Indian Law Reports Delhi Series 2014

Total Page:16

File Type:pdf, Size:1020Kb

Indian Law Reports Delhi Series 2014 I.L.R. (2014) 1 DELHI Part-II (June, 2014) P.S.D. 25.06.2014 (Pages 2047-2394) 600 Annual Subscription rate of I.L.R.(D.S.) 2014 INDIAN LAW REPORTS (for 6 volumes each volume consisting of 2 Parts) DELHI SERIES In Indian Rupees : 2500/- 2014 Single Part : 250/- (Containing cases determined by the High Court of Delhi) VOLUME-3, PART-II (CONTAINS GENERAL INDEX) EDITOR MS. SANGITA DHINGRA SEHGAL for Subscription Please Contact : REGISTRAR GENERAL Controller of Publications CO-EDITOR MS. NEENA BANSAL KRISHNA Department of Publication, Govt. of India, Civil Lines, Delhi-110054. (ADDITIONAL DISTRICT & SESSIONS JUDGE) Website: www.deptpub.nic.in REPORTERS Email:[email protected], [email protected] MR. CHANDER SHEKHAR MS. ANU BAGAI Tel.: 23817823/9689/3761/3762/3764/3765 (DISTRICT & SESSIONS JUDGE) MR. SANJOY GHOSE Fax.: 23817876 MR. GIRISH KATHPALIA MR. ASHISH MAKHIJA MR. VINAY KUMAR GUPTA (ADVOCATES) MS. SHALINDER KAUR MR. LORREN BAMNIYAL MR. GURDEEP SINGH REGISTRAR MS. ADITI CHAUDHARY MR. KESHAV K. BHATI MR. ARUN BHARDWAJ JOINT REGISTRAR MS. ANU GROVER BALIGA MR. DIG VINAY SINGH (ADDITIONAL DISTRICT PRINTED BY : J.R. COMPUTERS, 477/7, MOONGA NAGAR, & SESSIONS JUDGES) KARAWAL NAGAR ROAD DELHI-110094. AND PUBLISHED UNDER THE AUTHORITY OF HIGH COURT OF DELHI, PUBLISHED UNDER THE AUTHORITY OF HIGH COURT OF DELHI, BY THE CONTROLLER OF PUBLICATIONS, DELHI-110054—2014. BY THE CONTROLLER OF PUBLICATIONS, DELHI-110054. CONTENTS VOLUME-3, PART-II JUNE, 2014 Pages 1. Comparative Table ............................................................... (i) 2. Nominal Index ..................................................................... (v) 3. Subject Index ................................................................... (vii) 4. Case Law............................................................... 2047-2394 (ii) COMPARATIVE TABLE 2282 2014 (2) JCC 1305 ILR (DS) 2014 (III) = OTHER JOURNAL JUNE, PART-II 2353 No Equivalent Page No. Journal Page No. 2081 No Equivalent 2083 No Equivalent 2211 2014 (209) DLT 515 2205 No Equivalent 2211 2014 (6) AD (D) 664 2277 No Equivalent 2331 2014 (142) DRJ 396 2241 2014 (144) DRJ 182 2331 2014 (4) AD (D) 473 2251 2014 (4) AD (D) 156 2300 No Equivalent 2251 2014 (209) DLT 210 2127 2014 (6) AD (D) 516 2251 2014 (1) RLR 726 2127 2014 (362) ITR 97 2251 2014 CrLJ 3277 2047 2014 (7) AD (D) 128 2169 2014 (4) RAJ 361 2188 2014 (4) RAJ 170 2169 2014 (4) AD (D) 281 2233 No Equivalent 2169 2014 (58) PTC 309 2054 No Equivalent 2312 No Equivalent 2378 2014 (142) DRJ 598 2306 No Equivalent 2378 2014 (210) DLT 85 2246 No Equivalent 2378 2014 (6) AD (D) 421 2181 2014 (4) RAJ 170 2150 No Equivalent 2181 2014 (208) DLT 680 2322 No Equivalent 2200 2014 (4) AD (D) 492 2366 2014 (4) AD (D) 621 2361 No Equivalent 2366 2014 (209) DLT 468 2366 2014 (142) DRJ 613 2074 2014 (3) RAJ 266 2074 2014 (3) AD (D) 432 2114 2014 (2) JCC 982 2143 No Equivalent 2089 No Equivalent 2163 No Equivalent (i) (iv) COMPARATIVE TABLE 2014 (144) DRJ 182 = ILR (DS) 2014 (III) 2241 OTHER JOURNAL = ILR (DS) 2014 (III) 2014 (362) ITR 97 = ILR (DS) 2014 (III) 2127 JUNE, PART-II 2014 (2) JCC 982 = ILR (DS) 2014 (III) 2114 Journal Name Page No. = ILR (DS) 2014 (III) Page No. 2014 (2) JCC 1305 = ILR (DS) 2014 (III) 2282 2014 (6) AD (D) 664 = ILR (DS) 2014 (III) 2211 2014 (58) PTC 309 = ILR (DS) 2014 (III) 2169 2014 (4) AD (D) 473 = ILR (DS) 2014 (III) 2331 2014 (4) RAJ 170 = ILR (DS) 2014 (III) 2188 2014 (6) AD (D) 516 = ILR (DS) 2014 (III) 2127 2014 (3) RAJ 266 = ILR (DS) 2014 (III) 2074 2014 (7) AD (D) 128 = ILR (DS) 2014 (III) 2047 2014 (4) RAJ 361 = ILR (DS) 2014 (III) 2169 2014 (6) AD (D) 421 = ILR (DS) 2014 (III) 2378 2014 (4) RAJ 170 = ILR (DS) 2014 (III) 2181 2014 (4) AD (D) 621 = ILR (DS) 2014 (III) 2366 2014 (1) RLR 726 = ILR (DS) 2014 (III) 2251 2014 (3) AD (D) 432 = ILR (DS) 2014 (III) 2074 2014 (4) AD (D) 156 = ILR (DS) 2014 (III) 2251 2014 (4) AD (D) 281 = ILR (DS) 2014 (III) 2169 2014 (4) AD (D) 492 = ILR (DS) 2014 (III) 2200 2014 CrLJ 3277 = ILR (DS) 2014 (III) 2251 2014 (209) DLT 515 = ILR (DS) 2014 (III) 2211 2014 (210) DLT 85 = ILR (DS) 2014 (III) 2378 2014 (209) DLT 468 = ILR (DS) 2014 (III) 2366 2014 (209) DLT 210 = ILR (DS) 2014 (III) 2251 2014 (208) DLT 680 = ILR (DS) 2014 (III) 2181 2014 (142) DRJ 396 = ILR (DS) 2014 (III) 2331 2014 (142) DRJ 598 = ILR (DS) 2014 (III) 2378 2014 (142) DRJ 613 = ILR (DS) 2014 (III) 2366 (iii) (v) (vi) NOMINAL-INDEX Mohd. Shahid v. State ........................................................................ 2282 VOLUME-3, PART-II Munir @ CHOTA v. State (Govt. of NCT of Delhi) ......................... 2353 JUNE, 2014 Munishwar Kumar v. Rakesh Kumar & Ors. .................................... 2081 Pages Perfetti Van Melles.P.A & Anr. v. Anil Bajaj & Ors. ......................... 2083 Arun & Ors. v. State .......................................................................... 2211 R.L. Varma & Sons (HUF) v. Kotak Mahindra Bank Ltd. ................. 2205 Ashish Kumar Dubey v. State Thr. CBI ............................................ 2331 Rajender Kumar v. Manju ................................................................... 2277 Ashok Kumar & Anr. v. Sunil Kumar & Ors. ................................... 2300 Rajender Prasad Gupta v. Rajeev Gagerna ......................................... 2241 At & T Communication Services India (P) Ltd. v. Commissioner of Income Tax-I & Anr. ..................................... 2127 Rajesh Gupta v. State through Central Bureau of Investigation ....... 2251 Babu Lal v. Atul Kumar & Anr. .......................................................... 2047 Real House Distillery Pvt. Ltd & Anr. v. Pernod Ricard S.A. & Anr ....................................................................... 2169 Bharat Lal Maurya v. Godrej & Boyce Mfg. Co. Ltd ........................ 2188 Rohit v. State ...................................................................................... 2312 Bhule Bisre Kalakar Co-Operative Industrial Production Society Ltd. & Ors. v. Union of India & Ors ............................. 2233 Sahil v. State ....................................................................................... 2306 Commissioner of Income Tax (Central)-II v. Income Sanjay v. Ajit Singh Bajaj .................................................................... 2246 Tax Settlement Commission & Anr. ........................................... 2054 Swastik Polytek Pvt. Ltd. v. Oriental Insurance Company ............... 2181 Deutsche Trustee Company Ltd. v. Tulip Telecom Ltd. ................... 2378 Trans India Logistics v. Union of India & Ors. ................................. 2200 Disney Enterprise, Inc & Anr. v. Dhiraj & Anr. ............................... 2150 UOI and Ors. v. Rajnesh Jain............................................................. 2361 Enforcement Directorate v. Morgan Industries Ltd. ......................... 2322 Global Infrastructure Technologies Ltd. v. Kotak Mahindra Bank Ltd. & Ors. .............................................. 2366 Govt. of NCT of Delhi v. Nav Nirman Construction Co. ................. 2074 Hari Singh Yadav v. State ................................................................... 2114 Kostub Investment Ltd. v. Commissioner of Income Tax ................ 2143 Krishan Ram v. State of The NCT of Delhi ....................................... 2089 Mishra Lal v. Shri Ramesh Chander .................................................. 2163 (viii) SUBJECT-INDEX available original documents before learned Arbitrator, it cannot VOLUME-3, PART-II be permitted to urge that learned Arbitrator proceeded on basis JUNE, 2014 of fictitious documents—There was no way learned Arbitrator could have dealt with submission of fictitious documents in ARBITRATION & CONCILIATION ACT, 1996—Award— absence of original records—In view of long pendency of Petitioner Challenged Award passed by Learned Arbitration— arbitration proceedings, Court is inclined to modify rate of Plea taken, Contrary to specific directions issued by Court, interest and direct that GNCTD will pay NNCC simple interest learned Arbitrator has not, in fact, given reasons for @ 9% p.a from 28th October, 1993 till date of payment which conclusion in respect of different claims made by NNCC and shall not be later than eight weeks from today—Any delay in has virtually repeated his earlier Award, which was set aside making payment beyond that period would attract simple by Court—If claims(iii), (iv) and (v) were components of interest at 12% per annum for period of delay. claim (xvii), then there was no justification for learned Arbitrator to have again awarded a separate sum of Rs. Govt of NCT of Delhi v. Nav Nirman 2,00,000/- under claim (xvii)—Award itself was based on Construction Co. .......................................................... 2074 fictitious documents, which ought not to have been relied — Section 11 and 34—Indian Registration Act, 1908—Section upon by learned Arbitrator—Per contra plea taken, learned 17(1)(d) and 49—Indian Stamps Act, 1899—Section 35— Arbitrator has explained, both under claims (i) and (ii) and Two premises were taken on lease by Respondent— Lease again under claims (iii) to (viii) that they were all components agreements were executed on a Rs.100/- stamp paper each of all claims for profit and loss under claim (xvii)—Award in and were unregistered—Lease agreements stipulated that term respect of claim (xvii) was not challenged by Petitioner on of lease shall be 12 years—As per Petitioners, lease agreements ground now urged and was therefore impermissible—HELD—
Recommended publications
  • The Serpentine Essence of a Chancay Gauze Headdress
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 The Serpentine Essence of a Chancay Gauze Headdress Jessica Gerschultz Emory University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Gerschultz, Jessica, "The Serpentine Essence of a Chancay Gauze Headdress" (2008). Textile Society of America Symposium Proceedings. 94. https://digitalcommons.unl.edu/tsaconf/94 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Serpentine Essence of a Chancay Gauze Headdress Jessica Gerschultz [email protected] A small but fascinating Chancay gauze fragment in the collection of the Michael C. Carlos Museum stands out as an exemplary object that embodies the symbolic associations and aesthetic principles of the Peruvian coastline during the Late Intermediate Period (Fig. 1).1 Its weave structure, production process, iconography, and polychromy unite in reinforcing the protective and regenerative purposes of the original headdress. Consisting of variably spun threads knotted together, its unique discontinuous warp relates to its function in funerary and ceremonial contexts. Significantly, its weaver pushed beyond technical limitations to bring together the laborious techniques of gauze weaving and discontinuous warping in a single textile.2 The result of this ingenious yet unpublished technical combination was a “jumping” serpentine figure on an indigo background.
    [Show full text]
  • Checklist for Textiles U.S.A
    THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans­ parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.
    [Show full text]
  • GI Journal No. 77 1 November 30, 2015
    GI Journal No. 77 1 November 30, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.77 NOVEMBER 30, 2015 / AGRAHAYANA 09, SAKA 1936 GI Journal No. 77 2 November 30, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Guledgudd Khana - GI Application No.210 7 Udupi Sarees - GI Application No.224 16 Rajkot Patola - GI Application No.380 26 Kuthampally Dhoties & Set Mundu - GI Application No.402 37 Waghya Ghevada - GI Application No.476 47 Navapur Tur Dal - GI Application No.477 53 Vengurla Cashew - GI Application No.489 59 Lasalgaon Onion - GI Application No.491 68 Maddalam of Palakkad (Logo) - GI Application No.516 76 Brass Broidered Coconut Shell Craft of Kerala (Logo) - GI 81 Application No.517 Screw Pine Craft of Kerala (Logo) - GI Application No.518 89 6 General Information 94 7 Registration Process 96 GI Journal No. 77 3 November 30, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 77 of the Geographical Indications Journal dated 30th November 2015 / Agrahayana 09th, Saka 1936 has been made available to the public from 30th November 2015. GI Journal No. 77 4 November 30, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No.
    [Show full text]
  • Textiles Under Mughals
    Chapter V Textiles under Mughals- The advent of the Mughal dynasty gave an undeniable boost to production of the up-market textile, as to other craft. Textiles are singled out for mentioned by Abul Fazl, the minister and biographer of Akbar (1556-1605), in his Ain-i-Akbari, compile in the 1590‟s as a subject in which the emperor took particular interest. Akbar favoured woollen garment – the chosen wear of Sufis (Muslim mystics) – „from his indifference to everything that is worldly‟ in preference to the richer stuffs. His penchant for wool is also indicated by the steps he took to improve shawl manufacture; especially in the relation to dyes and width of fabric.1 Ain-i- Akbari goes into fascinating details on the manner of classifying garments in the imperial wardrobe (toshkhana). The textiles were arranged according to the date of entry which was recorded, sometime with other information, on a label tacked on to the piece (practice which survived in provision toshkhana into the 20th century). Price, colour and weight were also taken into account. Within these boundaries, textile took precedence according to the nature of the day, astrologically auspicious or otherwise on which they were received. A further refinement took into account the colours, of which thirty five are listed in the order of precedence. Abul Fazl further records that imperial workshops had been set up in the cities of Lahore, Agra, Fatehpur Sikri and Ahmedabad, where the best of the local craftsmen were requisitioned to supply the needs of the court.2 Persian masters were brought in to teach improved techniques.
    [Show full text]
  • Fabric Design and Analysis Ii
    NATIONAL UNIVERSITY OF ENGINEERING COLLEGE OF CHEMICAL AND TEXTILE ENGINEERING TEXTILE ENGINEERING PROGRAM PIT62 – FABRIC DESIGN AND ANALYSIS II I. GENERAL INFORMATION CODE : PIT62 Fabric Design and Analysis II SEMESTER : 8 CREDITS : 3 HOURS PER WEEK : 5 (Theory–Practice) PREREQUISITES : PIT-61 Fabric Design and Analysis I CONDITION : Compulsory II. COURSE DESCRIPTION The course includes the study of more complex designs like cords, checkerboards, terry, velvet, chiffon, color effect and ways of making the weaving arrangements. III. COURSE OUTCOMES Achieve a greater knowledge of textile design and the analysis of various textile samples. IV. LEARNING UNITS 1. FABRIC ANALYSIS Weight per linear meter of fabric leaving the loom / Provision for weaving and making calculations / Calculating the total number of warp yarns / Beam width / Cost Estimation of a fabric. 2. ELEMENTAL STRUCTURES AND CORDS Huckaback fabric / varieties / False gauze / Openwork effect / Uses of cords / Varieties / Rib effect / Twill combination of lace / Effects of distorted threads. 3. CORDS Simple cords / Warp and weft classifications / Effects / Corkscrew cords / Opening designs for obtaining laces / Longitudinal and cross sections. 4. BEDFORD CORDON Processing method / Introduction of filling yarns / Cords with alternate courses / Cords of flat surface. 5. PIQUE FABRICS Processing methods / Cuts / Pique with relief effect / Classes of Pique ligation / Classes of Pique ligament / Introduction of fill passes. 6. CHECKERBOARDS AND LISTINGS Listings / Color by sorting and title / Methods for obtaining / Checkerboards by reversal / Rules for designs on checkerboards. 7. COLOR EFFECTS I Color effects and design / Ligament, color and design / colors and their characteristics / Harmonization and contrast of colors / Obtaining of color effect from the main elements.
    [Show full text]
  • Hospitals for War-Wounded
    hospitals_war_cover_april2003 9.6.2005 13:47 Page 1 ICRC HOSPITALS FOR WAR-WOUNDED HOSPITALS FORHOSPITALS WAR-WOUNDED This book is intended for anyone who is faced A practical guide for setting up with the task of setting up or running a hospital and running a surgical hospital which admits war-wounded. It is a practical guide in an area of armed conflict based on the experience of four nurses who have managed independent hospitals set up by the International Committee of the Red Cross. It addresses specific problems associated with setting up a hospital in a difficult and potentially dangerous environment. It provides a framework for the administration of such a hospital. It also describes a system for managing the patients from admission to discharge and includes guidelines on how to manage an influx of wounded. These guidelines represent a realistic and achievable standard of care whatever the circumstances. A practical guide 0714/002 05/2005 1000 HOSPITALS FOR WAR-WOUNDED International Committee of the Red Cross 19 Avenue de la Paix 1202 Geneva, Switzerland T +41 22 734 6001 F +41 22 733 2057 E-mail: [email protected] www.icrc.org # ICRC, April 2005, revised and updated edition This book is dedicated to the memory of Jo´n Karlsson (died in Afghanistan, 22 April 1992) Fernanda Calado Hans Elkerbout Ingebjørg Foss Nancy Malloy Gunnhild Myklebust Sheryl Thayer (died in Chechnya, 17 December 1996) HOSPITALS FOR WAR-WOUNDED A practical guide for setting up and running a surgical hospital in an area of armed conflict Jenny Hayward-Karlsson Sue Jeffery Ann Kerr Holger Schmidt INTERNATIONAL COMMITTEE OF THE RED CROSS ISBN 2-88145-094-6 # International Committee of the Red Cross, Geneva, 1998 WEB address: http://www.icrc.org CONTENTS vii CONTENTS FOREWORD ............................................
    [Show full text]
  • The Journal of the Asian Arts Society of Australia
    VOLUME 17 NO. 2 JUNE 2008 the journal of the asian arts society of australia TAASA Review contents Volume 17 No.2 June 2008 3 EDITORIAL: FINDING A FOCUS TAASA REVIEW Sandra Forbes THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. ABN 64093697537 • Vol. 17 No. 2, June 2008 ISSN 1037.6674 4 DEE COURT, 1944-2008: A TRIBUTE Registered by Australia Post. Publication No. NBQ 4134 Gill Green editorIAL • email: [email protected] 6 TASHI KABUM: A MUSTANG TREASURE REVEALED General editor, Josefa Green Gerry Virtue Editor this issue, Sandra Forbes publications committee 9 THOLING MONASTERY: COOPERATION AND CONSERVATION Josefa Green (convenor) • Melanie Eastburn • Sandra Rong Fan Forbes • Ann MacArthur • Jim Masselos • Ann Proctor Susan Scollay • Sabrina Snow • Christina 12 COLLECTOR’S CHOICE: A TIBETAN DRAGON CHEST Sumner design/layout Todd Sandeman Ingo Voss, VossDesign 13 COLLECTOR’S CHOICE: A MONGOLIAN YAMA printing John Fisher Printing Boris Kaspiev and Richard Price Published by The Asian Arts Society of Australia Inc. 14 TRAVELLER’S CHOICE: POLISH ART DECO IN INDIA PO Box 996 Potts Point NSW 2011 www.taasa.org.au Maria Wronska-Friend Enquiries: [email protected] 15 NEW SOUTH ASIAN GALLERY IN TORONTO TAASA Review is published quarterly and is distributed to members Haema Sivanesan of The Asian Arts Society of Australia Inc. TAASA Review welcomes submissions of articles, notes and reviews on Asian visual and performing arts. All articles are refereed. Additional copies and 16 RAFFLES AND PRAMBANAN subscription to TAASA Review are available on request. Philip Courtenay No opinion or point of view is to be construed as the opinion of The Asian Arts Society of Australia Inc., its staff, servants or agents.
    [Show full text]
  • Where It's From, What It Cost, and What She Liked About It
    Where It’s From, What It Cost, and What She Liked About It Margaret Heil Keywords: American style / Calvin Klein / Farrah Fawcett / Lady Diana Abstract Princess Diana and Farrah Fawcett were two of many stars who inspired women all over America to change their style in the 1980s. Celebrities and popular culture influence how many people dress and present themselves in daily life. In this paper, I will examine how Anne Marie Schultheis, during her college years, defined her own personal style while still being a “follower of fashion.” Introduction to Anne Marie Schultheis’s Life In May of 1959, Anne Marie Schultheis was born in Bloomsburg, Pennsylvania. She grew up in a middle-class household, with a fully intact family that consisted of her two parents and four siblings Clare, Dave, Paul, and John. Her father was the Director of Plant Operations and Human Resources for the Kawneer Company (an aluminum manufacturing company) and her mother was an administrative assistant to a State Farm Agent. Schultheis was dressed mainly by her mother, Sally, in her early life. When she began high school, Schultheis started to be more independent with her clothing choices and started to create her own style. When I interviewed her, she remarked that her school style was: “tailored and a bit more dressed up than my peers’. Jeans and gauze tops were what I wore on weekends. I never wore sports gear, but I wore shorts and T-shirts in the summer.” Schultheis was never what one would consider a “city girl” by any means. She never lived in an urban environment, so she was not constantly surrounded by high fashion.
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • NEW CAPSULE COLLECTION 2021 the New 2021 KOHRO Capsule
    NEW CAPSULE COLLECTION 2021 The new 2021 KOHRO Capsule Like clear thoughts coming to mind and linking memories together, or carving new paths for future stories, the six items in the new MISSING LINKS capsule inspire interesting combinations with other fabrics in the collection and allow for new possibilities, inviting novel elegant ideas. MISSING LINKS enriches the collection with elements that become the binding force among the other existing items, a testament to cross-creativity that opens up to different areas for inspiration. The results are double-width fabrics in different fibers, weights and structures, for upholstery or curtains, for bed sets and accessories, created for residential or hospitality applications, where elegance prevails. Heralds of unpretentiousness, ready to step up when combined with other fabrics. The inspiration for the capsule stems from revisiting classic patterns - such as chevron in MONSIEUR and the yarn-dyed mélange bouclé in PAT - rendered in an ethereal and fresh color palette suitable for soft furnishing. Also, the evergreen stripes in CANOTIER are in perfect harmony with TEATIME, for exquisite bed sets or curtains in extraordinarily soft linen. The attention to light and sheer fabrics comes to life in PONENTINO and PENNICHELLA, a very soft byssus and a linen gauze respectively, with an informal but decidedly noble look, thanks to a fluidly draped ruffle. MISSING LINKS, meditative reflections that trigger a chain reaction of lively desires. CANOTIER MONSIEUR PAT TEATIME PENNICHELLA PONENTINO CANOTIER ITEM NAME K0066360 CANOTIER COMPOSITION 74%LINEN 26%COTTON WIDTH 293 cm - 115” MARTINDALE RUB TEST RECOMMENDED USAGE B D H G CARE SYMBOLS DQMUP NOTES B REVERSIBLE DOUBLE WIDTH HOR.
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • Chapter 2 Contracting Nomadic Carriage for an Aquatic Agenda
    Connecting Histories in Afghanistan Shah Mahmoud Hanifi Chapter 2 Contracting Nomadic Carriage for an Aquatic Agenda Sayyid Muhin Shah and the Validation of Market Profitability Sayyid Muhin Shah became a nomadic trader in response to unfavorable political conditions 1 in his home village near Qandahar. He met Arthur Conolly in Herat and the two traveled to Delhi where Muhin Shah impressed the Governor General and Viceroy of India, and other high-ranking colonial officials. Muhin Shah was immediately contracted to perform a series of commercial experiments for the British that validated the profitability of exporting Indian and European goods to Afghanistan and Central Asia.1 Muhin Shah came from a family of Sayyids, or descendants of the Prophet Muhammad, who 2 resided in Peshin, a village about twenty miles north of Quetta on the road to Qandahar. The Sayyids' social status carried economic and political benefits. In nineteenth-century Afghanistan and elsewhere in the Muslim world, sayyids, saints, and sufis received monetary offerings from ordinary people and political elites in return for a variety of blessings, consultations, and ritual performances. For example, during his aborted attempt to reclaim the Durrani throne in 1833, Shuja borrowed Rs. 2,000 from a merchant in Sind to use as monetary "blessings" to the Peshin Sayyids as he advanced to Qandahar through their village.2 But, more important, their Sayyid status gave them access to an interregional network of Muslim merchants. The Peshin Sayyids used their piety, capital, and network connections to become significant actors in the horse and slave trades through Qandahar and Quetta and prominent landholders in Peshin, as the following quotes reveal: The Syads of Peshin and other small traders carry on the traffic in human beings in Western Afghanistan, and some 400 or 500 are annually disposed of in Kandahar alone.
    [Show full text]