The Winonan - 1970S
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November 2, 2019 Julien's Auctions: Property From
JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN PRESS RELEASE For Immediate Release: JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN Four-Time Grammy Award-Winning Pop Diva and Hollywood Superstar’s Iconic “Grease” Leather Jacket and Pants, “Physical” and “Xanadu” Wardrobe Pieces, Gowns, Awards and More to Rock the Auction Stage Portion of the Auction Proceeds to Benefit the Olivia Newton-John Cancer Wellness & Research Centre https://www.onjcancercentre.org NOVEMBER 2, 2019 Los Angeles, California – (June 18, 2019) – Julien’s Auctions, the world-record breaking auction house, honors one of the most celebrated and beloved pop culture icons of all time with their PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN (OBE, AC, HONORARY DOCTORATE OF LETTERS (LA TROBE UNIVERSITY)) auction event live at The Standard Oil Building in Beverly Hills and online at juliensauctions.com. Over 500 of the most iconic film and television worn costumes, ensembles, gowns, personal items and accessories owned and used by the four-time Grammy award-winning singer/Hollywood film star and one of the best-selling musical artists of all time who has sold 100 million records worldwide, will take the auction stage headlining Julien’s Auctions’ ICONS & IDOLS two-day music extravaganza taking place Friday, November 1st and Saturday, November 2nd, 2019. PAGE 1 Julien’s Auctions | 8630 Hayden Place, Culver City, California 90232 | Phone: 310-836-1818 | Fax: 310-836-1818 © 2003-2019 Julien’s Auctions JULIEN’S AUCTIONS: PROPERTY FROM THE COLLECTION OF OLIVIA NEWTON-JOHN PRESS RELEASE The Cambridge, England born and Melbourne, Australia raised singer and actress began her music career at the age of 14, when she formed an all-girl group, Sol Four, with her friends. -
Country / Folk
D I E S T I M M E , D I E B E R Ü H R T COUNTRY / FOLK Dolly Parton Jolene Just When I Needed You Most Johnny Cash Falsom Prison Blues Ghostriders In The Sky I Walk The Line Oh Lonesome Me (& Don Gibson) Ring Of Fire Kenny Rogers Islands In The Stream (& Tammy Wynette) Lucille (You Took A Fine Time To Leave Me) You Light Up My Life Kris Kristofferson Help Me Make It Through The Night Me And Bobby Mc Gee The Bellamy Brothers Beautiful Body I Need More Of You Let Your Love Flow Willie Nelson Always On My Mind On The Road Again The City Of New Orleans Billy Ray Cyrus Achy Breaky Heart Olivia Newton-John Banks Of The Ohio Billy Joe Spears Blanket On The Ground Donovan Blowin In The Wind Joe Stafford Carry Me Back To Old Virginia Jim Croce C›est La Vie (You Never Can Tell) John Denver Country Roads Rascal Flatts God Bless The Broken Road Truck Stop Hello Lady Harley Trad. Home On The Ranch Gordon Lightfood If You Could Read My Mind Hank Williams Jambalaya Roger Miller King Of The Road Neil Young Lonesome Me Doobie Brothers Long Train Running Stefan Raab Maschendrahtzaun Texas Lightning No No Never The Mavericks Pizziricco Glen Campbell Rhinestone Cowboy Lynn Anderson Rosegarden Telly Savalas Some Broken Hearts Never Mend Tammy Wynette Stand By Your Man Lucille Star The French Song (Quand Le Soleil Dit Bonjour) Charlie Rich The Most Beautiful Girl Lee Majors The Unknown Stuntman Emily Loo Harris Together Again Tom Astor Tom Dooley Trad. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Let Me Be There a – 1973 Olivia Newton-John
Let Me Be There A – 1973 Olivia Newton-John 4/4 A D A A / D A Where ever you go, where ever you may wander in your life. A / E / Surely you know I always want to be there. A / D A Holding your hand and standing by to catch you when you fall. A E A NC Seeing you thru in ev'rything you do. Chorus: A / D / Let me be there in your morning, let me be there in your night. A / B(7) E Let me change whatever's wrong and make it right. A / D / Let me take you through that wonderland that only two can share. A E A / All I ask you is let me be there. A / D A Watching you grow and going thru the changes in your life. A / E / That's how I know I'll always want to be there. A / D A Whenever you feel you need a friend to lean on, here I am A E A NC Whenever you call, you know I'll be there. Go to next page Let Me Be There (cont.) Chorus: A / D / Let me be there in your morning, let me be there in your night. A / B(7) E Let me change whatever's wrong and make it right. A / D / Let me take you through that wonderland that only two can share. A E A / All I ask you is let me be there. (Repeat chorus) Ending A E A / All I ask you is let me be there. -
Olivia Newton-John the Definitive Collection Mp3, Flac, Wma
Olivia Newton-John The Definitive Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Definitive Collection Country: Chile Released: 2002 Style: Vocal MP3 version RAR size: 1929 mb FLAC version RAR size: 1429 mb WMA version RAR size: 1767 mb Rating: 4.2 Votes: 953 Other Formats: AC3 APE MPC MP2 ASF MP4 AA Tracklist Hide Credits You're The One That I Want A1 2:51 Vocals [Duet] – John Travolta Xanadu A2 3:29 Vocals – ELO* A3 Magic 4:33 A4 Sam 3:45 A5 I Honestly Love You 3:40 A6 Hopelessly Devoted To You 3:09 Suddenly A7 4:02 Vocals [Duet] – Cliff Richard A8 I Need Love 4:14 A9 A Little More Love 3:30 Summer Nights A10 3:38 Vocals [Duet] – John Travolta A11 Physical 3:45 B1 What Is Life 3:23 B2 Heart Attack 3:07 B3 Landslide 4:24 B4 Make A Move On Me 3:19 B5 Have You Never Been Mellow 3:33 B6 Deeper Than The Night 3:41 B7 Banks Of The Ohio 3:19 B8 Take Me Home Country Roads 3:22 B9 Long Live Love 2:50 B10 If Not For You 2:56 The Grease Megamix B11 4:51 Vocals [Duet] – John Travolta Companies, etc. Phonographic Copyright (p) – Universal International Music B.V. Copyright (c) – Universal International Music B.V. Credits Producer – Giorgio Moroder (tracks: A8), Jeff Lynne (tracks: A2), John Farrar (tracks: A1, A3 to A7, A9, A11 to B10), Louis St. Louis (tracks: A10) Barcode and Other Identifiers Barcode: 7 31458 42794 0 Other versions Category Artist Title (Format) Label Category Country Year The Definitive Olivia Newton- 584 279-2 Collection (CD, Universal 584 279-2 Europe 2002 John Comp) The Definitive Olivia Newton- -
"This Murder Done": Misogyny, Femicide, and Modernity in 19Th- Century Appalachian Murder Ballads
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2011 "This Murder Done": Misogyny, Femicide, and Modernity in 19th- Century Appalachian Murder Ballads Christina Ruth Hastie [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the American Popular Culture Commons, Cultural History Commons, History of Gender Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Hastie, Christina Ruth, ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/1045 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christina Ruth Hastie entitled ""This Murder Done": Misogyny, Femicide, and Modernity in 19th-Century Appalachian Murder Ballads." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major -
Songs by Artist
Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Murder, She Sang: a Progression on Sopranos and Death by Jennifer
Murder, She Sang: A Progression on Sopranos and Death by Jennifer Cresswell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2021 Doctoral Committee: Associate Professor Stephen Lusmann, Chair Dr. Naomi André Professor Priscilla Lindsay Dr. Scott Piper Professor Stephen West Jennifer Cresswell [email protected] ORCID iD: 0000-0002-9017-7138 © Jennifer Cresswell 2021 ii DEDICATION For the women who are told they can have it all, and are then told they must make choices. ii ACKNOWLEDGMENTS No success is achieved through the efforts of a single individual. I offer sincere gratitude and many thanks to the professors at the University of Michigan who guided me through this journey. Special acknowledgment goes to Stephen Lusmann, George Shirley, and Dr. Naomi André, whose support and encouragement have enabled me to sing with my best voice and remain focused on the tasks at hand. I also wish to acknowledge and thank the Center for the Education of Women, whose financial support and mentorship helped make the completion of this degree possible. Further gratitude is extended to the School of Music, Theatre & Dance Eileen Weiser EXCEL Fund, Rackham Graduate School, and John and Christy Spencer, for helping to fund the creation of the final performance piece of this project; INTERSTATE. To my two children, Elliott and Brenda: I thank you for the patience and love you have had for me as your mother throughout this process. I also wish to thank those who have offered their time and love to watch over you when I could not. -
Dolly Parton the Hardest Jobs I’Ve Ever Done
ISSUE #34 MMUSICMAG.COM ISSUE #34 MMUSICMAG.COM Q&A You added lyrics to “Banks of the Ohio.” How do you write? How have you evolved as an artist? I’ve always loved that song, but it was really I write all the time because songs come I really try to outdo myself every time. I’m my a man’s song. When I’d hear other women to me all the time. I don’t always finish a only competition. I don’t try to be better than sing it, I’d think it was odd. So I thought, song every day, but I write down an idea someone else. Through the years, I think my “Why not set the song up like I’m a journalist for a song almost every day. My favorite voice has strengthened by keeping at it and who’s going inside a prison to talk to an thing in the world is to have a couple of doing different styles. I think my songwriting inmate about the story?” I thought writing weeks in advance that I know I can take off has improved because I’ve lived a richer, that verse made the song more singable and go write. I’ll go up to my old mountain more colorful, more involved life than my early for a girl. I hope that when others record home or somewhere I can just be by myself days. Living life makes you a better singer if it—hopefully other girls—perhaps they might where I can get close to God and feel you love to sing and a better writer if you love use my little part. -
Aretha Franklin Looking out on the Morning Rain I Used to Feel So
A1: Natural Woman – Aretha Franklin Looking out on the morning rain I used to feel so uninspired And when I knew I had to face another day Lord, it made me feel so tired Before the day I met you, life was so unkind But your the key to my peace of mind 'Cause you make me feel You make me feel You make me feel like A natural woman (woman) When my soul was in the lost and found You came along to claim it I didn't know just what was wrong with me Till your kiss helped me name it Now I'm no longer doubtful, of what I'm living for And if I make you happy I don't need to do more 'Cause you make me feel You make me feel You make me feel like A natural woman (woman) Oh, baby, what you've done to me (what you've done to me) You make me feel so good inside (good inside) And I just want to be, close to you (want to be) You make me feel so alive You make me feel You make me feel You make me feel like A natural woman (woman) (repeat to close) A2: Across the Universe - Beatles Words are flowing out like endless rain into a paper cup, They slither while they pass, they slip away across the universe Pools of sorrow, waves of joy are drifting through my open mind, Possessing and caressing me. Jai guru deva om Nothing's gonna change my world, Nothing's gonna change my world. -
OLIVIA NEWTON-JOHN Biography
OLIVIA NEWTON-JOHN Biography “I am committed and excited about educating and encouraging women to take a positive role in their breast health.” – Olivia Newton-John Born in Cambridge, England in 1948, the youngest child of Professor Brin Newton-John and Irene, daughter of Nobel Prize winning physicist, Max Born, Olivia moved to Melbourne, Australia with her family when she was five. By the age of fifteen, she had formed an all-girl group called Sol Four. Later that year she won a talent contest on the popular TV show, “Sing, Sing, Sing,” which earned her a trip to London. By 1963, Olivia was appearing on local daytime TV shows and weekly pop music programs in Australia. Olivia cut her first single for Decca Records in 1966, a version of Jackie DeShannon’s "Till You Say You’ll Be Mine." In 1971, she recorded a cover of Bob Dylan’s "If Not For You," co-produced by John Farrar, who she continues to collaborate with today. Her 1973 U.S. album debut, "Let Me Be There," produced her first top ten single of the same name, with Olivia being honored by the Academy Of Country Music as Most Promising Female Vocalist and a Grammy Award as Best Country Vocalist. This proved to be only the beginning of a very exciting career. Her countless successes include three more Grammys, numerous Country Music Awards, American Music Awards and Peoples Choice Awards, five #1 hits including “Physical,” which topped the charts for ten consecutive weeks, and 15 top 10 singles. In 1978, her co-starring role with John Travolta in “Grease” catapulted Olivia into super- stardom.