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Journal81-1.Pdf
January 1984, Number 81 The Delius Society Journal The Delius Society Journal-_._- January 1984, Number 818l The Delius Society Full Membership £8.00f,8.00 per year Students £5.0095.00 Subscription to Libraries (Journal only) £6.00f,6.00 per year USA and Canada US $17.00 per year President Eric Fenby OBE, Hon DMus,D Mus, Hon DLitt,D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith Davies CBE, MA, BMus,B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon DMusD Mus YemonVernon Handley MA, FRCM·,FRCM, D Univ (Surrey) Chairman RBR B Meadows 5 Westbourne House, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 160 Wishing Tree Road, St. Leonards-on-Sea, East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 5053750537 Editor Stephen Lloyd 41 Marlborough Road, Luton, Bedfordshire LU3 lEFIEF Tel: Luton (0582)(0582\ 2007520075 2 Contents Editorial . .33 lamesJamesFarrar: Poet, Airman and Delian by Christopher PalmerPalmer. .4 LeslieLeslieHewardbyLyndonJenkinsHeward by Lyndon lenkins .....1313 Fennimore and Gerda at the Edinburgh Festival by Gordon LovgreenIovgreen. .1616 Correspondence .....212] ForthcomingForthcomingEventsEvents ...2121 Acknowledgements The cover illustration is an early sketch of Delius by Edvard Munch reproduced by kind permission of the Curator of the Munch Museum, Oslo. The two photographic plates in this issue have been financed by a legacy to the Delius Society from the late Robert Aickman. ISSN 0306 0373 3 Editorial Perhaps the most keenly anticipated event to have occurred within the past three months has been the publication of Lionel Carley's Delius: A Life in Letters 1862-19081862-1908 (Scolar Press, £25). -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
The Perfect Fool Free
FREE THE PERFECT FOOL PDF Stewart Lee | 288 pages | 04 Nov 2002 | HarperCollins Publishers | 9781841153667 | English | London, United Kingdom Ed Wynn: The Perfect Fool by Robin Williams | The American Vaudeville Museum Goodreads helps you The Perfect Fool track of books you want to The Perfect Fool. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh The Perfect Fool try again. Open Preview See a Problem? Stephen Lang. Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — The Perfect Fool by J. The Perfect Fool by J. Stephen Lang. Stephen J. Meet Brian Ericson, a young man whose life seems perfect in every way. He is handsome and successful, and everything is going his way with the possible exception of his relationship with Kristen, the perfect woman he just broke up with. On a Beautiful November day, Brian sets out for a three-day weekend in the mountains. Taking what he believes will be a shortcut, things su Meet Brian Ericson, a young man whose life seems perfect in every way. Taking what he believes will be a shortcut, things suddenly take a turn for the worse. Lost and disoriented, Brian gets some help from a host of surprising characters, and must grapple with the foolish choices of his life. Download the Readers' Guide. Get A Copy. Paperbackpages. Published January 28th The Perfect Fool David C. Cook first published January More Details Original Title. Friend Reviews. To see The Perfect Fool your friends thought of this book, please sign up. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’
‘The Art-Twins of Our Timestretch’: Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’ Catherine Sarah Kirby Submitted in total fulfilment of the requirements of the degree of Master of Music (Musicology) April 2015 Melbourne Conservatorium of Music The University of Melbourne Produced on archival quality paper Abstract This thesis explores Percy Grainger’s promotion of the music of Frederick Delius in the United States of America between his arrival in New York in 1914 and Delius’s death in 1934. Grainger’s ‘Delius campaign’—the title he gave to his work on behalf of Delius— involved lectures, articles, interviews and performances as both a pianist and conductor. Through this, Grainger was responsible for a number of noteworthy American Delius premieres. He also helped to disseminate Delius’s music by his work as a teacher, and through contact with publishers, conductors and the press. In this thesis I will examine this campaign and the critical reception of its resulting performances, and question the extent to which Grainger’s tireless promotion affected the reception of Delius’s music in the USA. To give context to this campaign, Chapter One outlines the relationship, both personal and compositional, between Delius and Grainger. This is done through analysis of their correspondence, as well as much of Grainger’s broader and autobiographical writings. This chapter also considers the relationship between Grainger, Delius and others musicians within their circle, and explores the extent of their influence upon each other. Chapter Two examines in detail the many elements that made up the ‘Delius campaign’. -
The Perfect Fool (1923)
The Perfect Fool (1923) Opera and Dramatic Oratorio on Lyrita An OPERA in ONE ACT For details visit https://www.wyastone.co.uk/all-labels/lyrita.html Libretto by the composer William Alwyn. Miss Julie SRCD 2218 Cast in order of appearance Granville Bantock. Omar Khayyám REAM 2128 The Wizard Richard Golding (bass) Lennox Berkeley. Nelson The Mother Pamela Bowden (contralto) SRCD 2392 Her son, The Fool speaking part Walter Plinge Geoffrey Bush. Lord Arthur Savile’s Crime REAM 1131 Three girls: Alison Hargan (soprano) Gordon Crosse. Purgatory SRCD 313 Barbara Platt (soprano) Lesley Rooke (soprano) Eugene Goossens. The Apocalypse SRCD 371 The Princess Margaret Neville (soprano) Michael Hurd. The Aspern Papers & The Night of the Wedding The Troubadour John Mitchinson (tenor) The Traveller David Read (bass) SRCD 2350 A Peasant speaking part Ronald Harvi Walter Leigh. Jolly Roger or The Admiral’s Daughter REAM 2116 Narrator George Hagan Elizabeth Maconchy. Héloïse and Abelard REAM 1138 BBC Northern Singers (chorus-master, Stephen Wilkinson) Thea Musgrave. Mary, Queen of Scots SRCD 2369 BBC Northern Symphony Orchestra (Leader, Reginald Stead) Conducted by Charles Groves Phyllis Tate. The Lodger REAM 2119 Produced by Lionel Salter Michael Tippett. The Midsummer Marriage SRCD 2217 A BBC studio recording, broadcast on 7 May 1967 Ralph Vaughan Williams. Sir John in Love REAM 2122 Cover image : English: Salamander- Bestiary, Royal MS 1200-1210 REAM 1143 2 REAM 1143 11 drowned in a surge of trombones. (Only an ex-addict of Wagner's operas could have 1 The WIZARD is performing a magic rite 0.21 written quite such a devastating parody as this.) The orchestration is brilliant throughout, 2 WIZARD ‘Spirit of the Earth’ 4.08 and in this performance Charles Groves manages to convey my father's sense of humour Dance of the Spirits of the Earth with complete understanding and infectious enjoyment.” 3 WIZARD. -
EMR 11818 Holst the Perfect Fool
The Perfect Fool (The ballet from the opera) Wind Band / Concert Band / Harmonie / Blasorchester Arr.: Jan Valta Gustav Holst EMR 11818 st 1 Score 2 1 Trombone + st nd 4 1 Flute 2 2 Trombone + nd 4 2 Flute / Piccolo 2 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 2 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Timpani 1 B Bass Clarinet (optional) 1 1st Percussion (Glockenspiel / Xylophone / B.D.) 1 B Soprano Saxophone (optional) 1 2nd Percussion (B.D. / Suspended Cymbal / Tam-Tam) 2 1st E Alto Saxophone 1 3rd Percussion (Tambourine / Jingles (Sleigh Bells) / 2 2nd E Alto Saxophone Vibraphone) 2 B Tenor Saxophone 1 E Baritone Saxophone (optional) Special Parts 1 E Trumpet / Cornet (optional) 1 1st B Trombone 2 1st B Trumpet / Cornet 1 2nd B Trombone 2 2nd B Trumpet / Cornet 1 B Bass Trombone 2 3rd B Trumpet / Cornet 1 B Baritone 2 1st F & E Horn 1 E Tuba 2 2nd F & E Horn 1 B Tuba 2 3rd F & E Horn Print & Listen Recorded on CD - Auf CD aufgenommen - Enregistré sur CD | Photocopying The Perfect Fool is illegal! (The ballet from the opera) Gustav Holst Arr.: Jan Valta 1 2 3 4 5 6 7 8 Andante ( = 76) q L'istesso tempo ( q. = 76) 1st Flute p Fl. 2nd Flute / Piccolo p Oboe p Bassoon 3 ff p cresc. f (play if no Oboe) p 1st B b Clarinet p 2nd B Clarinet b p 3rd B Clarinet b 3 p Bb Bass Clarinet p cresc. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
EMR 9757 the Perfect Fool BB
The Perfect Fool The ballet from the opera Brass Band Arr.: Jan Valta Adapt.: Bertrand Moren Gustav Holst EMR 9757 st 1 Full Score 2 1 B Trombone + nd 1 E Cornet 2 2 B Trombone + 3 Solo B Cornet I 1 B Bass Trombone + 3 Solo B Cornet II 2 B Euphonium 1 Repiano B Cornet 3 E Bass 3 2nd B Cornet 3 B Bass 3 3rd B Cornet 1 Timpani 1 B Flugelhorn 1 1st Percussion (Glockenspiel / Xylophone 2 Solo E Horn Bass Drum) 2 1st E Horn 1 2nd Percussion (Bass Drum / Tam-Tam 2 2nd E Horn Suspended Cymbal) 2 1st B Baritone 1 3rd Percussion (Tambourine / Jingles (Sleigh 2 2nd B Baritone Bells) / Vibraphone) Print & Listen Drucken & Anhören Imprimer & Ecouter≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Bolero Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Bolero (Ravel) 7’25 EMR 12077 EMR 9754 2-4 L’Arlésienne (Bizet) 9’39 EMR 12080 EMR 9755 5 Concerto (Bellini) 6’56 EMR 16046 - 6 The Son Of The Sun (Moren) 11’04 EMR 12110 EMR 9329 7 Meditation from Thaïs (Massenet) 4’40 EMR 10635 EMR 3764 8 Old Castle (Mussorgsky) 4’30 EMR 12134 EMR 9756 9 The Perfect Fool (Holst) 10’29 EMR 11818 EMR 9757 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
Patronage Through Dissemination: Louise Hanson-Dyer’S Patronage of Gustav Holst
2012 © Daniela Kaleva, Context 37 (2012): 77–91. Patronage through Dissemination: Louise Hanson-Dyer’s Patronage of Gustav Holst Daniela Kaleva Gustav Holst has a reputation as one of the most prominent representatives of the English national school of composition from the early decades of the twentieth century. His compositional language was highly original and was influenced by English folk song and Eastern philosophy. Although Holst composed works in a wide range of genres, he is best known for his orchestral suite The Planets. Notwithstanding the great public acclaim of The Planets (which premiered at Queen’s Hall, London, on 15 November 1920),1 his later compositions were less successful with both audiences and critics,2 and he underwent several difficult periods during which he lacked motivation and inspiration for composition. During the last decade of his life, when his popularity was fading, he benefited from the patronage and friendship of Melbourne-born patron and music publisher Louise Hanson-Dyer (see Fig. 1). Hanson-Dyer is known for her award-winning music press and record label Éditions de l’Oiseau-Lyre, established in Paris in 1932, which championed early music, contemporary classical music and young musicians. Although Hanson-Dyer did not engage in direct patronage of Holst by providing funding, or commissioning or publishing his works,5 she nevertheless played an important role in promoting his music in Australia 1 Imogen Holst, A Thematic Catalogue of Gustav Holst’s Music (London: Faber Music, 1974), 125. 2 Michael Short, Gustav Holst: The Man and his Music (Oxford: OUP, 1990), esp. 161, 170, 190. -
The Best of Gilbert & Sullivan
The Best of Gilbert & Sullivan Beecham Choral Society and Royal Philharmonic Orchestra conducted by James Walker The Mikado If You Want To Know Who We Are A Wand'ring Minstrel I [Nanki-poo] – Edgar Fleet Behold the Lord High Executioner [Ko-ko] – Donald Adams I've Got a Little List [Ko-ko] – Donald Adams Comes a Train of Little Ladies Three Little Maids from School are we [Peep-bo] – Cynthia Glover [Pitti-sing] – Jean Allister [Yum-yum] – Patricia Clarke The Moon and I [Yum-yum] – Patricia Clarke Mi-ya Sa-ma, Mi-ya Sa-ma [Katisha] – Jean Allister [Mikado] – Anthony Raffell My Object All Sublime [Mikado] – Anthony Raffell For He's Gone and Married Yum-Yum The Pirates of Penzance Pour, Oh Pour the Pirate Sherry [Samuel] – Neil Howlett Oh Better Far to Live And Die [Pirate King] – Kenneth Sandford Climbing Over Rocky Mountain Oh, Is There Not One Maiden Breast [Frederic] – Edgar Fleet [Mabel] – Cynthia Glover Poor Wand'ring One [Mabel] – Cynthia Glover I Am the Very Model of a Modern Major-General [Major-general] – John Cartier When the Foeman Bares His Steel [Mabel] – Cynthia Glover [Samuel] – Neil Howlett [Sergeant] – Donald Adams A Policeman's Lot Is not a Happy One [Sergeant] – Donald Adams With Cat-Like Tread [Samuel] – Neil Howlett H. M. S. Pinafore We Sail the Ocean Blue I'm Called Little Buttercup [Mrs. Cripps (Buttercup)] – Jean Allister The Nightingale [Ralph] – Edgar Fleet A Maiden Fair to See [Ralph] – Edgar Fleet I am the Captain of the Pinafore [Captain Corcoran] – Neil Howlett Over the Bright Blue Sea Sir Joseph's Barge is Seen I Am the Monarch of the Sea [Captain Corcoran] – Neil Howlett [Cousin Hebe] – Jean Allister [Sir Joseph Porter] – Stanley Riley When I Was a Lad [Sir Joseph Porter] – Stanley Riley Things Are Seldom What They Seem [Captain Corcoran] – Neil Howlett [Mrs. -
PDF (V.50:15, February 3, 1949)
SUPPORT TRAVEL TO THE WHITTIER Y DRIVE CIILlfORNl1I TECH TOMORROW CflliffJfnifl Institutl of TecllnoloKY Volume L. ____________________________~ _________ Thursday, February 3, 1949____________________________________________ No. 15 ASCIT Nomination Assembly Job Seeki~q To, YFinance Drive Set for Tech, Set For Week From Friday Positions Open for Nine on Board of Directors, B,~~~~:~~~:~ent, the Alumni-Beaver lectures Goal of $2,250 Establl·shed Publication Editors and Business Monagers turn to the jobhunting side of >$> On Friday. February 11, one week from tomorrow, the an· the placement picture. Next nual ASCIT nominations assembly will be held in Culbertson Hall M Ak d f St· f At this time nominations to the ASCIT offices for the third term ~~nn"~~:'ni~~~ S~~~~;r:~n~: Throopers to Vote oney s e or uppor 0 this year and the first two of the next will be publicly announced The procedure will be the same as that given by the corporation for Success," followed by "The 0 Off T d E d d P am of ServI'ce By·Laws in the Little T. Candidates for the offices of ASCIT ~~~b!~i:; t~~Os~il~!S f~~II\;Ot~~ n lcers 0 a~ xpan e roqr President, Vice-President, Secretary, Treasurer, Athletic Manager, subJ·ect of "Summer Jobs." Throop men will decide today N ew Y A ctov,toes... lidnc u e G ra d uate L unc h eon CI u,b Seminars, Publicity Manager, a first Repre->$> The man talking non-techni- on the men to lead the club next cally will be an industrial engi- year.