FESTIVAL PROGRAMME 23 May – 12 June 2018

Total Page:16

File Type:pdf, Size:1020Kb

FESTIVAL PROGRAMME 23 May – 12 June 2018 THE 46TH ISTANBUL MUSIC FESTIVAL PROGRAMME 23 May – 12 June 2018 OPENING CONCERT Wednesday, 23 May | Lütfi Kırdar Convention and Exhibition Centre | 19:00 BORUSAN ISTANBUL PHILHARMONIC ORCHESTRA SASCHA GOETZEL conductor YEKWON SUNWOO piano (Gold medallist of 2017 XV. Van Cliburn International Piano Competition) Sergei Rachmaninov Piano Concerto No.3 in D minor, op. 30 Pyotr Ilyich Tchaikovsky 1812 Overture, op.49 TEKFEN PHILHARMONIC ORCHESTRA & CHARLIE SIEM Friday, 25 May | Hagia Eirene Museum | 20.00 TEKFEN PHILHARMONIC ORCHESTRA AZIZ SHOKHAKIMOV conductor CHARLIE SIEM violin Sergei Rachmaninov Symphonic Dances, op.45 Johannes Brahms Violin Concerto in D Major, op. 77 WEEKEND CLASSICS – I Saturday, 26 May | Babylon | 11.00 SENEM DEMİRCİOĞLU mezzo-soprano İKLİM TAMKAN piano Georg Friedrich Handel “Lascia ch’io pianga mia cruda sorte” from Rinaldo Johann Mattheson Suite No. 1 in D Minor for Harpsichord Christoph Willibald Gluck “O del mio dolce ardor” from Paris and Helen Henry Purcell “Ah Belinda, I am prest with torment” from Dido and Aeneas A New Ground, ZT 682 Gabriel Fauré Après un rêve No. 1, op. 7 Georges Bizet “Habanera” from Carmen Gioacchino Rossini Canzonetta spagnuola Fikret Amirov* Men Seni Araram Kaptanzade Ali Rıza Bey** Yıldızların Altında Maçkalı Hasan Tunç* Ben Seni Sevdiğumi Dursun Tanyaş* Çay Elinden Öteye Ali Ekber Çiçek* Haydar Haydar FILARMONICA DELLA SCALA & DANIIL TRIFONOV Sunday, 27 May | Lütfi Kırdar Convention and Exhibition Centre | 20.00 FILARMONICA DELLA SCALA DANIEL HARDING conductor DANIIL TRIFONOV piano Gioachino Rossini Overture to The Barber of Seville Sergei Prokofiev Piano Concerto No. 3 in C Major, op. 26 Ludwig van Beethoven Symphony No. 3 in E-flat Major, op. 55, “Eroica” WOMEN STARS OF TOMORROW: YOUNG WOMEN MUSICIANS SUPPORT FUND Monday, 28 May | Boğaziçi University Albert Long Hall | 20.00 KHATIA BUNIATISHVILI & RENAUD CAPUÇON Tuesday, 29 May | İş Sanat Concert Hall | 20.00 KHATIA BUNIATISHVILI piano RENAUD CAPUÇON violin Antonín Dvořák Romantic Pieces, op. 75 Edvard Grieg Violin Sonata No. 3 in C minor, op. 45 César Franck Sonata for Violin and Piano in A Major CHAMBER MUSIC WITH STARS – I Wednesday, 30 May | Boğaziçi University Albert Long Hall | 20.00 SKRIDE QUARTET Baiba Skride violin Lise Berthaud viola Harriet Krijgh cello Lauma Skride piano Frank Bridge Phantasy for Piano Quartet, H. 94 Wolfgang Amadeus Mozart Piano Quartet No. 1 in G minor, KV 478 Johannes Brahms Piano Quartet No. 1 in G minor, op. 25 CHAMBER MUSIC WITH STARS – II Thursday, 31 May | Neve Shalom Synagogue | 20.00 RENAUD CAPUÇON violin GÉRARD CAUSSÉ viola CLEMENS HAGEN cello Ludwig van Beethoven String Trio No. 3 in C minor, op. 9 Wolfgang Amadeus Mozart Divertimento for String Trio in E-flat Major, K. 563 JOYCE DIDONATO & IL POMO D’ORO: “IN WAR & PEACE” Friday, 1 June | Hagia Eirene Museum | 20.00 JOYCE DIDONATO mezzo-soprano & executive producer IL POMO D’ORO MAXIM EMELYANYCHEV director & harpsichord MANUEL PALAZZO choreographer RALF PLEGER stage director HENNING BLUM lighting designer YOUSEF ISKANDAR video designer WEEKEND CLASSICS – II Saturday, 2 June | bomontiada | 11.00 ANATOLIAN WIND QUINTET Cem Önertürk flute Ufuk Soygürbüz oboe Kıvanç Fındıklı clarinet Ozan Evruk bassoon Hüseyin Uçar horn Jacques Ibert 3 Short Pieces Denis Plante Suite Piedra Libre: El Truco - Las Tres Marias - La Escondida Kıvanç Fındıklı Karmaşık Beşli Ferenc Farkas Early Hungarian Dances from the 17th Century Aşık Veysel* Kara Toprak Iwan Iwanov Bulgarian Sketches Ferit Tüzün* Esintiler Kıvanç Fındıklı Karmaşık Potpuri * arr. Kıvanç Fındıklı FRANZ LISZT CHAMBER ORCHESTRA & MISCHA MAISKY Saturday, 2 June | Hagia Eirene Museum | 20.00 FRANZ LISZT CHAMBER ORCHESTRA MISCHA MAISKY cello Edvard Grieg Holberg Suite, op. 40 Joseph Haydn Cello Concerto No. 1 in C Major, Hob VIIb:1 Béla Bartók Divertimento for String Orchestra, Sz. 113 BB. 118 Pyotr Ilyich Tchaikovsky Variations on a Rococo Theme for Cello and Orchestra in A Major, Op. 33 MELODIES OF ISTANBUL Sunday, 3 June | Grand Bazaar Kalpakçılar Street, Nuruosmaniye Gate | 18.00 HAKAN GÜNGÖR qanun & direction KUDSİ ERGUNER ney ÇAĞ ERÇAĞ cello YURDAL TOKCAN oud FERRAN SAVALL vocals MELODIES OF ISTANBUL ORCHESTRA featuring: TURAY DİNLEYEN violin CAN OLGUN violin CANER ÜSTÜNDAĞ double bass SEMİH ERDOĞAN piano NHESKO NESHEV accordion ÖMÜR KÜÇÜKLER clarinet MOSLEM RAHAL ney TÜRKER DİNLETİR ney HAİG SARIKOUYOUMDJİAN duduk ENVER METE ASLAN oud NEDYALKO NEDYALKOV kaval EYLÜL BİÇER guitar SELMAN ERGUNER fretless guitar MEHMET AKATAY percussions MEMDUH AKATAY percussions MAISKY INTERSECTIONS Monday, 4 June | Süreyya Opera House | 20.00 SASCHA MAISKY violin MAXIM RYSANOV viola MISCHA MAISKY cello LILY MAISKY piano Gustav Mahler Piano Quartet in A minör Dmitri Shostakovich Piano Trio No. 2 in E minor, op. 67 Robert Schumann Piano Quartet in E-flat Major, op. 47 AMSTERDAM SINFONIETTA, FERHAN & FERZAN ÖNDER Tuesday, 5 June | Hagia Eirene Museum | 20.00 AMSTERDAM SINFONIETTA CANDIDA THOMPSON art director & concertmaster FERHAN & FERZAN ÖNDER piano duo Johann Sebastian Bach Counterpoint I-IV from the Art of Fugue, BWV 1080 Johann Sebastian Bach Concerto for Two Keyboards in C minor, BWV 1060 Dobrinka Tabakova Concerto for Two Pianos, Percussion and Strings “Together Remember to Dance” (İstanbul Music Festival co-commission, Turkey premiere) Arvo Pärt Fratres Ludwig van Beethoven (arr. G. Mahler) String Quartet No. 11 in F minor, op. 95 “Serioso” SONGS OF ISTANBUL Wednesday, 6 June | Sirkeci Terminal Platform | 21.00 MERAL AZİZOĞLU vocals GYPSY FIRE ENSEMBLE Lajos Sárközi Jr violin Benedek Csik violin János Dani viola Julius Csik cimbalom Vilmos Csikos double bass Haydar Tatlıyay Gül Tango Ahmet Şefik Gürmeriç Hasret Necip Celal Andel Sarı Yapıncak Kaptanzade Ali Rıza Bey Cici Beyim Mustafa Şükrü Alpar Bir Martı Gibi Ahmet Şefik Gürmeriç Gönlüm Sensiz Olmaz Ahmet Şefik Gürmeriç Aşk Kerpeteni Refik Fersan Benim Gönlüm Bir Kelebek Kaptanzade Ali Rıza Bey Yıldızların Altında Kaptanzade Ali Rıza Bey Denizde Akşam Anon. Üsküdar’a Gider İken Anon. Sen Gelirsen Mustafa Şükrü Alpar Siyah Gözlere Necip Celal Andel Çok Uzakta “VARDISSIMO” DIANA DAMRAU & NICOLAS TESTÉ Thursday, 7 June | Lütfi Kırdar Convention and Exhibition Centre | 20.00 BORUSAN ISTANBUL PHILHARMONIC ORCHESTRA PAVEL BALEFF conductor DIANA DAMRAU soprano NICOLAS TESTÉ bass-baritone FESTIVAL ENCOUNTER: SÜNER & ALİYEV & ÇAKMUR Friday, 8 June | Saint Anthony Lower Church | 20.00 ALİCAN SÜNER violin JAMAL ALIYEV cello CAN ÇAKMUR piano Albert Dietrich/Johannes Brahms/Robert Schumann F-A-E Sonata Clara Schumann Piano Trio in G minor, op. 17 Robert Schumann Fantasiestücke, op. 73 Felix Mendelssohn Piano Trio No. 1 in D minor, op. 49 WEEKEND CLASSICS – III Saturday, 9 June | Austrian Culture Forum Garden | 11.00 KOEHNE QUARTET Johanna Lewis violin Anne Hatvey-Nagl violin Anett Homoki viola Melisa Coleman cello Joseph Haydn String Quartet No. 2, op. 76, “Quinten” Wolfgang Amadeus Mozart String Quartet No. 14 in G Major, KV 387, “Spring” Antonín Dvořák Waltz in D Major, op. 54 No. 4 Fritz Kreisler 3 Old Vienna Dances No. 2, “Liebeslied” 3 Old Viennese Dances No. 1, “Liebesfreud” Alexander Borodin String Quartet No. 2: Nocturne B-A-C-H Istanbul Music Festival hosts the Istanbul Jazz Festival in its 25th edition! Saturday, 9 June | Rahmi M. Koç Museum | 21.00 DIETER ILG double bass RAINER BÖHM piano PATRICE HÉRAL drums Dieter Ilg B-A-C-H: Variations on Johann Sebastian Bach MUSIC ROUTE Sunday, 10 June | Galata & Karaköy 12.30-17.05 1st Group 13.30-17.55 2nd Group Italian Synagogue | 12.30-13.10 & 13.30-14.10 SEVİL ULUCAN violin HILLEL ZORI cello Johann Sebastian Bach 4 Duets, BWV 802-805 Béla Bartók (arr. K. Kraeuter) Hungarian Folk Melodies, Sz 53 Reinhold Glière 8 Pieces, op. 39: I, II, III, V, VII Georg Friedrich Handel / Johan Halvorsen (arr. M. Press) Passacaglia for Violin and Cello St. Georg Church | 13.30-14.10 & 14.30-15.10 KOEHNE QUARTET Johanne Lewis violin Anne Hatvey-Nagl violin Anett Homoki viola Melisa Coleman cello Wolfgang Amadeus Mozart String Quartet No. 14 in G Major, KV 387 Antonín Dvořák Waltz in D Major, op. 54 No. 4 Fritz Kreisler 3 Old Viennese Dances No. 2, “Liebesleid” 3 Old Viennese Dances No. 1, “Liebesfreud” St. Peter and Paul Church | 15.00-15.40 & 16.00-16.40 AIMA FESTİVAL ORKESTRASI ORHUN ORHON conductor KATRIN TARGO soprano TUURI DEDE mezzo-soprano Giovanni Battista Pergolesi Stabat Mater, P. 77 Ashkenaz Synagogue | 16.00-16.40 & 17.15-17.55 BESTER QUARTET Jaroslaw Bester accordion David Lubowicz violin Oleg Dyyak clarinet, percussion, duduk Maciej Adamczak double bass Jaroslaw Bester Hope Mordechai Gebirtig (arr. J. Bester) Schloymele Lieber Jaroslaw Bester God Forsaken The Magic Casket Solitude Methamorphoses Opposite Ashkenaz Synagogue | 16.00-16.40 & 17.15-17.55 KLEZ-MEZ Bora Güler violin Yuri Ryadchenko accordion “ON THE ROAD” Monday, 11 June | Süreyya Opera House | 20.00 GÜLSİN ONAY piano MURATHAN ÖZBEK director Johann Sebastian Bach/ Ferruccio Busoni “Ich ruf’ zu dir”, BWV 639 Johannes Brahms Intermezzo No. 1 & 2, op. 119 Franz Schubert/ Franz Liszt “Auf dem Wasser zu singen”, S. 558 Johann Sebastian Bach/ Ferruccio Busoni “Wachet auf”, BWV 645 Ludwig van Beethoven Piano Sonata No. 26 in E-flat Major, op. 81a “Les Adieux” Maurice Ravel Gaspard de la Nuit: Ondine Franz Schubert Piano Sonata No. 19 in C minor, D. 958: Adagio Frédéric Chopin Ballade No. 2 in F Major, op. 38 Johann Sebastian Bach Italian Concerto BWV 971: Andante ENGLISH CHAMBER ORCHESTRA, GÜHER & SÜHER PEKİNEL Tuesday, 12 June | Lütfi Kırdar Convention and Exhibition Centre | 20.00 ENGLISH CHAMBER ORCHESTRA GERARD SCHWARZ conductor GÜHER & SÜHER PEKİNEL piano duo Sergei Prokofiev Symphony No. 1 in D major, op. 25 “Classical” Francis Poulenc Concerto for Two Pianos and Orchestra in D minor, FP 61 Antonín Dvořák Nocturne in B Major, op. 40 Ludwig van Beethoven Symphony No. 8 in F Major, op. 93 .
Recommended publications
  • Schumann (1810- 1856) a Monté Un À Un Les Degrés De La Haute Composition Musicale
    1 Trois Romances pour hautbois et piano Op. 94 1 I - Nicht schnell 3’39 2 II - Einfach, innig 3’58 3 III - Nicht schnell 4’22 FRANÇOIS LELEUX, hautbois ERIC LE SAGE, piano Trois Phantasiestücke pour clarinette et piano Op. 73 4 I - Zart und mit Ausdruck 3’14 5 II - Lebhaft, leicht 2’55 6 III - Rasch, mit Feuer 3’24 PAUL MEYER, clarinette ERIC LE SAGE, piano Cinq Pièces dans le ton populaire pour violoncelle et piano Op. 102 7 I - Mit Humor 3’09 8 II - Langsam 3’13 9 III - Nicht schnell, mit viel Ton zu spielen 3’57 2 10 IV - Nicht zu rasch 1’40 11 V - Stark und markiert 3’11 JEAN-GUIHEN QUEYRAS, violoncelle ERIC LE SAGE, piano Märchenbilder pour alto et piano Op. 113 12 I - Nicht schnell 3’08 13 II - Lebhaft 3’42 14 III - Rasch 2’27 15 IV - Langsam, mit melancholischem Ausdruck 5’15 ANTOINE TAMESTIT, alto ERIC LE SAGE, piano Märchenerzählungen pour clarinette, alto et piano Op. 132 16 I - Lebhaft, nicht zu schnell 2’56 17 II - Lebhaft und sehr markirt 2’57 18 III - Ruhiges Tempo, mit zartem Ausdruck 4’07 19 IV - Lebhaft, sehr markirt 3’59 PAUL MEYER, clarinette ANTOINE TAMESTIT, alto ERIC LE SAGE, piano 3 Adagio et Allegro pour cor et piano Op. 70 20 Langsam mit innigen Ausdruck 3’42 21 Rash und Feurig 4’27 BRUNO SCHNEIDER, cor ERIC LE SAGE, piano Le programme du CD (sauf plages 7 à 11) a été enregistré en septembre 2006 au Studio Radio Zürich (DRS 2 Schweizer Radio) ingénieur du son : Charles Suter 4 2 Sonate pour violon et piano en ré mineur Op.
    [Show full text]
  • I ~~;Never Less
    By comparison, the within Saint-Saens's Societe But in gathering together all his Canada-based Cecilia Quartet, Nationale de Musique, whose music for that duo. German DVORAK String Quartets winner ofthe 2010 Banff remit was to encourage a contemporary-music in D minor op.34 Imernational String Quartet decisively French music). specialists Andreas Seidel and & G major op.l 06 Competition, produces an The performances are Steffen Schleiermacher reveal Zemlinsky Quartet opulent sonodty, with the convincingly ideal, winning in. its surprising variety, and PRAGA DIGITAlS PRD/DSD 250 292 cello centre-right of the their nimbleness and panache. deliver some precise, (HYBRID SACO) ensemble and the viola on If the scherzo of the committed performances that, the right wing. It takes a more C minor Quartet is sprightly while sometimes rather cool. DVORAK String Quartet in impressionable, rhythmically and spirited, the players are never less than beguiling. G major op.106, Cypresses, flexible, overtly Romantic highlight its contrast with the The earliest pieces here­ Waltzes op.54 nos.l & 4 approach. Whereas the G minor's more edgy, harder­ the Webernesque Piece for Cecilia Quartet Zemlinsky plays op.106's driven equivalent movement. ANALEKrA AN 2 9892 initial flourishes as a breezy The Adagio of the C minor r,:;: performances Contrasting approaches curtain-opener, the Cecilia brings plenty of drama in I ~~;never less to Dvotak from Czech hurls us straight into the its octave doubling, and the than beguiling and Canadian quartets action with an espressivo movement unfolds as a slow urgency so powerful that recitative with a directness _j one could almost be listening ofcommunication to match, to a different piece.
    [Show full text]
  • Pyotr Ilyich Tchaikovsky (1840-1893)
    Enregistré par Little Tribeca à Paris du 19 au 23 juin 2015 Direction artistique et postproduction : Émilie Ruby Prise de son : Émilie Ruby assistée d’Ignace Hauville English translation by John Tyler Tuttle Deutsche Übersetzung von Gudrun Meier Photos © Caroline Doutre Design © 440.media AP154 Little Tribeca p 2015 © 2017 1, rue Paul Bert 93500 Pantin, France apartemusic.com PYOTR ILYICH TCHAIKOVSKY (1840-1893) NOVUS QUARTET YOUNG-UK KIM 1ST VIOLIN, JAEYOUNG KIM 2ND VIOLIN SEUNGWON LEE VIOLA WOONG-WHEE MOON CELLO LISE BERTHAUD VIOLA OPHÉLIE GAILLARD CELLO String Quartet No. 1 in D major, Op. 11 Quatuor à cordes n° 1 en ré majeur, op. 11 1. Moderato e simplice 11’41 2. Andante cantabile 7’25 3. Scherzo. Allegro non tanto e con fuoco 4’04 4. Finale. Allegro giusto 6’55 String Sextet in D minor “Souvenir de Florence”, Op. 70 Sextuor à cordes en ré mineur « Souvenir de Florence », op. 70 5. Allegro con spirito 10’21 6. Adagio cantabile e con moto 10’28 7. Allegretto moderato 6’19 8. Allegro vivace 7’08 Du Quatuor au Sextuor, les jalons du succès Auteur de nombreux chefs-d’œuvre de la travaillé au ministère des Communications, musique romantique, parmi lesquels Le Lac Alexandre Borodine était chimiste, César Cui des cygnes, Casse-Noisette, Eugène Onéguine, ingénieur, Nikolaï Rimski-Korsakov officier le Concerto pour piano n° 1 en si bémol mineur, de marine. op. 23 ou encore le Concerto pour violon en ré majeur, op. 35, Piotr Ilitch Tchaïkovski est Tchaïkovski démissionna en 1863 pour se encore aujourd’hui l’un des compositeurs les consacrer entièrement à son art.
    [Show full text]
  • 2018/19 Season
    JAN/ FEB 2018/19 Season wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts.
    [Show full text]
  • 11 June 2019
    11 June 2019 12:01 AM Armas Jarnefelt (1869-1968) Kanteletar Finnish Radio Symphony Orchestra, Ilpo Mansnerus (conductor) FIYLE 12:07 AM David Wikander (1884-1955), Gustaf Fröding (lyricist) Kung Liljekonvalje (King Lily of the Valley) Swedish Radio Choir, Eric Ericson (conductor) SESR 12:11 AM Carl Friedrich Abel (1723-1787) Trio in F major for 2 flutes and continuo Karl Kaiser (flute), Michael Schneider (flute), Rainer Zipperling (cello), Harald Hoeren (harpsichord) DEWDR 12:20 AM George Frideric Handel (1685-1759) The Alchymist - incidental music HWV.43 CBC Vancouver Orchestra, Monica Huggett (conductor) CACBC 12:37 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C K.330 Dang Thai Son (piano) HRHRT 12:51 AM Giuseppe Verdi (1813-1901) Aria 'Di Provenza il mar' - from 'La Traviata' Gaétan Laperrière (baritone), Orchestre Symphonique de Trois-Rivières, Gilles Bellemare (conductor) CACBC 12:56 AM Richard Strauss (1864-1949) Tod und Verklärung (Op.24) BBC National Orchestra of Wales, Thomas Søndergård (conductor) GBBBC 01:21 AM Franz Schubert (1797-1828) Sonata in A minor D.821 for arpeggione and piano Lise Berthaud (viola), Francois Pinel (piano) GBBBC 01:47 AM Georg Philipp Telemann (1681-1767) Concerto for 2 horns and orchestra (TWV 52:D2) in D major Jozef Illéš (horn), Jan Budzák (horn), Chamber Association of Slovakian Radio, Vlastimil Horák (conductor) SKSR 02:01 AM George Frideric Handel (1685-1759) Israel in Egypt, oratorio - Part 1 Zoe Brookshaw (soprano), Rowan Pierce (soprano), Christopher Lowrey (counter tenor), Jeremy
    [Show full text]
  • March 2019 2 •
    2018/19 Season January - March 2019 2 • This spring, two of today's greatest Lieder interpreters, the German baritone Christian Gerhaher and his regular pianist Gerold Huber, return to survey one of the summits of the repertoire, Schubert’s psychologically intense Winterreise. Harry Christophers and The Sixteen join us with a programme of odes, written to welcome Charles II back Director’s to London from his visits to Newmarket, alongside excerpts from Purcell's incidental music to Theodosius, Nathaniel Lee's 1680 tragedy. Introduction Leading Schubert interpreter Christian Zacharias delves into the composer’s unique melodic, harmonic and thematic flourishes in his lecture-recital. Through close examination of these musical hallmarks and idiosyncrasies, he takes us on a journey to the very essence of Schubert’s style. With her virtuosic ability to sing anything from new works to Baroque opera and Romantic Lieder with exceptional quality, Marlis Petersen is one of the most enterprising singers today. Her residency continues with two concerts, sharing the stage with fellow singers and accompanists of international acclaim. This year’s Wigmore Hall Learning festival, Sense of Home, celebrates the diversity and multicultural melting pot that is London and the borough of Westminster, reflects on Wigmore Hall as a place many call home, and invites you to explore what ‘home’ means to you. One of the most admired singers of the present day, Elīna Garanča, will open the 2018/19 season at the Metropolitan Opera as Dalila in Saint-Saëns’ Samson et Dalila. Her programme in February – comprising four major cycles – includes Wagner's Wesendonck Lieder, two of which were identified by the composer himself as studies for Tristan und Isolde.
    [Show full text]
  • Pdf Download the March 2020 Diary
    MARCH 2019/20 SEASON wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts.
    [Show full text]
  • 2019–2020 Performance Season the University of Vermont Lane Series
    CHAMBER WORLD 2019–2020 PIANO Performance Season VOCAL The University of Vermont EARLY Lane Series JAZZ FOLK If I could, I would rename the UVM Recital Hall the Listening Room. After all, recitals are only one type of event that happens within it — but the one thing the room encourages, even requires of us, is to just listen. WELCOME TO THE LISTENING ROOM I think that just simply listening what a revelation it must have been back in the to music is challenging. We live in day! I love to imagine a family sitting together a super noisy and distracting world. listening to the voice of Enrico Caruso, or John Sometimes I wonder with amazement Philip Sousa conducting one of his marches, or about the fact that many of us grew even lectures and bird calls. up in a place in which digital sounds Of course, many of us grew up listening to did not exist. We had no experience entire albums on a record player. This was time- cocking our ears for the sound of consuming by today’s standards, but it didn’t feel a pinging alert, a clever ring tone, that way, did it? You just got lost in the record, and the subtle vibrational buzzing of a the order in which the pieces were laid out on cell phone that has been muted but the vinyl was part of the artist’s curatorial process. still insists on someone’s attention, a Lately, I’ve been listening to the Philip Glass warning buzzer telling us it’s time to études, so I downloaded them on my phone and do something, a truck backing up, or, put them on when I’m in the kitchen or folding my most hated sound of all because laundry.
    [Show full text]
  • Concerts from the Library of Congress (2019-2020)
    CONCERTS CONCERTS FROM THE LIBRARY OF CONGRESS SEASON 95 2019-2020 loc.gov/concerts VISION & LEGACY Concerts from the Library of Congress returns for a A May mini-fest salutes an original American voice, composer and spectacular 95th season, packedSEASON with an impressive pianist Billy Strayhorn, in concerts for big band 95and the Bill Charlap and richly diverse roster of more than 95 free events: Trio plus Jon Faddis and Cécile McLorin Salvant, complemented by concerts, lectures, films, panels, conversations with filmscreenings and a symposium. Other jazz luminaries—musicians, artists, and more. scholars and filmmakers—include composer-performers Chucho Valdés, Oliver Lake and drummer, bandleader and three-time GRAMMY winner Throughout this season, our concerts will celebrate Terri Lyne Carrington. extraordinary women: performers, composers and donors. The striking young woman on our cover, From October to July, we present an exceptional group of chamber Leonora Jackson McKim, was all three. Her bold, direct orchestras performing music both old and new, including Concerto Kö ln, gaze shows the confidence of a brilliant American the International Contemporary Ensemble, Asko | Sch nberg, the Sphinx violinist who won international acclaim making her Virtuosi and the Irish Chamber Orchestra. Unique programs in dance, debut with the Berlin Philharmonic at age 18. As artist pop and music theater offer the chance to engage with manuscripts, and philanthropist, her vision created a vibrant legacy musicians, artifacts and ideas. Designed to invigorate and intrigue, these at the Library, an endowment that has funded more are experiences that can only be found at the Library of Congress. than 80 commissions for violin and piano.
    [Show full text]
  • Hector Berlioz (1803-69) Mountains; Scenes of Sadness, of Happiness and of Joy), Different Result
    BERLIOZ Harold en Italie Rêverie et Caprice Le carnaval romain Benvenuto Cellini Lise Berthaud, Viola Giovanni Radivo, Violin Orchestre National de Lyon Leonard Slatkin Hector Berlioz (1803-69) mountains; Scenes of sadness, of happiness and of joy), different result. Benvenuto Cellini caused Berlioz a great Harold en Italie • Le carnaval romain • Rêverie et Caprice • Benvenuto Cellini opens with an Adagio, its sinister chromatic figuration deal of trouble, and he found much amiss in Habeneck’s treated fugally and reaching a dynamic climax, before the conducting of the work, when it was staged at the Paris Hector Berlioz was born in the French province of Isère, the singer Marie Recio, with whom he had enjoyed a entry of the viola with the theme associated with Harold, a Opéra in 1836, complaining of wrong notes, wrong tempi the son of a doctor, in a family of some local substance. relationship already of some twelve years. Her sudden melody, derived from the discarded overture Rob Roy, and wrong rhythms. It was briefly revived in 1839, to As a child he was taught principally by his father, and was death in 1862 and that of his son Louis, a naval officer, in that recurs throughout the work. The following symphonic receive attention from Liszt in Weimar in 1852, with a less swayed by various enthusiasms, including an 1867, saddened his final years. He died in 1869. Allegro brings rejoicing, with a development and satisfactory revival in London the following year. The plot overwhelming urge towards music that led him to Berlioz had diverse literary interests, often reflected in recapitulation, including a return of the theme associated of the opera concerns Cellini’s wooing of Teresa, compose, not for the piano, an instrument he did not play, his compositions.
    [Show full text]
  • Download Booklet
    HEINO ELLER Violin Concerto Fantasy Symphonic Legend Symphony No. 2 BAIBA SKRIDE ESTONIAN NATIONAL SYMPHONY ORCHESTRA OLARI ELTS Heino Eller 2 HEINO ELLER (1887–1970) 1 Violin Concerto in B minor (1933–34/1937/1964) 23:16 2 Symphonic Legend (Sümfooniline legend) (1923/1938)* 23:54 3 Fantasy (Fantaasia) in G minor for violin and orchestra (1916/1964) 6:18 4 Symphony No. 2 (unfinished): I. Andante. Allegro molto (1947) 13:44 *World premiere recording BAIBA SKRIDE, violin ESTONIAN NATIONAL SYMPHONY ORCHESTRA OLARI ELTS, conductor 3 Heino Eller (1887–1970) is one of the founders of Estonian professional musical culture. Eller´s legacy is twofold – in his prolific instrumental compositions he forged an elaborate style that successfully combined both modern and national elements, and as a prominent professor of composition during half a century he influenced generations of Estonian composers, amongst them Eduard Tubin (1905–1982) Arvo Pärt (b. 1935) and Lepo Sumera (1950–2000). Eller´s best known composition, Kodumaine viis (‘Homeland tune’) for string orchestra, rose to prominence during the 1950s and 1960s as the chief vehicle for expressing national feelings and identity under Soviet occupation. The work remains to this day an instrumental equivalent of a national anthem, in its importance bearing comparison to Jean Sibelius´s Finlandia. In the independent Estonia of the 1920s and 1930s Eller was considered the leading modernist of the country, and his music was extolled for its novelty and technical prowess. In 1925 the founding father of modern musicology, prof. Guido Adler from the Vienna University attested to Eller´s music being the continuation of Grieg´s ‘Northern style’ and a successful synthesis of impressionism and expressionism.
    [Show full text]
  • Event 1 Event 2
    WELCOME TO THE EVENT 1 EVENT 2 LINCOLNSHIRE INTERNATIONAL Monday 10th August 2015, 7.30 pm Tuesday 11th August 2015, 11.00 am CHAMBER MUSIC FESTIVAL 2015 County Assembly Rooms Lincoln Drill Hall 01522 873894 76, Bailgate 01522 520098 Free School Lane [email protected] Lincoln LN1 3AR www.countyassemblyrooms.co.uk Lincoln LN2 1EY www.lincolndrillhall.com Welcome to the 2015 Lincolnshire International Chamber Music Festival. This year’s Festival focuses Love Letters Children’s Corner its attention on the fascinating and Beethoven arr. Hummel – Debussy – complex relationship between music Symphony No. 7 in A major, Op. 92 (40´) Children’s Corner (15´) and the written word. Poetry and prose have long been a source of “Be calm my life, my all. Only by calm consideration of our existence can we “Even before I could reason, I was overcome by the force of this strange achieve our purpose to live together. Oh continue to love me, never misjudge enthusiasm, and I turned all my thoughts and feelings towards music. And great inspiration for composers and the most faithful heart of your beloved. Ever thine, Ever mine, Ever yours.” now, the burning desire to understand it possesses me, against my will, and our programme features a wealth day and night lovely melodies seem to sound all around me.” of wonderful music directly related to works of literature. Ludwig van Beethoven, letter to the Immortal Beloved. Johann Joseph Fux, “Gradus ad Parnassum.” Moreover, the words penned by composers themselves are Seabourne – often hugely revealing; we’ll explore a number of pieces that “accept these few roses.” (12´) Scott – are directly linked to letters and documents written by the likes Impressions from “The Jungle Book” (15´) “Accept these few roses as a token of my unbounded esteem for you.
    [Show full text]