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Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
'Jumping Off Shadows'
'Jumping off Shadows' SELECTED CONTEMPORARY IRISH POETS Edited by Greg Delanty and Nuala Ni DhomhnaiU with a preface by Philip O'Leary CORK UNIVERSITY PRESS CONTENTS Acknowledgements xiv Preface by Philip O'Leary xvi Roz COWMAN Influenza/2 The Twelve Dancing Princesses/2 Dandelion/5 Annunciation/4 The Goose Herd/5 Logic/6 Apple Song/6 Compulsive/7 Fascist/7 The Old Witch Sings of Lost Children/5 Lot's Wife/9 Meanings/10 EILEAN Ni CHUILLEANAIN The Absent Girl//2 Swineherd/12 Pygmalion's Image/13 Ransom//.? The Second Voyage/74 Looking at the Fall//5 J'ai Mai a nos Dents/16 Odysseus Meets the Ghosts of the Women//7 Old Roads//* The Hill-town//<9 London//9 St Mary Magdalene Preaching at Marseilles/20 Dreaming in the Ksar es Souk Motel/20 The Informant/25 AINE MILLER Going Home/25 Da/26 Visitation/27 The Undertaker Calh/28 Woman Seated under the Willows/29 The Day is Gone/30 Seventeen/5/ ClARAN O'DRISCOLL Smoke Without Fire/55 The Poet and his Shadow/55 Great Auks/55 Little Old Ladies/56 Sunsets and Hernias/57 Epiphany in Buffalo/57 from The Myth of the South/5* ROBERT WELCH Rosebay Willowherb/42 Memoirs of a Kerry Parson/42 For Thomas Henry Gerard Murphy/ 46 DERRY O'SULLIVAN Roimh Thitim Amach/5/ Mianadoir Albanach os cionn Oilean Bhearra/5/ Marbhghin 1943: Glaoch ar Liombo/52 Teile-Smacht/54 PAUL DURCAN The Death by Heroin of Sid Vicious/57 Sally/57 Raymond of the Rooftops/5<9 Sport/59 On Pleading Guilty to Being Heterosexual/ 60 Wife Who Smashed Television Gets Jail/62 The Perfect Nazi Family is Alive and Well and Prospering in Modern Ireland/ -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Irish Copyright Licensing Agency CLG Mandated Author Rightholders
Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E. -
Leabharlann Naisiúnta Na Héireann
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 51 Michael Hartnett Papers (MSS 35,875-35,944) (Accession Nos. 4435, 4480, 4955) TABLE OF CONTENTS ACQUISITION AND ARRANGEMENT....................................................................... 3 I. PUBLISHED POEMS AND VERSE TRANSLATIONS ..........................................4 I.i. Anatomy of a Cliché.................................................................................................. 5 I.ii. Selected Poems......................................................................................................... 5 I.iii. Tao........................................................................................................................... 6 I.iv. Gipsy Ballads........................................................................................................... 6 I.v. The Retreat of Ita Cagney = Cúlú Íde....................................................................... 7 I.vi. A Farewell to English ..............................................................................................7 I.vii. Adharca Broic......................................................................................................... 8 I.viii. Maiden Street Ballad ........................................................................................... 10 I.ix. An Phurgóid...........................................................................................................10 I.x. The Ballad of Salad Sunday................................................................................... -
Irish Studies Round the World ‐ 2006
Estudios Irlandeses , Number 2, 2007, pp. 233-250 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD ‐ 2006 David Pierce (ed.) Introduction by David Pierce ................................................................................................233 Re-Mapping Exile: Realities and Metaphors in Irish Literature and History ed. by Michael Böss, Irene Gilsenan Nordin and Britta Olinder Teresa Caneda ...........................................................................................................................235 District and Circle by Seamus Heaney Sabina Müller ............................................................................................................................238 The Thriller and Northern Ireland since 1969: Utterly Resigned Terror by Aaron Kelly Laura Pelaschiar ........................................................................................................................240 Brian Friel's Dramatic Artistry: 'The Work has Value' Ed. by Donald E. Morse, Csilla Bertha, and Mária Kurdi Lionel Pilkington ......................................................................................................................242 Samuel Beckett-100 Years ed. by Christopher Murray Samuel Beckett: Centenary Shadows by John Minihan Paul O'Hanrahan .......................................................................................................................244 The Irish in Us: Irishness, Performativity, and Popular -
THE POET AS a HORSE Conversation with Gabriel Rosenstock by Dr Mícheal Ó Haodha
THE POET AS A HORSE Conversation with Gabriel Rosenstock by Dr Mícheal Ó hAodha How and when did you get started as a writer? When did you know that you wanted to be a writer? One of my favourite poets, Ko Un from Korea, talks about the time he was a horse. Way back. I think his first human manifestation was as an innkeeper. I got started as a writer centuries ago. When asked for whom do I write, I usually say: For generations long gone. Now, that’s getting back to one’s roots! (That’s what the word ‘radical’ means). And even further back. To the Self. As a sincere advocate of Advaita, or the Nondualistic approach to the mystery of life, I can say with firm conviction that the Self has no beginning and therefore no end. So, when you ask about beginnings you are asking about something that doesn’t exist. It exists, of course, for the ego-bound and year in year out they celebrate this myth with the false mantra, Happy Birthday. Why do you write? What inspires you to write? Why do you care about writing? There are no ‘whys’ either. Why did the chicken cross the road? There are a million answers to that question. I’m not sure if the chicken herself really knew. Why? No purpose. No agenda. It’s all about expanding awareness and expanding joy. It’s all about encountering the world of illusion, memory and desire and ridding oneself of illusion, memory and desire. This is commonplace among the wisdom-writings of China, India and other parts of the world. -
New Writing from Ireland
New Writing from Ireland Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2005 edition of New Writing from Ireland. This year’s catalogue contains submissions from 24 publishers and features Louis de Paor – bringing out new collections in 2005. For younger readers, our newly published writing by over 50 leading Irish novelists and poets. catalogue features books about cockroaches, time-travel, Viking Ireland, leprechauns and rogues aplenty! We are tremendously excited to be introducing début titles by up-and-coming writers Órfhlaith Foyle, Karen Gillece, Jason Johnson, Sam Millar and Mark We hope that publishers will apply to ILE for translation funding for the O’Sullivan. Renowned poet Brian Lynch also makes his fiction début, while titles listed. established authors Deirdre Madden and Eoin McNamee try their hand at writing for children. A glance through New Writing from Ireland reveals the diversity of Máire Ní Dhonnchadha preoccupations of our featured writers. Sebastian Barry, Tom Phelan and Programme and Publications Manager Dermot Bolger explore the effects of the first World War on Irish society, while Sinéad Mac Aodha Mark O’Sullivan’s book is set during the Irish War of Independence. As ever in Director Irish writing, the rural landscape and society feature prominently in the books of P.J. Curtis, Joe Steve Ó Neachtain, Desmond Hogan and Alice Taylor. Urban Ireland is revisited in Oona Frawley’s anthology of short stories in homage to Please note: Inclusion of a book in this catalogue does not indicate that it has been approved James Joyce, New Dubliners. Publishers of Irish poetry have been exceptionally for a translation subsidy by ILE. -
Anatoly Kudryavitsky
HAIKU IN IRELAND Anatoly Kudryavitsky Originally nature-oriented Japanese short-form poetry that thrived in the 17th century, haiku has recently experienced colossal growth in popularity in the English language. Seamus Heaney stated in The Guardian of 24 November 2007 that since the times of the imagists “the haiku form and the generally Japanese effect have been a constant feature of poetry in English. The names of Basho and Issa and Buson have found their way into our discourse to the extent that we in Ireland have learnt to recognise something Japanese in the earliest lyrics of the native tradition.” In Ireland, the country with the beautiful landscape, most people are in touch with nature throughout their lives even if they don’t live in a rural area. The way of living may account for the fact that the Irish people have a long tradition of appreciation of poetry and respect for poets. However the history of haiku on this island goes back only a few decades, so the development of the genre started relatively late. The first Irish poet to write haiku as we know them was Juanita Casey. A travelling woman born in England of Irish parents, she spent a significant part of her life in Co. Galway. She started composing haiku in late 1960s, and a few of them appeared in her 1968 collection Horse by the River (1968), followed by a few more that found their way to her 1985 collection, Eternity Smith. Just one example: The pickers have left one plum . hey, wind Around 1969 - 1970, Patrick Kavanagh wrote a single haiku, evidently not even suspecting that it was a haiku — and a worthy one! This piece appeared in The Lace Curtain magazine in 1971. -
Preparing Camera-Ready Copy
3 Reinventing Ireland Through A French Prism Studies in Franco-Irish Relations Volume 1 Edited by: Eamon Maher, Grace Neville and Eugene O’Brien Table of Contents Préface – Michel Déon (de l’Académie Française) 7 Introduction (The Editors) 11 Part I – The Historical Context Chapter One Michael Cronin: 21 The Shining Tumultuous River? Irish Perspectives on Europe Chapter Two Serge Rivière and Jenny O’Connor: 41 The Representation of the Irish cultural landscape in the Journals of Montalembert (1830) and Tocqueville (1835) Chapter Three Yann Bévant: 61 La 36ème division d’Ulster, un mythe irlandais né en France Chapter Four Catherine Burke: 77 Bowen’s London as a du Bellian Rome Chapter Five Louise Fuller: 97 The French Catholic Experience: Irish Connections and Disconnections Part II – 19th Century Literary Links Chapter Six Jean Brihault: 115 Lady Morgan: Building Bridges Chapter Seven Anne Markey: 131 French culture and Oscar Wilde’s fairy tales: an unexplored interlink with neglected works of art Chapter Eight Mary Pierse: 147 George Moore and ‘le moment célibataire’. Part III – Convergence of 19th and 20th Century Thought Chapter Nine Brigitte Le Juez: 163 « A l’instar du grand Gustave… » et à l’encontre des psittacidés: Beckett héritier de Flaubert Chapter Ten John McDonagh: 181 “Tore down à la Rimbaud”: Brendan Kennelly and the 6 Table of Contents French Connection Chapter Eleven Sarah Nolan: 195 Modern Living, Modern Loving - Baudelaire and Sirr Chapter Twelve Sylvie Mikowski: 211 The Barracks de John McGahern et Flaubert Part IV -
Theatrical Role of Interpreter As a Mediator Between Audience and Stage
Essay JAITS Theatrical Role of Interpreter as a Mediator between Audience and Stage TAKEBE Yoshiko (Shujitsu University) This essay examines the dramatic effectiveness of an interpreter, based on the writer’s own experience as an interpreter in the theatre. An Irish theatrical company called ‘Mouth on Fire’ performed several later plays of Samuel Beckett (1906-1989) in English at Theatre X in Tokyo between 13 February and 17 February, 2013. First, I will focus on the theatrical role of consecutive interpreting presented as an introductory talk before the performances. I will then investigate the mechanism of liaison interpreting offered for the post-performance discussion at the meeting between the audience and the company to understand the ‘invisible role’ of both interpreter and characters in Beckett’s plays. Finally, I will analyze the theatrical role of the interpreter for bridging the gap between audience and stage as well as between the unseen and the seen. Introduction Franz Pöchhacker describes the role of interpreters expected by the audience as “the ghost role of the interpreter over the ‘intruder role,’ but would at the same time give interpreters license to ‘correct the speaker’ and ‘add his own explanations’” (Pöchhacker, 2004, p.149). This contradiction will be further analyzed in this essay. The first section focuses on a discussion of the ‘doppelgänger’ to clarify the co-existence of two different languages in the theatre as well as duplicate characters in Beckett’s plays. The second section reinforces the discussion of ‘alter ego’ through both conceptual and theatrical performances of liaison interpreting. Thus, this essay scrutinizes how the interpreter in the theatre in the particular context of Beckett’s drama reveals his/her affinity to the characters to highlight the importance of the theatrical effect of the interpreter as a mediator between audience and stage.