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Boston Symphony Orchestra Concert Programs, Season 78, 1958-1959, Subscription
" BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HI SEVENTY-EIGHTH SEASON 1958-1959 Veterans Memorial Auditorium, Providence Boston Symphony Orchestra (Seventy-eighth Season, 1958-1959) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL ViOUNS Violas Bass Clarinet Richard Burgin Joseph de Pasqualc Rosario Mazzeo Concert-nicLster Jean Cauhape Bassoons Alfred Krips Eugen Lehner Albert Bernard Sherman Walt George Zazofsky Ernst Panenka Rolland Tapley George Humphrey Theodore Brewster Norbert Lauga Jerome Lipson Vladimir Resnikoff Robert Karol CoNTRA - Bassoon Harry Dickson Reuben Green Richard Plaster Gottfried Wilfingcr Bernard Kadinofif Horns Vincent Mauricci Einar Hansen James Stagliano Joseph Leibovici John Fiasca Charles Yancich Earl Hedberg Emil Kornsand Harry Shapiro Roger Shermont Violoncellos Harold Meek Minot Beale Samuel Mayes Paul Keaney Silberman Herman Alfred Zighera Osboume McConathy Stanley Benson Jacobus Langendoen Trumpets Leo Panasevich Mischa Nieland Roger Voisin Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Andr^ Come Clarence Knudson Bernard Parronchi Gerard Goguen Pierre Mayer Martin Hoherman Trombones Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Victor Manusevitch Robert Ripley Kauko Kabila Winograd James Nagy Winifred Josef Orosz Melvin Bryant Flutes Lloyd Stonestreet Tuba Doriot Anthony Dwyer K. Vinal Smith Messina Saverio James Pappoutsakis William Waterhousc Phillip Kaplan Harps William Marshall Bernard Zighera -
Boston Symphony Orchestra Concert Programs, Season
1^1 s L BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON '0\ >\^ KlIIKIM H V\VV^ 1955 1956 SEASON Sanders Theatre, Cambridge \3Tarvard University^ Boston Symphony Orchestra (Seventy-fifth Season, 1955-1956) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster George Zazofsky Albert Bernard Contra-Bassoon Roll and Tapley George Humphrey Richard Plaster Norbert Lauga Jerome Lipson Robert Karol Vladimir Resnikoff Horns Harry Dickson Reuben Green James Stagliano Gottfried Wilfinger Bernard Kadinoff Charles Yancich Einar Hansen Vincent Mauricci Harry Shapiro Joseph Leibovici John Fiasca Harold Meek Emil Kornsand Violoncellos Paul Keaney Roger Shermont Osbourne McConathy Samuel Mayes Minot Beale Alfred Zighera Herman Silberman Trumpets Jacobus Langendocn Roger Voisin Stanley Benson Mischa Nieland Leo Panasevich Marcel Lafosse Karl Zeise Armando Ghitalla Sheldon Rotenberg Josef Zimbler Gerard Goguen Fredy Ostrovsky Bernard Parronchi Clarence Knudson Leon Marjollet Trombones Pierre Mayer Martin Hoherman William Gibson Manuel Zung Louis Berger William Moyer Samuel Diamond Richard Kapuscinski Kauko Kabila Josef Orosz Victor Manusevitch Robert Ripley James Nagy Flutes Tuba Melvin Bryant Doriot Anthony Dwyer K. Vinal Smith Lloyd Stonestreet James Pappoutsakis Saverio Messina Phillip Kaplan Harps William Waterhouse Bernard Zighera Piccolo William Marshall -
As Well As Bill Lampkin's the Pulp.Net at and Don't
Pulp-related books and periodicals available from Mike Chomko for January 2015 Despite plans for a catalog in late October or some time in November, here I am at the beginning of 2015 with more excuses. Of late, everyday life has been interfering a great deal with my bookselling efforts. I’ve had no catalog for months and my shipping has pretty much ground to a halt. That said, I will be very busy shipping books over the next few weeks. As you’ll learn later in this catalog, a great deal of material arrived during the last couple of weeks of November and throughout December. Five more boxes were left on my front porch just after New Year’s Day. So there will be a lot to get out the door during the month of January. Most of my time during the last months of 2014—outside of a week spent helping my son and new daughter-in-law get ready for their wedding—has been spent on our remodeling work and working at the hospital. Most of our remodeling work is very much underway and I am hoping that I’ll be able to get back to a somewhat normal schedule in the months ahead. There is still a good bit of work to do, but the pressures of getting things ready for work to progress are diminishing. Thank you everyone for your patience with me and for your continued support. For those of you who purchase Girasol replicas from me, most if not all of this line will be ending in July 2015. -
Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE E-Mail: [email protected] No
THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE e-mail: [email protected] no. 298 17th November 2009 Owing to circumstances beyond our control (the manufacturers can’t Amazon.co.uk). In the summer of 1889, the threat of death hangs over come up with the goods in time) the unveiling by Gyles Brandreth of a Laurence Applegarth, MP and his daughter Celia, as they’re accused of plaque at the Langham Hotel , commemorating the dinner at which both murdering the vile Sir Walter Hardwick at his country house. But The Picture of Dorian Gray and The Sign of the Four , has had to be Sherlock Holmes, with the invaluable assistance of Dr Watson and the postponed. It was originally scheduled for Thursday 19th November, but Baker Street irregulars, gradually uncovers a plot that threatens the very we’re now looking towards a date early in 2010. highest in the land. Only one man is capable of such villainy: ex- [*Gyles Brandreth’s latest book, Something Sensational to Read in the Professor Moriarty of mathematical fame, whose weapon, smuggled into Train: The Diary of A Lifetime (John Murray, 338 Euston Road, the Royal household, is ingenious and deadly. Holmes and Watson need London NW1 3BH; £25.00), is funny, touching, and intensely readable – all their intelligence, courage and stamina to defeat him. In fairness I and, yes, Sherlock Holmes does feature.*] should point out that the book reads like a first draft, with a few disconcerting inconsistencies. We’re told first of all that Mr Titan Books (144 Southwark Street, London SE1 0UP) has issued new Applegarth’s constituency of Seale Green is in Devon, and then that it’s editions of four good non-canonical novels, under the rather unoriginal near Winchester. -
Boston Symphony Orchestra Concert Programs, Season 67, 1947
r BOSTON SYMPHONY ORCHESTRA SIXTY-SEVENTH SEASON 1947-1 948 Carnegie Hall, New York Boston Symphony Orchestra [Sixty-seventh Season, 1947-1948] SERGE KOUSSEVITZKY, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin, Joseph de Pasquale Raymond Allard Concert-master Jean Cauhap£ Ernst Panenka Alfred Krips Georges Fourel Ralph Masters Gaston Klcus Eugen Lehner Contra -Bassoon Rolland Tapiey Albert Bernard Norbert Lauga Emil Kornsand Boaz Piller George Zazofsky George Humphrey Horns Paul Cherkassky Louis Artieres Willem Valkenier Harry Dubbs Charles Van Wynbergen James Stagliano Vladimir Resnikoff Hans Werner Principals Joseph Leibovici Jerome Lipson Walter Macdonald Einar Hansen Siegfried Gerhardt Harold Meek Daniel Eisler Paul Keaney Norman Carol Violoncellos Osbourne McConathy Carlos Pinfield Jean Bedetti Harry Shapiro Paul Fedorovsky Alfred Zighera William Gebhardt Harry Dickson Jacobus Langendoen Trumpets Minot Beale Mischa Nieland Georges Mager Frank Zecchino Hippolyte Droeghmans Roger Voisin Karl Zeise Clarence Principals Rnudson Josef Zimbler Pierre Mayer Bernard Parronchi Marcel Lafosse Manuel Zung Enrico Fabrizio Harry Herforth Samuel Diamond Leon Marjollet Ren^ Voisin Victor Manusevitch Trombones James Nagy Flutes Jacob Raichman Leon Gorodetzky Lucien Hansotte Georges Laurent Raphael Del Sordo John Coffey James Pappoutsakit Melvin Bryant Josef Orosz Murray Phillip Kaplan John Tuba Lloyd Stonestreet Piccolo Vinal Smith Henri Erkelens George Madsen Saverio Messina Harps Bernard Zighera -
A Holmes and Doyle Bibliography
A Holmes and Doyle Bibliography Volume 2 Monographs and Serials By Subject Compiled by Timothy J. Johnson Minneapolis High Coffee Press 2010 A Holmes & Doyle Bibliography Volume 2, Monographs & Serials, by Subject This bibliography is a work in progress. It attempts to update Ronald B. De Waal’s comprehensive bibliography, The Universal Sherlock Holmes, but does not claim to be exhaustive in content. New works are continually discovered and added to this bibliography. Readers and researchers are invited to suggest additional content. The first volume in this supplement focuses on monographic and serial titles, arranged alphabetically by author or main entry. This second volume presents the exact same information arranged by subject. The subject headings used below are, for the most part, taken from the original De Waal bibliography. Some headings have been modified. Please use the bookmark function in your PDF reader to navigate through the document by subject categories. De Waal's major subject categories are: 1. The Sacred Writings 2. The Apocrypha 3. Manuscripts 4. Foreign Language Editions 5. The Literary Agent (Sir Arthur Conan Doyle) 6. The Writings About the Writings 7. Sherlockians and The Societies 8. Memorials and Memorabilia 9. Games, Puzzles and Quizzes 10. Actors, Performances and Recordings 11. Parodies, Pastiches, Burlesques, Travesties and Satires 12. Cartoons, Comics and Jokes The compiler wishes to thank Peter E. Blau, Don Hobbs, Leslie S. Klinger, and Fred Levin for their assistance in providing additional entries for this bibliography. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 01A SACRED WRITINGS -- INDIVIDUAL TALES -- A CASE OF IDENTITY (8) 1. Doyle, Arthur Conan. A Case of identity and other stories. -
The Expansion of a Common Market for Fiction in Early European Media Culture (1840-1940)
A cultural new deal : the expansion of a common market for fiction in early European media culture (1840-1940). Jacques Migozzi To cite this version: Jacques Migozzi. A cultural new deal : the expansion of a common market for fiction in early European media culture (1840-1940).. 2012. hal-00764631 HAL Id: hal-00764631 https://hal-unilim.archives-ouvertes.fr/hal-00764631 Preprint submitted on 13 Dec 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A cultural new deal : the expansion of a common market for fiction in early European media culture (1840-1940). Jacques MIGOZZI Equipe Littératures Populaires et Culture Médiatique / EA 1087 EHIC Université de Limoges In the hundred years between 1830 and 1930, Europe underwent radical change, and entered modernity. This decisive transformation did not occur only in the fields of politics and economics, technology and society, but also in the realm of culture. Multimedia and mass culture emerged and expanded, crossing linguistic and national boundaries and overturning cultural practices, sparking the imagination of countless individuals, providing new icons for the collective imagination, and precipitating the advent of a new European identity—or set of identities. -
Boston Symphony Orchestra Concert Programs, Season 84,1964-1965
BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON EIGHTY-FOURTH SEASON 1964-1965 TAK E NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfully^ invite your inquiry / . , ... / Associated with CHARLES H. CO. WATKINS & /qbrioN, RUSSELL & CO. Richard P. Nyquist — Charles G. Garleton / 147 milk street boston 9, Massachusetts / Insurance of Every Description 542-1250 / a EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk Copyright, 1965, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs. James H. Perkins Harold D. -
An Index to CROSSOVERS 1: a SECRET CHRONOLOGY of the WORLD by WIN SCOTT ECKERT (From the Black Coat Press Edition, 2010) Prepared by Adrian Nebbett
An Index To CROSSOVERS 1: A SECRET CHRONOLOGY OF THE WORLD By WIN SCOTT ECKERT (From the Black Coat Press edition, 2010) Prepared by Adrian Nebbett .007 (Rudyard Kipling), 227 Adventure (Magazine), 43, 119 Abbott and Costello Meet Dr Jekyll and Mr Hyde Adventure, Vol. 1 (Chris Roberson ed.), 113, 248, (1953), 153-154 307 Abbott and Costello Meet Frankenstein (1948), Adventure Comics, 169 156, 335, 338, 403, 426 Adventure Comics, 440 Abbott and Costello Meet the Invisible Man (1951), Adventure of Gresham Old Place, The (August 335 Derleth), 340 ABC, 343 Adventure of Hillerman Hall, The: see How a ABC Teashop, 249-250 Hermit Was Disturbed in His Retirement Abdû, Hâjî, 375-376 Adventure of Merlin’s Tomb, The (Frank J. Abelsen, Olaf, 386, 391 Morlock), 205 Abercrombie, Dr, 203 Adventure of Napoleon’s Razor, The (Ellery Abominable Dr Phibes, The (1971), 347, 354, 354 Queen), 443 About Maigret and the Stolen Papers (Julian Adventure of the Ancient Gods, The (Ralph Symons), 395 Vaughan), 372 Abraham the Gentle, 105, 107 Adventure of the Angel’s Trumpet, The (Carolyn Absalom, Dr, 187, 189 Wheat), 216 Abu Tabah, 312 Adventure of the Antiquarian’s Niece, The (Barbara Abyad, 415-416 Hambly), 197-198 Account of London Scientists (William Ashbless), Adventure of the Arabian Knight, The (Loren D. 150 Estleman), 169 Ace Books, 46, 92, 113, 115, 136, 150, 170, 191, Adventure of the Arab’s Manuscript, The (Michael 215, 370, 377, 380, 384 Reaves), 146, 229 Ace/Charter Books, 132 Adventure of the Beneficent Vampire, The (Frank J. Acevedo, Elena, 330 Morlock), -
Les Nouvelles Aventures De Harry Dickson
Les Mystères de la Tamise COLLECTION FANTASTIQUE, DIRIGEE PAR J. BISCEGLIA DU MEME AUTEUR CHEZ LE MEME EDITEUR CONTES CREPUSCULAIRES Dessin original en couleurs de Jacques Tardi en couverture Préface de Jacques Van Herp LES NOUVELLES AVENTURES LE SHERLOCK HOLMES AMÉRICAIN TOME PREMIER Les Mystères de la Tamise par Gérard Dôle Préfaces de Jacques Bisceglia & La Pieuvre Noire Dessin de couverture : Alfred Roloff Corps 9 EDITIONS TROESNES 02460 LAFERTÉ-MILON IL A ETE TIRE DE CET OUVRAGE TROIS MILLE EXEMPLAIRES, DONT DOUZE HORS-COMMERCE MARQUES H.C. DE I A XII, RESERVES A CELLES & CEUX QUI ONT PARTICIPE A LA FABRICATION, LE TOUT CONSTI- TUANT L'EDITION ORIGINALE. © Corps 9, éditions - 1984 On sait aujourd'hui que ni le nom, ni le personnage de Harry Dickson, furent créés par Jean Ray. Jean Ray a d'ailleurs précisé à Alain Resnais, le jour où ils firent connaissance qu'« il n'a pas inventé celui-ci. Il n'a jamais su où, quand, comment et par qui Harry Dickson avait été créé ! » (Francis Lacassin, Passagers Clandestins, tome I, page 356, 10/18, Paris, 1979.) En fait, l'origine de Harry Dickson n'est plus un secret. Au départ, on trouve une série allemande d'aventures apocry- phes de Sherlock Holmes, le célèbre détective créé en 1886 par Sir Arthur Conan Doyle : A us den Geheimaklen des Welt-Detektivs (ACWD/Issus des dossiers secrets du Détective de réputation mon- diale). Cette série de 230 fascicules hebdomadaires de 32 pages, aux superbes couvertures illustrées entre autres par le talentueux Alfred Roloff, fut publiée à Berlin du 16 janvier 1907 à 191 1. -
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961
BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON ACADEMY OF MUSIC PHILADELPHIA EIGHTIETH SEASON 1960-1961 ^TytuMcli/ HIS DEDICATION AND INTERPRETIVE POWERS ARE MOVINGLY REVEALED IN FINEST LIVING STEREO ON RCAVictor records exclusively other recent albums by Charles Munch and the Boston Symphony in Living Stereo and regular LP.— Saint- Saens: Symphony No. 3; Beethoven : Symphony No. 3 ("Eroica"). Monophonic only— Ravel: Daphnis and Chloe. EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Musk Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The trustees of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Woi.cott TRUSTEES EMERITUS Philip R. Allen Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [3] Boston Symphony Orchestra (Eightieth Season, i960- 1961) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Cellos Bassoons Richard Burgin Samuel Mayes Sherman Walt Concert-master Alfred Zighera Ernst Panenka Alfred Krips Jacobus Langendoen Theodore -
Boston Symphony Orchestra Concert Programs, Season 85, 1965
SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON VETERANS MEMORIAL AUDITORIUM '£ A'/l w. \ /f~~" -^p'/OW. If Ufe-^i&sr^SX&'S If (\<f% EIGHTY-FIFTH SEASON 1965-1966 [1 The Boston Symphony BOSTON SYMPHONY under Leinsdorf EEIOH UBIHSI&OIIP "The Boston Symphony never sounded finer" was one critic's reac- tion to their performance of Strauss' challenging Ein Heldenleben. Certainly, the orchestration of the semi-autobiographical masterpiece provides a superior showcase for the rich, brilliant sound that is characteristic of the Bostonians. Similarly, the complexities of the score give Leinsdorf ample opportunity to show his directorial bril- liance. Orchestra and conductor together yield a superbly realized whole which has been recorded in D ynaproo ve on RCA VictorRedSeal. RCA Victor® MfyThe most trusted name in sound ^IIT HT .•ax EIGHTY-FIFTH SEASON, 1965-1966 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • President Talcott M. Banks • Vice-President John L. Thorndike • Treasurer Abram Berkowitz E. Morton Jennings, Jr. Theodore P. Ferris Henry A. Laughlin Robert H. Gardiner Edward G. Murray Francis W. Hatch John T. Noonan f Andrew Heiskell Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb Raymond Wilkins TRUSTEES EMERITUS Richard C. Paine Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry f. Kraut Orchestra Personnel Manager Assistant to the Manager Sanford R Sistare Andrew Raeburn Press and Publicity Assistant to the Music Director SYMPHONY HALL BOSTON [3] Steinway at any stage Concert appearances show that when pianists perform with the great American orchestras, the piano on the stage is, almost without exception, a Steinway.