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April De Angelis Plays 1: Ironmistress; Hush; Playhouse Creatures; the Positive Hour Pdf
FREE APRIL DE ANGELIS PLAYS 1: IRONMISTRESS; HUSH; PLAYHOUSE CREATURES; THE POSITIVE HOUR PDF April De Angelis | 336 pages | 01 Jun 2000 | FABER & FABER | 9780571197095 | English | London, United Kingdom April de Angelis Plays 1 | Faber & Faber De Angelis began her career in the s as an actress with the Monstrous Regiment theatre company. Her plays often feature historical figures. Playhouse Creatures and A Laughing Matter are set in the London theatrical milieu of the 17th and 18th centuries respectively. Wanderlust examines Victorian colonialism and Ironmistress is a verse play exploring Lady Charlotte Guest 's factory ownership. De Angelis tends to write to commission and several of her plays April de Angelis Plays 1: Ironmistress; Hush; Playhouse Creatures; The Positive Hour been produced by Max Stafford-Clark 's Out of Joint theatre company. From Wikipedia, the free encyclopedia. This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. More duologues for all accents and ages. Psychology Press. Retrieved 10 April Categories : English women dramatists and playwrights Living people births English opera librettists English people of Sicilian descent Alumni of the University of Sussex Alumni of East 15 Acting School Women opera librettists 20th-century British dramatists and playwrights 20th-century English women writers 21st-century British dramatists and playwrights 21st-century English women writers. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. -
How to Fight Loneliness the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival How To Fight Loneliness The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Logo of How To Fight Loneliness, 2016. Contents Information on the Play Synopsis 4 HowCharacters To Fight Loneliness4 About the Playwright 5 Scholarly Articles on the Play How To Fight Loneliness 7 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: How To Fight Loneliness Brad and his wife Jodie are anxiously awaiting the arrival of a guest to their home. They are both are in their mid-thirties and have been married for a number of years. They have been through a lot together, especially recently. -
Liechtenstein Nenzing – Austria
1 Interplay Europe 2006 Festival of Young Playwrights Schaan – Liechtenstein Nenzing – Austria 18 –25 June 2006 The View from the foot of the mountain in Base Group (or should it have been Base Camp?) 2 Sunday 18th June I’m in the Alps – for the first time in my life ever – fantastic. I’m on a train from Zurich to Liechtenstein (well just outside actually – the last part of the journey has to be conducted by bus) and it’s hot…really hot…..mountainous, and beautiful with lakes, clear blue water, snow peaked mountain tops, wooden houses, and hardly any people, where are all the people? Even the 3 English playwright delegates I was travelling with have forsaken me, well actually it’s the opposite, I’ve had to go on ahead so I’m not late for the tutor delegates meeting scheduled for 5.00pm local time – one of our party, Tinu missed her flight due to the wonders of the London tube system (no such problems with the trains in Switzerland I can tell you – printed timetable, with all your connections for both trains and buses, timed to the minute, for outward and return journeys, all on one ticket, all one price, all completely reliable, and all conveyed in English – easy, amazing, so smooth, so good, but what’s all this speaking in English about, how am I going to brush up on my elementary standard German, if every time I say Guten tag to someone they smile at me sympathetically and then start talking to me in English?) so Hannah and Daniel have stayed in Zurich as a friendly welcoming committee for the tardy Tinu. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson The Timeline charts the Royal Court’s London-based presentations of international plays and related events from 1989–2013. It also records the years in which fi rst research trips overseas were made and exchanges begun. Writers are listed alphabetically within recorded events; translators for the Court are named throughout; directors are listed for full productions and major events. Full productions are marked with an asterisk (*) – other play listings are staged readings. 1989: First international Summer School hosted by the Royal Court 1992: Court inaugurates exchange with Germany 1993: Summer School gains support from the British Council Austrian & German Play Readings (plays selected and commissioned by the Goethe-Institut; presented in October) Rabenthal Jorg Graser; Soliman Ludwig Fels; In den Augen eines Fremdung Wolfgang Maria Bauer; Tatowierung Dea Loher; A Liebs Kind Harald Kislinger; Alpenglühen Peter Turrini 1994: First UK writers exchange at the Baracke, Deutsches Theater, Berlin, coordinated by Michael Eberth. British writers were Martin Crimp, David Greig, Kevin Elyot, Meredith Oakes and David Spencer. Elyse Dodgson, Stephen Daldry and Robin Hooper took part in panel discussions 1995: Daldry and Dodgson make initial contacts in Palestine Plays from a Changing Country – Germany (3–6 October) Sugar Dollies Klaus Chatten, trans. Anthony Vivis; The Table Laid Anna Langhoff, trans. David Spencer; Stranger’s House Dea Loher, trans. David Tushingham; Waiting Room Germany Klaus Pohl, trans. David Tushingham; Jennifer Klemm or Comfort and Misery of the Last Germans D. Rust, trans. Rosee Riggs Waiting Room Germany Klaus Pohl, Downstairs, director Mary Peate, 1 to 18 November* 1996: Founding of the International Department by Daldry; Dodgson appointed Head. -
A Study of the Royal Court Young Peoples’ Theatre and Its Development Into the Young Writers’ Programme
Building the Engine Room: A Study of the Royal Court Young Peoples’ Theatre and its Development into the Young Writers’ Programme N O Holden Doctor of Philosophy 2018 Building the Engine Room: A Study of the Royal Court’s Young Peoples’ Theatre and its Development into the Young Writers’ Programme Nicholas Oliver Holden, MA, AKC A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy School of Fine and Performing Arts College of Arts March 2018 2 DECLARATION I declare that this thesis is my own work and has not been submitted in substantially the same form for a higher degree elsewhere. 3 Acknowledgements First and foremost, I would like to thank my supervisors: Dr Jacqueline Bolton and Dr James Hudson, who have been there with advice even before this PhD began. I am forever grateful for your support, feedback, knowledge and guidance not just as my PhD supervisors, but as colleagues and, now, friends. Heartfelt thanks to my Director of Studies, Professor Mark O’Thomas, who has been a constant source of support and encouragement from my years as an undergraduate student to now as an early career academic. To Professor Dominic Symonds, who took on the role of my Director of Studies in the final year; thank you for being so generous with your thoughts and extensive knowledge, and for helping to bring new perspectives to my work. My gratitude also to the University of Lincoln and the School of Fine and Performing Arts for their generous studentship, without which this PhD would not have been possible. -
Medea & Phaedra
Medea & Phaedra: Tragedies of Passion, Betrayal, and Revenge Theater of War creator Bryan Doerries returns to BAM to lead discussion surrounding mental health through readings from Euripides’ Medea and Seneca’s Phaedra Medea & Phaedra: Tragedies of Passion, Betrayal, and Revenge Led by Bryan Doerries With Elizabeth Marvel, Amy Ryan, Donnetta Lavinia Grays, and Bill Camp Mon, Jun 20 at 7pm BAM Fisher (Fishman Space), 321 Ashland Pl Free with RSVP Brooklyn, NY/May 19, 2016—BAM Humanities presents Medea & Phaedra: Tragedies of Passion, Betrayal, and Revenge—an evening of performance and dialogue featuring dramatic readings of scenes from Euripides’ Medea and Seneca’s Phaedra, followed by discussion about the relevance of these myths to contemporary society. The evening will be led by Theater of War founder Bryan Doerries, using his translation of Medea and a translation of Phaedra by Laura Weber, with performances by Elizabeth Marvel, Amy Ryan, Donnetta Lavinia Grays, and Bill Camp. Medea and Phaedra—both of which timelessly explore how scorned passion can lead to revenge and unthinkable violence—will serve as the gateway to a discussion surrounding mental illness. These plays pose the question as to whether the irreversible actions of the titular characters are driven by mental illness. From there, Doerries will facilitate a conversation that will address under-discussed mental health issues—such as post-partum depression and psychosis—and will extend to recent incidents that seem uncannily similar to the plots of these ancient plays. For press information contact Christina Norris at [email protected] or 718.636.4129 x8. About the artists Writer, director, and translator Bryan Doerries is the founder of Theater of War, a project that presents readings of ancient Greek plays to military and civilian communities to initiate conversations about the wounds of war. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
MEATS Press Notes.Final Clean
MEATS Written & Directed by: Ashley Williams Starring: Ashley Williams Giancarlo Sbarbaro Produced by: Neal Dodson Ashley Williams Film Contact: Neal Dodson, producer 818.481.5473 [email protected] Press Contact: Prodigy Public Relations Erik Bright 310.857.2020 [email protected] For HIGHER-RES still photos & more information please visit: www.ashleywilliams.work MEATS SYNOPSIS Director-writer Ashley Williams also stars in MEATS -- a short film about a pregnant vegan who wrestles with her newfound craving for meat. The film is produced by Williams and her husband, Independent Spirit Award winner and Sundance alum Neal Dodson (Margin Call). MEATS is an exploration of the ethics of meat-eating and the fears inherent with becoming a parent. In the short film, Williams plays Lane, who has hired a whole-animal butcher named Chris (played by real-life master butcher Giancarlo Sbarbaro), to educate her on how to responsibly break down a lamb and use every part. Upon arrival, Lane is simultaneously disgusted and mesmerized by the carcass in front of her. As Lane liberates the meat from the bone, she also frees a whole new side of herself, revealing humor, pain, connection, and a newfound mother-to-be. CounterNarrative Films presents MEATS. The cinematographer is Roman Vasyanov (Triple Frontier, Fury, Sundance alum with The East and Charlie Countryman). The editor is Cecilia Delgado. Color is by Roman Hankewycz (Sundance alum with Sound of Silence and Equity, among others) from Harbor Picture Company. Sound design is by three- time Academy-Award nominee Steve Boeddeker (All Is Lost, Black Panther, Sundance alum with I Origins, among others) at Skywalker Sound. -
6Η Διεθνησ Συνδιασκεψη Για Το Θεατρο Στην Εκπαιδευση "Θέατρο Και Εκπαίδευση Στο Κέντρο Της Σκηνής" Αθήνα, 27-28-29-30 Μαρτίου 2008
6η ΔΙΕΘΝΗΣ ΣΥΝΔΙΑΣΚΕΨΗ ΓΙΑ ΤΟ ΘΕΑΤΡΟ ΣΤΗΝ ΕΚΠΑΙΔΕΥΣΗ "θέατρο και εκπαίδευση στο κέντρο της σκηνής" Αθήνα, 27-28-29-30 Μαρτίου 2008 Πρόγραμμα Συνδιάσκεψης 2008 Το Πρόγραμμα της Συνδιάσκεψης 2008 "θέατρο και εκπαίδευση στο κέντρο της σκηνής" Αθήνα, 27-28-29-30 Μαρτίου 2008 ©ΠΑΝΕΛΛΗΝΙΟ ΔΙΚΤΥΟ ΓΙΑ ΤΟ ΘΕΑΤΡΟ ΣΤΗΝ ΕΚΠΑΙΔΕΥΣΗ Αθήνα, Μάρτιος 2008 Επιμέλεια κειμένων: Τζένη Καραβίτη, Αναστασία Μερκούρη Διόρθωση τυπογραφικών δοκιμίων: Αναστασία Μερκούρη Μακέτα εξωφύλλου: Δημήτρης Ξαρχάκος (βασισμένη σε χαρακτικό της Παυλίνας Γραικού) 2 Συνδιάσκεψη 2008 – «Θέατρο και εκπαίδευση στο κέντρο της σκηνής» Η κοινωνία των αρχών του 21ου αιώνα υφίσταται ραγδαίες αλλαγές. Η παγκοσμιοποίηση και συχνά εμπορευματοποίηση των πολιτισμών και των αξιών και η αποδυνάμωση της έννοιας της κοινότητας, που αποτελούσε στέρεη βάση για τη δημιουργία της αντίληψης του εαυτού και του ανήκειν έχουν αρνητικές συνέπειες στη ζωή και την ανάπτυξη πολλών νέων. Τα περιβαλλοντικά προβλήματα, οι παραβιάσεις των ανθρωπίνων δικαιωμάτων και των δικαιωμάτων του παιδιού, η κοινωνική αδικία, οι συγκρούσεις, οι πολεμικές συρράξεις και οι βίαιες μετακινήσεις πληθυσμών επισκιάζουν τα ραγδαία άλματα της επιστήμης και της τεχνολογίας. Τι ρόλο μπορεί να διαδραματίσει το θέατρο/δράμα στην εκπαίδευση μέσα σ’ αυτό το πλαίσιο; Τι μπορεί να προσφέρει; Τι μας δείχνει η έρευνα ότι συμβαίνει όταν τα παιδιά και οι νέοι συμμετέχουν σε θεατρικές διαδικασίες; Παρ’ όλο που οι λέξεις θέατρο και δράμα μάς κληροδοτήθηκαν από την αρχαία ελληνική γλώσσα και πολιτισμό, ο οποίος θεωρούσε το θέατρο ως εκπαίδευση («διδασκαλία»), στις μέρες μας χρειάζεται να αγωνιζόμαστε διαρκώς για να υπενθυμίζουμε αυτή τη διάσταση του θεάτρου. Ένας αγώνας με δυσκολίες, γιατί, ενώ η παιδαγωγική αξία και η εξανθρωπιστική δυνατότητα του θεάτρου/δράματος στην ποικιλία των εκφάνσεών του αναγνωρίζεται στα λόγια, φαίνεται να υποτιμάται στην πράξη. -
Théâtre, Pouvoir Et Traduction
Voix de femmes : théâtre, pouVoir et traduction 10h00 Conférence de Mme Claude Safir, professeur des universités 10h45 Table-ronde (2h) à partir de trois pièces contemporaines : Comédiennes d’April de Angelis, Jackie d’Elfriede Jelinek, Tentatives de trous pour voir le ciel à travers, diptyque d’après Charlotte Perkins Gilman et Saul Bellow. Intervenants : Emmanuel Suarez, metteur en scène (compagnie Et demain) ; Magali Jourdan, traductrice (allemand), Marie Nadia Karsky et Claire Larsonneur (MCF Université Paris 8 et traductrices), Laurence Gervais (MCF Université Paris 8 et auteure dramatique), Christelle Harbonn metteur en scène (compagnie Demesten Titip) Caroline Gauvineau (Théâtre Gérard Philipe). Cette matinée se fait en partenariat avec le Théâtre Gérard Philipe qui programme Jackie, d’Elfriede Jelinek, et en parallèle avec les rencontres du TGP sur « Femmes et pouvoir ». Déjeuner 14h30 Les enjeux de traduction spécifiques de Comédiennes la traduction inédite en français de la pièce Playhouse Creatures, par Marie Nadia Karsky et Claire Larsonneur 15h00 Conférence d’April de Angelis (langue anglaise, une heure) 16h30 Lecture publique d’extraits de Comédiennes (1h) par Laetitia Hipp- Suarez, Sylvie Laguna, Marie-Julie Baup, Christelle Cornil. 17h30 CoCktail Vers Paris La coupole Vers Pierrefitte AMPHIS X et Y BATIMENT A MAISON DE BATIMENT G L’ÉTUDIANT BATIMENT C BIBLIOTHEQUE BATIMENT B2 BATIMENT B1 BATIMENT BATIMENT D ENTRÉE CROUS DE L’UNIVERSITÉ présentation des pièces et des auteurs elfriede jelinek Née en 1946 à Autriche, Elfriede Jelinek se passionne très jeune pour toutes les formes de April de Angelis est un écrivain dramatique britannique, née en 1960. création artistique. Après des études de théâtre et d’histoire de l’art, elle obtient son diplôme Elle a publié une quinzaine de pièces chez Faber and Faber, et est ré- de fin d’études de musique en 1964. -
2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway
© 2020 DISNEY ENTERPRISES, INC. CAST Stargirl Caraway . GRACE VANDERWAAL Leo Borlock . GRAHAM VERCHERE DISNEY Archie . .GIANCARLO ESPOSITO presents Mr. Robineau . MAXIMILANO HERNANDEZ Kevin Singh . KARAN BRAR A Tess Reed . .ANNACHESKA BROWN GOTHAM GROUP Benny Burrito . COLLIN BLACKFORD Production Dori Dilson . ALLISON WENTWORTH Alan Ferko . JULIOCESAR CHAVEZ In Association with Mallory Franklin . ARTEMIS HAHNSCAPE ENTERTAINMENT Summer . JULIA FLORES Kim . GABRIELLA SURODJAWAN Hillary Kimble . .SHELBY SIMMONS Wayne Parnell. JOHN APOLINAR Zack James . .ALEX JAMES Gloria Borlock . .DARBY STANCHFIELD Leo Age 8 . ENZO CHARLES DE ANGELIS Cool Girl . CAYMAN GUAY Ana Caraway . .SARA ARRINGTON Principal Sutters . LUCINDA MARKER Band Leader . HANNAH KAUFFMANN Big Kid #1 . GAVIN WILLIAM WHITE Big Kid #2 . SEAN DENNIS Big Kid #3 . .DAVID TRUJILLO Ron Kovak . .TROY BROOKINS Mud Frog Fan . RYAN BEGAY Leo’s Dad . DAMIAN O’HARE Emcee . AUDRA CHARITY Kevin Age 8 . ATHARVA VERMA Teacher . JIMMY E. JONES Young Male Teacher . .ORION C. CARRINGTON Directed by . JULIA HART EMT . THOMAS SONS Screenplay by . KRISTIN HAHN Athletic Trainer . .ERIC ARCHULETA and JULIA HART WINTER DANCE BAND & JORDAN HOROWITZ Keyboard Player . REBECCA ANN ARSCOTT Based on the Novel by . .JERRY SPINELLI Lead Singer/Guitar . HERVE GASPARD Produced by . ELLEN GOLDSMITH-VEIN, p.g.a. Drummer . PAUL PALMER III LEE STOLLMAN, p.g.a. Bass . ARTHA MEADORS KRISTIN HAHN, p.g.a. Mudfrogs Marching Band Executive Producers . .JORDAN HOROWITZ ARMANDO ARELLANO VICTOR ARMIJO JIM POWERS ANDREW BLAIR VINCENT CONTE JERRY SPINELLI GISELLE CRUZ OSCAR GAMBOA EDDIE GAMARRA EDGAR HERNANDEZ GABE HICKS CATHERINE HARDWICKE CHRIS KINGSWADD SHANNON LATHAM JONATHAN LEVIN JULIO QUIROZ LOPEZ SPENSER LOTZ Director of Photography . BRYCE FORTNER GUS PEDROTTY ISIAH ROJAS Production Designer .