Pigments, Gums & Resins

Total Page：16

File Type：pdf, Size：1020Kb

PIGMENTS, GUMS & RESINS Section 1 Artists’ Quality Pigments 50g 100g 250g 500g 1 kg YELLOWS ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT ex VAT inc VAT 5.75 6.90 8.25 9.90 16.00 19.20 28.92 34.70 54.67 65.60 Cadmium Yellow Lemon† LC11002E LC11003F LC11004H LC11005J LC11006K 5.17 6.20 — — 13.17 15.80 — — 43.25 51.90 Cadmium Yellow Light LC11012E LC11014H LC11016K 5.25 6.30 7.67 9.20 16.58 19.90 31.42 37.70 61.17 73.40 Cadmium Yellow Middle LC11022E LC11023F LC11024H LC11025J LC11026K 6.17 7.40 — — 17.42 20.90 — — 60.17 72.20 Cadmium Yellow Deep LC11032E LC11034H LC11036K —— 12.08 14.50 — — 47.75 57.30 — — Cadmium Yellow Orange† LC11043F LC11045J —— 6.17 7.40 10.58 12.70 18.08 21.70 33.00 39.60 Chrome Yellow Light LC11053F LC11054H LC11055J LC11056K —— 6.25 7.50 10.92 13.10 18.67 22.40 34.17 41.00 Chrome Yellow Middle LC11063F LC11064H LC11065J LC11066K 4.75 5.70 — — 11.25 13.50 — — 35.58 42.70 Chrome Yellow Orange LC11072E LC11074H LC11076K 7.33 8.80 12.42 14.90 — — 55.25 66.30 — — Cobalt Yellow (Aureolin) LC11082E LC11083F LC11085J 4.58 5.50 6.00 7.20 10.33 12.40 17.67 21.20 32.08 38.50 Indian Yellow - Tartrazine LC11132E LC11133F LC11134H LC11135J LC11136K —— 5.83 7.00 9.92 11.90 16.75 20.10 30.33 36.40 Lemon Yellow Barium Chr. LC11103F LC11104H LC11105J LC11106K 6.17 7.40 — — 18.42 22.10 — — 64.33 77.20 Naples Yellow Dark - Gen. LC11112E LC11114H LC11116K 6.17 7.40 — — 18.42 22.10 — — 64.33 77.20 Naples Yellow Light - Gen. LC11122E LC11124H LC11126K For Gamboge, Lead Tin Yellow, Litharge, Orpiment, Realgar - see Early Colours on page 9 and 10 RIGINAL IGMENTS O 85 P Code ex VAT COLOUR CHART LC18100 25.00 Cadmium Yellow Cadmium Yellow Cadmium Yellow Cadmium Yellow Cadmium Yellow Chrome Yellow Chrome Yellow Lemon† Light Middle Deep Orange† Light Middle PY35 *** PY37 *** PY37 *** PY37 *** PY108 *** PY34 ** PY34 ** Chrome Yellow Cobalt Yellow Indian Yellow - Lemon Yellow Naples Yellow Dark Naples Yellow Orange (Aureolin) Tartrazine Barium Chr. - Gen. Light - Gen. PY104 ** PY40 ** PY100 ** PY32 *** PY41 *** PY41 *** † LIMEPROOF PIGMENTS – transparent indicates pigment available The following pigments Cadmium Vermillion Chromium Oxide Green Earth Light – semi-transparent in 15 ml plastic jars will not be bleached by Cadmium Red Cobalt Turquoise Burnt Green Earth – semi-opaque (see page 8) Cadmium Red Deep Caput Mortuum Terre Verte lime. They may be used – opaque Cadmium Brown Red Ochre Mars Yellow in fresco painting or to Cobalt Violet Indian Red Golden Ochre – very good lightfastness *** Many of our pigment sales are made colour lime washes and Cerulean Blue Mars Red Yellow Ochre – lightfast Cobalt Blue Mars Violet Raw Umber ** in quantities above 1 kilo. Please cement. * – poor lightfastness Azure Blue Venetian Red Mars Black ask for a quotation when larger Ultramarine Titanium White volumes are required. Limewash Worldwide Mail Order Service. Phone +44 (0)20 7636 1045 Fax +44 (0)20 7636 3655 [email protected] www.cornelissen.com 3.

Copy Link

Recommended publications

RAL Colour Chart
RAL Colour Chart The colours depicted on the following chart are for guidelines only. The finished colour may not be as shown here. 1000 1001 1002 1003 1004 1005 Green Beige Pale Beige Sand Yellow Signal Yellow Dark Golden Honey Yellow Yellow 1006 1007 1011 1012 1013 1014 Maize Yellow Chrome Yellow Brown Beige Lemon Yellow Pearl White Dark Ivory 1015 1016 1017 1018 1019 1020 Light Ivory Sulphur Yellow Saffron Yellow Zinc Yellow Grey Beige Olive Yellow 1021 1023 1024 1027 1028 1032 Cadmium Yellow Traffic Yellow Ochre Yellow Curry Yellow Mellon Yellow Broom Yellow 1033 1034 2000 2001 2002 2003 Dahlia Yellow Pastel Yellow Yellow Orange Red Orange Vermillion Pastel Orange 2004 2008 2009 2010 2011 2012 Pure Orange Light Red Traffic Orange Signal Orange Deep Orange Salmon Orange Orange 3000 3001 3002 3003 3004 3005 Flame Red RAL Signal Red Carmine Red Ruby Red Purple Red Wine Red 3007 3009 3011 3012 3013 3014 Black Red Oxide Red Brown Red Beige Red Tomato Red Antique Pink 3015 3016 3017 3018 3020 3022 Light Pink Coral Red Rose Strawberry Red Traffic Red Dark Salmon Red 3027 3031 4001 4002 4003 4004 Raspberry Red Orient Red Red Lilac Red Violet Heather Violet Claret Violet 4005 4006 4007 4008 4009 4010 Blue Lilac Traffic Purple Purple Violet Signal Violet Pastel Violet Telemagenta 5000 5001 5002 5003 5004 5005 Violet Blue Green Blue Ultramarine Blue dark Sapphire Black Blue Signal Blue Blue 5007 5008 5009 5010 5011 5012 Brilliant Blue Grey Blue Light Azure Blue Gentian Blue Steel Blue Light Blue 5013 5014 5015 5017 5018 5019 Dark Cobalt Blue
[Show full text]
Watercolours: What´S Different in the New Assortment?
Product information Watercolours HORADAM® watercolours: What´s different in the new assortment? The following colours have got a new name: Art.-No. Old Name New Name 14 208 Aureolin modern Aureolin hue 14 209 Translucent yellow Transparent Yellow 14 211 Chrome yellow lemon Chromium yellow hue lemon 14 212 Chrome yellow light Chromium yellow hue light 14 213 Chrome yellow deep Chromium yellow hue deep 14 214 Chrome orange Chromium orange hue 14 218 Translucent orange Transparent orange 14 366 Deep red Perylene maroon 14 476 Mauve Schmincke violet 14 498 Dark blue indigo Dark blue 14 648 Sepia brown tone Sepia brown reddish 14 786 Charcoal grey Anthracite The following colours are completely omitted due to raw materials which aren’t available anymore: Art.-No. Old Name 14 652 Walnut brown This tone cannot be mixed out of other colours. 14 666 Pozzuoli earth This tone can be mixed using 14 649 English Venetian red and the slightly reddish 14 670 Madder brown. These colours are now produced using other pigments. Therefore they have got a new name and a new number: Old Art.-No. Old Name New Art.-No. New Name 14 345 Dark red 14 344 Perylene dark red 14 210 Gamboge gum modern 14 217 Quinacridone gold hue 14 478 Helio blue reddish 14 477 Phthalo sapphire blue 14 536 Green yellow 14 537 Transparent green gold - Discontinued colours The described product attributes and application examples have been tes- a warranty for product attributes and/or assume liability for damages that ted in the Schmincke laboratory.
[Show full text]
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
[Show full text]
A Short History of 18-19Th Century
A SHORT HISTORY OF 18-19TH CENTURY BRITISH HAND-COLOURED PRINTS; WITH A FOCUS ON GAMBOGE, CHROME YELLOW AND QUERCITRON; THEIR SENSITIVITIES AND THEIR IMPACT ON AQUEOUS CONSERVATION TREATMENTS Stacey Mei Kelly (13030862) A Dissertation presented at Northumbria University for the degree of MA in Conservation of Fine Art, 2015 VA0742 Page 1 of 72 Table of Contents List of figures……………………………………………………………………………………...…2 List of tables……………………………………………………………………………………….....2 Abstract………………………………………………………………………………………………3 Introduction……………………………………………………………………………..………...…3 Research aims, methodology and resources………………………………………………….…....4 1. Aims……………………………………………………………………………………..…...4 2. Research Questions…………………………………………………………………..…...….4 3. Literature review……………………………………………………………………….....….5 4. Case Study Survey………………………………………………………………………..….5 5. Empirical Work……………………………………………………………………………....6 Chapter 1: A Brief History of Hand-coloured Prints in Britain………………………………....6 1.1 The popularity of hand-coloured prints…………………………………………………….....6 1.2 The people behind hand-colouring……………………………………………………..….….9 1.3 Materials and Methods……………………………………………………………………....14 Chapter 2: Yellow Pigments: A focus on Gamboge, Chrome Yellow, and Quercitron……….19 2.1 Why Gamboge, Chrome Yellow, and Quercitron……………………………………….…..19 2.2 Gamboge……………………………………………………………………………….....….20 2.2.1 History…………………………………………………………………………….…....20 2.2.2 Working properties…………………………………………………………………..…21 2.2.3 Physical and chemical properties…………………………………………………..…..21 2.2.4 Methods of
[Show full text]
Examination of Pigments on Thai Manuscripts: the first Identification of Copper Citrate
JOURNAL OF RAMAN SPECTROSCOPY J. Raman Spectrosc. 2008; 39: 1057–1065 Published online 27 May 2008 in Wiley InterScience (www.interscience.wiley.com) DOI: 10.1002/jrs.1985 Examination of pigments on Thai manuscripts: the first identification of copper citrate Katherine Eremin,1∗ Jens Stenger,1 Jo-Fan Huang,3 Alan Aspuru-Guzik,2 Theodore Betley,2 Leslie Vogt,2 Ivan Kassal,2 Scott Speakman4 and Narayan Khandekar1 1 Harvard University Art Museums, 32 Quincy Street, Cambridge, MA 02138, USA 2 Department of Chemistry and Chemical Biology, 12 Oxford Street, Harvard University, Cambridge, MA 02138, USA 3 Philadelphia Museum of Art, Benjamin Franklin Parkway, Philadelphia, PA 19130, USA 4 Center for Materials Science and Engineering, Massachusetts Institute of Technology, 77 Massachusetts Avenue, Cambridge, MA 02139, USA Received 13 December 2007; Accepted 5 March 2008 Samples from Thai manuscripts dated to the 18th to 20th century were analyzed by Raman spectroscopy and Fourier-transform infrared spectroscopy (FTIR) to determine the pigments used. This suggested a change in palette from the 18th to 20th century, with use of imported pigments in the later manuscripts. In the 18th century, the main green used was an organic copper salt, which was replaced by emerald green and mixtures of Prussian blue with gamboge, chrome yellow and zinc yellow (zinc potassium chromate). Chrome yellow was used in addition to gamboge in one later 19th century manuscript. Similarly, indigo in the 18th century manuscripts was replaced by Prussian blue and then synthetic ultramarine in the 19th century manuscripts. Lead white was the main white pigment in all but one manuscript, which contained huntite, a magnesium calcium carbonate.
[Show full text]
Paint Pigments— Yellow
» TECHNICAL INFORMATION ON BUILDING MATERIALS TIBM - 32 FOR UfSE IN THE DESIGN OF LOW-COST HOUSING ***** THE NATIONAL BUREAU OF STANDARDS UNITED STATES DEPARTMENT OF COMMERCE WASHINGTON, D. C. August 29, 1936 PAINT PIGMENTS— YELLOW, . BROWN, BLUE, GREEN, AND BRONZE This is urimarily^a digest of the sections of Bureau of Standards Circular No, o9> "Paint and Varnish", (November 17, 1917),'*' and Tech- nologic Paper No. 274, "Use of United States Government Suecif ication Paints and Faint Materials", (December 15, 1924), ^ Ly p, H. Walker and E. F. Hickson, dealing with general composition , characteristics, and uses of yellow, brown, blue, green, and bronze pigments. The following papers contain additional information relative to paint pigments, oil paints, and water paints: TIBM - 30 "Paint Pigments—White" TIBM - 31 "Paint Pigments—Black, Red, and Lakes" TIBM - 33 "Federal Specification . Paint Pigments and Mixing Formulas" TIM - 3U "Federal Specification Ready-Mixed Paints, Semi- paste Paints and Mixing Formulas’"' TIBM - 35 "Preparation of Paints from Paste and Dry Pigments" TIBM - 36 "Preparation of Paints from Semipaste Paints, Thinning Ready-Mixed Paints, and Preparation of Water Paints" TIBM - 43 "Aluminum Paints" Pigments are "the fine solid warticles used in the preparation of paint, and substantially insoluble in the vehicle, "3 In general, it may be ^Out of print. May be consulted in Government depositor}*- libraries. p Available from Superintendent of Documents, Government Printing Office, Washington, D. C. .(Price 10 cents). ^Qpioted from "Standard Definitions of Terms Relating to Paint 'Specifications", American Society for Testing Materials ( 1 93 3 ) ’ • • -• •• PP. 735-73 9 . 031736-C - 1 - assumed that pigments composed of very fine particles, having high re- fractive indices, provide the greatest covering power and opacity.
[Show full text]
EF MAXOPAKE CHROME YELLOW Product Overview Product Code PADE2020 Instructions Industry Inks Dark Garments
Recommendations EF MAXOPAKE CHROME YELLOW Product Overview Product Code PADE2020 Instructions Industry Inks Dark garments. Direct printing. 100% cotton or cotton/polyester.* Stencils: Use any direct emulsion or Application Screen Printing capillary film compatible with plastisol inks. Additives: Maxopake inks are supplied ready to print. If necessary to reduce viscosity, use up to 15% by weight, of Reducer/Detackifi er (PLRE-9000). For printing Category Stock Colors transfers, mix Maxopake with with 5-10% Hot Split Additive (PLUE-9040). Printing Instructions: Multiple Chemistry Plastisol strokes may be required when printing by hand. When printing with automatic presses use a slightly rounded squeegee to print a thicker ink layer. A soft pad on the printing pallet will minimize penetration Substrate(s) Cotton into the garment and improve opacity. Curing Instructions: These inks will fully cure when the entire Best Used By 12 months thickness of the ink deposit reaches 300°•F (149°•C). Using Low-Bleed Inks: The Maxopake series includes two low-bleed colors: Low-Bleed Medium Yellow (PADE-2060), and Low-Bleed Golden Yellow Certification(s) ISO9001 (PADE-2048). The lowbleed inks are recommended for printing on cotton/polyester garments to control Performance: the problem of dyes in the polyester fi bers migrating or _ã–bleeding_ã• into the plastisol ink. Low-bleed inks are not recommended for printing on light-colored 100% cotton fabrics. On rare occasions ghost After Flash Tack Decreases with increased images can appear on contacting surfaces of ink to garment. The use of low-bleed plastisols on these mesh fabrics is not recommended. If low-bleed colors are used, be sure to fully cure, to minimize the possibility Squeegee: of ghost images.
[Show full text]
Aug. 25, 1964 R, G, JELLY Plant Pat. 2,443 ROSE PLANT Filed Oct
Aug. 25, 1964 R, G, JELLY Plant Pat. 2,443 ROSE PLANT Filed Oct. 18, 1963 Plant Pat. 2,443 United States Patent 0 "cc Patented Aug. 25, 1964 1 2 2,443 Pollen parent.—An unnamed seedling identi?ed as RUSE PLANT #l-57-R. Robert G. Jelly, Richmond, Ind, assignor to E. G. Hill Propagation: Holds its distinguishing characteristics Co., Inc, Richmond, End, a corporatien of llndiana through succeeding propagations by grafting. Filed Oct. 15, 1963, Ser. No. 317,394 Flower 1 Claim. (Cl. Plt.—2tl) Locality where grown and observed: Richmond, Indiana. 1 The present invention relates to a new and distinct Flowers borne: One to a stern; on strong stems of from variety of rose plant of the hybrid tea class, which was medium to long length. 7 originated by me by crossing the variety “Yuletide” (Plant 10 Quantity of bloom: Abundant, in greenhouse. Patent No. 1,391) with an unnamed and unpatented Continuity: Continuous, in greenhouse. seedling identi?ed in my breeding records as #l-57-R. Fragrance: Penetrating, in greenhouse. Nature—spicy. ' The primary objective of this breeding was to produce Bud: a new rose variety in which there is combined the vigor Pedzmcle.-Medium length; from large to medium and growth habits of the unnamed pollen parent, and 15 diameter; erect; strong. Bark—slightly rough, the keeping quality and flower color of the seed parent due to numerous minute prickles of Sulphur Yel “Yuletide.” This objective was fully achieved along with low color, Plate 1/3 (W); no thorns or hairs. other desirable improvements‘, as evidenced by the follow Color—Moderate Yellow Green, Plate SGY 5/6 ing unique combination of characteristics which are out (N), shaded to'Strong Yellow Green, Plate 5GY standing in the new variety and which distinguish it from 20 6/8 (N) at base of bud.
[Show full text]
Ferro Pigments for Coatings Application
FERRO PIGMENTS FOR COATINGS ®FERRO® Where innovation delivers performance·· {yjFERRO. Q : I< >I ~ & About Ferro Corporation Ferro Corporation (NYSE: FOE) is a leading global supplier of technology- based performance materials, including glass-based coatings, pigments and colors, and polishing materials. Ferro products are sold into the building and construction, automotive, appliances, electronics, household furnishings, and industrial products markets. The Company is headquartered in Mayfeld Heights, Ohio, USA. Our Values and behaviors: CUSTOMER FOCUS Our customers are why we exist. We build relationships with internal and external customers that are built on trust, a desire to understand their needs and challenges, and a genuine interest in making them more successful. ACCOUNTABILITY FOR PERFORMANCE As individuals and teams, we work to achieve the highest performance standards. We prioritize safety and environmental stewardship; providing high-value solutions for our customers; and creating value for Ferro’s shareholders. INNOVATIVE THINKING We encourage our associates to seek out new ideas for technologies and business processes, and to always look for ways to improve and to better serve our customers. TEAMWORK AND COLLABORATION We are committed to a work environment that promotes trust, mutual respect, teamwork and collaboration, and that focuses on consistently delivering value to our customers and shareholders. .. • • {yjFERRO. Q : I< >I ~ & ®- index / color space BLUE BUFF PB15:X Phthalocyanine Blue Organic pigments PBr24 Chrome
[Show full text]
Environmentally Friendly Coloration Lead Free Pigment
LEAD FREE PIGMENTATION?? Environmentally friendly coloration Lead Free Pigment Public BU Pigments Coatings 19.11.2013 2 Public, Enviromental friendly coloration BU Pigments, Coatings, 19.11.2013 Contents 1. Global Regulations and Concerns on the Use of Lead containing coatings 2. Lead Pigments – toxicity issue 3. Something about Paint 4. Lead free pigmentation – The available option & alternative 13 Public, Enviromental friendly coloration BU Pigments, Coatings, 19.11.2013 17 Public, Enviromental friendly coloration BU Pigments, Coatings, 19.11.2013 European Chemical Agency (ECHA) Classification and Labelling ◼Classification in Annex VI of Regulation (EC) No 1272/2008 C.I Pigment Yellow 34 C.I Pigment Red 104 EC number: 215-693-7 EC number: 235-759-9 CAS number: 1344-37-2 CAS number: 12656-85-8 Index number: 082-009-00-X Index number: 082-010-00-5 Carc. 1B; H350 Carc. 1B; H350 Repr. 1A; H360Df Repr. 1A; H360Df STOT RE 2; H373 STOT RE 2; H373 Aquatic Acute 1; H400 Aquatic Acute 1; H400 Aquatic Chronic 1; H410 Aquatic Chronic 1; H410 Car. Cat. 2; R45 (may cause cancer) Repr. Cat. 1; R61 (may cause harm to the unborn child) Repr. Cat. 3; R62 (possible risk of impaired fertility) very toxic dangerous for R33 (danger of cumulative effects) the environment N: R50-53 (dangerous for the environment: very toxic to aquatic organisms, may cause long-term adverse effects in the aquatic environment) Lead Pigments – Toxicity Issues Public BU Pigments Coatings 19.11.2013 22 Public, Enviromental friendly coloration BU Pigments, Coatings, 19.11.2013 Lead chrome –Toxicity Issues – Lead(II) chromate is a known carcinogen, developmental toxicant, and reproductive toxicant.
[Show full text]
RAL Colour Chart
RAL Colour Chart 1000 Green Beige 1001 Pale Beige 1002 Sand Yellow 1003 Signal Yellow 1004 Dark Golden Yellow 1005 Honey Yellow 1006 Maize Yellow 1007 Chrome Yellow 1011 Brown Beige 1012 Lemon Yellow 1013 Pearl White 1014 Dark Ivory 1015 Light Ivory 1016 Sulphur Yellow 1017 Saffron Yellow 1018 Zinc Yellow 1019 Grey Beige 1020 Olive Yellow 1021 Cadmium Yellow 1023 Traffic Yellow 1024 Ochre Yellow 1027 Curry Yellow 1028 Mellon Yellow 1032 Broom Yellow 1033 Dahlia Yellow 1034 Pastel Yellow 2000 Yellow Orange 2001 Red Orange 2002 Vermillion 2003 Pastel Orange 2004 Pure Orange 2008 Light Red Orange 2009 Traffic Orange 2010 Signal Orange 2011 Deep Orange 2012 Salmon Orange 3000 Flame Red 3001 RAL Signal Red 3002 Carmine Red 3003 Ruby Red 3004 Purple Red 3005 Wine Red 3007 Black Red 3009 Oxide Red 3011 Brown Red 3012 Beige Red 3013 Tomato Red 3014 Antique Pink 3015 Light Pink 3016 Coral Red 3017 Rose 3018 Strawberry Red 3020 Traffic Red 3022 Dark Salmon Red 3027 Raspberry Red 3031 Orient Red 4001 Red Lilac 4002 Red Violet 4003 Heather Violet 4004 Claret Violet 4005 Blue Lilac 4006 Traffic Purple 4007 Purple Violet 4008 Signal Violet 4009 Pastel Violet 4010 Telemagenta 5000 Violet Blue 5001 Green Blue 5002 Ultramarine Blue 5003 dark Sapphire Blue 5004 Black Blue 5005 Signal Blue 5007 Brilliant Blue 5008 Grey Blue 5009 Light Azure Blue 5010 Gentian Blue 5011 Steel Blue 5012 Light Blue 5013 Dark Cobalt Blue 5014 Pigeon Blue 5015 Middle Sky Blue 5017 Traffic Blue 5018 Turkish Blue 5019 Capri Blue 5020 Ocean Blue 5021 Water Blue 5022 Night Blue 5023
[Show full text]
COLOR CHARTS : a Descriptive List
DBJAEMR U. S. DEPARTMENT OF COMMERCE Letter NATIONAL BUREAU OF STANDARDS Circular WASHINGTON 25 LG 986 May 10. 1950 (Supersedes LC809) COLOR CHARTS : A Descriptive List This is a list of some of the color charts made in the United States of America. The National Bureau of Standards does not issue any general color chart showing samples representative of the various colors. It has, however, cooperated with the Inter- Society Color Council in the development of a method of designating colors (I. Research NBS 234 355 ; 1939; RP1239). This method (known as the ISCC-NBS method) with others, has been recommended by the American War Standard for the Specification and Description of Color ( ASA-Z44-1942 ) . Revisions of both the ISCC-NBS method and the American Standard ASA-Z44-1942 have been prepared, and it is probable that both will be superseded soon by these revisions. I, Charts issued or prepared by the National Bureau of Standards for some specific purpose . Colors for Kitchen and Bathroom Accessories, a group of 10 colors, 6 of which apply to kitchen accessories, and 7 of which apply to bathroom accessories, there being 3 colors applying to both. The samples are 3 by 5 inch rectangles of vitreous enamel on metal and are obtainable from the National Bureau of Standards at $10.00 for the set of 10 colors. These standards are described in two publications. Colors for Kitchen Accessories, Commercial Standard, CS62-38, and Colors for Bathroom Accessories, Commercial Standard, CS63-38, Both publications are obtainable from the Super- intendent of Documents, Washington 25, D.C., price 5 cents each.
[Show full text]