“Prince Tudor” Dilemma: Hip Thesis, Hypothesis, Or Old Wives' Tale?
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Fall 2005 Shakespeare Matters Page 1
Fall 2005 Shakespeare Matters page 1 5:1 "Let me not to the marriage of true minds admit impediments..." Fall 2005 Falstaff in the Low Countries By Robert Detobel n his book Monstrous Adversary1 Prof. Alan Nelson has Oxford boast of his par ticipation in the battle of Bommel dur- Iing his visit to the Low Countries in the summer 1574. Nelson’s statement, my article shows, results from a double error. First he has failed to note the basic difference which existed between a battle and a siege in the Low Countries since 1573; second, and more James Newcomb, Fellowship member and Oregon Shakespeare Festival leading man, importantly, Nelson did not perceive (per- with Mark Anderson (right), winner of the 2005 Oxfordian of the Year Award. Newcomb haps because he did not want to) that Oxford’s stars this OSF season as a wickedly energetic Richard III. tale about his great feats was a Baron Münchhausen’s tall tale and was clearly so intended. More properly spoken it was a OSF, SF, and SOS Join Forces in “Falstaffiade, ” as will appear in the second part in which we observe the similarities between Oxford’s tale and Falstaff’s tales. Historic Conference (Continued on page 4) By Howard Schumann he first ever jointly sponsored conference of The Shakespeare Fellowship and The Shakespeare Oxford Society was a “breakthrough” and an important step in piercing the “bastion of orthodoxy” regarding the Shakespeare Tauthorship issue, according to James Newcomb, the Oregon ShakespeareFestival (OSF) actor who portrayed the villainous King Richard in the OSF’s magnificent production of Richard III. -
Rrhe Sha Speare 9\Fiws{Etter
rrheSha�speare 9\fiws{etter Vo I.38:No.3 "What llewsfi'olll Oxford? Do thesejllsts alld triUlllphs hold?" Richard II 5.2 Summer 2002 Stylometrics and the This Strange Eventful History Funeral ElegyAffair Oxford, Shakespeare, and The Seven Ages of Man By Robert Brazil and Wayne Shore By Christopher Paul tylometrics refers to a growing body of "All the world's a stage" begins one of miseries of human life in much the same S techniques for analyzing written the most famous of Shakespeare's manner as Jaques, in a book which names material assisted by numerical analysis. monologues, the "Seven Ages of Man" the Earl of Oxford on the title page. Stylometrics has been applied in making speech voiced by the acerbic courtier Let us first begin with a briefoverview and refuting attributions of authorship. Jaques in As YO liLike It, Act 2, scene 7. of the origins ofJaques' speech. [Printed Comparative study ofEliza bethan texts As Jaques continues, he dryly and in full on page 15.] The iconography of began after concordances of Shakespeare entertainingly catalogs the ages, the Ages of Man was quite diverse, and his contemporaries were widely beginning with the mew ling infant, often evidencing conflation with the published in the early 20th Century. But it fo llowed by the whining school-boy, Ages of the World, the planets, the wasnot until the advent ofhome computing the sighing lover, the quarreling Deadly Sins, the days of the week, the that these databases could be effectively soldier, the prosing justice, the seasons, Fortune's Wheel, the compared with each other. -
Australian Bred Roses
UNSH Newsletter Edition 2020.5.MAY The Rose Society of NSW: Upper North Shore & Hills Regional Email: unsh. [email protected] Phone: 9653 2202 (9am - 7 pm) Facebook: UNSH Rose Regional UNSH meets on 3rd Sunday of each month in 2020. Meeting time: 2 pm Autumn/Winter;4 pm Spring/Summer PLEASE ARRIVE 15 minutes earlier to ‘Sign On’; buy raffle tickets Patron: Sandra Ross UNSH Rose Advisors: Brigitte & Klaus Eckart Chair: Kate Stanley Assistant Chair: David Smith Treasurer: Judy Satchell Secretary: Paul Stanley LOOK ON PAGE 2 FOR WHAT’S HAPPENING AT UNSH Special Edition: Australian Bred Roses. Table of Contents • PLEASE READ important note regarding the Australian Bred Roses information compiled by Kate L. Stanley…page 2 • Chronological Spreadsheet of Australian Rose Breeders ((Hybridists), accolades, cultivars…pages 3-17 • List of A-Z Australian Bred (AB) roses by Rose Breeder (that doesn’t fit into Spreadsheet Table)…pages 18-32 • List of WALSH roses …pages 32-34 • List of MILLINGTON roses…pages 34-39 • Answers for April Crossword…page 41 An Autumn Poem… “A hush has come over the garden, Just a crinkle and crunch of fallen leaves, The cars and planes punctuating what’s heard, Are silenced for a time. A reflective time in our gardens Hearing little birds’ search for worms, The rich blue sky and warming sun, Lighting up the leaves in colour ” . K.S. 12.5.20 , Page 1 UNSH Newsletter 2020. 5.May Membership Renewal due by June 30th 2020. Please send your money to State as per form sent out in “The Rose”. -
Tudor Roses Kindle
TUDOR ROSES PDF, EPUB, EBOOK Alice Starmore | 176 pages | 06 Dec 2013 | Dover Publications Inc. | 9781606600474 | English | New York, United States Tudor Roses PDF Book I had to laugh when I saw pattern notes that referred to a couple of the patterns as "easy". This category only includes cookies that ensures basic functionalities and security features of the website. John and Terre were warm, welcoming hosts. I designed and made garments never seen in knitting before, full of meaningful details, carefully constructed to evoke character. Necessary cookies are absolutely essential for the website to function properly. We also use third-party cookies that help us analyze and understand how you use this website. Enlarge cover. The crowned and slipped Tudor rose is used as the plant badge of England, as Scotland uses the thistle , Wales uses the leek , and Ireland uses the shamrock Northern Ireland sometimes using flax instead. I compared the old patterns with those in the new book and find it interesting to see the more updated colors of those patterns that were in the original. The knitwear designs that appear in the version of this title have been altered and updated from those that appeared in the version. Your pictures Take a look at the photos you sent us during the show. See 1 question about Tudor Roses…. The Tudor Rose is as much a part of English heraldry now as it has always been, and is still worn on the uniform of the Yeoman Guards Beefeaters at the Tower of London. We will continue to pay part of your postage and packaging costs, but we are asking our UK customers to contribute to their shipping costs as follows —. -
Mickey Mayhew Phd Final2018.Pdf
‘Skewed intimacies and subcultural identities: Anne Boleyn and the expression of fealty in a social media forum’ Mickey Mayhew A Thesis submitted in fulfilment of the requirements for the degree of Doctor of Sociology at London South Bank University Supervisors: Doctor Shaminder Takhar (Director of Studies) and Doctor Jenny Owen Faculty of Arts and Human Sciences, Department of Social Sciences & Department of Media and Cultural Studies, London South Bank University 1 Abstract The aim of this research project was the investigation of a subculture surrounding the famous Tudor queen Anne Boleyn; what that possible subculture means for those involved, and if it constituted part of a new phenomenon of female orientated online subcultures; cybersubcultures. Through the analysis of film, TV, historical literature and fiction, the research illustrates how subcultures are perpetuated through generations cyclically. The research then documents the transition from the traditional or ‘classic’ subcultural model of the 60s to the 21st century cybersubculture and fandom, suggesting a new way of thinking about subcultures in a post-subcultural age. The research suggests that the positioning of Anne Boleyn as a feminist icon/role model, based mainly on a media-mediated image, has formed a subculture which thrives on disjointed imagery and discourse in order to form a subculture of peculiarly subtle resistance. This new cybersubculture reflects the ways in which women are now able to use social media to form communities and to communicate, sharing concerns over men and marriage, all whilst percolating around the media-mediated image of Anne Boleyn as their starting point. These interactions – and the similarities they shared with the ‘classic’ subcultural style - form the data for this research project. -
The Portcullis Revised August 2010
Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512. -
Alaris Capture Pro Software
The Red Rose of Lancaster? JOHN ASHDOWN—HILL In the fifteenth century the rival houses of Lancaster and York fought the ‘Wars of the Roses’ for possession of the crown. When, in 1485, the new Tudor monarch, Henry VII, brought these wars to an end, he united, by his mam'age to Elizabeth of York, the red rose of Lancaster and the white rose of York, to create a new emblem and a new dynasty. Thus was born the Tudor rose. So might run a popular account, and botanists, searching through the lists of medieval rose cultivars, have even proposed identifications of the red rose of Lancaster with Rosa Gallica and the white rose of York with Rosa Alba, while the bi-coloured Tudor rose is linked to the naturally occurring variegated sport of Rosa Gallica known as ‘Rosa Mundi’ (Rosa Gallica versicolor), or alternatively, to the rather paler Rosa Damascena versicolor. It should, perhaps, be observed that Rosa Gallica, while somewhat variable in colour. is more likely to be a shade of pink than bright red, and Rosa Alba, while generally white in colour, also occurs in shades of pink, so that in nature the colour~distinction between the two roses is not always clear. ‘Rosa Mundi’ is also strictly speaking variegated in two shades of pink, rather than being literally red and white.‘ The label ‘Wars of the Roses’was a late invention, first employed only in 1829, by Sir Walter Scott, in his romantic novel Anne of Geierstein.2 The story of the rose emblems might appear on casual inspection to be well-founded, for we find ample evidence of Tudor roses bespattering Tudor coinage and royal architecture, for example, at Hampton Court, the Henry VII chapel at Westminster, and at Cambridge, on the gates of Christ’s and St John’s Colleges, and in King’s College chapel. -
Heraldic Badges, We
P/zoto . S ooner p . ) F 1 0 I . f f - A ee eater (Tower o London) in his full dre ss unifo rm s ho win the B , g o f “ e ancient method earing the badg . ARTH UR CH ARL ES FO " - DAVIES ’ O F L x N O L - - C N s IN N , BA R R IST ER AT LA W WIT H NUME ROUS I L L U S T R A T I O N S LO DO : OH LA THE BODL Y H AD N N J N NE , E E N EW YORK : OH LA CO PA Y C VI I J N NE M N . M M WI L I M L W L D L S . L A C O ES A N D SON S , LT D . , O N DON A N BECC E L IS T OF IL L US TR A TION S F IG . 1 A f T ower o f L f - s . Bee eater ( ondon) in his ull dre s uni f n o f orm , showing the a cient method wearing the badge Frontispie ce T O F AC E PAG E 2 o f E f 2 2 . The Badge ngland , rom the Royal Warrant o f f 3 . The Badge Scotland , rom the Royal Warrant e of f 4 . The Badg Ireland , rom the Royal Warrant o f f 5 The second Badge Ireland , rom the Royal War rant 6 fl o f U f . The ( oral) Badge the nited Kingdom , rom the Royal Warrant o f U n f t he 7 . -
Royal Coin for Her Majesty Anna Leigh Late Medieval English Gold Coin
Royal Coin for Her Majesty Anna Leigh Late Medieval English Gold Coin In the latter half of the 16th century, gold became abundant throughout Europe, and English gold coins became more prevalent. The increase in gold supply was primarily because of an influx of gold from the New World (via Spain), but also due to the success of English privateers. The use of gold coinage was a great boon to the Royal economy, and gold is considered a major reason for the economic success that occurred at the start of the Tudor reigns. Gold coinage was so important that most mints were not permitted to strike in gold. Whereas silver mints were scattered throughout England, gold coins came exclusively from the Tower of London. At the same time, new technology was emerging that would change minting. The screw-press replaced medieval striking techniques, providing more uniform and reliable imprints and paving the way for modern coinage. Coins from this period in England to not include minting dates, so the dating is based on coin styles and content. The die axis of these coins, like most medieval coins, is random. As the medieval period came to an end, there was a series of massive debasements in which the royalty secretly diluted the gold content of coins without changing their nominal value. This debasement resulted in a loss of trust in coinage that had been based on the inherent value of metals, and marked the end of medieval coinage. The Royal coin for HRM Anna Leigh is made of “jeweler’s gold”, a type of brass intended to have a similar color to modern gold jewelry. -
The Readers' Advisory Guide to Historical Fiction
The Readers’ Advisory Guide to Historical Fiction www.alastore.ala.org ALA READERs’ ADVISORY SERIES The Readers’ Advisory Guide to Genre Blends The Readers’ Advisory Guide to Horror Serving Boys through Readers’ Advisory The Readers’ Advisory Guide to Graphic Novels The Readers’ Advisory Guide to Genre Fiction, second edition Research-Based Readers’ Advisory The Readers’ Advisory Guide to Nonfiction Serving Teens through Readers’ Advisory The Horror Readers’ Advisory: The Librarian’s Guide to Vampires, Killer Tomatoes, and Haunted Houses The Science Fiction and Fantasy Readers’ Advisory: The Librarian’s Guide to Cyborgs, Aliens, and Sorcerers The Mystery Readers’ Advisory: The Librarian’s Clues to Murder and Mayhem The Romance Readers’ Advisory: The Librarian’s Guide to Love in the Stacks The Short Story Readers’ Advisory: A Guide to the Best The Readers’Advisory Handbook The Readers’ Advisory Guide to Street Literature The Readers’ Advisory Guide to Mystery, second edition www.alastore.ala.org The Readers’ Advisory Guide to Historical Fiction Jennifer S. Baker An imprint of the American Library Association Chicago 2015 www.alastore.ala.org JENNIFER BAKER earned her master’s degree in librarianship at the University of Washington and now works at the Seattle Public Library’s Reader Services Department as a reference and readers’ advisory librarian. Baker currently serves on the Listen List Award committee, sponsored by the Reference and User Services (RUSA) division of the American Library Association, and she has also served on the Reading List Council. She reviews his- torical suspense for Booklist, serves on the consulting team for EBSCO Publishing’s Adult Core Collection, and is the author of several readers’ advisory articles in Library Journal, NoveList, and Reference and User Services Quarterly. -
Iolanda Ramos Universidade Nova De Lisboa
A NOT SO SECRET GARDEN: ENGLISH ROSES, Iolanda Ramos VICTORIAN AESTHETICISM AND THE MAKING OF Universidade Nova de SOCIAL IDENTITIES Lisboa 1 Lady Lilith (1872), Dante Gabriel Rossetti, Delaware Art Museum 1 Iolanda Ramos is Assistant Professor at the FCSH-NOVA University of Lisbon, where she has been teaching since 1985, and a researcher at the Centre for English, Translation and Anglo-Portuguese Studies (CETAPS). She has published eXtensively on Victorian Studies and Neo-Victorianism within the framework of Utopian Studies as well as on intercultural, visual and gender issues. Her most recent publications include Performing Identities and Utopias of Belonging (co-edited with Teresa Botelho, Newcastle upon Tyne: CSP, 2013) and Matrizes Culturais: Notas para um Estudo da Era Vitoriana (Lisboa: Edições Colibri, 2014). GAUDIUM SCIENDI, Número 8, Julho 2015 98 A NOT SO SECRET GARDEN: ENGLISH ROSES, Iolanda Ramos VICTORIAN AESTHETICISM AND THE MAKING OF Universidade Nova de SOCIAL IDENTITIES Lisboa his essay seeks to draw on theories of representation so as to link the multi- signifying dimension of the garden with the language of flowers as T conveying a social and moral code, acknowledged both in the Victorian age and today, and therefore ultimately aims to revisit the making of social identities. It begins by placing the English rose within the tradition of British national symbols and proceeds to highlight how floral symbolism was widely used in the arts, focusing on a selection of Pre- Raphaelite paintings in order to show how floral imagery both sustained and subverted stereotyped female roles. It goes on to argue that floral representations were used as a means for women to recognise their "natural" place in society. -
Created Shakespeare Columbus’ Landfall, Comet Halley Apparitions, Peary’S fictional Crocker Land
A Fresh ScienceHistory Journal: CostFree to Major Libraries Vol.18 Marlowe 450 2014 Tel 4108891414 [email protected] DIO — The InternationalDIOJournal of Scientific History. Deeply funded. Mail costs fully covered. No page charges. Offprints free. • Since 1991 inception, has gone without fee to leading scholars & libraries. • Contributors include world authorities in their respective fields, experts at, e.g., Johns Hopkins University, Cal Tech, Cambridge University, University of London. • Publisher & journal cited (1996 May 9) in New York Times p.1 analysis of his discov ery of data exploding Richard Byrd's 1926 North Pole fraud. [DIO vol.4.] Full report copublished by University of Cambridge (2000) and DIO [vol.10], triggering History DIO Channel 2000&2001 recognition of Amundsen's double polepriority. New photographic proof ending Mt.McKinley fake [DIO vol.7]: cited basis of 1998/11/26 New York Times Science Applied to the Arts p.1 announcement. Nature 2000/11/16 cover article pyramidorientation theory: DIO correctedrecomputed, Nature 2001/8/16. Vindicating DR longtime Neptuneaffair charges of planettheft and filetheft: Scientific American 2004 December credits DIO [vols.29]. DIOopposites mentality explored: NYTimes Science 2009/9/8 [nytimes.com/tierneylab]. • Journal is published primarily for universities' and scientific institutions' collections; among subscribers by request are libraries at: US Naval Observatory, Cal Tech, Cornell, Johns Hopkins, Oxford & Cambridge, Royal Astronomical Society, British Museum, Royal Observatory (Scotland), the Russian State Library, the International Centre for Theoretical Physics (Trieste), and the universities of Chicago, Toronto, London, Munich, Gottingen,¨ Marlowe Copenhagen, Stockholm, Tartu, Amsterdam, Liege,` Ljubljana, Bologna, Canterbury (NZ).