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JULY Publisher Ralph Garza ISSUE 194 ISSUE Editor-In-Chief R Cantu

Account Executive Jennifer Orellana [email protected] 505-332-3003  Managing Editor Sandy Caputo [email protected]

Art Director SOM Remy [email protected] 14 12 Silver Fox Tattoo Show Feature: Contributing Writers Tiny Homes Elayne Angel David Pogge 16 Austin Ray Darin Burt Tanya Madden Spotlight Ask Angel 34 Show Expo 34 Executive Assistant 30 Spotlight: Richard DePreist [email protected] Neilmed 505-275-6049 Baltimore Tattoo 38 Arts Convention Artist Gallery Baltimore Tattoo 9901PAIN MagazineAcoma Rd. SE Arts Convention Albuquerque, NM 87123 [email protected] 40 General Inquiries: PAINful Classic: [email protected] www.painmag.com Everyone Loves Pub Subs www.facebook.com/painmagazine Artist Profile Subscriptions: [email protected]

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Metal Mafia IFC-1, Back Cover True Tubes 33 Copyright 2018 PAIN Magazine. All rights reserved. Published monthly by Pain, Inc. Subscriptions available for $39/year (U.S. funds). Send requests to address listed Micky Sharpz USA 10 Tommy’s Supplies 2, 18-19 above. Please mail address changes, and include label from previous issue. For all other information call (505) 275-6049. For submission guidelines, log on to our website at www.painmag.com. Pain, Inc. assumes no responsibility for contents herein. Opinions expressed in articles are strictly those of the writer. PAINMAGAZINE 8

Pain Mall has officially launched and is waiting for your log-in!

The Internet has changed the way people and businesses shop for and buy products, which is why Pain has elevated its online pres- ence. In addition to being the industry’s number one printed publication, Pain recently launched the official online buying source for everything this fine industry has to offer! This digital marketplace will include a fully functional shopping cart feature; and wholesalers/vendors will be able to promote, market, and sell products through a personal digital page. Pre-qualified, registered buyers (the shop owners) browsing the site will be able to access participating wholesaler pages and place orders directly from the Pain Mall Website.

Only approved and registered buyers with a brick and mortar store front will be able to make purchases through your direct digital pages. Please call Jenn today at 505-332-3003 to create your customer profile! And the best part…It’s FREE!

And for all of our artists out there…Pain Magazine wants to high- light the best of the best! If you think you qualify be sure to take advan- tage of Pain’s new social & digital media marketing packages! Get your name out to more than 40,000 viewers each month for only $50! The package includes: • 5 Instagram & Facebook posts each month • A Hot/Live Link to your shop (hosted on www.PainMag.com that directs visitors to your preferred site) • 10 images & online bio (hosted at painmag.com/artist-profiles/ )

Call Jenn today for additional details at 505-332-3003.

Lastly, are you a budding artist new to the industry? Or a seasoned tattoo artist? Pain is looking for talented artists from across the globe to highlight in upcoming issues of Pain Magazine. Expand your reach and share your work! Call our office today for additional details.

Cheers and see you all next month.

PAINMAGAZINE 10

painfeature

Steve Villines wants to make your business tiny.

It’s not what it sounds like. In fact, in many ways, it’s just the opposite, but simultaneously, it couldn’t be more literal. OK, let’s explain. After four decades in high-end general contracting, Steve has switched to building tiny homes and he’s begun to see the concept’s potential in business applications, especially in such boutique genres as tattoo studios. He might be onto something.

Once written off as a passing trend for millennials trying to ‘out-hipster’ each other, the tiny homes movement has become a lasting and impactful accent of the modern zeitgeist. Even for the clear majority of us who haven’t stepped up and scaled down, the mere introduction of the concept has inspired us to rethink our norms and culturally manufactured ideas of what we really need and how we consume. For many, the movement’s existence has created a notion of hope, an opportunity on the horizon for real freedom; freedom from debt, freedom from clutter, and ultimately, freedom from ‘the grid.’ For a brave few, it’s been a full actualization of that hope.

But can all those warm fuzzies of neo-hippie ideals really transfer into the context of a functional business? Why would you even want to run your studio out of a space that’s roughly the size of your competition’s storage closet?

continued on page 26

PAINMAGAZINE 12

“If you had told me when I first started tattooing twenty years ago that I would go to bed early, get up at 7am and listen to Dixieland jazz all day, I probably would have punched you in the throat.”

There’s a chuckle in his voice as the words form, but for some reason, you’re inclined to believe him. You probably should. “Loki” Shane Defriece is a native-born son of Atlanta after all, and not the side of it you see on the WB. He’s from the other side, the eclectic smattering of urban neighborhoods full of hellbilly punk rockers with pickled livers and scarred-over nasal passages who are just as likely to be caught two-stepping to Merle Haggard as they are to be throwing down to Mastodon. continued on page 28

PAINMAGAZINE 14

Ask Elayne Angel

An Interview of Sorts

know this is way more personal than the questions you usually get, but it would really mean a lot to me if you would let me pick your brain. I feel like knowing your thoughts on these things might help me with some stuff I’m struggling with profes- Isionally and personally. Would you please answer the following? Eternally grateful, T.

Q: Would you say that body modification This is especially true of cultural traditions (with the exceptions of empowers women? How/why? genital piercings: Latinas’ ear piercings, and Indian women’s “Many people do not find their private nostril piercings). Piercings in today’s A: Yes, definitely! The societal pressures on parts attractive or appealing…. When an Western world reflect elective choices, women to conform to a certain standard of individual makes a choice about the appear- whether they are done for aesthetics, func- beauty are extremely intense. So many of ance of his or her own genitals by piercing tion, or inspired by more serious motivations. the other actions women take in our quests and adorning them with jewelry, it can be to live up to that ideal such as nose jobs, highly liberating, and for many it inspires a As I put it in my book: breast augmentation, Botox injections, etc., harmony with their bodies that could not be “From the superficial to the profound, are conforming actions—to look and be like achieved through any other means.” there are a multitude of reasons for getting everyone else. Whereas in Western society, pierced. It might be about attracting atten- body art is meant to be individuating, rather For about six years now, I have special- tion, the sensation of metal through flesh, or than conforming. (Or at least it always used ized exclusively in erotic piercings (male and the opportunity to wear some extra “bling.” to be.) Getting body art is a choice a woman female nipple and genital piercings). I For others, piercing is a response to deep can make for herself that may relate more receive a great deal of positive feedback internal triggers.” deeply to who she really is, rather than how about how these embellishments help women well she can emulate the prevailing beauty feel more confident about themselves, their Q: What do you feel your role as a modified criteria. bodies, and their sexuality. woman in our culture is?

This is how I put it in my book, I’ll never forget seeing an effusive client A: I love to show that modified women are The Piercing Bible: literally jumping up and down in my piercing strong, independent, and self-possessed. That “Piercing and other types of body modi- room after viewing her new genital piercing, although I’m visibly pierced (28 from the fication are methods of changing the actual while gleefully shouting, “I’m transformed!” neck up) and covered in tattoos (including physical form, which is empowering in a my hands, arms, entire lower body and way that may not be fully understood by Q: In what ways is women's body modifica- back), I’m a successful entrepreneur who is those who have never participated in it. tion, especially in America, different today also into wellness, fitness, and a healthy Women, in particular, are bombarded by than it was historically? lifestyle for both body and mind. the media’s unrealistic notions of beauty, which deeply affect self-esteem and body A: If by “historically” you mean piercings Q: Do you feel a responsibility to present a image. They may turn to piercing or other done by tribal peoples or as time-honored certain image to the public or to be an forms of body art to help them embrace a rituals, what’s different now is that piercing example or ambassador for the modified positive attitude about themselves….” is not commonly practiced as a part of any community?

PAINMAGAZINE 16 A: Yes, absolutely! Because I’m so heavily there immediately to get my nipples pierced. a stylized sunray design on top of my shoul- ornamented, I get lots of comments and ques- I continued to receive piercings, and have ders: fire. Of course, the elements also have tions. I deliberately and happily undertake my performed several of my own over the years. their own spiritual connections and connota- role as liaison and educator. I feel strongly I have had more than 40 piercings and regu- tions. about answering questions about body art in larly wear jewelry in about 38 of them. Many an informative, articulate, and friendly manner. mark important milestones in my life, and all Q: How do you define spirituality and what By comporting myself with a warm and of them have significance to me in some way. role does it play in your life? approachable demeanor, I’ve educated count- less curious citizens about body art. My input In the late ‘80s, I got the large set of A: I meditate daily for inner peace and to has caused many who had previously been neoclassical angel wings tattooed that cover foster my connection to my higher self. For negative or closed-minded to be more recep- my entire back, from my shoulders to the me, spirituality is about mindfulness, the evolu- tive and understanding about it. bottom of my buttocks. This was apparently tion of my consciousness, and the development the first tattoo with such a theme, and I was of greater compassion and love. A core spiri- Q: How long has body art been a practice for quite surprised to find that angel wing back tual belief that drives my actions is that all you personally? Is it a spiritual practice for you? pieces (including “copies” of my own) had beings are one: we are all interconnected. become a meme of sorts. This awareness inspired my decision to live a A: I developed an interest in piercing as a vegan lifestyle and eschew all animal products. child and have been fascinated with the Putting the wings of an angel upon my concept of having holes through my flesh in back was an outward manifestation of my As my meditation teacher, which to wear jewelry for as long as I can inner drive to be kind and helpful to others— Jim Malloy, puts it: remember. angelic in the Judeo-Christian view, and “Consciousness evolution (or spiritual evolu- embodying loving-kindness and compassion tion) opening your heart to experience your Because my attraction to piercing was in the Buddhists’. Even if I hadn’t been inspired connection with all beings…is an essential innate rather than induced by external influ- by spirituality, the symbolism speaks (or shouts facet of your spiritual evolution. In Buddhist ences, it has always felt spiritual to me in a loudly) for itself. terminology, this is referred to as cultivating way. It is an external expression of my deepest compassion. In secular terminology, it is simply inner self. My subsequent tattoos have added the developing love.” other three elements, so I literally embody the I did my first body piercing (non-ear) on four traditional elements. The angel wings on My body, the physical container for my spirit myself at the age of 15 in 1975. Later, in my back: air; colorful mermaid scales and fins and essence, is indeed my temple, which I 1981, I found out there was a business that on my legs: water; floral vines on my arms: treasure, honor with healthful habits, and orna- did body piercing professionally and I went earth; and small flames behind my ears, plus ment liberally. O

Well, why not? If the tiny home movement has taught us It’s a blank slate. That's what our company is geared to do, to sit anything it’s that excess space is overrated. It’s just more air to down with each artist and figure out what they're looking for while heat or cool, more dusty corners your apprentice has to clean, staying within their budget. Most of the units will start at $50,000 and more square footage to drive up your rent. And if you own, and go up from there, depending on what they're looking for. But don’t even get us started on property taxes. Given, if you’re that's a fully outfitted unit in the sense of dump tanks, water tanks, packing in the chairs and expanding filtration—all the equipment that they’ll need your staff, you’ll probably want to stick to pass the applicable codes.” with your storefront. But if you’re keeping it lean, if you prefer to fly It’s hard to not let the imagination run solo, or if mobility is a must, ‘tiny’ wild with the potential. Planning a tour? might be your ticket. Don’t worry about booking chair time; just bring your own. Looking to expand your We’re not talking about a half- reach? Bring your studio to the people; assed home-built RV here. Steve may show up fully equipped to festivals, conven- be cutting down on unused space, tions, state fairs, even Phish lots. Seriously, energy consumption, and overhead, imagine rolling up with a fully functional but he’s not cutting corners. tattoo parlor at Coachella or Burning Man. Actually, probably not Burning Man, “I build a high quality tiny home (unless you want to trade your work for a made out of steel frame construction,” dream catcher made from aluminum foil Steve asserts confidently. “My homes and discarded hair scraps), but definitely are built to last. A LONG time. The tiny Coachella. With a tiny tattoo parlor, your homes I build are better quality than business is no longer an anchor. It’s a any RV on the market. RVs are pretty vehicle. Granted, one that has to be pulled shoddily built, really. The unique thing by another vehicle, but you get the idea. about tiny homes compared to an RV is Each tiny tattoo parlor can be built out to that tiny homes are actually built for include a small waiting area and up to long-term use. RVs are only intended to two stations. Though the units are small, be weekend getaways, but people are the meticulously designed floor plans will often living in them full time.” eliminate any possible sensation of confine- ment. And if we haven’t emphasized it But while durability is crucial, it’s enough, they are INSANELY energy effi- only the starting point. The real appeal cient. Do it right, and you could cut your of these limited spaces are the limitless overhead in half or more. possibilities, all while adhering to any and all health regulations. Thus far, the concept is merely that— a concept. Steve has what it takes to create “We can basically customize everything to the individual needs what we’ve described, no question, but he’s waiting for that of each and every artist . . . We can get all kinds of different finishes visionary willing to shed their brick and mortar skin and become from mica countertops to quartz to whatever a person is looking for. a pioneer in the wave of the future. Could that be you? O

www.southwesttinyhomes.com • [email protected] • 575-740-0783 PAINMAGAZINE 26

“I held the record at a bar I worked at for awhile . . . I drank 28 Jager shots and walked out . . . There's been a lot of growing up in my last ten to fifteen years.”

No kidding. But this is not a story of redemption. It’s one of evolution. Sure, he’s “adulting” fulltime now, but he’s doing it on his terms.

20 years ago, fatherhood meant crashing on couches to keep up with child support payments while learning the tattoo trade between Jager binges. Today, it means building a legacy for his family, one in which his daughter already places an active role.

“You know the saying, 'If you teach a man to fish'? Well, I bought her a pond.”

That “pond,” as he describes it, is Silver Fox Tattoo, one of Atlanta’s newest and fastest-growing ink destina- tions, as well as the shop in which his daughter has learned the trade. “She’s doing a really good job . . . a way better artist than I ever was when I first started,” he says proudly.

It’s saying a lot, considering the shop is largely built on Loki’s talent. And considering he’s in the middle of a city saturated with options for ink (currently 142 shops), that is also saying a lot. But Loki is quick to step out of the spotlight.

“When I first [opened] the shop, it was really my clientele that was keeping it up,” he acknowledges. “But since then, I've gotten a really good staff. I think that has a lot to do with it, a good staff that can work together and can trust each other.”

Beyond that, he credits the laid-back vibe of the shop and the balance they strike between their passion for quality and willingness to accommodate the masses.

“If somebody wants to get this little bity symbol, it's still just as meaningful to them as this guy who wants this fucking back piece, so I'm going to treat it with the same attitude . . . I mean, there's no original tattoo idea under the sun. Have some fun redrawing, draw it with your customer, make it unique. But don't stick your nose up at them and be like, 'We're not going to do that.'”

Despite how the Loki of twenty years ago may have felt, the new digs that come with the wisdom of age are a good look for him. They’ve equipped him to become not only a solid father and business owner, but also a savvy property investor; the house he purchased two years ago has already nearly doubled in value. But don’t expect him to move when the developers come knocking.

“It's my home . . . I'm not gonna sell it. I'm gonna sit here in my underwear with a shotgun and yell at the neighbors.” O PAINMAGAZINE 28

TATTOOSHOW

ccording to Carl “Dr. Blasphemy” Murray, Baltimore native and emcee for the 2018 Baltimore Tattoo Arts Convention, “Charm City” went over 20 years without a tattoo convention before Troy Temple of Villain Arts, brought his show to town. Now in its eleventh year, the Baltimore Tattoo Arts Convention has evolved from fitting into a Ahotel ballroom to filling up an entire conventio n center space and drawing a crowd in excess of 18,000!

“We've done so by featuring some of the best tattoo artists from all over the globe — tattoo artists from TV, local shops, national and international, and we've brought in entertainment to create a very unique atmosphere — there are side shows, the world famous Enigma, live human suspension, and even midget wrestling,” Dr. Blasphemy says. “ All these elements combine to create a vibe that people want to be a part of — it's like opening day for the Orioles or Ravens — it's something that people look forward to each year.”

“Baltimore started out slowly with tattooing, but in the past 10 years or so, we've had a plethora of shops pop up. We even have three artists who were on Ink Masters and did very well,” Dr. Blasphemy adds. “There' s a very enthu- siastic tattoo and body modification scene here now.

PAINMAGAZINE 30 "People are really into tattoo art — there were a lot of people buying actual artwork from the artists to take home and put on their walls. It's become about more than just tattooing — there's a real appre- ciation for the art and the art form."

The 2018 Baltimore Tattoo Arts Convention hosted well over a thousand tattoo artists and vendors with close to 500 artist booths. Along with a long l ist of contestants who are regulars on the Villain Arts tour, current season winner Josh Payne, came in unannounced along with season II winner Steve Tefft. Best of Show awards went to: 1st, Robby Latos & Sean Foy, Damascus Tattoo Co., 2nd, Jon Roberts, Damascus Tattoo Co., 3rd, Poch, World Famous Tattoo Ink.

"One of the hashtags we use is #tattoofamily — there are at least 200 artists who travel to every show that we put on,” Dr. Blasphemy says. "It's a sea of multiple chaos."

On stage were a variety of “alter- native” acts including The Enigma, Alakazam the Human Knot, Olde City Sideshow, Aerial Burlesque performer Shannon Sexton, and The Inkllusionists.

"There's a little something for every- body. People come to the show to get tattooed, and they bring their wife, kids and cousins, so there's lots of other stuff for them to do. Some people come in just for the chance to hang out and watch the entertainment,” Dr. Blasphemy says.

“We try to make the entire show into an experience where people can immerse them- selves in the tattoo lifestyle and culture."O

May 4-6, 2008 Baltimore Convention Center Photo Credit @shoveyphotograghy

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PAINMAGAZINE 34 PAINMAG.COM Shop? Wolfs Head Tattoo Location? Albuquerque, NM—Knob Hill

Style? American Traditional Years tattooing? 10 years

How did you get your start tattooing? It kind of fell in my lap. I did my first tattoo when I was 13. My cousin, Oscar would get tattooed by one of his buddies and I would hangout and watch. I would sketch in my black book and the artist liked my stuff so one day he asked if I would like to tattoo him. Shit, I was all over that opportunity. The tattoo come out okay.

What was that first tattoo gun made from and how did you figure out how to make it? The following summer, my cousin and I started making homemade tattoo machines out of a blow dryer and a guitar string. I can’t believe they actually worked.

In what ways has your experience with street art/graffiti informed your style and development as a tattoo artist? Graffiti and street art have played a big role in my life and my art. I pull elements from graffiti in my color tattoos and color pallet.

Are there any specific graffiti artists who especially influenced your work? I’ve always been influenced by Mike Giant 2face and Taste. My mentors were also graffiti writers Porky, Dabs(RIP) and Nore...Who are all now amazing tattoo artists.

Aside from human skin and urban walls, what are your other preferred media for your art? Lately I’ve been doing a lot of liquid acrylic on wood. It’s been a good change from the norm. I usually paint tattoo flash with watercolor on arches paper. My biggest influ- ences have been Sailor Jerry, Bert Grim, Ed Hardy, Porky, Dabs, Basquiat.

Rotary or coil and why? I actually use both. I prefer coil for line work and rotary for shading. Both are great tools.

If you could pass along one piece of advice to aspiring tattoo artists, what would it be? Don’t lose the art of drawing on paper.

Any parting words? The floor is yours. Bold will hold.O

PAINMAGAZINE 36

PAINMAGAZINE 38 PAINMAG.COM Reader, the praise was as fast and furious as Ludacris starring alongside Vin Diesel.

“They are the greatest of God’s gifts to mankind,” one Southern-bred man who now lives in Los Angeles as a TV writer quickly responded. “No hyperbole, the chicken tender sub is the best sub on the market,” a golfer replied. The chicken tenders are a huge hit, apparently, as another writer added: “I’m telling you, chicken tenders #PubSub with mayo and spicy mustard. If you want to cheer me up, it’s foolproof.” y the time you’re holding this issue in your hands, I’ll be celebrating my 13th summer Others tweeted tips (Follow @PubSubs_on_sale in the South. I moved down here from the on Twitter! The deli employees will scoop out the Midwest in 2005 and quickly fell in love bread for you!), illicit memories (They’re great for on so many levels—with the weather, the sneaking into theaters!) and lovely animal-based rap music, a gang of ride-or-die pals, a anecdotes (My dog stole half of a #PubSub out of Bwoman who I eventually married and had a child my hand once on vacation!). There was at least with, the food, the beer, the just about everything— one fully-unnecessary-but-nevertheless-delightfully- while coming to the realization that I didn’t need to passionate announcement (I got one in the fridge!). live in New York to make a living as a writer. It was a wild, entertaining, and frankly kind of exhausting 18 or so hours on Twitter Dot Com. There’s a certain scrappy pride to living down here, one that may have welled up in you as you But why? Why does this sandwich resonate were reading that first paragraph. But I would argue so hard with Southerners? Amidst all the suggestions that this pride is especially intense in my homebase and tales and weird moments where I watched of Atlanta. If you don’t like a thing that we like, people from different groups of my life come there’s a decent enough chance we’ll charm you into together to type at each other about Pub Subs, I it eventually. Or you’ll at least learn to respect’ve t. i I realized it a certain comfort. There’s an accessibility certainly experienced that as a Midwestern expat. to this sandwich. The fact that they’re so cheap and easy to rally around? Not enough popular But one thing that’s always confused me is the meals can claim that these days. They feel like Publix deli sub. I can already see your hackles raising, home. and listen, those sandwiches are fine. I’ve enjoyed more than my share. They’re almost never bad! But “They are suburban soul food,” a creative strate- that’s about the best praise I can offer. I needed to gist and comedy improviser tweeted at one point. “I figure out why Southerners in particular care so much mean that in the most complimentary way possible. about the Pub Sub. So I didhat w any good writer does You can just feel when they are needed and know when they need attention to make it through another what your order is before the counter.” O day are trying to solve a gnarly puzzle: I asked Twitter.

PAINMAGAZINE 40