On Jordan's Banks: Emancipation and Its Aftermath in the Ohio River Valley
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Colonel Allensworth State Historic Park 4011 Grant Drive Earlimart, CA 93219 (661) 849-3433
Our Mission The mission of California State Parks is Colonel to provide for the health, inspiration and education of the people of California by helping n 1908 a group of to preserve the state’s extraordinary biological I Allensworth diversity, protecting its most valued natural and African Americans cultural resources, and creating opportunities State Historic Park for high-quality outdoor recreation. led by Colonel Allen Allensworth founded a town that would combine pride of ownership, California State Parks supports equal access. Prior to arrival, visitors with disabilities who equality of opportunity, need assistance should contact the park at (661) 849-3433. If you need this publication in an and high ideals. alternate format, contact [email protected]. CALIFORNIA STATE PARKS P.O. Box 942896 Sacramento, CA 94296-0001 For information call: (800) 777-0369 (916) 653-6995, outside the U.S. 711, TTY relay service www.parks.ca.gov Colonel Allensworth State Historic Park 4011 Grant Drive Earlimart, CA 93219 (661) 849-3433 © 2007 California State Parks (Rev. 2017) I n the southern San Joaquin Valley, music teacher, and the colony of Allensworth a modest but growing assemblage of gifted musician, began to rise from the flat restored and reconstructed buildings marks and they raised two countryside — California’s the location of Colonel Allensworth State daughters. In 1886, first town founded, financed, Historic Park. A schoolhouse, a Baptist church, with a doctorate of and governed by businesses, homes, a hotel, a library, and theology, Allensworth African Americans. various other structures symbolize the rebirth became chaplain to The name and reputation of one man’s dream of an independent, the 24th Infantry, one of Colonel Allensworth democratic town where African Americans of the Army’s four inspired African Americans could live in control of their own destiny. -
LOS ANGELES HERALD CENTS SINGLE COPIES:;§?Ki„Iif?Tm: *& - ' PRICE: «,F SS .0 CENTS ' SATURDAY MORNING, JULY 11, 1908
PART ONE LOS ANGELES HERALD CENTS SINGLE COPIES:;§?Ki„iif?tM: *&_-_' PRICE: «,f_SS_ .0 CENTS ' SATURDAY MORNING, JULY 11, 1908. SEATTLE GIRL HAS A INDIANAN FOR SEVEN KILLED; WILD RIDE ON BACK BRYAN MAKES A Nominees for: President and Vice President SIXTY INJURED OF RUNAWAY CAMEL RINGING SPEECH Chosen by Democratic National Convention VICE PRESIDENT Western Heiress Said to Be the First Ever Got Jolted TO BIG THRONG CHOICE OF ALL BY COLLISION Woman Who mt _^___^ m, by Angry 'Dromedary ls Now In Gotham B_____. JOHN W. KERN NOMINATED SMASHUP IN THE *- AS TERRIFIC HEAD-ON INDOMITABLE FAITH _____B______P^ '^--IS-SH __________ CANADA TRIUMPH OF TRUTH MATE FOR BRYAN . V IN NEW YORK, July Miss Laura Duncan of Seattle, who spent last night at the Martha Washington hotel,, is POWERFUL SENTIMENT MAKES SPOKANE FLYER AND CROW'S probably the only girl in the world 18 GIVEN GRAND OVATION BY with whom a wild camel tried to run ACTION UNANIMOUS NEST TRAINS CRASH away. FELLOW TOWNSMEN ... ' Nearly two .ears ago, becoming an heiress, to New York >.\u25a0*-'-:•;\u25a0:-:-'•>:-!V; \u25a0,- she decided visit ®tv£;-:-.-.Vvi::*::.'.v_V^^ '•\u25a0 \u25a0:\u25a0:•\u25a0*:'-^ 7- %•/. '- -. jJCßfSt_Hlt^ i Medicine Hat Operator Blamed for by way of Asia, Europe and the At- Silver.Tongued Nebraskan Declares Democratic Convention at Denver Ada lantic. She visited Hawaii flrst and journs, Following Great Ovation" . Terrible Accident— Leaves Sud- Japan. At Toklo she was the Undying Confidence in Victory then party. When News of Wreck guest of the empress at a garden When Time la Ripela by Delegateslntense Sat- denly In got caught in an anti- Canton she Jm^*N X vt^** "*?V i *\u25a0v isfaction Everywhere Reaches Him foreign mob and had her "own spoiled , V .Loudly Cheered 7 ' * * by coolies. -
Annotated Bibliography -- Trailtones
Annotated Bibliography -- Trailtones Part Three: Annotated Bibliography Contents: Abdul, Raoul. Blacks in Classical Music. New York: Dodd, Mead and Company, 1977. [Mentions Tucson-born Ulysses Kay and his 'New Horizons' composition, performed by the Moscow State Radio Orchestra and cited in Pravda in 1958. His most recent opera was Margeret Walker's Jubilee.] Adams, Alice D. The Neglected Period of Anti-Slavery n America 1808-1831. Gloucester, Massachusetts: Peter Smith, 1964. [Charts the locations of Colonization groups in America.] Adams, George W. Doctors in Blue: the Medical History of the Union Army. New York: Henry Schuman, 1952. [Gives general information about the Civil War doctors.] Agee, Victoria. National Inventory of Documentary Sources in the United States. Teanack, New Jersey: Chadwick Healy, 1983. [The Black History collection is cited . Also found are: Mexico City Census counts, Arizona Indians, the Army, Fourth Colored Infantry, New Mexico and Civil War Pension information.] Ainsworth, Fred C. The War of the Rebellion Compilation of the Official Records of the Union and Confederate Armies. General Index. [Volumes I and Volume IV deal with Arizona.] Alwick, Henry. A Geography of Commodities. London: George G. Harrop and Co., 1962. [Tells about distribution of workers with certain crops, like sugar cane.] Amann, William F.,ed. Personnel of the Civil War: The Union Armies. New York: Thomas Yoseloff, 1961. [Gives Civil War genealogy of the Black Regiments that moved into Arizona from the United States Colored troops.] American Folklife Center. Ethnic Recordings in America: a Neglected Heritage. Washington: Library of Congress, 1982. [Talks of the Black Sacred Harping Singing, Blues & Gospel and Blues records of 1943- 66 by Mike Leadbetter.] American Historical Association Annual Report. -
Country / Folk
D I E S T I M M E , D I E B E R Ü H R T COUNTRY / FOLK Dolly Parton Jolene Just When I Needed You Most Johnny Cash Falsom Prison Blues Ghostriders In The Sky I Walk The Line Oh Lonesome Me (& Don Gibson) Ring Of Fire Kenny Rogers Islands In The Stream (& Tammy Wynette) Lucille (You Took A Fine Time To Leave Me) You Light Up My Life Kris Kristofferson Help Me Make It Through The Night Me And Bobby Mc Gee The Bellamy Brothers Beautiful Body I Need More Of You Let Your Love Flow Willie Nelson Always On My Mind On The Road Again The City Of New Orleans Billy Ray Cyrus Achy Breaky Heart Olivia Newton-John Banks Of The Ohio Billy Joe Spears Blanket On The Ground Donovan Blowin In The Wind Joe Stafford Carry Me Back To Old Virginia Jim Croce C›est La Vie (You Never Can Tell) John Denver Country Roads Rascal Flatts God Bless The Broken Road Truck Stop Hello Lady Harley Trad. Home On The Ranch Gordon Lightfood If You Could Read My Mind Hank Williams Jambalaya Roger Miller King Of The Road Neil Young Lonesome Me Doobie Brothers Long Train Running Stefan Raab Maschendrahtzaun Texas Lightning No No Never The Mavericks Pizziricco Glen Campbell Rhinestone Cowboy Lynn Anderson Rosegarden Telly Savalas Some Broken Hearts Never Mend Tammy Wynette Stand By Your Man Lucille Star The French Song (Quand Le Soleil Dit Bonjour) Charlie Rich The Most Beautiful Girl Lee Majors The Unknown Stuntman Emily Loo Harris Together Again Tom Astor Tom Dooley Trad. -
Torrey Peters Has Written the Trans Novel Your Book Club Needs to Read Now P.14
Featuring 329 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXIX, NO. 1 | 1 JANUARY 2021 REVIEWS Torrey Peters has written the trans novel your book club needs to read now p.14 Also in the issue: Lindsay & Lexie Kite, Jeff Mack, Ilyasah Shabazz & Tiffany D. Jackson from the editor’s desk: New Year’s Reading Resolutions Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas As a new year begins, many people commit to strict diets or exercise regimes # Chief Executive Officer or vow to save more money. Book nerd that I am, I like to formulate a series MEG LABORDE KUEHN of “reading resolutions”—goals to help me refocus and improve my reading [email protected] Editor-in-Chief experience in the months to come. TOM BEER Sometimes I don’t accomplish all that I hoped—I really ought to have [email protected] Vice President of Marketing read more literature in translation last year, though I’m glad to have encoun- SARAH KALINA [email protected] tered Elena Ferrante’s The Lying Life of Adults (translated by Ann Goldstein) Managing/Nonfiction Editor and Juan Pablo Villalobos’ I Don’t Expect Anyone To Believe Me (translated by ERIC LIEBETRAU Daniel Hahn)—but that isn’t exactly the point. [email protected] Fiction Editor Sometimes, too, new resolutions form over the course of the year. Like LAURIE MUCHNICK many Americans, I sought out more work by Black writers in 2020; as a result, [email protected] Tom Beer Young Readers’ Editor books by Claudia Rankine, Les and Tamara Payne, Raven Leilani, Deesha VICKY SMITH [email protected] Philyaw, and Randall Kenan were among my favorites of the year. -
Index President's Corner
Fall 2009 Alasdair Brooks, DPhil, Newsletter Editor, School of Archaeology and Ancient History, University of Leicester, United Kingdom Index President’s Corner President’s Corner .......................................1 Lu Ann De Cunzo Images of the Past .........................................3 SHA Committee News ...............................4 The minutes of the June SHA Board meeting Constitution and Bylaws Changes: These Mission Statement & Strategic Priorities 4 will be published in the next newsletter; core documents were last amended APT Student Subcommittee ..................4 my column in this issue of the Newsletter in 2003, at which time the Secretary- 2010 Conference Preliminary Program .....6 presents some of the highlights. Treasurer was split into two positions, 2010 Conference Registration Form .......20 and a 2-year presidency established. A 2010 Corporate Sponsor Form ................23 Strategic Plan: change to the Mission Statement, Article 2010 Silent Auction Donations ...............25 I am most pleased to report that the Board II of the SHA Constitution, requires 2010 Student Volunteer Form .................26 approved a revised Mission Statement and membership approval. Other changes may Current Research ........................................27 a Strategic Workplan of long-term (5-year), be in order to align with strategic planning Africa ........................................................28 mid-term (2-year), and short-term (1-year) directions, electronic means of membership Australasia and Antarctica -
Indiana Magazine of History
INDIANA MAGAZINE OF HISTORY - VOLUMEXXXI MARCH, 1935 NUMBER1 The Nomination of the Democratic Candidate in 1924 By SEXSONE. HUMPHREYS One of the strangest among the phenomena of American party history is the Democratic National Convention of 1924, in which all the elements that tend to divide the Democratic party combined to produce a bitterness such as had never been seen in a political convention before and to send the number of ballots required to name a candidate to the record figure of 103. Historians are familiar with the problems that caused the impasse and have frequently analyzed their significance. Students of politics find in the convention a demonstration of how diverse are the interests represented in the Democratic party. There is one question regarding the convention, how- ever, that has largely gone unanswered, and frequently un- asked. That is the question of how it happened that John W. Davis became the nominee of the party. This is an impor- tant question, for it represents the first time since 1860 that the party had gone south of the Mason-Dixon line for its candidate, unless Woodrow Wilson, born in Virginia, but nominated from New Jersey, be considered an exception. The nomination indicates also the triumph of the metropolitan element in the party that was to lead it to defeat in 1928. John W. Davis was the second choice, not of the forces which had kept William G. McAdoo in the lead during most of the convention, but of the forces of A1 Smith-the urban, Catholic, and financial interests in the party. -
The Reconstruction of the Black Slaves' Plight in Marcy Heidish's A
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-12, 2016 ISSN: 2454-1362, http://www.onlinejournal.in The Reconstruction of the Black Slaves’ Plight in Marcy Heidish’s A Woman Called Moses Donald NZAMBI MIKOULOU1, Benjamin EVAYOULOU1 *ZACHARIE MBOUNGOU2 1Département des Langues et Littératures, Ecole Normale Supérieure, P.O. Box: 69 Université Marien Ngouabi 2Laboratoire de nutrition, Santé et Motricité Humaine, P.O. Box: 69 Université Marien Ngouabi, Brazzaville-Congo. Abstract: This article deals with black slaves’ inspired the author. This means that I want to point critical conditions of life in the United States to a few aspects of A Woman Called Moses that during slavery in Marcy Heidish’s A Woman seem to me to constitute a kind of interplay Called Moses. It purports to demonstrate that after between history and Heidish’s imagination. being ill-treated for many years by white masters Because the novel’s structure is built on the black on plantations, black slaves have started to express slaves’ enslavement, I will begin this discussion by their discontents to their masters through examining the slaves’ ill-treatment by their white complaints and some acts of rebellion as a way to masters. Then, I will study the black slaves’ freedom denied to them because of their position as complaints and rebellion as a way to freedom. slaves in a world ruled by Whites. The author’s 1. THE REFERENCE TO THE BLACK reconstruction of the black slaves’ such plights SLAVES’ ILL-TREATMENTS evidences the historical dimension of her novel. In Heidish’s A Woman Called Moses, the Key words: Plight, Black slaves, Masters, Slavery, black slaves’ ill-treatments by their white masters History, and Fiction. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
The Birth of a Nation : How a Legendary Director and A
5>.. K' •.— •*-,X DICK LEHR $26.99/$30.oo can “By telling the story of the sweeping and headline-making cultural clash between filmmaker D. W. Griffith and brave newspaperman Monroe Trotter—and telling it with brio and panache—the gifted Dick Lehr should be highly commended. This book is both timely and important.” —WIL HAYGOOD, author of In Black and White: The Life of Sammy Davis, Jr. IN 1915, TWO MEN—ONE A JOURNALIST AGITATOR, the other a technically brilliant filmmaker—incited a public confrontation that roiled America, pitting black against white, Hollywood against Boston, and free speech against civil rights. Monroe Trotter and D. W. Griffith were fighting over a film that dramatized the Civil War and Reconstruction in a post-Confederate South. Almost fifty years earlier, Monroe’s father, James, was a sergeant in an all-black Union regiment that marched into Charleston, South Carolina, just as the Kentucky cavalry—including Roaring Jack Griffith, D. W.’s father—^fled for their lives. Griffith’s film. The Birth of a Nation, included actors in blackface, heroic portraits of Knights of the Ku Klux Klan, and a depiction of Lincoln’s assassination. Freed slaves were portrayed as villainous, vengeful, slovenly, and dangerous to the sanctity of American values. It was tremendously successful, eventually seen by 25 million Americans. But violent protests against the film flared up across the country. Monroe Trotter’s titanic crusade to have the film censored became a blueprint for dissent during the 1950s and 1960s. This is the fiery story of a revolutionary moment for mass media and the nascent civil rights movement, and the men clashing over the cultural and political soul of a still-young America standing at the cusp of its greatest days. -
Essay for Harriet Tubman Underground Railroad National Monument by Kate Clifford Larsen
From: Kate Clifford Larson, Ph.D. To: Cherie Butler, Superintendant, HATU; Aiden Smith, OAH Date: January 15, 2014 RE: HATU National Monument Scholars Roundtable White Paper Response In November 2013, the National Park Service invited five scholars to Dorchester County, Maryland to participate in a roundtable discussion about interpretation of Harriet Tubman’s life and legacy for the newly established Harriet Tubman Underground Railroad National Monument.1 Joining the scholars and NPS professionals, were representatives from Maryland Department of Natural Resources, Blackwater National Wildlife Refuge (BNWR), Maryland Department of Economic Development, the Organization of American Historians, local residents, and Haley Sharpe Design, the exhibit design firm. Initially guided by a set of questions framed by four themes - Building Communities, Anchoring the Spirit, Paths Toward Freedom and Resistance, and Sharing Knowledge - the discussion drew from the specialties and skill sets of each scholar, complimenting and enhancing each other’s ideas and perspectives while examining the core elements of Tubman’s life and legacy. One of the goals of the roundtable was to enhance NPS partnerships and collaborations with stakeholders and historians to ensure the incorporation of varied perspectives and views into innovative and challenging interpretation at NPS sites, particularly sites associated with controversial and emotionally charged subjects such as slavery and freedom at the Tubman National Monument. NPS, Maryland State Parks, and the Maryland