DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 84,1964-1965

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 84,1964-1965 BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON EIGHTY-FOURTH SEASON 1964-1965 TAK E NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfully^ invite your inquiry / . , ... / Associated with CHARLES H. CO. WATKINS & /qbrioN, RUSSELL & CO. Richard P. Nyquist — Charles G. Garleton / 147 milk street boston 9, Massachusetts / Insurance of Every Description 542-1250 / a EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk Copyright, 1965, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs. James H. Perkins Harold D. Hodgkinson Sidney R. Rabb E. Morton Jennings, Jr. John L. Thorndike Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Rosario Mazzeo Harry J. Kraut Orchestra Personnel Manager Assistant to the Manager SYMPHONY HALL BOSTON [1347] Mozart ^l } The Boston Symphony "Jupiter" Symphony ll ' AVl"" Eine Kleine Nachtmusik under Leinsdorf Boston Symphony Orchestra The first Mozart recorded by Leinsdorf and the Boston Symphony Erich Leinsdorf was Mozart's last symphony, that dramatic and intricate work aptly called the "Jupiter" Symphony. Leinsdorf's choice of "Eine kleine Nachtmusik" as a foil for this work was sheer inspiration, The re- sulting album illuminates the comment that Leinsdorf's Mozart "is like spring grass" Recorded in brilliant Dynagroove sound, this RCA Victor Red Seal album is a valuable addition to any collection. RCA Victor @)The most trusted name in sound [1348 CONTENTS Program (for this week) . 1353 @TCaRanrca/mc. Program (April 9-- 10) .... 1403 31k cJroMSScaiul tlouse oslon Program (April 16-17) . 1405 of33 Notes Weber (Overture to "Oberon") 1355 Schoenberg (Concerto for Violin and Orchestra) . 1362 «,< Strauss (The Awakening of Helen from "Die Agyptische Helena") . 1365 Entr'acte Salome via Oscar Wilde (J.N.B.) 1391 Notes Strauss (Excerpts from "Salome") 1370 WATERCOLORS The exhibition now in the Gallery is loaned by the Gallery of Tyringham, Massachusetts. COMING CONCERTS For the pair of concerts following the final trip to New York and other cities, Mr. Leinsdorf has invited Aaron Cop- land to conduct. He will complete his program with his own Music for a Great City, his latest orchestral score. The pianist Sidney Foster will be heard in the Third Concerto by Bartok, one of the composer's last works. It is a posthumous score, having been com- pleted from an almost finished manu- script after his death. Sidney Foster, who is making his first appearance with this Orchestra, was born in Florence, South Carolina, and lived also in Miami. He showed precocious talent at the age of ten and was enrolled at the Curtis Institute of Music. There he studied with its Director at the time, Josef Hoffman, who also had been a prodigy. Sidney Foster won the Leven- ^At (Ore atk of ^prina tritt Award in 1940, and has since figured prominently in New York concerts. Last pastel flowers afield on autumn he made an extended tour of Soft the Soviet Union. He is at present on drifts of sheer chiffon. Petite, the music faculty of the University of Indiana. Small, Medium. $65.00 Bruckner's Eighth Symphony will be 416 BOYLSTON STREET 54 CENTRAL STREET the principal work on the final program BOSTON 02116 WELLESLEY of the season, April 16 and 17. It will KEnmore 6-6238 CEdar 5-3430 be introduced by the Prelude to Wag- ner's Lohengrin. [1349] LEONTYNE PRICE Leontyne Price, who will appear as soloist at the concerts of this week, has fonrad been associated with this Orchestra be- fore the recent years of her operatic career. She was a member of the Opera /Thandler Department of the Berkshire Music Center in 1951, and returned in 1953 to sing at Tanglewood in the second act of Gershwin's Porgy and Bess, having toured Europe in that opera. Since then she has sung with this Orchestra in Boston in Barber's Prayers of Kierke- gaard (1954), and in Beethoven's Ninth Symphony (1958). Since she made her Metropolitan Opera debut in A'ida in 1961, she has sung with that Company in // Trovatore, The Girl of the Golden West, Madama Butterfly, Don Giovanni, To sea, Turan- dot, Cost fan Tutte and Ernani. She had made her debut with the Vienna Staats- oper in 1958, and has otherwise sung widely in opera in Europe and America. PENSION FUND CONCERT Artur Rubinstein will be soloist at a concert for the benefit of the Orches- tra's Pension Fund on April 4. (See page 1404) ORGAN RECITAL The last of the Symphony Hall organ concerts will be given on Sunday, March 28 at six o'clock. John Ferris will be the soloist and will be assisted by Roger Voisin, Trumpet; William Gibson, Trombone ; and Everett Firth, Per- cussion. Music by Buxtehude, Bach, Messiaen, Franck and Hibbard will be played. THE BERKSHIRE FESTIVAL The 1965 Berkshire Festival at Tan- glewood will again consist of eight weeks of concerts (July 2 -August 22). This will be Mr. Leinsdorf's third sea- son as Director. The Berkshire Music Center, the Orchestra's summer center for the advanced study of music, will have its twenty-fifth season. Mr. Leinsdorf will devote the first A swish of soft textured wool, A-line two weeks to chamber orchestra con- certs with members of the Orchestra. with stitched detail. Mint, pepped Beethoven's major compositions for solo eggnog beige. 7-13. $45 instruments and orchestra will be per- formed at this summer's Festival, and Junior Coats — Fourth Floor musical observances of significant anni- BOSTON versaries of Berg, Hindemith, Ravel, and Sibelius will take place. A complete h35°] — . concert version of Wagner's "Lohengrin" will be given on the final weekend, each of the three acts performed at one of the concerts (August 20, 21, 22). On the topic of Beethoven at Tangle- wood, Mr. Leinsdorf said: "One of our central themes will be the performances of all of Beethoven's con- certi and the two Romances for violin and orchestra, the Choral Fantasia for Piano, Chorus and Orchestra, and the Rondo in B-flat major, thus making a cycle of Beethoven's complete works for solo instrument and orchestra. Knowing that this composer is a rock of all sym- phonic and concerto repertoire, yet re- alizing at the same time that there have been a great number of Beethoven series in our cosmopolitan cities within recent times, I felt—for better or for worse that we should not make this idea a con- centrated festival within a festival but rather spread it over the entire Tangle- wood season. We will thus be able to present these works performed by out- standing soloists in stylistic contrast to works by composers of completely dif- ferent musical schools." A distinguished number of artists have been invited by Erich Leinsdorf to participate at the Berkshire Festival this summer. On July 18 Isaac Stern will play in Beethoven's Romance in F for Violin and Orchestra and Dvorak's Violin Concerto. Eugene Istomin will perform the Beethoven Piano Concerto No. 3 on July 17. Leonard Rose will join his colleagues, mentioned above, in the fourth week in Beethoven's Triple Concerto. On July 23 Mr. Rose will play in the Dvorak Cello Concerto, and on the following evening Mr. Stern will be heard in Beethoven's Romance in G for Violin and Orchestra and Sibelius' Vio- Could believe it! lin Concerto. On August 1 he will play GAD! you in Beethoven's Violin Concerto. So this is what I get with Rudolf Serkin will appear on August 8 in Beethoven's Choral Fantasia and those little stamps they the Fourth Piano Concerto. Van Cli- burn will be heard on August 14 in gave me. On top of real quality Beethoven's Fifth Piano Concerto, com- at truly low prices . pleting the cycle of concerti by this composer. CHANGE OF HOUR AT FINAL FRIDAY CONCERT Stop Shop Please note that the concert on April SUPER MARKETS 16 (Good Friday) will begin at 3:30 instead of the usual hour. S^> [ >35 : For a world of banking — see your friends at The First and Old Colony. For a world of fun, see "Hello World." This year's Vincent Show follows three young girls — just out of college to careers, romance and Venice. As always, proceeds go to the Vincent Memorial Hospital. "Hello World" will be presented at New England Life Hall, Tuesday, March 30th through Saturday, April 3 — evenings at 8:30 p.m., Saturday matinee at 2:30 p.m.
Load more

Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 78, 1958-1959, Subscription
    " BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HI SEVENTY-EIGHTH SEASON 1958-1959 Veterans Memorial Auditorium, Providence Boston Symphony Orchestra (Seventy-eighth Season, 1958-1959) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL ViOUNS Violas Bass Clarinet Richard Burgin Joseph de Pasqualc Rosario Mazzeo Concert-nicLster Jean Cauhape Bassoons Alfred Krips Eugen Lehner Albert Bernard Sherman Walt George Zazofsky Ernst Panenka Rolland Tapley George Humphrey Theodore Brewster Norbert Lauga Jerome Lipson Vladimir Resnikoff Robert Karol CoNTRA - Bassoon Harry Dickson Reuben Green Richard Plaster Gottfried Wilfingcr Bernard Kadinofif Horns Vincent Mauricci Einar Hansen James Stagliano Joseph Leibovici John Fiasca Charles Yancich Earl Hedberg Emil Kornsand Harry Shapiro Roger Shermont Violoncellos Harold Meek Minot Beale Samuel Mayes Paul Keaney Silberman Herman Alfred Zighera Osboume McConathy Stanley Benson Jacobus Langendoen Trumpets Leo Panasevich Mischa Nieland Roger Voisin Sheldon Rotenberg Karl Zeise Armando Ghitalla Fredy Ostrovsky Josef Zimbler Andr^ Come Clarence Knudson Bernard Parronchi Gerard Goguen Pierre Mayer Martin Hoherman Trombones Manuel Zung Louis Berger William Gibson Samuel Diamond Richard Kapuscinski William Moyer Victor Manusevitch Robert Ripley Kauko Kabila Winograd James Nagy Winifred Josef Orosz Melvin Bryant Flutes Lloyd Stonestreet Tuba Doriot Anthony Dwyer K. Vinal Smith Messina Saverio James Pappoutsakis William Waterhousc Phillip Kaplan Harps William Marshall Bernard Zighera
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    1^1 s L BOSTON SYMPHONY ORCHESTRA FOUNDED IN I88I BY HENRY LEE HIGGINSON '0\ >\^ KlIIKIM H V\VV^ 1955 1956 SEASON Sanders Theatre, Cambridge \3Tarvard University^ Boston Symphony Orchestra (Seventy-fifth Season, 1955-1956) CHARLES MUNCH, Music Director RICHARD BURGIN, Associate Conductor PERSONNEL Violins Violas Bassoons Richard Burgin Joseph de Pasquale Sherman Walt Concert-master Jean Cauhape Ernst Panenka Alfred Krips Eugen Lehner Theodore Brewster George Zazofsky Albert Bernard Contra-Bassoon Roll and Tapley George Humphrey Richard Plaster Norbert Lauga Jerome Lipson Robert Karol Vladimir Resnikoff Horns Harry Dickson Reuben Green James Stagliano Gottfried Wilfinger Bernard Kadinoff Charles Yancich Einar Hansen Vincent Mauricci Harry Shapiro Joseph Leibovici John Fiasca Harold Meek Emil Kornsand Violoncellos Paul Keaney Roger Shermont Osbourne McConathy Samuel Mayes Minot Beale Alfred Zighera Herman Silberman Trumpets Jacobus Langendocn Roger Voisin Stanley Benson Mischa Nieland Leo Panasevich Marcel Lafosse Karl Zeise Armando Ghitalla Sheldon Rotenberg Josef Zimbler Gerard Goguen Fredy Ostrovsky Bernard Parronchi Clarence Knudson Leon Marjollet Trombones Pierre Mayer Martin Hoherman William Gibson Manuel Zung Louis Berger William Moyer Samuel Diamond Richard Kapuscinski Kauko Kabila Josef Orosz Victor Manusevitch Robert Ripley James Nagy Flutes Tuba Melvin Bryant Doriot Anthony Dwyer K. Vinal Smith Lloyd Stonestreet James Pappoutsakis Saverio Messina Phillip Kaplan Harps William Waterhouse Bernard Zighera Piccolo William Marshall
    [Show full text]
  • Publicacion 585.Pdf
    Ópera patrocinada por: Con el patrocinio de Iberdrola ABAO-OLBE ABRE LA 65 TEMPORADA DE ÓPERA DE BILBAO CON LUCREZIA BORGIA DE DONIZETTI, UNA HISTORIA DE LEYENDA • Grandes figuras en el dúo protagonista: Elena Mosuc y Celso Albelo, • Coproducción del Teatro Regio di Torino, Teatro de Bergamo y Teatro de Sassari concebida por Francesco Bellotto • En el foso, José Miguel Pérez Sierra al frente de la Euskadiko Orkestra Sinfonikoa Bilbao, 18 de octubre de 2016.- ABAO-OLBE (Asociación Bilbaína de Amigos de la Ópera) inaugura su 65 Temporada con Lucrezia Borgia de Donizetti. Este título sube a escena, con el patrocinio de Iberdrola, los próximos días 22, 25, 28 y 31 de octubre, quince años después de su última representación en la temporada bilbaína. Esta tragedia, basada en el drama homónimo de Victor Hugo, narra la historia de la conocida noble italiana Lucrezia Borgia. Para dar vida a los protagonistas de esta ópera considerada como uno de los títulos belcantistas por antonomasia, donde tanto el texto como la música quedan subordinados a la voz, ABAO-OLBE ha reunido a un elenco encabezado por dos grandes figuras de la lírica: Elena Mosuc como ‘Donna Lucrezia Borgia’ y Celso Albelo como ‘Gennaro’. La soprano rumana, una de las mejores sopranos belcantistas, y el tenor tinerfeño, reciente triunfador en Viena y el Metropolitan Opera House, han sido artífices de momentos inolvidables en las temporadas de ABAO, como su memorable actuación conjunta en I Puritani, el primer bis en el Euskalduna protagonizado por el canario en L’elisir d’amore y los bises de Mosuc junto a Leo Nucci en todas las funciones de Rigoletto.
    [Show full text]
  • As Well As Bill Lampkin's the Pulp.Net at and Don't
    Pulp-related books and periodicals available from Mike Chomko for January 2015 Despite plans for a catalog in late October or some time in November, here I am at the beginning of 2015 with more excuses. Of late, everyday life has been interfering a great deal with my bookselling efforts. I’ve had no catalog for months and my shipping has pretty much ground to a halt. That said, I will be very busy shipping books over the next few weeks. As you’ll learn later in this catalog, a great deal of material arrived during the last couple of weeks of November and throughout December. Five more boxes were left on my front porch just after New Year’s Day. So there will be a lot to get out the door during the month of January. Most of my time during the last months of 2014—outside of a week spent helping my son and new daughter-in-law get ready for their wedding—has been spent on our remodeling work and working at the hospital. Most of our remodeling work is very much underway and I am hoping that I’ll be able to get back to a somewhat normal schedule in the months ahead. There is still a good bit of work to do, but the pressures of getting things ready for work to progress are diminishing. Thank you everyone for your patience with me and for your continued support. For those of you who purchase Girasol replicas from me, most if not all of this line will be ending in July 2015.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1967-1968
    IAN 13 ***>*!& EIGHTH WEEK August 18, 19, 20, 1967 7 .T)S TWO MAGNIFICENT RECORDING ACHIEVEMENTS BY THE BOSTON SYMPHONY UNDER ERICH LEINSDORF BOSTON I NTLSSON I , ^v Wagner r Rt SYMPH()NY CHOOKASIAN aZtZ ?ATTTl?M j [i/yUIrjiVJ LEINSDORF BERGONZ1 Pro M"liir" Vohtngnti &&L**j6kl*m\ FLAGELLO \ Complete Boston Symphony Orchestra/Leinsdorf Konya • Amara Gorr Dooley • Hines • Marsh Boston Chorus Pro Musica • Patterson rca Victor nvtwsHoovt The first absolutely complete Verdi Requiem featurin; Lohengrin on records. four celebrated soloists rca Victor d @The most trusted name in sound ^*- EIGHTY-SIXTH SEASON 1966-1967 BOSTON SYMPHONY ORCHEST ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the EIGHTH WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer FIenby B. Cabot Talcott M. Banks John L. Thorndtkb Philip K. Allen Francis W. Hatch Henry A. Laughlin >v. Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James FI. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Pale rey Perkins Lewis Perry Edward A. Taet Tangleivood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaotjbn Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J.
    [Show full text]
  • Giuseppe Verdi Messa Da Requiem, the Death of the Bishop of Brindisi Mp3, Flac, Wma
    Giuseppe Verdi Messa da Requiem, The Death of the Bishop of Brindisi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Messa da Requiem, The Death of the Bishop of Brindisi Country: Europe Released: 2001 MP3 version RAR size: 1318 mb FLAC version RAR size: 1145 mb WMA version RAR size: 1140 mb Rating: 4.5 Votes: 946 Other Formats: ADX WAV APE WMA DTS DTS MIDI Tracklist Giuseppe Verdi: Messa da Requiem 1-1 Requiem and Kyrie 8:54 Dies irae 1-2 Dies irae 2:14 1-3 Tuba mirum 1:56 1-4 More stupebit 1:15 1-5 Liber scriptus 4:49 1-6 Quid sum miser 3:38 1-7 Rex tremendae 3:37 1-8 Recordare 4:04 1-9 Ingemisco 3:50 1-10 Confutatis 3:46 1-11 Dies irae 1:25 1-12 Lacrymosa 5:32 Offertorio 1-13 Domine Jesu Christe 4:25 1-14 Hostias 5:32 1-15 Sanctus 2:42 1-16 Agnus dei 4:38 2-1 Lux aeterna 6:02 Libera me 2-2 Libera me, Domine 2:18 2-3 Dies irae 4:48 2-4 Libera me, Domine 5:35 Gian Carlo Menotti: The Death of the Bishop of Brindisi 2-5 And now the night begins 6:43 2-6 Good men let us pass 3:07 2-7 Behold the singing children 2:12 2-8 Away, away! 1:00 2-9 Give them your blessing! 1:01 2-10 Why did I let them leave? 2:03 2-11 I shall kiss Our Lord's tomb 4:20 2-12 I blessed them to their doom 4:08 2-13 Do not fret, my brother 3:29 2-14 Sleep, sleep in peace 2:51 Arnold Schoenberg: Gurre-Lieder 2-15 Interlude 7:36 2-16 Song of the Wood-Dove 10:26 Credits Bass Vocals – Ezio Flagello (tracks: 1-1 to 1-16; 2-1 to 2-4), George London (tracks: 2-5 to 2-14) Chorus – Boston Chorus Pro Musica* (tracks: 1-1 to 1-16; 2-1 to 2-4), New England Conservatory
    [Show full text]
  • Curriculum Vitae
    CURRICULUM VITAE Daniel Ferreras Savoye Teaching Experience 1989- to the present: Professor (tenure and promotion, 1996; full professorship 2013) of French, Spanish and Comparative Literatures, Department of World Languages, Literatures and Linguistics,West Virginia University. Undergraduate and Graduate language and literature courses (from the 100 level to 600) in Spanish and French languages, literatures and cultures and in literary theory. September 84 - June 89: Teaching Assistant of French and Spanish; Department of Romance and Classical Languages, Michigan State University.Undergraduate French and Spanish courses, from first year to third year. (101-311) Teaching Interests Spanish and French languages; 19th and 20th Century French and Spanish Cultures and Literatures; Literary Theory; Marginalized authors and texts; Comparative literature; Methods of research; The fantastic genre, detective fiction and science fiction; Popular media, fiction and culture. Courses Taught Undergraduate: SPAN 324 “Reading and composition” SPAN 340 “Spanish Popular Culture” SPAN 342 “Modern Spanish Literature” FRENCH 301: “Language Through Civilization” FRENCH 302: “Language and Culture” FRENCH 304: “Advanced Readings” FRENCH 393 “Contemporary Popular Culture” FRENCH 450 “Contemporary French Cinema” Graduate: BIBLIOGRAPHY 615 “Methods of Research” SPAN 593 “Introduction to Spanish Popular Culture” SPAN 653 “19th Century Literature” SPAN 655 “The Novel of the Post-war” SPAN 611 “Literary Theory” FRENCH 535 “19th Century Literature” FRENCH 536 “20th Century
    [Show full text]
  • Nicolas Flagello Passion of Martin Luther King (Original Version) L’Infinito the Land
    8.112065 Flagello conducts Flagello STEREO Nicolas Flagello Passion of Martin luther King (original version) l’Infinito The land ezio Flagello , Bass-baritone ambrosian Singers london Philharmonic orchestra I Musici di Firenze Nicolas Flagello (1962 and 1969 recordings) Nicolas Nicolas Flagello (1928-1994) Flagello Passion of Martin Luther King • L’Infinito • The Land (1928-1994) The brothers Nicolas Flagello (1928-1994) and Ezio Berlin Deutsche Opera, as well as London’s Covent Flagello (1931-2009) were born in New York City to a Garden. He was widely acclaimed in the title roles of family that had been musically active for generations. Falstaff and Gianni Schicchi , in addition to Dr Dulcamara Passion of Martin luther King (1968) (original version) 48:32 Their father, a successful dress designer, was an amateur in L’elisir d’amore , Sparafucile in Rigoletto , Klingsor in (Texts by Martin Luther King, Jr., 1929-1968 / Latin Liturgy) oboist, and their mother had been a singer whose father Parsifal, Pogner in Die Meistersinger , and many others. 1 Hosanna Filio David 4:15 (conductor and composer Domenico Casiello) was said In 1966 he created the rôle of Enobarbus in the world 2 At the Center of Non-Violence 5:24 to have studied with Verdi. Both boys became immersed première of Samuel Barber’s Antony and Cleopatra. In 3 Cor Jesu 6:04 in music at an early age, although their parents did not addition he appeared on the concert stage with many of 4 In the Struggle for the Freedom 6:47 encourage them to pursue it professionally. Nicolas the world’s leading orchestras.
    [Show full text]
  • Verdi Rigoletto Mp3, Flac, Wma
    Verdi Rigoletto mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Rigoletto Country: US Released: 1964 Style: Opera, Romantic MP3 version RAR size: 1893 mb FLAC version RAR size: 1785 mb WMA version RAR size: 1409 mb Rating: 4.5 Votes: 110 Other Formats: RA MP3 AAC WMA ASF TTA VOX Tracklist Rigoletto A1 Act I A2 Act II (Part 1) B Act II (Concluded) C Act III D Act IV Credits Baritone Vocals [Rigoletto] – Robert Merrill Bass Vocals [Sparafucile] – Ezio Flagello Chorus Master – Nino Antonellini Conductor – Georg Solti Conductor [Assistant Conductor] – Luigi Ricci, Ugo Catania Engineer [Recording Engineer] – Lewis Layton Libretto By – Francesco Piave* Mezzo-soprano Vocals [Maddalena] – Rosalind Elias Music By – Giuseppe Verdi Orchestra, Chorus – RCA Italiana Opera Orchestra And Chorus Producer – Richard Mohr Soprano Vocals [Gilda] – Anna Moffo Stage Manager [Stereophonic Stage Manager] – Peter F. Bonelli Tenor Vocals [Duke Of Mantua] – Alfredo Kraus Notes Based on Victor Hugo's play Le Roi s'amuse Recorded in the RCA Italiana Studios, Rome, Italy Includes booklet with libretto Shaded dog label Other versions Category Artist Title (Format) Label Category Country Year Verdi* - Robert Merrill, Verdi* - Robert Anna Moffo, Alfredo Merrill, Anna Moffo, Kraus, Ezio Flagello, Alfredo Kraus, Ezio Rosalind Elias, Sir Flagello, Rosalind Lyrica, RCA LRC Georg Solti*, RCA LRC Elias, Sir Georg Victor Gold Italy 1994 01011 Italiana Opera 01011 Solti*, RCA Italiana Seal, BMG Orchestra And RCA Opera Orchestra Italiana Opera Chorus - And RCA
    [Show full text]
  • Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE E-Mail: [email protected] No
    THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE e-mail: [email protected] no. 298 17th November 2009 Owing to circumstances beyond our control (the manufacturers can’t Amazon.co.uk). In the summer of 1889, the threat of death hangs over come up with the goods in time) the unveiling by Gyles Brandreth of a Laurence Applegarth, MP and his daughter Celia, as they’re accused of plaque at the Langham Hotel , commemorating the dinner at which both murdering the vile Sir Walter Hardwick at his country house. But The Picture of Dorian Gray and The Sign of the Four , has had to be Sherlock Holmes, with the invaluable assistance of Dr Watson and the postponed. It was originally scheduled for Thursday 19th November, but Baker Street irregulars, gradually uncovers a plot that threatens the very we’re now looking towards a date early in 2010. highest in the land. Only one man is capable of such villainy: ex- [*Gyles Brandreth’s latest book, Something Sensational to Read in the Professor Moriarty of mathematical fame, whose weapon, smuggled into Train: The Diary of A Lifetime (John Murray, 338 Euston Road, the Royal household, is ingenious and deadly. Holmes and Watson need London NW1 3BH; £25.00), is funny, touching, and intensely readable – all their intelligence, courage and stamina to defeat him. In fairness I and, yes, Sherlock Holmes does feature.*] should point out that the book reads like a first draft, with a few disconcerting inconsistencies. We’re told first of all that Mr Titan Books (144 Southwark Street, London SE1 0UP) has issued new Applegarth’s constituency of Seale Green is in Devon, and then that it’s editions of four good non-canonical novels, under the rather unoriginal near Winchester.
    [Show full text]