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earned his moniker, and where the songs vinyl, books and t-shirts, to discussions, of both reggae greats and lesser-known blogs and profi les. Website for artists fi rst reached the airwaves. Perhaps most exciting to reggae fans He founded RAS Records in 1980. will be the exclusive content offered for The label grew to include a who’s-who download on the site. Doctor Dread has roster of artists, with Black Uhuru, Bunny built up a considerable list of connections Wailer, Gregory Isaacs, Inner Circle and over his 25 years in the business and All Things Israel Vibration. plans to put these contacts to good use, Ever the creative entrepreneur, Doctor offering studio tracks and remixes. Dread has now launched myreggae.com, Each visit to the site will yield something a comprehensive website for reggae artists new -- content, releases, discussions and Reggae and enthusiasts alike. an expanding network of artists and “I needed to reinvent myself in a way enthusiasts. Doctor Dread hopes the site by Abby Gibbon that was relevant to the ever-changing will support and invigorate the reggae Doctor Dread (Gary Himelfarb) music community. I have the same vision community, and looks forward to input fi rst discovered reggae music in 1973, and energy as when I fi rst started 25 years from visitors. after listening to Catch A Fire and The ago. It’s a vibe that feels really right for the Harder They Come. After frequent trips youth and for those who love reggae. It’s to Jamaica, his love for reggae was also a way for artists to feature unreleased cemented. Inspired by the people he music for download and reach millions of met and the powerful roots of Jamaican potential fans.” culture, he resolved to bring Jamaican An online store and a social networking music to the world. He established a community, the site offers a combination of reputation as a DJ at WHFS, a major merchandise and interactive space, from a Washington, D.C. radio station, where he wide selection of CDs, digital downloads, REGGAE FESTIVAL GUIDE 2008 67.

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Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
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January 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1984 Wavelength (January 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1984) 39 https://scholarworks.uno.edu/wavelength/39 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ORLEANS '84 World's Fair: 'The Most Exciting Plate In The World' Trash Movies As Art Movies Theatre Art& Music Rolling Listings With Shirley and Lee Thoroughly Modem Marsalis BULK RATE U.S. POSTAGE PAID ALEXANDRIA, LA PERMIT N0.88 utauelenglh ISSUE N0.39 • JANUARY 1984 ISSN 0741·2460 ''I 'm not sure, but I'm almost positive, that all music came from New Orleans. '' -Ernie K-Doe, 1979 Cover photo by Michael P. Smith t table of contents What a Year!!! Features -------• World's Fair by Bunny Matthews ............ 14 You're gonna need Wavelength in 1984 Shirley Goodman by Almost Slim . ........... 16 Naughty Marietta New Orleans knows how to party, but this by Don Lee Keith . .. .. .... .. 19 year, we're really going to show our Ellis Marsalis With all the thousands of events to by Yorke Corbin . 21 from, you're going to need us more Spirit World ever, so you won't miss one minute of the by rico .. .... ...... .. ... ... 23 fun. Departments----- January News .. ...... ... ......... 4 AND IF YOU SUBSCRIBE NOW, Golden Moments by Almost Slim .
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1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife CFCH Staff 2017 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical note.................................................................................................................. 2 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Introduction....................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Program Books, Festival Publications, and Ephemera, 1988................... 5 Series 2: American Folklore Society Centennial...................................................... 6 Series 3: Festival Music Stage.............................................................................
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Untitled Will Be out in Di Near Near Future Tracks on the Matisyahu Album, I Did Something with Like Inna Week Time
BACKAYARD DEEM TEaM Chief Editor Amilcar Lewis Creative/Art Director Noel-Andrew Bennett Managing Editor Madeleine Moulton (US) Production Managers Clayton James (US) Noel Sutherland Contributing Editors Jim Sewastynowicz (US) Phillip Lobban 3G Editor Matt Sarrel Designer/Photo Advisor Andre Morgan (JA) Fashion Editor Cheridah Ashley (JA) Assistant Fashion Editor Serchen Morris Stylist Judy Bennett Florida Correspondents Sanjay Scott Leroy Whilby, Noel Sutherland Contributing Photographers Tone, Andre Morgan, Pam Fraser Contributing Writers MusicPhill, Headline Entertainment, Jim Sewastynowicz, Matt Sarrel Caribbean Ad Sales Audrey Lewis US Ad Sales EL US Promotions Anna Sumilat Madsol-Desar Distribution Novelty Manufacturing OJ36 Records, LMH Ltd. PR Director Audrey Lewis (JA) Online Sean Bennett (Webmaster) [email protected] [email protected] JAMAICA 9C, 67 Constant Spring Rd. Kingston 10, Jamaica W.I. (876)384-4078;(876)364-1398;fax(876)960-6445 email: [email protected] UNITED STATES Brooklyn, NY, 11236, USA e-mail: [email protected] YEAH I SAID IT LOST AND FOUND It seems that every time our country makes one positive step forward, we take a million negative steps backward (and for a country with about three million people living in it, that's a lot of steps we are all taking). International media and the millions of eyes around the world don't care if it's just that one bad apple. We are all being judged by the actions of a handful of individuals, whether it's the politician trying to hide his/her indiscretions, to the hustler that harasses the visitors to our shores. It all affects our future.
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|||GET||| Yellowman 1St Edition
YELLOWMAN 1ST EDITION DOWNLOAD FREE Dael Orlandersmith | 9780822218807 | | | | | Kenny Rogers and The First Edition During the early s, Yellowman had over 40 singles and produced up to five albums per year. Yellowman 1st edition help improve it or discuss these issues on the talk page. Artist see all. Den Namen legte er erst als Erwachsener ab. The song may have played a part in his future middle of the road image, but the change did not happen until almost a year after it was written. The Beatles Music Action Figures. The song was not a hit, but the following year Kenny recorded his own version of the song for his popular Share Your Love album, produced by Lionel Richie ; Vassy sang the back up on Kenny's version. Though he was hired to stay permanently, the reunion with Vassy did not go well and he ended up playing only one night. More refinements More refinements Connecting readers with great books since He has remained an active session musician and arranger. For other uses, see Yellow people and Yellowman disambiguation. More information about this seller Contact this seller 5. He Yellowman 1st edition himself with his album Prayerwhich stepped away Yellowman 1st edition the slackness that gave him his initial fame. I think it would Yellowman 1st edition a difficult show to direct--it would need a delicate hand, but with there right impulses and actors, it could be a gut wrenching and Yellowman 1st edition important piece of work. Can you find the vanishing lake? Yellowman You Searched For: Keywords: yellowman.
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Eee4'tee R'4, Neygae
EM ifak II , SUNSPLASHIN' THE U.S. By M. PEGGY QUATTRO The most successful foreign tour for Synergy Productions' Sunsplash reggae showcase has to be the U.S. Since the first tour in 1985, Sunsplash USA has grown to become the most professional reggae tour organized in the States. L.A. -based Avalon Attractions, which has been booking R'4, neygae the USA shows for six years, has watched the interest level grow eee4'tee from the 1,100 fans who came to the first San Diego show to the 9,000 who now almost fill the Irvine Meadows venue in Or- ange County, Calif. Says Avalon GM Moss Jacobs, "Sunsplash USA shows are historically peaceful and non -violent gatherings ... as opposed to the more 'gang boy' lifestyle." From humble beginnings where a scant 21 shows were pre- sented, Sunsplash USA now boasts some 42 shows booked for 1990. "We played 32 outdoor venues [amphitheaters] last year," says Synergy's Tony Johnson, "We never got rained out ras ... but we did play in the rain." Featured artists on the American leg of the tour have includ- REGGAE JAMDOWN: The RAS Tapes ed the Mighty Diamonds, Black Uhuru, Freddie McGregor, Den- RCD 20151/RACS nis Brown, Sugar Minott, Sophia George, Yellowman, Pato Ban- minutes music ton, Steel Pulse, Marcia Griffiths, Toots, Half Pint, Gregory 70 of Isaacs, and Third World. A survey of modern reggae styles, from dancehall and "California has always been strongest in terms of response," rub -a -dub styles to lovers rock and redemption sounds, all derived says Johnson, "Hawaii is always a warm crowd.
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Kwan Zaa Celebration
-- cr dw - I -- - ---- 14bb.-I1 I A iackeveoridE LP .a..r b a•.r.ka UNY qw I - _ - I A SUNY STUDENT PUBLICATION--UNIVERSITY AT STONY BROOK Week of Dec. 5, 1988 Vol. XVIII No. 6 CULTURAL CENTER HOLDS k KWAN ZAA CELEBRATION by Salimah McCallum This year's Kwanzaa held in the UNITI Cultural Center on December 2, 1988 was a huge success. Miss Agnes Adu and Vicki Knight were the masters of cere- monies for the event. The Stony Brook gospel choir sang the Black National anthem to open the festivities. Agnes Adu and Vicki Knight wearing African gar- ments, introduced the first speaker of the evening, Gerald Shepard. Mr. Shepard provided background information on the origin and tradition of Kwanzaa. He explained the importance of the seven principles of Kwanzaa, which are: Umoja (unity), Kujichagulia (self determination), Ujima (collective work respon- sibility), Ujamma (co-operative economics), Nia (purpose), Kuumba (creativity) and Imani (faith). He said "B lacks should live by these princi pies." The Black Women's Weekend Commitee performed a skit entitled, " A Celebration of Life -- Seven women each representing one of the seven principles of Kwanzaa lit a candle and explained the meaning of the prin- ci ples. Simultaneously other members of the- group performed gestures to accompany the explanations. Following the performance, Dora Abreu read a from untitled poem that began, " Our ancestors stem the same place ." Two members of Stony Brook's gospel choir, Joann Jones and Sonya Simmons sang a moving song en- Day ." continued on page 4 z I · titled,, · " This I-·I 1--p · Bush Women Invade URBAN URBA Staller Center the drum called the D'Jimbe(from Mali).
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David E. Macaulay Department of Anthropology Mcg Ill Univers I Ty, Montréa L June, 1993
• WORD. SOUND AND POWER: RASTAFARI AND CONCEPTIONS OF MUSICAL MEANING IN ROOTS REGGAE MUSIC David E. Macaulay Department of Anthropology McG ill Univers i ty, Montréa l June, 1993 A Thesis submitted to the Faculty of Graduate Studies and • Research in partial fulfillment of the requirements of the degree of Master of Arts. (c) David E. Macaulay, 1993 • HACAULAY. David Edward SHORT T ITLE OF THESI S: • &a~af~i and conceptions af musical meaning in roate regiae m\.UÙC.. ABSTRACT Reggae is a popular musical form that originated in JamaiCd • in the late 1960's and soon came to be closely associated with the oppositional, Afrocentric Rastafaridn movement. During the 1970'5 it achieved global popularity and is now produced in many locations around the world. In Montre~l, reggae is produced byand for a cosmopolitan community; however, certain conceptions of the distinctiveness of this music as an effective intervention in social processes, derived from Rastafarian philosophy, are maintalned by its performers. This thesis examines reggae song lyrics and elements of discourse about reggae music in relation ta Rastafarian cultural practices, showing how the aesthetic conventions of the form involve a certain ritualization of musical activity that allows for the interpretation of aesthetic experience in terms of sOlidarity, resistdncc and historical progress. Le reggae est une musique d'origine jamalquaine qui date de la fin des années soixantes et qui est vite devenue étroitement liée au projet oppositionel et Africaniste du mouvement Rastafarien. Au cours des annees soixante-dix Je reggae a atteint une popularite mondiale, et maintenant est joué dans plusieurs regions du monde.
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Shannon Mcnally the WAYLON SESSIONS
JANETTE KING WHAT WE LOST On her debut full-length album, What We Lost, Montreal artist Janette King explores the many complexities of loss - from enduring the pain to coping with the change it inevitably brings. Recorded in the backdrop of the Black Lives Matter protests of summer 2020, What We Lost was born from Janette King’s own experiences grappling with loss in her life, the near loss of a family member, the end of a deep relationship, and ultimately the loss of her sense of self. Through an intricate blend of house, pop, and R&B reminiscent of Kelela and Lauryn Hill, Janette King unfolds the raw emotion behind What We Lost through songs and poetry. Artist: Janette King Album: What We Lost Label: Hot Tramp Records Release Date: June 25, 2021 LP Catalogue #: TRAMP002 LP UPC #: 6-23339-9163-0-1 Tracklist: 1. Airplane 2. You Don't Love Me 3. Mars 4. Unconditional KEY POINTS: 5. Cool Me Down ft. DijahSB * debut full length from Montreal-based producer, vocalist, multi- 6. What We Lost instrumentalist and DJ, Janette King. 7. Right Here * Janette King has toured North America and shared the stage with 8. Change 9. Mirror such visionaries as Jamila Woods, Cupcakke, and Sudan Archives. On 10. Caught in Smoke 化力 her home turf in Montreal, she often pairs with Hua Li and 11. Ooh Yeah Backxwash or Hot Tramp label mates, Alicia Clara and Maryze. 12. Found a Way * Singles “Airplane”, “You Don’t Love Me” & “Cool Me Down” have received acclaim from Complex UK, CLASH Magazine, and ffm.bio/janetteking Consequence of Sound, receiving regular spins across CBC, KCRW & ffm.bio/hottramp The Strombo Show.
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Junior Reid & the Bloods
Junior Reid Junior Reid & The Bloods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Junior Reid & The Bloods Country: US Released: 1995 Style: Dancehall, Ragga MP3 version RAR size: 1104 mb FLAC version RAR size: 1423 mb WMA version RAR size: 1258 mb Rating: 4.8 Votes: 895 Other Formats: DTS AA TTA VQF AIFF MOD AHX Tracklist 1 –Junior Reid and Bitter Roots Anthem 2 –Junior Reid and Michael Rose Burning Down 3 –Junior Reid and Captain Thunder Gun Have No Sense 4 –Junior Reid and Snagga Pus* World Gone Reggae 5 –Junior Reid and Dennis Brown Dance Nah Keep Again 6 –Junior Reid, Gregory Isaacs & Dennis Brown Not A One Man Thing 7 –Junior Reid and Ricky General Dance Fi Gwaan 8 –Junior Reid, Pinchers & Fragga Ranks Babylon Fall 9 –Junior Reid, Gringo Ranks & Captain Thunder Cry Now 10 –Junior Reid, Roger Flames and Iya Thunder Rasta Soldiers On Guard Credits Arranged By – Junior Reid Producer – Junior Reid Barcode and Other Identifiers Barcode: 06076898302 Other versions Category Artist Title (Format) Label Category Country Year Junior Junior Reid & The Bloods none J.R. Productions none Jamaica 1995 Reid (CD, Album) Junior Junior Reid & The Bloods Real Authentic RASCD 3154 RASCD 3154 US 1995 Reid (CD, Album) Sound Junior Junior Reid & The Bloods RASCS3154 RAS Records Inc. RASCS3154 US 1995 Reid (Cass, Album) Related Music albums to Junior Reid & The Bloods by Junior Reid Junior Reid / Papa Tayon - Poor Man Transportation / Walk-A-Ton Junior Reid - Live And Love Junior Reid - Sound Junior Reid - Listen To The Voices / Remix Junior Reid - New Day Junior Reid - World News Remix Junior Reid - John Law Junior Reid - Banana Boat Man Junior Reid - Survival Junior Reid - Hard Drugs Junior Reid - Original Foreign Mind / What They Say Junior Reid - One Blood.
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