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APÉNDICE BIBLIOGRÁFICO1 I. Herederas De Simone De Beauvoir A. Michèle Le Doeuff -Fuentes Primarias Le Sexe Du Savoir, Aubier
APÉNDICE BIBLIOGRÁFICO1 I. Herederas de Simone de Beauvoir A. Michèle Le Doeuff -Fuentes primarias Le sexe du savoir, Aubier, Paris : Aubier, 1998, reedición: Champs Flammarion, Paris, 2000. Traducción inglesa: The Sex of Knowing. Routledge, New-York, 2003. L'Étude et le rouet. Des femmes, de la philosophie, etc. Seueil, Paris, 1989. Tradcción inglesa: Hipparchia's Choice, an essay concerning women, philosophy, etc. Blackwell, Oxford, 1991. Traducción española: El Estudio y la rueca, ed. Catedra, Madrid, 1993. L'Imaginaire Philosophique, Payot, Lausanne, 1980. Traducción inglesa: The Philosophical Imaginary, Athlone, London, 1989. The Philosophical Imaginary ha sido reeditado por Continuum, U. K., 2002. "Women and Philosophy", en Radical Philosophy, Oxford 1977; original francés en Le Doctrinal de Sapience, 1977; texto inglés vuelto a publicar en French Feminist Thought, editado por Toril Moi, Blackwell, Oxford 1987. Ver también L'Imaginaire Philosophique o The Philosophical Imaginary, en una antología dirigida por Mary Evans, Routledge, Londres. "Irons-nous jouer dans l'île?", en Écrit pour Vl. Jankélévitch, Flammarion, Flammarion, 1978. "A woman divided", Ithaca, Cornell Review, 1978. "En torno a la moral de Descartes", en Conocer Descartes 1 Este apéndice bibliográfico incluye las obras de las herederas de Simone de Beauvoir, así como las de Hannah Arendt y Simone Weil, y algunas de las fuentes secundarias más importantes de dichas autoras. Se ha realizado a través de una serie de búsquedas en la Red, por lo que los datos bibliográficos se recogen tal y como, y en el mismo orden con el que se presentan en las diferente páginas visitadas. y su obra, bajo la dirección de Victor Gomez-Pin, Barcelona 1979. -
Beasts of Gor John Norman Volume 12 of the Chronicles of Counter-Earth
Beasts Of Gor John Norman Volume 12 of the Chronicles of Counter-Earth ------------------------------------------------------------ Chapter 1 THE SLEEN "There is no clue," Samos had said. I lay awake on the great couch. I stared at the ceiling of the room. Light from a perforated lamp flickered dimly. The furs were deep and soft. My weapons lay to one side. A slave, sleeping, lay chained at my feet. There was no clue. "He might be anywhere," had said Samos. He had shrugged. "We know only that somewhere he is among us." We know little about that species of animal called the Kur. We do know it is blood-thirsty, that it feeds on human flesh and that it is concerned with glory. "It is not unlike men," had once said Misk to me, a Priest-King. This story, in its way, has no clear beginning. It began, I suppose, some thousands of years ago when Kurii, in internecine wars, destroyed the viability of a native world. Their state at that time was sufficiently advanced technologically to construct small steel worlds in orbit, each some pasangs in diameter, The remnants of a shattered species then, as a world burned below them, turned hunting to the plains of the stars. We do not know how long their hunt took. But we do know the worlds, long ago, entered the system of a slow-revolving, medium-sized yellow star occupying a peripheral position in one of nature's bounteous, gleaming, strewn spiral universes. They had found their quarry, a world. They had found two worlds, one spoken of as Earth, the other as Gor. -
Old Time Tales
OLD TIME TALES OF WARREN COUNTY BY ARCH BRISTOW A COLLECTION OF THE PICTURESQUE AND ROMANTIC LORE OF EARLY DAYS IN WARREN COLTNTY, PENNSYLVANIA PUBLISHED DECEMBER, 1932 PRESS OF TRIBUNE PUBLISHING CO. MEADVILLE. PA. SUBSCRIBER'S EDITION Limited to 250 COPIES of which this is number ___ CREDIT DUE It is impossible to personally credit all those who so kindly gave their time in aiding me in collecting, sorting and piecing together the material used in weaving these homespun tales of long ago. The book really originated through a conversation with that grand old gentleman Charles M. Chase, of Russell. To him I am indebted for much valuable material. Readers of Old Time Tales have especially to thank W. Floyd Clinger for some of the most valuable mater ial in this book. Mr. Clinger most generously allowed me free access to his accurate and invaluable unprinted history of the region of Tidioute. Without this aid some of the most interesting tales could not have been secured. I have also to especially thank John Gilfillan of Tidi oute, John L. McKinney of Titusville, George Ensworth of Warren, the Hon. Charles M. Shortt of Sugar Grove, John Logan of Armitage, Mrs. Hanna Sanford of San ford, John Day of Youngsville, James Clark of Torpedo, Mrs. A. J. Mays of Garland, J. P. Miller of Sugar Grove, N. P. Wheeler of Endeavor, Mrs. Lemuel Arters of Youngsville, William McGraw of McGraw, John Dutton of Columbus, Mrs. Rose Evans of Bear Lake, L. P. Rogers of Warren, Mrs. Belle A. Boyce of Warren. The names of others who have aided in the making of this book would fill many pages. -
Mary, the Us Bishops, and the Decade
REVEREND MONSIGNOR JOHN T. MYLER MARY, THE U.S. BISHOPS, AND THE DECADE OF SILENCE: THE 1973 PASTORAL LETTER “BEHOLD YOUR MOTHER WOMAN OF FAITH” A Doctoral Dissertation in Sacred Theology in Marian Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Sacred Theology DIRECTED BY REV. JOHANN G. ROTEN, S.M., S.T.D. INTERNATIONAL MARIAN RESEARCH INSTITUTE UNIVERSITY OF DAYTON DAYTON, OHIO July 19, 2017 Mary, The U.S. Bishops, and the Decade of Silence: The 1973 Pastoral Letter “Behold Your Mother Woman of Faith” © 2017 by Reverend Monsignor John T. Myler ISBN: 978-1-63110-293-6 Nihil obstat: Francois Rossier, S.M.. STD Vidimus et approbamus: Johann G. Roten, S.M., PhD, STD – Director Bertrand A. Buby, S.M., STD – Examinator Thomas A. Thompson, S.M., PhD – Examinator Daytonensis (USA), ex aedibus International Marian Research Institute, et Romae, ex aedibus Pontificiae Facultatis Theologicae Marianum die 19 Julii 2014. All Rights Reserved Under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. Printed in the United States of America by Mira Digital Publishing Chesterfield, Missouri 63005 For my Mother and Father, Emma and Bernard – my first teachers in the way of Faith… and for my Bishops, fathers to me during my Priesthood: John Nicholas, James Patrick, Wilton and Edward. Abbreviations Used CTSA Catholic Theological Society of America DVII Documents of Vatican II (Abbott) EV Evangelii Nuntiandi LG Lumen Gentium MC Marialis Cultus MS Marian Studies MSA Mariological Society of America NCCB National Conference of Catholic Bishops NCWN National Catholic Welfare Conference PL Patrologia Latina SC Sacrosanctam Concilium USCCB United States Conference of Catholic Bishops Contents Introduction I. -
Names for the Sea Names for the Sea Strangers in Iceland
Names for the Sea Names for the Sea Strangers in Iceland SARAH MOSS COUNTERPOINT BERKELEY Copyright © Sarah Moss 2012 First published in Great Britain by Granta Books 2012 This edition published 2013 The moral right of Sarah Moss to be identified as the author of the work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. Map copyright © Leslie Robinson and Vera Brice All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1988. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. Library of Congress Cataloging-in-Publication data is available ISBN 978-1-61902-217-1 Cover design by Emma Cofod Typeset by M Rules COUNTERPOINT 1919 Fifth Street Berkeley, CA 94710 www.counterpointpress.com Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 For all our friends in Iceland Contents Map Prologue 1 Iceland First Seen 2 Leave of Absence 3 Vestmannaeyjar 4 Back to School 5 Pétur’s Saga 6 Winter 7 The Icesave Thing 8 Spring 9 Eyjafjallajökull 10 Vilborg 11 The Hidden People 12 A Small Farm Under a Crag 13 In Search of the Kreppa 14 Knitting and Shame 15 Last Weekend 16 Beautiful is the Hillside Acknowledgements Prologue The steam rising from the pool glows with reflected light. -
Motion Picture News Booking Guide (1922)
OCTOBER- 1922 e Gui PICTURES RELEASED BETWEEN MARCH 1, 1922 SEPTEMBER 1, 1922 See MOTION PICTURE NEWS WEEKLV EDITION Current Releases ~4nqeies 729 Seventh. ^Avenue, J '~'caqo THE SATURDAY EVENING POST ;/#*. ip» WARNER BROTHERS Prosoni LITTLE tew / I AROUND THE CORNER Seven Great Pidures from Seven Great i MOTION PICTURE NEWS BOOKING GUIDE Published by MOTION PICTURE NEWS, Inc. William A. Johnston, E. Kendall Gillett, President Treasurer J. S. Dickerson Fred J. Beecroft, Managing Editor Advertising Manager BOOKING GUIDE RAYMOND E. GALLAGHER, Editor HOME OFFICE 729 7th Ave., New York, N. Y. 'Phone: BRYANT 9360 CHICAGO OFFICE 752 South Wabash Avenue 'Phone: HARRISON 7667 L. H. MASON, Representative LOS ANGELES OFFICE 616 Hollywood Security Building 'Phone: HOLLYWOOD 3568 J. C. JESSEN, Representative Copyright 1922, by Motion Picture News, Inc. 1IIII1IIII11II11IIII1II111M — A Step Forward This is the third issue of the MOTION PICTURE NEWS BOOKING GUIDE. It is offered to the industry as a step forward in Motion Pic- ture Trade Paper Publishing. The Trade Paper—MOTION PICTURE NEWS—is the link between the Production and Distributing end of our industry and the Exhibition end. The NEWS is the recognized channel of communication. Here is a neutral organ carrying the messages and announce- ments of the industry from one branch to the other. It is a channel the value of which cannot be overestimated. The distributors need it—must have it—yet they do not use it with full intelligence. The theatre man could not be without it, else how can he keep abreast of the doings in the industry ? Not through the mails. -
The Underground Man
The Underground Man Her blue eyes were a reflecting mirror of innocence. She was loved by all around her. Blond, long straight hair made her look like an angel. As she never consumed energy drinks, no wings grew under her shoulders to make her fly, yet without marketing lies her character was embraced by everyone she met. All her senses were touching anything she came to see, touch and feel around herself; her mind was eager to understand life as it is and her brain constantly tried to uncover the truth of life leaving no carpet untouched and turned around. Being slim with sparkling clean skin, carefully cut brown eyebrows, shinning white teeth and slightly over the average size of girls tall, boys were blushing when their hearts were beating wild once they approached her to wish her well. Unlike her class-mates opening their legs for lust at early age, she had set her mind on growing as a person before engaging in relationships with the opposite sex. They knew her character and resisted from asking her out for a date. Walking constantly upright carrying herself as a natural born queen, her popularity was outstanding to none. School friends knew and respected her need for privacy, for much time to spend alone by herself. As her mind was open to all walks of life, the unexpected, the mysterious, the good and bad sides of it, she was for many like a fortune teller, the center of attraction. Speaking with a crystal clear voice, she was sharing her conclusions and insights of and into life with anyone interested to learn from her. -
Gender in Post-9/11 American Apocalyptic TV Ii Gender in Post-9/11 American Apocalyptic TV
Gender in Post-9/11 American Apocalyptic TV ii Gender in Post-9/11 American Apocalyptic TV Representations of Masculinity and Femininity at the End of the World Eve Bennett BLOOMSBURY ACADEMIC Bloomsbury Publishing Inc 1385 Broadway, New York, NY 10018, USA 50 Bedford Square, London, WC1B 3DP, UK BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in the United States of America 2019 Copyright © Eve Bennett, 2019 For legal purposes the Acknowledgements on p. vi constitute an extension of this copyright page. Cover design: Louise Dugdale Cover image: Series, Battlestar Galactica © 2004 Universal Television Distribution, Collection Christophel / ArenaPal All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Inc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-5013-3108-4 ePDF: 978-1-5013-3109-1 eBook: 978-1-5013-3110-7 Typeset by Integra Software Services Pvt. Ltd. To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. -
MF01/PC05 Mus Postage. A
DOCUMENT RESUME ED 347 098 SO 019 926 AUTHOR Zimmerman, Enid, Ed.; Stankiewicz, Mary Ann, Ed. TITLE Women Art Educators. SPONS AGENCY Association for Research, Administration, Professional Councils & Societies, Reston, Va.; Indiana Univ., Bloomington. Mary Rouse Memorial Fund. PUB DATE Apr 82 NOTE 117p.; For related document, see SO 019 927. PUB TYPE Historical Materials (060) EDRS PRICE MF01/PC05 Mus Postage. DESCRIPTORS Americen IndiEel; *Art Education; *Art Teachers; *Females; Interviews; Primary Sources; Research Problems; Research Tools; *Sex Role; *Sex Stereotypes; *Woeens Studies IDENTIFIERS Boas (Bella); Dix (Marion Quin); Hoffman (Italvina); Minot (Louise); Rouse (Mary Jane); Syracuse University NY ABSTRACT This collection of papers on women art educators reveals the variety of roles played by those women, from anonymous art teachers to leaders in their profession. "Mary Rouse: ?. Remembrance" (G. Hubbard) is a persona/ perspective se Rouse, the development of her aareer, and her considerable impact in the field of art education. "The Search for Mrs. Pteot: An Essay on the Caprices of Historical Research" (R. Saunders) describes the difficult aed time consumino process required to research the history of female educators wilt7 seemed to accept the stereoeyeed role of their era. "Woman, Artist, Art Educator: Professional Image Among Women Art P-Lecatora" (N. Stankiewicz) examines the stereotyped roles of bet;1 women and artists in the lives of three educators at Syracuse University (New YorI0, 1900-1940. "Belle Boas: Her Kindly Spirit Touched All" (E. Zimmerman) recounts the life of this woman who was a transitional figure, both in styles of teaching and in tne role of women as educatore. -
Policing Cinema 1/8/04 4:01 PM Page I
Grieveson, Policing Cinema 1/8/04 4:01 PM Page i Policing Cinema Grieveson, Policing Cinema 1/8/04 4:01 PM Page ii The publisher gratefully acknowledges the generous contribution to this book provided by the Ahmanson Foundation Humanities Fund of the University of California Associates. Grieveson, Policing Cinema 1/8/04 4:01 PM Page iii Policing Cinema Movies and Censorship in Early-Twentieth-Century America lee grieveson University of California Press berkeley los angeles london Grieveson, Policing Cinema 1/8/04 4:01 PM Page iv University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2004 by the Regents of the University of California For acknowledgments of permissions, please see page 331. Library of Congress Cataloging-in-Publication Data Grieveson, Lee, 1969–. Policing cinema : movies and censorship in early-twentieth- century America / Lee Grieveson. p. cm. Includes bibliographical references and index. isbn 0–520–23965–2 (alk. paper).—isbn 0–520–23966–0 (pbk. : alk. paper) 1. Motion pictures—Censorship—United States—History. I. Title. pn1995.62 .g75 2004 363.31'0973—dc22 2003016038 CIP Manufactured in the United States of America 13 12 11 10 09 08 07 06 05 04 10987654 321 The paper used in this publication meets the minimum requirements of ansi/niso z39.48–1992 (r 1997) (Permanence of Paper).8 Grieveson, Policing Cinema 1/8/04 4:01 PM Page v Vanessa’s book Grieveson, Policing Cinema 1/8/04 4:01 PM Page vi Grieveson, Policing Cinema 1/8/04 4:01 PM Page vii Contents List of Illustrations ix Acknowledgments xi Introduction 1 1. -
Infidelity Chapter 2: Defining Infidelity Chapter 3: Affairs Are Not What They Used to Be
Dedication For Jack, whom I have loved for three decades, and for anyone who has ever loved. Contents Cover Title Page Dedication Introduction Part I: Setting the Stage Chapter 1: A New Conversation About Marriage and Infidelity Chapter 2: Defining Infidelity Chapter 3: Affairs Are Not What They Used to Be Part II: The Fallout Chapter 4: Why Betrayal Hurts So Much Chapter 5: Little Shop of Horrors Chapter 6: Jealousy Chapter 7: Self-Blame or Vengeance Chapter 8: To Tell or Not to Tell? Part III: Meanings and Motives Chapter 9: Even Happy People Cheat Chapter 10: An Antidote to Deadness Chapter 11: Is Sex Ever Just Sex? Chapter 12: The Mother of All Betrayals? Chapter 13: The Lover’s Dilemma Part IV: Ever After Chapter 14: Monogamy and Its Discontents Chapter 15: After the Storm Acknowledgments Notes Index About the Author Advance Praise for The State of Affairs Also by Esther Perel Copyright About the Publisher Introduction There is one simple act of transgression that can rob a couple of their relationship, their happiness, their very identity: an affair. Yet this extremely common act is poorly understood. I have been probing the intricacies of love and desire in modern couples for almost three decades as a therapist, writer, trainer, and lecturer. My first book, Mating in Captivity, explored the nature of erotic desire in long-term relationships and included a single chapter on infidelity. To my surprise, every time I gave a talk or an interview about my book, no matter where in the world, the topic of infidelity took precedence over all others. -
“Winesburg, Ohio”: the Apprenticeship of George Willard
Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg MONIKA FLUDERNIK “Winesburg, Ohio”: The apprenticeship of George Willard Originalbeitrag erschienen in: Amerikastudien 32 (1987), S. [431]-452 Winesburg, Ohio: The Apprenticeship of George Willard Monika Fludernik ABSTRACT The position of George Willard in Winesburg, Ohio remains a question of enduring fascination for most critics. The present paper attempts to discuss Andersons portrait of the artist as a young man by reference to three different levels of argument in the book. George Willards achievements are first evaluated against the background of the narrators implicit statements about the true nature of the artist as it emerges from the books imagery on dreaming, inspiration, and poetry. Secondly, Georges interaction with his fellow townsmen will be examined. George receives good and bad advice from a number of Winesburgers, and his actions are also contrasted with those of other young men of the town. Finally, the paper will discuss Georges encounter with verbal expression, silence, and even laughter, in Winesburg. Georges artistic development is shaped, precisely, by what he learns from his surroundings, and it needs to be evaluated against the readers more profound knowledge of life in Winesburg. George Willards special position in Winesburg, Ohio has been much debated in Wines- burg criticism. Is he merely a grotesque," albeit one with whom the narrator (and, indeed, Sherwood Anderson) seems to sympathize, or does he occupy a privileged position among the villagers because of his artistic aspirations? Is Winesburg, Ohio a Bildungsroman, yet another portrait of the artist as a young man, in which the lives of Winesburg citizens serve as a backdrop, symbolizing the kind of sordidness against which the artist rebels and from which he strives to escape? Critical opinion is divided on these questions.