Ternary Form Ternary Form Is a Three-Part Form

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music theory for musicians and normal people by toby w. rush Ternary Form ternary form is a three-part form. rather than using three completely different sections, most pieces in ternary form consist of two sections, the first of which is reprised. in ternary form, the a section appears both at the beginning and at the end; like binary form, the b section is contrasting in character. the reprised a section may be an exact repeat of the first A, or it may be slightly different, but the of A B A length the a sections should be similar. ternary form this is different from rounded binary, where the reprised a section (which we called a prime) is significantly shorter than the first a section. Fine Da capo the minuet and trio is a variation on al Fine ternary form used for instrumental music. instead of writing out the reprised a section, the score will place the minuet instruction “da capo al fine” after the trio b section, which means to return to the A B beginning, play through the a section, minuet & trio form and end the piece. this same form is commonly used in baroque and classical opera, where it is called a da capo aria. In both minuet & trio and da capo aria, any repeats are ignored when playing through the reprised a section. it’s worth mentioning that there is a common form that is descended from minuet and trio form: the military march form favored by john philip trio sousa and other american fanfare march composers. 1stA & 2nd B (dogfight) strains I IV military march form in the military march form, the a section is split into two subsections, called the first strain and second strain. the trio adds a flat (or removes a sharp) from the key signature, modulating to the key of the subdominant. most marches begin with a short fanfare, and repeat the sousa trio, placing a short, intensely dramatic passage between repetitions called the dogfight or breakstrain. licensed under a creative commons BY-NC-ND license - visit tobyrush.com for more.

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