"I Love All Men Who Dive": Herman Melville and Joseph Smith
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Melville in Love In
Index to Melville in Love Aeneid (Virgil), 64 Ainsworth, William Harrison, 116 Angel Standing in the Sun, The (Turner), 118-21 Arrowhead (Melville home), 112-14, 134-35, 138-39, 172-74, 193-94, 202, 211, 221 debts for, 4, 84-90, 131-32 Holmes and, 67-69 Hawthorne and, 126-27, 131-32 improvements to,131-32 Morewood visit to, 177 Pierre and,172, 194 sale of, 4, 84-90, 224 writing of Moby-Dick and, 3-4, 93-95, 99-100, 113-14 Athenaeum (London), 115 Balance Rock (Berkshires), 153-55 Bartlett, William F., 214-15 Battle-Pieces and Aspects of the War (Melville), 215-16, 224 Beale, Thomas, 116 Bellows, Dr. Henry, 226 Bentley, Richard, 169 Berkshire Athenaeum, 9, 103, 115, 219 Berkshire County Eagle, 206-07 Bicknell, Elhanan, 116 Billy Budd (Melville), 210, 241-45 Black Quake (Sarah Morewood’s colt), 59, 111-12, 173 Boccaccio, Giovanni, 49 Boston Daily Times, 186 Boston Post, 165, 186-87 Brewster, Dr. John, 86 Broadhall (Morewood home), 9, 20, 88, 93, 110, 131-32, 155, 177, 193-94, 199, 202-03, 224, 235-36 Black Quake at, 111-12 as boarding house, 29 in Civil War years, 213, 215 description of,1, 13 Elsie Venner and, 62 festivities at, 5-6, 42-45, 51, 55-56, 58, 133-35, 153, 161, 174-75 Hawthorne and, 73, 75, 81-82 laurel wreath ceremony and, 5-6, 85-86, 175 as the Melvill Farm, 13 Sarah Morewood’s death at, 218 naming of, 86-87 Pierre and, 47-48, 155 purchase of, 22, 41-43, 81-82, 85-87 J.E.A. -
Accounting for the Survival of the Berkshire Athenaeum
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses August 2014 Against The Odds: Accounting For The Survival Of The Berkshire Athenaeum JOHN DICKSON University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Historic Preservation and Conservation Commons, and the United States History Commons Recommended Citation DICKSON, JOHN, "Against The Odds: Accounting For The Survival Of The Berkshire Athenaeum" (2014). Masters Theses. 12. https://doi.org/10.7275/5562347 https://scholarworks.umass.edu/masters_theses_2/12 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Against the Odds: Accounting for the Survival of the Berkshire Athenaeum A Thesis Presented by JOHN S. DICKSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Department of History © Copyright by John S. Dickson 2014 All Rights Reserved Against the Odds: Accounting for the Survival of the Berkshire Athenaeum A Thesis Presented by JOHN S. DICKSON Approved as to style and content by: _________________________________________ Mark T. Hamin, Chair _________________________________________ Marla R. Miller, Member _________________________________________ David H. Glassberg, Member ______________________________________ Joye L. Bowman, Department Head History DEDICATION To Mary, my partner in all. ACKNOWLEDGMENTS As with much in life, the idea for this study of the old Berkshire Athenaeum came about rather haphazardly, and fortuitously. -
Berkshire COVID Collecting Project Brings Three Organizations
Berkshire Museum Press Release For Immediate Release: July 17, 2020 Media contact: Kimberly Donoughe, Marketing and Brand Manager [email protected] 413.413.7171 ext. 321 Berkshire COVID Collecting Project Brings Three Organizations Together to Document the Global Pandemic, Locally The Berkshire Athenaeum, Berkshire County Historical Society, and Berkshire Museum invite the community to add to the historical record [Pittsfield, MA] – Beginning July 20, Berkshire residents will have an opportunity to add their own experiences to the historical record as a new partnership between the Berkshire Athenaeum, Berkshire County Historical Society, and Berkshire Museum seeks to collect artworks, songs, videos, photographs, letters, stories, and artifacts from the COVID-19 pandemic. The project, which brings three trusted wardens of the community’s history together aims to document this remarkable period in history and the many ways in which the global health crisis has impacted the region. “This pandemic is an historic chapter in human history which will be remembered and studied for generations to come,” explained Jeff Rodgers, Executive Director at the Berkshire Museum. “We have lost friends and loved ones and seen our daily lives and livelihoods upended. At the same time, we’ve seen a community come together to save lives, educate our children, and support one another. By contributing to this effort, you are not only helping us to document a remarkable period in world and local history, you are ensuring that future generations will be able to learn from our experiences.” For now, all submissions will be collected digitally to protect the health of the community. Individuals interested in submitting are encouraged to visit https://explore.berkshiremuseum.org/berkshire-covid-collecting-project to upload virtual versions of their materials. -
L-G-0015189140-0047257953.Pdf
Herman Melville Herman Melville A Half Known Life John Bryant Volume I Eternal Ifs: Infant, Boy, and Man (1819–1840) This edition first published 2021 © 2021 John Wiley & Sons Ltd All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by law. Advice on how to obtain permission to reuse material from this title is available at http://www.wiley.com/go/permissions. The right of John Bryant to be identified as the author of this work has been asserted in accordance with law. Registered Offices John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, USA John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Office The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, customer services, and more information about Wiley products visit us at www.wiley.com. Wiley also publishes its books in a variety of electronic formats and by print‐on‐demand. Some content that appears in standard print versions of this book may not be available in other formats. Limit of Liability/Disclaimer of Warranty While the publisher and authors have used their best efforts in preparing this work, they make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation any implied warranties of merchantability or fitness for a particular purpose. -
Home Editorial Authors' Responses Guidelines For
Home Search Every Field Editorial Search Authors' Melville and Aesthetics Responses Eds. Geoffrey Sanborn and Samuel Otter (Palgrave Macmillan, 2011) viii + 263 pp. Guidelines Reviewed by John Wenke on 2012-05-22. For Click here for a PDF version. Reviewers Click here to buy the book on Amazon. About Us Masthead In their Introduction to this book, Samuel Otter and Geoffrey Sanborn observe that American literary studies divide the practice of aesthetic criticism in two, setting an exclusionary exercise in cultural elitism against an inclusionary view of Feedback "aesthetics as the basis of a radically democratic politics" (2). As presented here, aesthetic criticism does not simply assess what is beautiful or what constitutes high, low, or middle art; it entails an entire value system that informs, as it justifies, those determinate conclusions deriving from a particular hermeneutical process. Twentieth-century aesthetic criticism on Melville, the editors contend, has been limited in range, concentrating primarily on matters related to the sublime, the picturesque, and the slants of light that fall between. In twelve chapters, the editors present disparate critical "experiments" (3) that "reconsider the relationship between aesthetic and political modes of analysis" (5-6). In fusing phenomenological and ideological approaches, the editors do not purport to trace the development of Herman Melville's aesthetics from Typee (1846) to Billy Budd (1924) or to compose a unified body of political criticism. Rather, their contributors explore specific aesthetic problems posed by selected works of Melville and base their careful textual analyses on sophisticated theoretical foundations. The protean eclecticism of Melville's fiction and verse invites such a wide-ranging inquiry. -
Dollars Damn Me": Editorial Politics and Herman Melville's Periodical Fiction
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2015 "Dollars Damn Me": Editorial Politics and Herman Melville's Periodical Fiction Timothy R. Morris Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Literature Commons, and the Literature in English, North America Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3803 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©Timothy R. Morris 2015 All Rights Reserved “Dollars Damn Me”: Editorial Politics and Herman Melville‟s Periodical Fiction A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University. by Timothy R. Morris B.A. in English, James Madison University, 2003 M.F.A in Creative Writing, CUNY Brooklyn College, 2008 Director: Les Harrison, Ph.D., English Department Virginia Commonwealth University Richmond, Virginia May, 2015 i Acknowledgment This study is deeply indebted to the aid and support of the esteemed faculty of the Virginia Commonwealth University in the Department of English. The director of this study, Dr. Les Harrison, asked the hard questions regarding Melville‟s engagements with the literary marketplace. Hopefully, this study answers his questions sufficiently and presents some findings which might complicate and broaden literary analyses of Melville in the future. I am grateful to my readers and committee members, Dr. -
280 Niemeyer, Mark
280 book reviews Niemeyer, Mark (ed.) The Divine Magnet: Herman Melville’s Letters to Nathaniel Hawthorne. Foreword Paul Harding. Asheville nc: Orison Books, 2016. Pp. 105. $18.00, paper. The literary works of Herman Melville and Nathaniel Hawthorne are renowned for—among other things—their narrative complexity and ambiguous symbol- ism. Those who have studied their lives know that a similar sense of mystery characterizes the friendship the two writers shared. Only a handful of their let- ters to each other remain—one remarkably pedestrian letter that Hawthorne wrote to Melville asking him to purchase a kitchen clock for the Hawthorne residence, and ten letters that Melville wrote to his dear friend Hawthorne. This epistolary paucity and the resulting biographical lacunae have produced an array of speculation about the brief, but intense, flashes of insight the few letters provide into the friendship. Certainly it was a relationship character- ized by intellectual fraternity and artistic influence. But some scholars find deeper layers of significance buried within the epistles, including an unre- quited romantic desire that Melville might have felt for Hawthorne and a prolonged estrangement that possibly began while the two corresponded. Of course, as James C. Wilson pointed out years ago, interpreting the friendship by analyzing the Melville-Hawthorne letters is akin to the Pequod’s sailors attempting to analyze the markings on the doubloon nailed to the mast in Moby-Dick—an empirical exercise, but one widely “open to subjective inter- pretation” (24). Nevertheless, Melville’s letters to Hawthorne remain a rich source of infor- mation and possess a literary and philosophical quality on par with their great fiction, all of which Mark Niemeyer highlights in his recent collection, The Divine Magnet: Herman Melville’s Letters to Nathaniel Hawthorne, which includes all ten letters Melville wrote to Hawthorne between January 1851 and December 1852 (he understandably leaves out Hawthorne’s letter to Melville about the clock). -
Melville and Hawthorne: a Reinterpretation of Bartleby the Scrivener
133 Melville and Hawthorne: A Reinterpretation of Bartleby the Scrivener Junko MATSUMOTO Abstract Herman Melville’s Bartleby, the Scrivener (1853) was composed in a period when Melville was under the strong influence of Nathaniel Hawthorne, whose friendship he valued most, sharing similar aesthetic interests and ideas. When closely examined, the story shows a revealing connection with Hawthorne’s The Scarlet Letter (1850) in its narrative framework and sequence of episodes. The comparison between the two works suggests that Melville’s original intention was to create a story that would stand in striking contrast to the other. This idea offers a new approach to the author’s mind, adding increased depth and insight into our understanding of his work. Introduction Herman Melville’s Bartleby, the Scrivener was originally published in two installments on November 1 & December 1, 1853, in Putnam’s Monthly Magazine.1 The publisher sent him 85 dollars by check, and that was all the author received for his 17 pages of work (Newman 19). Never could he have known that this short piece would later become one of the most widely-read texts in literature classes, creating what Dan McCall calls the “Bartleby 134 Melville and Hawthorne: A Reinterpretation of Bartleby the Scrivener Industry” (McCall 99). In 1848, five years before Bartleby’s publication, Nathaniel Hawthorne lost his office as the surveyor of the customhouse in Salem, and with it his annual salary of $1,500 ― due to the change of administration in Washington. Two years later, his Scarlet Letter was published. It became an instant bestseller, earning him a total of $1,500 over 14 years. -
Gothic Undercurrents
Unit 6 GOTHIC UNDERCURRENTS Ambiguity and Anxiety in the Nineteenth Century Authors and Works form of this literature (especially narrative voice and point of view) help convey these anxieties? Featured in the Video: I Gothic writers addressed key nineteenth- Nathaniel Hawthorne, “Young Goodman Brown” century cultural trends such as westward ex- and “Rappaccini’s Daughter” (short stories) pansion, technological and scientific progress, Herman Melville, “Hawthorne and His Mosses” romantic individualism, the cult of true woman- (essay) and Moby-Dick (novel) hood, and the debate over slavery and abolition. Emily Dickinson, poems #258 [There’s a certain How can you see some of these trends reflected in Slant of light], #315 [He fumbles at your Soul], the texts of this unit? #465 [I heard a Fly buzz—when I died—], and I Who are the inheritors of the gothic mode #1129 [Tell all the Truth but tell it slant—] today? Do they share similar concerns with these writers or are their concerns new to the twentieth Discussed in This Unit: and twenty-first centuries? Charles Brockden Brown, Wieland (novel) I How do these writers explore and critique the Washington Irving, “Rip Van Winkle” and “The ideas of self-reliance, free will, and the self-made Legend of Sleepy Hollow” (short stories) man that you saw expressed by Franklin and Emer- William Gilmore Simms, “The Edge of the Swamp” son in Unit 4? (poem) and The Forayers (novel) Edgar Allan Poe, “Ligeia” (short story) Henry Ward Beecher, “The Strange Woman” (sermon) Learning Objectives Ambrose Bierce, “An Occurrence at Owl Creek Bridge” (short story) After students have viewed the video, read the Charlotte Perkins Gilman, “The Yellow Wall-paper” headnotes and literary selections in The Norton (short story) Anthology of American Literature, and explored related archival materials on the American Passages Web site, they should be able to Overview Questions 1. -
Melville the Scrivener Stanley Edgar Hyman
New Mexico Quarterly Volume 23 | Issue 4 Article 4 1953 Melville the Scrivener Stanley Edgar Hyman Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Hyman, Stanley Edgar. "Melville the Scrivener." New Mexico Quarterly 23, 4 (1953). https://digitalrepository.unm.edu/nmq/vol23/ iss4/4 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. .. Hyman: Melville the Scrivener Stanley Edgar Hyman MELVILLE THE SCRIVENER HEW 0 R L D of events, which was never too kind to Her man l\lelville in his lifetime, has been extremely thought Lful of him in the past year or two, by way of celebrating the centennial of Atoby-Dick. The whaler Anglo Norse har pooned a great white whale in the Pacific. The leader of a group of Ku Klux Klan floggers jn North Carolina turned out to be a lightning rod salesman. Attorney General McGrath, booted out of his job by President Truman, said as his last words in office "God bless the President of the United States." On the flood of scholarly and critical works, omnibus volumes, radio programs, library displays, and centenary addresses, the Herman Melville Society (secretary l\1r. T~rus Hillway, Colorado State College of Education, Greeley, Colorado) floated happily, and a centennial edition of Aloby-Dick 1 was published with 315 pages of notes and apparatus, more than half as long as the novel itself, justifying the editor's boast "No other American novel has ever received such liberal annotation." In it Melville enthusiasts who had clapped for Tinker Bell as children could learn with some con sternation that Sir James M. -
City of Pittsfield
CITY OF PITTSFIELD FISCAL 2018 MUNICIPAL BUDGET MAYOR LINDA M. TYER Table of Contents Transmittal Letter ......................................................................................................1 Budget Summary Table ..............................................................................................3 Budget Process Description .......................................................................................6 Revenue Detail ...........................................................................................................7 Department Budgets Detail .......................................................................................18 Citywide Organizational Chart .......................................................................19 Mayor’s Office ................................................................................................20 City Council ....................................................................................................24 Solicitor’s Office .............................................................................................28 Health Department ........................................................................................32 Building Inspectors Department ....................................................................39 Veterans’ Services Department .....................................................................43 Emergency Management ...............................................................................48 City Clerk’s -
Ahab's Arithmetic;
AHAB’S ARITHMETIC; OR, THE MATHEMATICS OF MOBY-DICK Sarah Hart; Birkbeck College, University of London; [email protected] Abstract Herman Melville’s novel Moby-Dick contains a surprising number of mathematical allusions. In this article we explore some of these, as well as discussing the questions that naturally follow: why did Melville choose to use so much mathematical imagery? How did Melville come to acquire the level of mathematical knowledge shown in the novel? And is it commensurate with the general level of mathematical literacy at that time? 1. Introduction Moby-Dick is one of the most famous novels ever written. ‘It is a surpassingly beautiful book,’ wrote D.H. Lawrence in 1922. ‘It is a great book, a very great book, the greatest book of the sea ever written. It moves awe in the soul.’ Melville deploys a vast array of literary, cultural and religious references, symbolism and imagery. Figure 1: Title page of the first edition of Moby-Dick, 1851 (Beinecke Library, Yale University) Any mathematician reading Moby-Dick would be struck, as I was, by the number of mathematical references, and evident mathematical knowledge, shown by that book (several examples will be given in this paper). But is the number of mathematical references really unusual? What were contemporary authors doing and saying? Was Melville especially mathematical? If so, why? I will argue that yes, Melville was indeed atypical in his level of mathematical knowledge, and moreover that he evidently enjoyed mathematics and was good at it. The main motivation for this article is to explore these questions, but it is hoped that the examples and quotations discussed could also be useful pedagogically, as a way for educators to contextualise some of the mathematics which is referenced.