslav Balbín, S.J.”; Bárbara Skinfill Nogal, “Multiple Glances at the Mundus Symbolicus by Filippo Picinelli. A Biographical Approach”; Michael E. Bath, “Sixteenth-Century Romayne Heads: Engravings by Virgil Solis Copied on Four Panels in the Victoria and Albert Musuem”; Antonio Bernat Vistarini and Tamás Sajó, “Veritas filia Dei. The Iconography Between Two Cultural Horizons in the Ithica hieropoloitica”; Joseph F. Chorpenning, O.S.F.S., “Pilgrimage with the Redeemer in the Womb: St. Francis de Sales’s 1610 Meditation on the Biblical Mystery of the Visitation”; Bernard Deschamps, “Imagery for a New Country: The Posters of the Oui-Side in the 1995 Quebec Referendum Campaign”; Rafael García Mahíques, “Aspects of the Fig Tree and its Fruit in Emblematics”; Victor Minguez and Inmaculada Rodriguez, “The Urban Emblems of Daniel Meisner. The Image of the City as a Treasury of Knowledge (1700)”; Sabine Mödersheim, “The Fervent Heart: Isabella de Spiritu Sancto’s Herzbücher (Books of the Heart)”; and Alan R. Young, “Kenny Meadows and the Emblematic Designs for Shakespeare’s Cymbeline in Robert Tyas’s “Shakspere for the People” Project (1839–43).” Cuttica, Cesare, and Glenn Burgess, eds. Monarchism and Absolutism in Early Modern Europe. Political and Popular Culture in the Early Modern Period 4. London: Pickering & Chatto, 2012. xiii + 298 pp. £60. ISBN: 978–1–84893–198–5. Includes: Cesare Cuttica and Glenn Burgess, “Introduction: Monarchism and Absolutism in Early Modern Europe”; Janet Coleman, “A Culture of Political Counsel: The Case of Fourteenth- Century England’s ‘Virtuous’ Monarchy vs Royal Absolutism and Seventeenth-Century Reinterpretations”; Edward Vallance, “Royalist Absolutism in the 1650s: The Case of Robert Sheringham”; Gaby Mahlberg, “Patriarchalism and the Monarchical Republicans”; John Christian Laursen, “Cynic Kingship in the German Enlightenment”; László Kontler, “Polizey and Patriotism: Joseph Von Sonnenfels and the Legitimacy of Enlightened Monarchy in the Gaze of Eighteenth-Century State Sciences”; Henrik Horstbøll, “Absolutism, Patriotism and Publicity in Denmark-Norway in the Eighteenth Century: Jens Schielderup Sneedorff, Andreas Schytte and Frederik Sneedorff”; Girolamo Imbruglia, “Jansenist Jurisdictionalism and Enlightenment: Two Ways of Thinking Politics in Mid-Eighteenth-Century Naples”; Johann P. Sommerville, “Early Modern Absolutism in Practice and Theory”; Cesare Cuttica, “An Absolutist Trio in the Early 1630s: Sir Robert Filmer, Jean-Louis Guez De Balzac, Cardin Le Bret and Their Models of Monarchical Power”; Glenn Burgess, “Tyrants, Absolute Kings, Arbitrary Rulers and The Commonwealth Of England: Some Reflections On Seventeenth- Century English Political Vocabulary”; Michael Seidler, “‘Monstrous’ Pufendorf: Sovereignty and System in the Dissertations”; Ioannis Evrigenis, “Absolute Chaos, Absolute Order: The Rhetoric of the State of Nature in the Discourse of Sovereignty”; Luisa Simonutti, “Bayle on Brutus: A Paradoxical Issue?”; and Tim Hochstrasser, “‘More Long-Lasting Than Bronze?’ Statues, Public Commemoration and Representations of Monarchy in Diderot’s Political Thought.” Delbeke, Maarten, and Minou Schraven, eds. Foundation, Dedication, and Consecration in Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture 22. Leiden: Brill, 2012. xxv + 388 pp. $179. ISBN: 978–90–04–21757–7. Includes: Maarten Delbeke and Minou Schraven, “Foundation, Dedication and Consecration in Early Modern Europe. An Introduction”; Berthold Hub, “Founding an Ideal City in Filarete’s Libro Architettonico”; Roger J. Crum, “Stepping out of Brunelleschi’s Shadow: The Consecration of Santa Maria del Fiore as International Statecraft in Medicean Florence”; Brian Jeffrey Maxson, “Establishing Independence: Leonardo Bruni’s History of the Florentine People and Ritual in Fifteenth-Century Florence”; Susan J. May, “Pienza: Relics, Ritual and Architecture in the City of a Renaissance Pope”; Minou Schraven, “Founding Rome Anew. Pope Sixtus IV and the Foundation of Ponte Sisto, 1473”; Piers Baker-Bates, “A Means for the Projection of ‘Soft Power’: ‘Spanish’ Churches at Rome 1469–1527”; Jorge Correia, “Clash of Power and Creed: Cultural (Re)foundations in Northwest Africa”; Carmelina Gugliuzzo, “Building a Sense of Belonging: The Foundation of Valletta in Malta”; Alison C. Fleming, “St Ignatius of Loyola’s ‘Vision at La Storta’ and the Foundation of the Society of Jesus”; Andrew Spicer, “Consecration and Violation: Preserving the Sacred Landscape in the (Arch)diocese of Cambrai, c. 1550–1570”; Dagmar Germonprez, “Foundation Rites in the Southern Netherlands: Constructing a Counter-Reformational Architecture”; Anne-Françoise Morel, “Church Consecration in England 1549–1715: An Unestablished Ceremony”; Almut Pollmer-Schmidt and Bernward Schmidt, “Ritual and its Negation. ‘Dedicatio Ecclesiae’ and the Reformed First Sermon”; Indra Kagis McEwen, “Midsummer Moderns: The Foundation of the Paris Observatory, 21 June 1667”; and Colin F. Wilder, “The Importance of Beginning, Over and Over: The Idea of Primitive Germanic Law.” Edwards, Peter, Karl A. E Enenkel, and Elspeth Graham, eds. The Horse as Cultural Icon: The Real and the Symbolic Horse in the Early Modern World. Intersections: Interdisciplinary Studies in Early Modern Culture 18. Leiden: Brill, 2011. xviii + 408 pp. $149. ISBN: 978–90–04– 21206–0. Includes: Peter Edwards and Elspeth Graham, “Introduction: The Horse as Cultural Icon: The Real and the Symbolic Horse in the Early Modern World”; Elspeth Graham, “The Duke of Newcastle’s ‘Love [...] For Good Horses’: An Exploration of Meanings”; Pia F. Cuneo, “Visual Aids: Equestrian Iconography and the Training of Horse, Rider and Reader”; Greg Bankoff, “Big Men, Small Horses: Ridership, Social Standing and Environmental Adaptation in the Early Modern Philippines”; Elizabeth Anne Socolow, “Letting Loose the Horses: Sir Philip Sidney’s Exordium to The Defence of Poesie”; Elizabeth M. Tobey, “The Legacy of Federico Grisone”; Ian F. MacInnes, “Altering a Race of Jades: Horse Breeding and Geohumoralism in Shakespeare”; Richard Nash, “‘Beware a Bastard Breed’: Notes toward a Revisionist History of the Thoroughbred Racehorse”; Louise Hill Curth, “‘The Most Excellent of Animal Creatures’: Health Care for Horses in Early Modern England”; Sandra Swart, “‘Dark Horses’: The Horse in Africa in the Sixteenth and Seventeenth Centuries”; Andrea Tonni, “The Renaissance Studs of the Gonzagas of Mantua”; Peter Edwards, “Image and Reality: Upper Class Perceptions of the Horse in Early Modern England”; Jennifer Flaherty, “‘Know us by Our Horses’: Equine Imagery in Shakespeare’s Henriad”; Elaine Walker, “‘The Author of their Skill’: Human and Equine Understanding in the Duke of Newcastle’s ‘New Method’”; Gavin Robinson, “The Military Value of Horses and the Social Value of the Horse in Early Modern England”; and Amanda Eiseman, “Forging Iron and Masculinity: Farrier Trade Identities in Early Modern Germany.” Elsig, Frédéric, ed. Peindre en France à la Renaissance: I. Les courants stylistiques au temps de Louis XII et de François Ier. Milan: Silvana, 2011. 329 pp. €35. ISBN: 978–883662110–1. Includes: Françoise Gatouillat, “Le peintre verrier parisien Jacques Rousseau ou le succès d’un retardataire”; Laurence Riviale, “Des Triomphes de Pétrarque aux Triomphes de la Vierge: les relations entre Godefroy le Batave, peintre du roi François Ier et Engrand et Jean le Prince, peintres verriers de Beauvais”; Guy-Michel Leproux, “Les peintres et l’enluminure à Paris au XVIe siècle”; Cécile Scailliérez, “Aux confins de la France et des Pays-Bas: le Maître des Signes de la fin du monde”; François Avril, “Une personnalité inconnue de la Renaissance dijonnaise: l’enlumineur des Machéco (Oudot Matuchet?)”; Matthieu Gilles, “Le retable de Clairvaux et son peintre”; Frédéric Elsig, “Grégoire Guérard et la peinture à Troyes”; Stéphanie Deprouw- Augustin, “Deux œuvres inédites du Maître de Dinteville (Bartholomeus Pons?): les bannières des Arts décoratifs”; Imola Kiss, “Les débuts de Simon de Châlons: quelques pistes de recherche”; Jean-Claude Boyer, “Fiamminghi en terre d’oc? Le cas de la Sainte Famille du chanoine Regin”; Philippe Lorentz, “Jean Hey et le vitrail. Une œuvre méconnue du peintre des Bourbons à la cathédrale de Moulins”; Martha Wolff, “Le processus créatif de Jean Hey”; Nicholas Herman, “‘Ut certius et melius ipsum depingeret’: observations sur la production et l’activité tardive de Jean Bourdichon”; Michel Hérold, “La vie de saint Vincent du musée George Sand de la Châtre, une œuvre inédite de Jean Lécuyer”; Audrey Nassieu Maupas, “Des mécènes méconnus: Gabriel Gouffier, doyen de Sens, et sa famille”; Mauro Natale, “Fragments épars d’art français. ‘Battles do not provide good visual material’”; and Dominique Cordellier, “Précisions sur quelques apports des peintres florentins à l’art en France: Andrea del Sarto, Rosso Fiorentino, Andrea Sgauzzella, Giovanni Capassini.” Feerick, Jean E., and Vin Nardizzi, eds. The Indistinct Human in Renaissance Literature. Early Modern Cultural Studies 1500–1700. New York: Palgrave Macmillan, 2012. xi + 292 pp. £52. ISBN: 978–0–230–34047–3. Includes: Jean E. Feerick and Vin Nardizzi, “Introduction: Swervings: On Human Indistinction”; Laurie Shannon, “The Eight Animals in Shakespeare; or, Before the Human”; Steve Mentz, “‘Half-Fish, Half-Flesh’: Dolphins, the Ocean, and Early Modern Humans”; Dan Brayton, “Royal Fish: Shakespeare’s Princely Whales”; Jay Zysk, “You Are What You Eat: Cooking and Writing Across the Species Barrier in Ben Jonson’s Bartholomew Fair”; Erin Ellerbeck, “‘A Bett’ring of Nature’: Grafting and Embryonic Development in The Duchess of Malfi”; Miranda Wilson, “Bastard Grafts, Crafted Fruits: Shakespeare’s Planted Families”; Vin Nardizzi, “The Wooden Matter of Human Bodies: Prosthesis and Stump in A Larum for London”; Marjorie Swann, “Vegetable Love: Botany and Sexuality in Seventeenth-Century England”; Hillary M. Nunn, “On Vegetating Virgins: Greensickness and the Plant Realm in Early Modern Literature”; Tiffany Jo Werth, “A Heart of Stone: The Ungodly in Early Modern England”; Jennifer Waldron, “Of Stones and Stony Hearts: Desdemona, Hermione, and Post-Reformation Theater”; Jean E. Feerick, “Groveling with Earth in Kyd and Shakespeare’s Historical Tragedies”; and Ian MacInnes,“The Politic Worm: Invertebrate Life in the Early Modern English Body.” Fondation Barbier-Mueller. Italique: Poésie italienne de la Renaissance. XIV. Geneva: Librairie Droz, 2011. 205 pp. ISBN: 978–2–600–01536–3. Includes: Stefano Jossa, “European Petrarchism. Reading and Writing Petrarch in the Renaissance. — Petrarchismo europeo. Leggere e scrivere Petrarca nel Rinascimento (Presentazione)”; Roberto Gigliucci, “Due sonetti di Camões e la tradizione italiana”; Hélio J.S. Alves, “Mouzinho’s Sonnet 40: A Reading in Four Stanzas”; William J. Kennedy, “A Reading of ‘Quand vous serez bien vielle, au soir à la chandelle’ by Pierre Ronsard”; Rosanna Camerlingo, “Angels and Devils in Shakespeare’s Sonnet 144”; Antonio Gargano, “‘Sparsae frondes’ e ‘speranze sparte’: lettura del sonetto di Garcilaso de la Vega ‘¡Oh hado secutivo en mis dolores!’”; Roland Béhar, “Lettura di ‘Ya siento el dulce espíritu de l’aura’ di Fernando de Herrera”; José María Micó, “Un sonetto di Góngora: ‘Descaminado, enfermo, peregrine’”; Luca Milite, “Un’ altra implicazione senese per un sonetto di Galeazzo di Tarsia”; Franco Pignatti, “Obituaria laschiana”; and Johannes Bartuschar, “Le Triomphe de Vénus et de la poésie: autour des ‘Stanze’ de Pietro Bembo.”

Fresco, Karen Louise, and Anne Dawson Hedeman, eds. Collections in Context: The Organization of Knowledge and Community in Europe. Text and Context. Columbus: Ohio State University Press, 2011. xvii + 342 pp. $54.95. ISBN: 978–0–8142–1171–7. Includes: Charlotte Bauer, “Introduction: Collections Rediscovered and Redefined”; Peter Ainsworth, “Collections: Editing, Exhibitions and e-Science Initiatives”; Nancy Freeman Regalado, “The Wings of Chivalry and the Order of Bodleian Library, Ms. Douce 308”; Julia Simms Holderness, “Buried Treasure: A Lost Document from the Debate on the Romance of the Rose”; Eleonora Stoppino, “Pages Filled with Dreams: Notes on the Reorganization of Epic Cycles in Fifteenth-Century Italy”; Marcus Keller, “The Turk in the Trésor politique (1598/1608) or the Anthological as Political Mode”; Anne D. Hedeman, “Collecting Images: The Role of the Visual in the Shrewsbury Book (BL Ms. Royal 15 E. vi)”; Andrew Taylor, “The Time of an Anthology: BL Ms. Royal 15 E. vi and the Commemoration of Chivalric Culture”; Craig Taylor, “The Treatise Cycle of the Shrewsbury Book, BL Ms. Royal 15 E. vi”; Karen Fresco, “Christine de Pizan’s Livre des fais d’armes et de chevalerie and the Coherence of BL Ms. Royal 15 E. vi”; Erin K. Donovan, “A Livre d’Eracles within the Library of the Fifteenth- Century Flemish Bibliophile, Louis de Bruges: Paris, BnF Ms. fr. 68 in Context”; Kathryn A. Duys, “Reading Royal Allegories in Gautier de Coinci’s Miracles de Nostre Dame: The Soissons Manuscript (Paris, BnF, Ms. n. a. fr. 24541)”; Elissa B. Weaver, “The Prato fiorito, the Selva di cose diverse and Other Compilations by Suor Fiammetta Frescobaldi”; Paula Mae Carns, “A Curious Collection in Ivory: The Lord Gort Casket”; Carol Symes, “Repeat Performances: Adam de la Halle, Jehan Bodel, and the Reusable Pasts of Their Plays”; and Tania Van Hemelryck, “Afterword: Of Books and Other Miscellaneous Revolutions: Medieval Miscellanies in Context.” Galand, Perrine, and John Nassichuk, eds. Aspects du lyrisme conjugal à la Renaissance. Travaux d’Humanisme et Renaissance 486. Geneva: Librairie Droz, 2011. 444 pp. $99.91. ISBN: 978–2–600–01270–6. Includes: Anne Bouscharain, “Sources et expression du lyrisme conjugal dans les Carmina de Baldassare Castiglione”; John Nassichuk, “Images de l’union conjugale dans l’œuvre poétique de Giovanni Pontano”; Jean Lecointe, “Familiari consortio. Lyrisme conjugal, style familier et sacrement du mariage, dans les Epistres morales et familieres de Jean Bouchet (1545)”; Suzanne Laburthe, “De la Nymphe à la Sainte: continuité et discontinuité de la représentation de l’éspouse dans l’œuvre du poète Jean Salmon Macrin”; Catherine Langlois-Pézeret, “Le Genethliacum d’Etienne Dolet (1539): entre célébration intime et manifeste collectif”; Virginie Leroux, “Le lyrisme conjugal dans les Poematia de Jules-César Scaliger”; Philip Ford, “La louange de l’amour conjugal dans les Odes de Jean Dorat”; George Hugo Tucker, “Alceste et Admète: amour, amitié et deuils conjugaux dans les Tumuli (Poematum libri quatuor, 1558) de Joachim Du Bellay (dans la mouvance de Salmon Macrin, de Pontano et d’Euripide)”; Jean Vignes, “Jean-Antoine de Baïf, poète du deuil conjugal par procuration”; John Nassichuk, “Imitatio Virgiliana et deuil conjugal dans l’Epitaphium Dianae Baldoriae uxores de Louis Des Masures (1554)”; Anne-Pascale Pouey-Mounou, “Pierre de Brach et ses Amours d’Aymée: un amour sans histoire?”; Michel Jourde, “Le mariage empêché d’Auger Gaillard”; Loris Petris, “Artémise, veuve exemplaire à la Renaissance”; Perrine Galand, “Deuil conjugal et inspiration mélancolique dans l’Epicède sur la mort de Gertrud, son épouse, par Jacobus Micyllus (1548)”; Walther Ludwig, “Un traité protestant sur le mariage. Le recuil des Carmina et Epistolae de Coniugio ad D. Davidem Chytraeum (1562)”; and Aline Smeesters, “Amour conjugal et paternité chez Rycquius, Scholirius et Bultelius.” Hampe, Michael, Ursula Renz, and Robert Schnepf, eds. Spinoza’s Ethics: A Collective Commentary. Brill’s Studies in Intellectual History 196. Leiden: Brill, 2011. xiii + 386 pp. $183. ISBN: 978–90–04–19425–0. Includes: Michael Hampe, Ursula Renz, and Robert Schnepf, “Introduction”; Michael Della Rocca, “Explaining Explanation and the Multiplicity of Attributes in Spinoza”; Robert Schnepf, “The One Substance and Finite Things (1p16–28)”; Dominik Perler, “The Problem of Necessitarianism (1p28–36)”; Michael Pauen, “Spinoza and the Theory of Identity (2p1–13)”; Ursula Renz, “The Definition of the Human Mind and the Numerical Difference between Subjects (2p11–2p13s)”; Stephen Gaukroger, “Spinoza’s Physics (Lemmata Following 2p13)”; Christof Ellsiepen, “The Types of Knowledge (2p38–47)”; Thomas Cook, “Conatus: A Pivotal Doctrine at the Center of the Ethics”; Pierre-François Moreau, “Imitation of the Affects and Interhuman Relations”; Jens Kulenkampff, “What Freedom Means”; Jean-Claude Wolf, “Human Non-Freedom and Disillusionment (4praef–4p18)”; Manfred Walther, “Elementary Features of Spinoza’s Political Philosophy (4p37s2)”; Wolfgang Bartuschat, “The Theory of the Good in Part 4 of the Ethics”; Michael Hampe, “The Life of Free Persons Guided by Reason”; Herman de Dijn, “Ethics as Medicine for the Mind (5p1–20)”; Thomas Kisser, “The Third Category of Knowledge and the Rational Love of God”; Alexandre Matheron, “Remarks on the Immortality of the Soul in Spinoza”; Wiep van Bunge, “Spinoza and the Idea of a Scientific Moral Philosophy”; and Ursula Goldenbaum, “The Pantheismusstreit – Milestone or Stumbling Block in the German Spinoza Reception?” Haskell, Yasmin. Diseases of the Imagination and Imaginary Disease in the Early Modern Period. Early European Research 2. Turnhout: Brepols, 2011. xxvi + 426 pp. €95. ISBN: 978–2– 503–52796–3. Includes: German Berrios, “Preface”; Yasmin Haskell, “Introduction: When is a Disease not a Disease? Seeming and Suffering in Early Modern Europe”; Guido Giglioni, “Coping with Inner and Outer Demons: Marsilio Ficino’s Theory of the Imagination”; Angus Gowland, “Melancholy, Imagination, and Dreaming in Renaissance Learning”; Donald Beecher, “Witches, the Possessed, and the Diseases of the Imagination”; Sharon T. Strocchia, “The Melancholic Nun in Late Renaissance Italy”; Judith Bonzol, “Afflicted Children: Supernatural Illness, Fear, and Anxiety in Early Modern England”; Dale Shuger, “Beyond Allegory: The Meanings of Madness in Early Modern Spain”; Monica Calabritto, “Tasso’s Melancholy and its Treatment: A Patient’s Uneasy Relationship with Medicine and Physicians”;Thomas Rütten, “Masquerades with the Dead: The Laughing Democritus in an Observatio on Melancholy by Pieter van Foreest”; Hans De Waardt, “‘Lightning strikes, wherever ire dwells with power’: Johan Wier on Anger as an Illness”; Yasmin Haskell, “The Anatomy of Hypochondria: Malachias Geiger’s Microcosmus hypochondriacus (Munich, 1652)”; Brett D. Hirsch, “Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi”; Koen Vermeir, “Vampires as Creatures of the Imagination: Theories of Body, Soul, and Imagination in Early Modern Vampire Tracts (1659–1755)”; Heather Meek, “‘[W]hat fatigues we fine ladies are fated to endure’: Sociosomatic Hysteria as a Female ‘English Malady’”; and George S. Rousseau, “Envoi: The Afterlife of Maladies Imaginaires.” Heinen, Ulrich, ed. Welche Antike?: Konkurrierende Rezeptionen des Altertums im Barock. 2 vols. Wolfenbütteler Arbeiten zur Barockforschung 47. Wiesbaden: Harrassowitz (in Kommission), 2011. 1176 pp. €169. ISBN: 978–3–447–06405–7. Includes: Ulrich Heinen, “Einleitung”; Thomas Leinkauf, “Die Frühe Neuzeit und die antike Philosophie”; Gerrit Walther, “Barocke Antike und barocke Politik. Ein Überblick”; Nicolette Mout, “Zuviel Antike? Justus Lipsius als Zankapfel zwischen Katholiken und Protestanten. Ansichten über den Staat und den Krieg”; Ingo Herklotz, “Der Antiquar als komische Figur. Ein literarisches Motiv zwischen Querelle und altertumswissenschaftlicher Methodenreflexion”; Werner Oechslin, “Das Wort ‘klassisch’ hat für uns etwas Erkältendes. (Heinrich Wölfflin)”; Elisabeth Klecker and Dirk Niefanger, “Einleitung der Sektion: Antike Gemeinschaften und Herrschaftsformen im gesellschaftlichen Streit des Barock”; Hartmut Laufhütte, “Der Umgang mit der Antike in Sigmund von Birkens Herrscherpanegyrik”; Harald Bollbuck, “‘Quem imiter?’ Antiquarische Forschung und Philologie bei Martin Opitz”; Werner Wilhelm Schnabel, “Griechen, Römer und die ‘alten Teutschen’. Normhegemonie und kulturelle Perspektivierung in Zincgrefs Apophthegmata”; Susanne Rode-Breymann, “Lebensbilder hervorragender Tüchtigkeit. Plutarch-Rezeption in Opern am Habsburger Kaiserhof. Ein Versuch”; Sebastian Werr, “Gegenwart als Fortsetzung der Antike. Zur Formung von Herrscherbildern in und durch Münchner Opern des späten 17. Jahrhunderts”; Thorsten Fitzon, “‘Brutus die König hat verjagt’. Antiker Republikanismus auf bürgerlichen Bühnen. Caspar Brülowm Josua Wetter und Andreas Gryphius im Vergleich”; Cornelis van der Haven, “Staats-Torheit oder Freiheitskampf? Die Revolte des Brutus auf der Amsterdamer und Hamburger Bühne”; Lubomír Konećný, “Raising on a Shield. The Afterlife of an Ancient Pathosformel in Seventeenth-Century Art and Politics”; Nils Büttner, “Aurei saeculi imago. Antike als Instrument politischer Konflikte in den Niederlanden”; Christof Ginzel, “Joseph von Arimathäa, Konstantin der Große und Jakob I. von Großbritannien. Die Rezeption des Frühen Christentums in Magna Britannia zwischen nationaler Selbstinszenierung und monarchischem Kalkül”; Mara R. Wade, “Die Pax Danica und die frühneuzeitliche Idee der klassischen Monarchie. Dänische Hoffeste und das Imperium maris Baltici”; Isabella Woldt, “Sobieskis Königsresidenz in Wilanów und Krasińskis Palais in Warschau. Architektur im Spannungsfeld von Antikenrezeption und Sarmatismus im Barock”; Zrinka Blažević, “How to revive Illyricum? Political Institution of the ‘Illyrian Emperors’ in Early Modern Illyrism”; Caroline Callard, “Du bon usage des Étrusques dans l’Italie du Seicento. Les enjeux de la querelle des fausses antiquités de Volterra”; Alfred Noe, “Die Religionen der Antike und ihr Zusammenleben in Honoré d’Urfés Astrée”; Bartosz Awianowicz, “Die Progymnasmata-Sammlungen und der Glaubenskampf des 17. Jahrhunderts”; Nadja Horsch, “Gregory Martins Roma sancta (1581). Eine exemplarische Quelle zur Rezeption der christlichen Spätantike im posttridentinischen Rom”; David Ganz, “Rückblick im Zwiespalt. Frühchristliche Kunst im nachtridentinischen Rom”; Daniel Bolliger, “Johann Conrad Dannhauers Christeis sive drama sacrum (Straßburg 1646). Die Geschichte der Alten Kirche als konfessionelles Drama”; Silke-Petra Bergjan, “Die Literatur des antiken Christentums im Sabbatstreit in den Niederlanden. Die Anfänge der akademischen Auseinandersetzung”; Dietrich Hakelberg, “‘Heidnische Greuel und abscheulicher Leichen-Brand.’ Archäologische Praxis und die Pietismuskontroverse bei David Sigmund Büttner (1660–1719)”; Anne Eusterschulte, “Die kritische Revision des christlichen Platonismus bei Jakob Thomasius”; Hanns-Peter Nuemann, “Hermes oder Pythagoras. Die Diskreditierung des Hermetismus durch Isaac Casaubon und der Versuch seiner Rehabilitation bei Ralph Cudworth”; Yossef Schwartz, “Die Frage nach dem Ursprung der Kabbala im Denken des 17. Jahrhunderts”; Barbara Mahlmann-Bauer, “Frömmigkeit zwischen Reformation und Gegenreformation im antiken Gewand. Das Beispiel der Gedichte Heinrich Glareans. Mit einem Exkurs zu einer Vertonung Glareans von Melanie Ward”; Ferdinand van Ingen, “Märtyrer. Ein Verhaltensmuster der christlichen Antike und seine Umbildung im Protestantismus der Frühen Neuzeit”; Vanessa von der Lieth, “Die Rezeption antiker Mythologeme im Betrachtungswerk Catharina Regina von Greiffenbergs”; Rosmarie Zeller, “Moralische und Politische Modelle und Antimodelle in Seckendorffs Kommentar zu Lucans Pharsalia und Corneilles La Mort de Pompée”; Gilbert Hess, “Figurationen der Person Neros im Barock”; Guillaume van Gemert, “Boethius als Lebensmodell. Christian Knorr von Rosenroth und Johann Hellwig in Konkurrenz”; Stefanie Arend, “Lob was dürr — Der Wert der schönen Körperform. Jacob Baldes satirischer Wettstreit zwischen den Mageren und den Feisten”; Ulrich G. Leinsle, “Antike Lebenskonzepte in jesuitischer Wirklichkeit. Die akademischen Reden und Progymnasmata Latinitatis des Jakob Pontanus”; Jörn Steigerwald, “Urbanitas. Ausfaltungen der höfischen Ethik zwischen Guez de Balzac und Christian Thomasius”; Ulrich Heinen and Sandra Richter, “Einleitung der Sektion. Antike Künste in den Kunstkontroversen des Barock”; Martin Disselkamp, “Antiquarische Verwirrungen. Rom als Herausforderung an das mittelalterliche und frühneuzeitliche Wissen von der Antike”; Thomas Behme, “Erhard Weigels Programm einer Wiederherstellung der aristotelischen Philosophie aus dem Geist des Euklid”; Simone Des Angelis, “Autopsie und Autorität. Zum komplexen Verhältnis zweier medizinischer Basiskonzepte und ihrer Funktion in der Formation einer ‘Wissenschaft vom Menschen’ im 17. und 18. Jahrhundert”; Thomas Schirren, “Die Statuslehre in Vossius’ Commentarii Rhetorici von 1630”; Ulrike Zeuch, “Literatur als Mimesis eines der Möglichkeit nach Wahrscheinlichen oder Notwendigen. Zur Rezeption des neunten Kapitels der Poetik des Aristoteles im Barock”; Sandra Richter, “Außer Konkurrenz? Die Ars poetica des Horaz in Kommentar und Poetik des 16. und 17. Jahrhunderts”; Elisabeth Rothmund, “Antike Vorbilder und neue Dichtungsformen im deutschen Barock”; Katrin Kohl, “Inspiration, Ingenium, Technik. Die apologetische Bedeutung der Ursprungstopik in der deutschsprachigen Kunsttheorie und Poetik der Frühen Neuzeit”; Minna Skafte Jensen, “Competing Aesthetics in the Poetry of Zacharias Lund (1608–1667)”; Annett Volmer, “Die Umwertung der Antikerezeption als Memoria-Konzeption in den Schriften italienischer Autorinnen um 1600”; Laure Gauthier, “Der paradoxe Status der Oper im 17. Jahrhundert. Eine ‘neue’ antik fundierte Kunst”; Marie-Thérèse Mourey, “Antike Quellen in der Legitimation der Tanzkunst”; Nadia J. Koch, “Der Paradigmenwechsel von der ars zum artifex um 1600. Ludovicus Demontiosius’ und Franciscus Junius’ Systematiken der antiken Künste”; Stefan Schweizer, “Konkurrenzen zwischen Text- und Artefaktautorität. Atlanten, Karyatiden und Perser in der Architektur und Architekturtheorie des Barock”; Damian Dombrowski, “Bernini ‘moderno’? Bemerkungen zur kontroversen Antikenrezeption in der Skulptur des römischen Hochbarock”; and Anna Schreurs, “‘Stehet Rom, der Städte Ruhm/ Auf dem Raum der Teutschen Erde? Soll Tarpejens Alterthum Jetzt den Allemannen weden?’ Antworten des Künstlers und Kunstliteraten Joachim von Sandrart auf diese Frage.” Hirai, Hiro, and Jan Papy. Justus Lipsius and Natural Philosophy: 30 November 2007. [Brussel]: Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten, 2011. 122 pp. n.p. ISBN: 978–90–6569–09006. Includes: Jan Papy, “Lipsius’ Stoic Physics and the Neostoic Reading of the World”; Jacqueline Lagrée, “La physique de Lipse comme métaphysique”; Guido Giglioni, “Justus Lipsius and the Notion of οἰϰείωσις: A Note on the Early Modern Notion of Self-Preservation”; Bernard Joly, “Principe, élément ou qualité: le problème du feu dans la physique stoïcienne de Juste Lipse”; Hiro Hirai, “Justus Lipsius on the World-Soul between Roman Cosmic Theology and Renaissance Prisca Theologia”; Gianni Paganini, “Les enjeux de la cosmobiologie à la fin de la Renaissance: Juste Lipse et Giordano Bruno”; Kuni Sakamoto, “Eclecticism as Seneca’s Heritage: Evil and the Cosmic Cycle in Justis Lipsius”; and Dana Jalobeanu, “Francis Bacon and Justus Lipsius: Natural Philosophy, Natural Theology and the Stoic Discipline of the Mind.” Hoyle, Richard W., ed. Custom, Improvement and the Landscape in Early Modern Britain. Farnham: Ashgate Publishing Limited, 2011. x + 318 pp. $124.95. ISBN: 978–1–4094–0052–3. Includes: R.W. Hoyle, “Introduction: Custom, Improvement and Anti-improvement”; R.W. Hoyle, “Cromwell v Taverner: Landlords, Copyholders and the Struggle to Control Memory in mid-16th Century Norfolk”; Heather Falvey, “The Articulation, Transmission and Preservation of Custom in the Forest Community of Duffield (Derbyshire)”; Nicola Whyte, “Contested Pasts: Custom, Conflict and Landscape Change in West Norfolk, c.1550–1650”; Paul Warde, “The Idea of Improvement, c.1520–1700”; H.R. French, “The Common Fields of Urban England: Communal Agriculture and the ‘politics of entitlement’, 1500–1750”; Bill Shannon, “Approvement and Improvement in the Lowland Wastes of Early Modern Lancashire”; Elizabeth Griffiths, “‘A country life’: Sir Hamon Le Strange of Hunstanton in Norfolk, 1583– 1654”; Julie Bowring, “Between the Corporation and Captain Flood: The Fens and Drainage after 1663”; Briony McDonagh, “‘All towards the improvements of the estate’: Mrs Elizabeth Prowse at Wicken (Northamptonshire), 1764–1810”; and Alasdair Ross, “Improvement on the Grant estates in Strathspey in the Later 18th Century: Theory, Practice and Failure.” Knoppers, Laura L., ed. Milton Studies Volume 52. Pittsburgh: Duquesne University Press, 2011. ix +316 pp. $58. ISBN: 978–0–8207–0451–7. Includes: Nicholas McDowell, “How Laudian was the Young Milton?”; William Walker, “Rhetoric, Passion, and the Belief in The Readie and Easie Way”; Su Fang Ng, “Pirating Paradise: Alexander the Great, the Dutch East Indies, and Satanic Empier in Paradise Lost”; Christopher Baker, “‘Greedily she ingorg’d’: Eve and the Bread of Life”; Neil Graves, “The Trinity in Milton’s Hell”; Stephen Hequembourg, “Monism and Metaphor in Paradise Lost”; Ayelet C. Langer, “‘Pardon may be found in time besought’: Time Structures of the Mind in Paradise Lost”; Jeffrey Alan Miller, “Reconstructing Milton’s Lost Index Theologicus: The Genesis and Usage of an Anti-Bellarmine, Theological Commonplace Book”; and Russ Leo, “Milton’s Aristotelian Experiments: Tragedy, Lustratio, and ‘Secret refreshings’ in Samson Agonistes (1671).” Lewycky, Nadine, and Adam David Morton, eds. Getting Along?: Religious Identities and Confessional Relations in Early Modern England: Essays in Honour of Professor W.J. Sheils. St. Andrews Studies in Reformation History. Farnham: Ashgate Publishing Limited, 2012. xiii + 250 pp. $124.95. ISBN: 978–1–4094–0089–9. Includes: Adam Morton and Nadine Lewycky, “Introduction”; Alexandra Walsham, “Supping with Satan’s Disciples: Spiritual and Secular Sociability In Post-Reformation England”; Peter Marshall, “Confessionalization and Community in the Burial of English Catholics, c.1570– 1700”; Robert Swanson, “Fissures in the Bedrock: Parishes, Chapels, Parishioners and Chaplains in Pre-Reformation England”; Emma Watson, “Clergy, Laity and Ecclesiastical Discipline in Elizabethan Yorkshire Parishes”; Andrew Cambers, “Reading Libels in Early Seventeenth- Century Northamptonshire”; Rosamund Oates, “‘For the lacke of true history’: Polemic, Conversion and Church History in Elizabethan England”; Peter Lake, “Putting the Politics of Conscience on the Public Stage in Sir John Oldcastle, part I”; Katy Gibbons, “‘When he was in France he was a Papist and when in England … he was a Protestant’: Negotiating Religious Identities in the Later Sixteenth Century”; Stuart Carroll and Andrew Hopper, “A Yorkshireman in the Bastille: John Harwood and the Quaker Mission to Paris”; and Simon Johnson, “‘Papists of the New Model’: The English Mission and the Shadow of Blacklow.” McIver, Katherine A., ed. Wives, Widows, Mistresses, and Nuns in Early Modern Italy: Making the Invisible Visible through Art and Patronage. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2012. xvii + 268 pp. ISBN: 978–0–7546–6953–1. Includes: Jennifer D. Webb, “Hidden in Plain Sight: Varano and Sforza Women of the Marche”; Timothy McCall, “Pier Maria’s Legacy: (Il)legitimacy, Inheritance, and Rule of Parma’s Rossi Dynasty”; Kimberly L. Dennis, “Rediscovering the Villa Montalto and the Patronage of Camilla Peretti”; Allyson Burgess Williams, “Rewriting Lucrezia Borgia: Propriety, Magnificence, and Piety in Portraits of a Renaissance Duchess”; Mary E. Frank, “A Face in the Crowd: Identifying the Dogaressa at the Ospedale dei Crociferi”; Marjorie Och, “Vittoria Colonna in Giorgio Vasari’s ‘Life of Properzia de’ Rossi’’’; Alison A. Smith, “Revisiting the Renaissance Household, in Theory and in Practice: Locating Wealthy Women in Sixteenth-Century Verona”; Katherine A. McIver, “An Invisible Enterprise: Women and Domestic Architecture in Early Modern Italy”; Marilyn Dunn, “Invisibilia per visibilia: Roman Nuns, Art Patronage, and the Construction of Identity”; and Aislinn Loconte, “The Convent of Santa Maria della Sapienza: Visual Culture and Women’s Religious Experience in Early Modern Naples.” Miller, Naomi J., and Naomi Yavneh, eds. Gender and Early Modern Constructions of Childhood. Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2011. xv + 248 pp. $99.95. ISBN: 978–1–4094–2997–5. Includes: Naomi J. Miller and Naomi Yavneh, “Introduction: Early Modern Children as Subjects: Gender Matters”; Patricia Phillippy, “A Comfortable Farewell: Child-loss and Funeral Monuments in Early Modern England”; Carole Levin, “Parents, Children, and Responses to Death in Dream Structures in Early Modern England”; Naomi Yavneh, “Lost and Found: Veronese’s Finding of Moses”; Katherine R. Larson, “‘Certein childeplayes remembred by the fayre ladies’: Girls and Their Games”; Marie Rutkoski, “The Facts of Enfance: Rabelais, Montaigne, Paré, and French Renaissance Paediatrics”; Jane Couchman, “‘Our little darlings’: Huguenot Children and Child-rearing in the Letters of Louise de Coligny”; Sara Mendelson, “Anne Dormer and Her Children”; Kathryn M. Moncrief, “‘Obey and be attentive’: Gender and Household Instruction in Shakespeare’s The Tempest”; Caroline Bicks, “Producing Girls on the English Stage: Performance as Pedagogy in Mary Ward’s Convent Schools”; Carole Collier Frick, “Boys to Men: Codpieces and Masculinity in Sixteenth-Century Europe”; Diane Purkiss, “Marvell, Boys, Girls, and Men: Should We Worry?”; Emilie L. Bergmann, “Martyrs and Minors: Allegories of Childhood in Cervantes”; Julia Marciari Alexander, “Portraiture and Royal Family Ties: Kings, Queens, Princes, and Princesses in Caroline England”; and Gregory M. Colón Semenza, “‘Second Childishness’ and the Shakespearean Vision of Ideal Parenting.” Morrison-Low, Alison D., Sven Dupré, Stephen Johnston, and Giorgio Strano, eds. From Earth- Bound to Satellite: Telescopes, Skills and Networks. History of Science and Medicine Library 23; Scientific Instruments and Collections 2. Leiden: Brill, 2012. xxix + 266 pp. + 13 color pls. $136. ISBN: 978–90–04–21150–6. Includes: Alison D. Morrison-Low, “Foreword”; Sven Dupré, “Introduction: Writing the History of the Telescope: Makers, Markets and Mapping”; Giorgio Strano, “Galileo’s Shopping List: An Overlooked Document about Early Telescope Making”; Inge Keil, “Johann Wiesel’s Telescopes and his Clientele”; Huib J. Zuidervaart, “The ‘Invisible Technician’ Made Visible: Telescope Making in the Seventeenth and Early Eighteenth-Century Dutch Republic”; Jim A. Bennett, “The Art of Polishing: Practice and Prose in Eighteenth-Century Telescope Making”; Gloria C. Clifton, “Networks of Telescope Makers and the Evolution of Skill: Evidence from Observatory and Museum Collections”; Richard Dunn, “Scoping Longitude: Optical Designs for Navigation at Sea”; James Caplan, “Following the Stars: Clockwork for Telescopes in the Nineteenth Century”; Gudrun Wolfschmidt, “Telescopes Made in Berlin: From Carl Bamberg to Askania”; Teasel Muir-Harmony, David H. DeVorkin, and Peter Abrahams, “Wide-Field Photographic Telescopes: The Yale, Harvard and Harvard/Smithsonian Meteor and Satellite Camera Networks”; and Robert W. Smith, “The Making of Space Astronomy: A Gift of the Cold War.” Munck, Bert De, and Anne Winter, eds. Gated Communities?: Regulating Migration in Early Modern Cities. Farnham: Ashgate Publishing Limited, 2012. xiii + 294 pp. $134.95. ISBN: 978– 1–4094–3129–9. Includes: Bert De Munck and Anne Winter, “Regulating Migration in Early Modern Cities: An Introduction”; Jan De Meester, “Migrant Workers and Illicit Labour: Regulating the Immigration of Building Workers in Sixteenth-Century Antwerp”; Ulrich Niggemann, “Craft Guilds and Immigration: Huguenots in German and English Cities”; Yves Junot, “Heresy, War, Vagrancy, and Labour Needs: Dealing with Temporary Migrants in the Textile Towns of Flanders, Artois and Hainaut in the Wake of the Dutch Revolt (1566–1609)”; Hanna Sonkajärvi, “Local Categories of Residence Redefined: The Former Imperial City of Strasbourg and the Politics of the French Crown (1681–1789)”; Eleonora Canepari, “Who is Not Welcome? Reception and Rejection of Migrants in Early Modern Italian Cities”; Aleksej Kalc, “Immigration Policy in Eighteenth-Century Trieste”; Vincent Milliot, “Urban Police and the Regulation of Migration in Eighteenth-Century France”; Jason P. Coy, “Magistrates, Beggars, and Labourers: Migration and Regulation in Sixteenth-Century Ulm”; Anne Winter, “Regulating Urban Migration and Relief Entitlements in Eighteenth-Century Brabant”; Tim Hitchcock, “Rough Lives: Autobiography and Migration in Eighteenth-Century England”; Leo Lucassen, “Cities, States and Migration Control in Western Europe: Comparing Then and Now”; and Leslie Page Moch, “Conclusions.” Pernot, Laurent, ed. La rhétorique des arts: Actes du colloque tenu au Collège de France. Paris: Presses universitaires de France, 2011. x + 228 pp. €20. ISBN: 978–2–13–058497–1. Includes: Marc Fumaroli, “La rhétorique et les arts”; Laurent Pernot, “Phidias à la barre”; Henry P. Maguire, “La rhétorique et l’esthétique de l’art byzantin”; Pierre Caye, “Architecture et rhétorique: approche cicéronienne de leur identité et de leur différence”; Ursula and Warren Kirkendale, “De Quintilien à Bach: l’Institutio oratoria de Quintilien, source de l’Offrande musicale de Jean-Sébastien Bach”; Jacqueline Lichtenstein, “L’expression des passions”; and Carlo Ossola, “Signare vocem — Tracer la voix: pulsations de la punteggiatura.” Prebys, Portia, ed. Early Modern Rome, 1341–1667: Proceedings of a Conference held in Rome, May 13–15, 2010. Association of American College and University Programs in Italy. Ferrara: Edisai, 2011. x + 754 pp. €20. ISBN: 978–88–96714–06–5. Includes: Margaret Brose, “De-familiarizing the Ruins of Rome: Petrarch’s Familiares”; Alexander Lee, “Petrarch, Rome and the Dark Ages”; Steve Baker, “‘Ad antiquam amicitiam renovandam’: From Cola di Rienzos Politics of Amicitia to Petrarch’s Community of Friends”; Dalma Frascarelli, “Luogo del sapere. La costruzione e la decorazione della Biblioteca Vaticana nella politica culturale di Sisto V”; Mauro Sarnelli, “Il tardo umanesimo nella Roma di Sisto V (e del Tasso)”; Valentina Prosperi, “La raffigurazione delle biblioteche antiche negli affreschi di Sassari del Salone Sistino”; Massimo Miglio, “I legati pontifici nel XV secolo: ruolo diplomatico e strategie politiche”; Catherine Fletcher, “The City of Rome as a Space for Diplomacy”; Paola Farenga and Anna Modigliani, “Le lettere degli ambasciatori: una fonte significativa per la storia di Roma nel XV secolo”; Luca Marcozzi, “Bembo in Rome: From Passion to Disenchantment”; Paolo Carloni and Monica Grasso, “Michelangelo, Petrarca e la fugura della Vergine nel giudizio sistino”; Costanza Barbieri, “Il cardinal Alessandro de Medici diplomatico e riformatore ritratto da Scipione Pulzone”; Maria Teresa Guerra Medici , “Streghe a Roma e dintorni”; Tessa Storey, “Cosmetics, Remedies and Alchemy: Making and Selling Secrets in Seventeenth-century Rome”; Marjorie Roth, “Opportunity Lost: Christian Prophecy, Musical Magic, and the Road Not Taken in Counter-Reformation Rome”; Ingrid Alexander-Skipnes, “Greek Mathematics in Rome and the Aesthetics of Geometry in Piero della Francesca”; Raphaële Mouren, “Rome, centre de l’humanisme européen, de Paul III à Marcel II: à propos de quelques éditions dauteurs antiques”; Chiara Cassiani, “Gli Hieroglyphica di Pierio Valeriano e la corte di Roma”; Kimberlyn Montford, “Female Presentation and Agency in Nuns’ Music of Early Modern Rome”; Noel O’Regan, “Scandal Averted: The Case of the Papal Singer Giovanni Luca Conforti and the Nuns of S. Caterina dei Funari”; Mícheál Mac Craith, “Tadhg Ó Cianáin’s Roman Narrative, 1608”; Lucinda Byatt, “Sant’Agata dei Goti on the Quirinal: An Early Sixteenth- Century Fulcrum for Politics and Learning Under Cardinal Ridolfi”; Genevieve Warwick, “The Scenographic City Square in Early Modern Rome”; Katherine M. Bentz, “The Rhetoric of the Garden Gate in Early Modern Rome”; Matteo Sanfilippo, “Una città d’immigranti: dalla fine della cattività avignonese alla guerra dei Trent’anni”; Irene Fosi, “L’inquisizione e gli stranieri a Roma in età moderna”; James Nelson Novoa, “The Portuguese New Christian Lobby in Rome: 1532–1555”; Paul Arthur Anderson, “Between Architect and Artisan: The Role of Professional Guilds and Confraternities in Early Modern Rome”; Barbara Sparti, “The Danced Moresca (and mattaccino): Multiformity of a Genre. From the Palaces of Cardinals and Popes to Enactments by Artisans in the Streets of 17th-Century Roma”; Amy Brosius, “Leonora Baroni Cantatrice: The Roman Virtuosa as Courtier”; Katherine A. McIver, “Moving About: Women in the Urban Fabric of Sixteenth-Century Rome”; P. Renée Baernstein, “Roma Caput Italiae: Elite Marriage and the Making of an Italian Ruling Class”; Julia L. Hairston, “Mastro Pasquino’s Lament to Tullia d’Aragona”; Raimondo Guarino, “Feste, luoghi e rituali dell’incoronazione poetica nell’Accademia Romana”; Eric Nicholson, “Waxing Poetic: A Poetry ‘Contest’ and the Quest for Fame in Late Cinquecnto Rome”; Valeria De Lucca, “Antonio Cesti’s Orontea in Rome (1661): Visual Splendor of Aristocratic Entertainment”; Elisa Andretta, “Andrés Laguna, Juan Valverde e la circolazione scientific tra Roma e la Spagna nel Cinquecento”; Bradford A. Bouley, “Holy Bodies: Anatomy and Sanctity in Post-Tridentine Rome”; John Christopoulos, “Framing ‘Abortion’ in Early Modern Rome”; Ayana Smith, “Images, Aesthetics and Empiricism from Palazzo Farnese to the Arcadian Academy”; Paolo Alei, “Meaning and Attribution: A New Narcissus in the School of Caravaggio”; Wendy Heller, “‘Un maggiore diletto’: Staging Ovidian fantasies in early modern Rome”; JoAnn DellaNeva, “An Early Modern Frenchman Reads Rome: Les Souspirs of Olivier de Magny”; Nancy D’Antuono, “Spanish Golden Age Drama in Papal Rome: The Adaptations of Giulio Cardinal Rospigliosi”; Peter Leech, “‘Spent too soon for so long a preparation’: Late Seventeenth-Century Ccelebrations in Rome for King James II of England”; Emily Michelson, “Preaching Across Rome in the Sixteenth Century: Three Key Sites for Catholic Identity”; Andrew R. Casper, “Icons, Guidebooks, and the Religious Topography of Sixteenth Century Rome”; Querciolo Mazzonis, “Women’s Semi-Religious Life in Rome (15th-17th century)”; Daniele V. Filippi, “The Master and the Soundscape: Palestrina and the Musical Image of Rome Between the Sixteenth and Seventeenth Centuries”; Anu Raunio, “L’Ospizio dei Convertendi, storie di conversioni miracolose e lassistenza romana caratterizzata dallo spirito post-tridentino”; Luca Codignola-Bo, “Re-configuring-and re-organizing the New American Worlds: Big Dreams, Tentative Steps, Small Achievements”; Patrick Backer, “A Renaissance translation studii: Eloquences Return to Rome from Exile”; Kenneth Gouwens, “The Crisis of Masculinity in Paolo Giovio’s ‘Ischian’ Dialogue”; Angela Quattrocchi, “Da S. Francesca Romana agli spirituali moderati. Origin e continuità dell’umanesimo religioso di Latino Giovenale de’ Manetti”; Andrea Branchi, “Alexander VI’s Plans for Rome”; Katherine Wentworth Rinne, “Angling for Acqua in Pre-Sistine Rome (1570–1585)”; Lauren A. Jacobi, “The Banchi in Rione di Ponte: Architecture and Urbanism”; Maurizio Caperna, “Sviluppi e caratteri dell’area urbana di via della Lungara dalla metà del Cinquecento alla metà del Seicento”; Laurie Nussdorfer, “Masculinity and Violence: Was There Anything Special about Rome”; Elizabeth S. Cohen, “La Romana agonistes: Broomsticks and Fighting Words c. 1600”; Thomas V. Cohen, “Bartolomeo Camerario—Legist, Polemicist, Chief of the Annona, Collector of Young Girls”; Jill Elizabeth Blondin, “Space, Memory, and Sixtus IV at SS. Vito e Modesto”; Minou Schraven, “Founding Rome Anew: Pope Sixtus IV and the Foundation of Ponte Sisto 1473”; Harula Economopoulos, “Morte e rinascita della scultura a Roma nell’età della Controriforma”; Paul M. Dover, “The Papal Court as a Clearing-House for International News in the Second Half of the 15th Century”; Giovanni Pizzorusso, “La quinta parte del mondo: missioni e conoscenze a Roma in età moderna”; Ingrid Rowland, “The Friendship of Alexander VII and Athanasius Kircher, 1637– 1667”; Costanza Gilson Dopfel, “Reshaping Rome’s Narrative: The Curious Case of Sigismondo Malatesta’s Execution”; Nancy E. Goldsmith, “Giambattista Girlaldi Cinzio (1504–1573) and the Sack of Rome”; John M. Hunt, “The Consumption of Violence: Carriage Culture in Early Modern Rome”; Anna Maria Oliva, “Gli oratori spagnoli a Roma tra fine Quattrocento e primo Cinquecento”; Rose Marie San Juan , “The Journey of Bernini’s Río de la Plata”; Piero Ventura , “L’arciconfraternita dei napoletani a Roma tra XVI e XVII secolo”; Eleonora Canepari, “How to Become Illustre? Civic Nobility and Neighborhoods in the Renaissance and Baroque Rome”; Jennifer Mara DeSilva, “Red Hat Strategies: Elevating Cardinals, 1471–1549”; and Antonella De Michelis, “The Maestri di Strade: Political Strategies and Social Mobility in Farnese Rome.” Prescott, Anne Lake, William A. Oram, and Andrew Escobedo, eds. Spenser Studies: A Renaissance Poetry Annual XXVI. Brooklyn: AMS Press, Inc., 2011. vi + 274 pp. $155. ISBN: 978–0–404–19226–6. Includes: David Scott Wilson-Okamura, “Problems in the Virgilian Career”; Lee Piepho, “Edmund Spenser and Continental Humanism: The St. George Legend in The Faerie Queene, Book I, and Mantuan’s Georgius”; Kathryn Walls, “The ‘Cupid and Psyche’ Fable of Apuleius and Guyon’s Underworld Adventure in The Faerie Queene II.vii.3–viii.8”; Vaughn Stewart, “Friends, Rivals, and Revisions: Chaucer’s Squire’s Tale and Amis and Amiloun in The Faerie Queene, Book IV”; James Kearney, “Reformed Ventriloquism: The Shepheardes Calender and the Craft of Commentary”; Richard E. Lynn, “Ewe/Who?: Recreating Spenser’s March Eclogue”; Megan L. Cook, “Making and Managing the Past: Lexical Commentary in Spenser’s Shepheardes Calender (1579) and Chaucer’s Works (1598/1602)”; Mary L. Dudy, ‘“Fool . . . Look in Thy Heart and Write’: W. B. Yeats’s Return to English Renaissance Poetry in ‘The Circus Animals’ Desertion’’; David Lee Miller, “Laughing at Spenser’s Daphnaida”; Bruce Danner, ‘“so well he wrought her’: Notes upon a Spenserian Echo”; and James Doelman, “Spenser’s ‘Theana’: Two Notes.” Prior, Charles W. A., and Glenn Burgess, eds. England’s Wars of Religion, Revisited. Farnham: Ashgate Publishing Limited, 2011. xiv +336 pp. $124.95. ISBN: 978–1–4094–1973–0. Includes: Glenn Burgess, “Introduction: Religion and the Historiography of the English Civil War”; Ronald Asch, “Sacred Kingship in France and England in the Age of the Wars of Religion: From Disenchantment to Re-enchantment?”; Robert Von Friedeburg, “The Continental Counter Reformation and the Plausibility of the Popish, 1638–1642”; Alan Cromartie, “The Mind of William Laud”; Charles W.A. Prior, “Cannons and constitutions”; Michael Braddick, “Prayer Book and Protestation: Anti-Popery, Anti-Puritanism and the Outbreak of the English Civil War”; J. Sears McGee, “Sir Simonds D’Ewes: A ‘respectable conservative’ or a ‘fiery spirit’?”; Glenn Burgess, “Wars of Religion and Royalist Political Thought”; Sarah Mortimer, “Natural Law and Holy War in the English Revolution”; Rachel Foxley, “Oliver Cromwell on Religion and Resistance”; Blair Worden, “Oliver Cromwell and the Cause of Civil and Religious Liberty”; John Coffey, “England’s Exodus: The Civil War as a War of Deliverance”; Jeffrey R. Collins, “Restoration Anti-Catholicism: A Prejudice in Motion”; and John Morrill, “Renaming England’s Wars of Religion.” Rankin, Mark, Christopher Highley, and John N. King, eds. Henry VIII and His Afterlives: Literature, Politics, and Art. Cambridge: Cambridge University Press, 2009. xi + 286 pp. $95. ISBN: 978–0–521–51464–4. Includes: Mark Rankin, John N. King, and Christopher Highley, “Introduction”; Peter Happé, “Henry VIII in the Interludes”; John N. King, “Henry VIII as David: The King’s Image and Reformation Politics”; Dale Hoak, “The Legacy of Henry VIII”; Alec Ryrie, “The Slow Death of a Tyrant: Learning to Live Without Henry VIII, 1547–63”; Mark Rankin, “The Literary Afterlife of Henry VIII, 1557–1625”; Ronald Paulson, “The Henry VIII Story in the Eighteenth Century: Words and Images”; Tatiana C. String, “Projecting Masculinity: Henry VIII’s Codpiece”; Christopher Highley, “The Remains of Henry VIII”; Matthew Spring, “Henry VIII - His Musical Contribution and Posthumous Reputation”; Tom Betteridge, “Henry VIII and Popular Culture”; Andrew Fleck, “Conveyance of History: Narrative, Chronicle, History and the Elizabethan Memory of the Henrician Golden Age”; and Peter Marshall, “Henry VIII and the Modern Historians: The Making of a Twentieth-Century Reputation.” Spicer, Andrew, ed. Lutheran Churches in Early Modern Europe. Farnham: Ashgate Publishing Limited, 2011. xxiii + 512 pp. $134.95. ISBN: 978–0–7546–6583–0. Includes: Andrew Spicer, “Introduction: Lutheran Churches and Confessional Identity”; Vera Isaiasz, “Early Modern Lutheran Churches: Redefining the Boundaries of the Holy and the Profane”; Emily Fisher Gray, “Lutheran Churches and Confessional Competition in Augsburg”; Maria Deiters, “Epitaphs in Dialogue with Sacred Space: Post-Reformation Furnishings in the Parish Churches of St Nikolai and St Marien in Berlin”; Margit Thøfner, “Framing the Sacred: Lutheran Church Furnishings in the Holy Roman Empire”; Maria Crãciun, “Marian Imagery and its Function in the Lutheran Churches of Early Modern Transylvania”; Evelin Wetter, “‘On Sundays for the laity … we allow mass vestments, altars and candles to remain’: The Role of Pre-Reformation Ecclesiastical Vestments in the Formation of Confessional, Corporate and ‘National’ Identities”; Matthias Range, “The Material Presence of Music in Church: The Hanseatic City of Lübeck”; Sven Rune Havsteen, “Lutheran Theology and Artistic Media: Responses to theTheological Discourse on the Visual Arts”; Birgitte Bøggild Johannsen and Hugo Johannsen, “Re-forming the Confessional Space: Early Lutheran Churches in Denmark, c.1536–1660”; Øystein Ekroll, “State Church and Church State: Churches and their Interiors in Post-Reformation Norway, 1537–1705”; Riitta Laitinen, “Church Furnishings and Rituals in a Swedish Provincial Cathedral from 1527 to c.1660”; Krista Kodres, “‘Das “Geistliche Gebäwde” der Kirche’: The Lutheran Church in Early Modern Estonia as a Meeting Place of Theological, Social and Artistic Ideas”; Agnieszka Madej-Anderson, “Lutherans in Cracow – Contesting the Sacred Topography”; Jan Harasimowicz, “Lutheran Churches in Poland”; Andrew Spicer, “‘Hic coeli porta est, hic domus ecce dei’: Lutheran Churches in the Dutch World, c.1566–1719”; and Susan C. Karant-Nunn, “Afterword.” Van der Stighelen, Katlijne, Magnus Hannelore Watteeuw, and Bert Watteeuw, eds. Pokerfaced: Flemish and Dutch Baroque Faces Unveiled. Turnhout: Brepols Publishers, 2010. 278 pp. €75. ISBN: 978–2–503–52564–8. Includes: Jacques Bos, “Between Physiognomy and Pathognomy: Theoretical Perspectives on the Representation of Characters and Emotions in the Seventeenth Century”; Ulrich Heinen, “Stoisch Sterben lernen: Rubens’ Memorialbild auf Justus Lipsius und Philip Rubens”; Bert Watteeuw, “Een neus voor kunst. De Antwerpse liefhebber Jacomo de Cachiopin (1591/92– 1659) en zijn collectie”; Jan Dequeker, “A Physician’s View Beyond the Curtains of Seventeenth-Century Flemish and Dutch Baroque Portraits”; Rudie van Leeuwen, “The portrait histori? in Religious Context and its Condemnation”; Daantje Meuwissen, “‘According to old custom’. The Seventeenth-Century Portrait Series Depicting the Land Commanders of the Teutonic Order of Knights, Utrecht Bailiwick”; Karolien De Clippel, “Naked or Not? Some Thoughts on Nudity and Portraiture in Seventeenth-Century Painting”; Rudi Ekkart, “De herontdekking van het portret van de familie Van Mierevelt”; Bert Timmermans, “(Family) Portraits in the Construction of a Visual Family Tree and a Social Identity. Anticipating the Aspirations of Elite Clientele in Seventeenth-Century Antwerp”; Ann Jensen Adams, “The Performative portrait histori?”; Jeffrey Muller, “The Importance of Place in Pieter Thys’s Group Portrait of the Wardens of the Holy Sacrament Chapel in St. Jacob’s Church, Antwerp”; Zirka Z. Filipczak, “Portraits of Women Who ‘do not keep strictly to the Masculine and Feminine Genders, as they call them’”; and Katlijne Van der Stighelen, “‘Amoris et doloris monumentum’. Portraits and How They Were Perceived in the Baroque Age.” Tracy, Larissa, and Jeff Massey, eds. Heads Will Roll: Decapitation in the Medieval and Early Modern Imagination. Medieval and Renaissance Authors and Texts 7. Leiden: Brill, 2012. xviii + 352 pp. + 15 color pls. $212. ISBN: 978–90–04–21155–1. Includes: Jefffrey Jerome Cohen, “Preface: Losing Your Head”; Larissa Tracy and Jeff Massey, “Introduction”; Nicola Masciandaro, “Non potest hoc corpus decollari: Beheading and the Impossible”; Mark Faulkner, “‘Like a Virgin’: The Reheading of St. Edmund and Monastic Reform in Late-Tenth-Century England”; Jay Paul Gates, “A Crowning Achievement: The Royal Execution and Damnation of Eadric Streona”; Christine F. Cooper-Rompato, “Decapitation, Martyrdom, and Late Medieval Execution Practices in The Book of Margery Kempe”; Dwayne C. Coleman, “Talking Heads in Hell: Dante’s Use of Severed Heads in Inferno”; Mary E. Leech, “Severed Silence: Social Boundaries and Family Honor in Boccaccio’s ‘Tale of Lisabetta’”; Tina Boyer, “The Headless Giant: The Function of Severed Heads in the Ahistorical (Aventiurehafte) Dietrich Epics “; Renée Ward, “‘To be a “Fleschhewere”’: Beheading, Butcher-Knights, and Blood-Taboos in Octavian Imperator”; Jeff Massey, “The Werewolf at the Head Table: Metatheatric ‘subtlety’ in Arthur and Gorlagon”; Larissa Tracy, “‘So he smote of hir hede by myssefortune’: The Real Price of the Beheading Game in SGGK and Malory”; Andrew Fleck, “‘At the time of his death’: The Contested Narrative of Sir Walter Ralegh’s Beheading”; Thomas Herron, “‘Killing swine’ and planting heads in Shakespeare’s Macbeth”; Thea Cervone, “‘Tucked Beneath Her Arm’: Culture, Ideology, and Fantasy in the Curious Legend of Anne Boleyn”; and Asa Simon Mittman, “‘Answering the Call of the Severed Head’.” Walsby, Malcolm, and Graeme Kemp, eds. The Book Triumphant: Print in Transition in the Sixteenth and Seventeenth Centuries. Library of the Written Word 15; The Handpress World 9. Leiden: Brill, 2011. xvi + 378 pp. €99. ISBN: 978–90–04–20723–3. Includes: Andrew Pettegree, “Printing in the Low Countries in the Early Sixteenth Century”; Neil Harris, “The Italian Renaissance Book: Catalogues, Censuses, and Survival”; Jurgen Beyer, “How Complete are the German National Bibliographies for the Sixteenth and Seventeenth Centuries (VD16 and VD17)?”; Alexander Wilkinson, “The Printed Book on the Iberian Peninsula, 1500–1540”; Malcolm Walsby, “The Vanishing Press: Printing in Provincial France in the Early Sixteenth Century”; Christoph Volkmar, “Turning Luther’s Weapons Against Him: The Birth of Catholic Propaganda in Saxony in the 1520s”; Amy Nelson Burnett, “Preaching and Printing in Germany on the Eve of the Thirty Years’ War”; Johannes Hund and Henning P. Jurgens, “Pamphlets in the Theological Debates of the Later Sixteenth Century: The Mainz Editorial Project ‘Controversia et Confessio’”; Justyna Kiliańczyk-Zieba, “Devices of Protestant Printers in Sixteenth-Century Krakow”; Hanno Wijsman, “History in Transition: Enguerrand de Monstrelet’s Chronique in Manuscript and Print (c. 1450–c. 1600)”; Brenda M. Hosington, “The ‘Renaissance Cultural Crossroads’ Catalogue: A Witness to the Importance of Translation in Early Modern Britain”; Matthew McLean, “Between Basel and Zurich: Humanist Rivalries and the Works of Sebastian Munster”; Urs B. Leu, “The Book and Reading Culture in Basel and Zurich During the Sixteenth Century”; Hans-Jörg Künast, “Augsburg’s Role in the German Book Trade in the First Half of the Sixteenth Century”; David J. Shaw, “Book Trade Practices in Early Sixteenth-Century Paris: Pierre Vidoue (1516–1543)”; and Zsuzsa Barbarics-Hermanik, “The Coexistence of Manuscript and Print: Handwritten Newsletters in the Second Century of Print, 1540–1640.” Walter, Rolf, ed. Globalisierung in der Geschichte Ertra ge der 23. Arbeitstagung der Gesellschaft fu r Sozial- und Wirtschaftsgeschichte vom 18. Ma rz bis 21. Ma rz 2009 in Kiel. Vierteljahrschrift für Sozial- und Wirtschaftsgeschichte 214. Stuttgart: Franz Steiner Verlag, 2011. 273 pp. €52. ISBN: 978–3–515–09851–9. Includes: Rolf Walter, “Globalisierung in der Geschichte — Einführung”; Hendrik Mäkeler, “Globalisierter Handel um die Jahrhundertwende? Die Ausdehnung des Wikingerzeitlichen Handelsraums”; Gabriel Zeilinger, “Korreferat zu Hendrik Mäkeler”; Rolf Hammel-Kiesow, “Der Januskopf der dudeschen hense: zwischen ‘Globalisierung’ und Abschottung”; Maximilian Kalus, “Kaufmannsnetzwerke im europäisch-asiatischen Handel am Ende des 16. Jahrhunderts”; Angelika Westermann, “Korreferat zu Maximilian Kalus”; Martin Krieger, “Materieller Kulturtransfer und Globalisierung”; Franz Baltzarek, “Korreferat zu Martin Krieger”; Ulrich Pfister, “Internationale Kaufkraftdisparitäten und die zwie ‘Großen Divergenzen’ 16.–18. Jahrhundert”; Andreas Exenberger, “Hunger un Globalisierung”; Martin Uebele, “Marktintegration im 19. Jahrhundert? — eine Comovement-Analyse”; Rainer Gömmel, “Korreferat zu Martin Uebele”; Markus Lampe, “Wirkungen des Cobden-Chevalier-Netzwerks auf internationale Handelsströme, 1850—1870er Jahre”; Reiner Flik, “Korreferat zu Markus Lampe”; Peter E. Faßler, “Internationale Kartelle während der Deglobalisierung 1918—1939”; Paul Thomes, “Korreferat zu Peter E. Faßler”; and Hartmut Kiehling, “Weltfinanzkrisen 1929 und 2008 im Vergleich.” Wyhe, Cordula van, ed. Isabel Clara Eugenia: Female Sovereignty in the Courts of Madrid and Brussels. Madrid; London: Centro de Estudios Europa Hispánica and Paul Holberton publishing, 2011. 448 pp. $80. ISBN: 978–1–907372–22–3. Includes: Cordula van Whye, “Introduction”; Santiago Martínez Hernández, “‘Enlightened Queen, clear Cynthia, beauteous Moon’: The Political and Courtly Apprenticeship of the Infanta Isabel Clara Eugenia”; Almudena Pérez de Tudela, “Making, Collecting, Displaying and Exchanging Objects (1566–99): Archival Sources Relating to the Infanta Isabel’s Personal Possessions”; Cordula van Whye, “Piety, Play and Power: Constructing the Ideal Sovereign Body in the Early Portraits of Isabel Clara Eugenia (1586–1603)”; Elisa García Prieto, “Isabel Clara Eugenia of Austria: Marriage Negotiations and Dynastic Plans for a Spanish Infanta”; Luc Duerloo, “Marriage, Power and Politics: The Infanta and Archduke Albert”; Werner Thomas, “Isabel Clara Eugenia and the Pacification of the Southern Netherlands”; Magdalena S. Sánchez, “Memories and Affection? The Correspondence of Isabel Clara Eugenia with the Duke of Lerma”; Jaime Olmedo Ramos, “Isabel Clara Eugenia and Literature”; Dries Raeymaekers, “The Power of Proximity: The Cámara of Albert and Isabel at their Court in Brussels”; Paul Arblaster, “Abraham Verhoeven and the Brussels Court: Isabel Clara Eugenia’s Staple of News”; Birgit Houben, “Intimacy and Politics: Isabel and her Ladies-in-Waiting (1621–33)”; René Vermeir, “The Infanta Isabel Clara Eugenia and the Papal Court (1621–33)”; Joris Snaet, “Isabel Clara Eugenia and the Capuchin Monastery at Tervuren”; Michael Auwers, “Peter Paul Rubens: The Infanta and her Painter-Diplomat”; and Alicia Esteban Estríngana, “‘What a princess, Good God!’: The Heritage and Legacy of Infanta Isabel.”