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Taking a Stand? Debating the Bauhaus and Modernism

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Taking a Stand? Debating the Bauhaus and Modernism 483 Authors and Publication Team Paola Ardizzola, Visiting Professor at Florentine Baumann (*1974) studied art at Thierry Fabre, essayist, scholar and exhi- the Department of Architecture and Urban the Berlin University of the Arts and German bition curator. He lives and works in Planning at German University in Cairo. language and literature at the Berlin Marseille and is currently the Director of Previously she was Assistant professor at Technical University. For about twenty years, the Mediterranean programme at the Institut LAU—Lebanese American University, Beirut. she has worked as an art teacher at the méditerranéen de Recherches Avancées She holds a PhD in History of Architecture Nelson Mandela School, a public internation- (IMéRA). He is the founder of Rencontres and Urbanism. She is co-founder (2013) of al school in Berlin. Florentine Baumann d’Averroès, an event held annually on the the Department of Architecture at School teaches high-school students in German coast since 1994, and was editor-in-chief of of Art and Architecture, Antalya International and English and prepares them to sit the the journal La pensée de midi. His books University (Turkey), where she served as International Abitur or Baccalaureate. In Traversées and Eloge de la pensée de midi Executive Dean and Department Chairperson addition, she heads the school’s art are published by Actes Sud. He was Director till August 2017. She is a member of EAHN— department, works as a school consultant of Actes Sud’s Collection Bleu and Director European Architecture History Network, of for art and cultural education in Berlin of Cultural Development and International IAA—International Association of Aesthetics, Region 3 and trains future teachers in her Relations at Mucem in Marseille. of AISU—Associazione Italiana di Storia specialized seminar. Urbana, of AIS/Design—Associazione italiana For the past four years, she has Helen Ferguson is a Berlin-based conference degli storici del Design, in 2010 she was coordinated project work with the Bauhaus- interpreter (aiic) and translator from German, awarded the Bruno Zevi International Prize. Archiv / Museum für Gestaltung, Berlin French and Italian into English. Born in At present her research focuses on the as an integral part of the school’s internal Edinburgh, Master of Arts in French and impact of unbuilt architecture on realized curriculum, for which an optional course German (with Art History and Logic and projects, and the relationship between «School Goes Bauhaus» was established. Metaphysics) from St. Andrews University painting and architectural practice. Fields of For the past 15 years, all students from (UK). She has worked on a freelance interest are History and Theory of Modern- grades 1 to 13 have engaged continuously basis for many years, specializing in the ism, 20th century Architectural Criticism, in aesthetic research on art, design, and arts, architecture, film, intellectual property 20th century German Art and Architecture. architectural concepts through the «Visual law and international politics. She is also She has published widely, inter alia on Journal» that she introduced at the school. a copy editor and consultant for funding Bruno Taut, his different vision of Modernism, applications. his works in Ankara, Neues Bauen, space Chin-Wei Chang, PhD Candidate in conception and architectural Turkish Architectural History & Theory, The Bartlett Raquel Franklin, Head of the Theory of tradition, on design and resistance, the School of Architecture, University College Architecture Department at Universidad design protest of Hans Scharoun during London. He was trained as an architect and Anáhuac México. She also teaches on Nazism, on the importance of history (History obtained a master’s degree in urban design the History and Theory of Modern and will teach us everything. Bruno Zevi and the in Taiwan. His previous research addressed Contemporary Architecture at Universidad innovative methodology for future design, social production of spatial forms within Anáhuac México. She obtained her Doctor 2018), on architecture education, aesthetics non architecture consequences, every- of Science degree in Architecture from the of the memento. day landscapes, and their conflicts with mo- Technion-Israel Institute of Technology in dernity in the contemporary built environ- 1997 with her dissertation «Hannes Meyer in Andrea Bärnreuther, research associate ment. Nowadays, as PhD Candidate in Mexico (1939–1949)». She holds a Master bauhaus100 at the Bauhaus-Archiv / Architectural History & Theory, he focuses of Architecture degree from the Universidad Museum für Gestaltung, Berlin. After on architectural profession and academy, Nacional Autónoma de México and a Master studying art history, theater studies and with special attention on histories and of Arts in Near Eastern and Judaic Studies modern history in Erlangen/Nuremberg and dissemination of design education amid from Brandeis University. Vienna, she received her doctorate with China, Europe, and the US. She is a founding member of the a dissertation on Nazi architecture and urban Mexican Chapter of DOCOMOMO. From planning: «Revision of Modernism under Hila Cohen-Schneiderman is an Israeli cu- June 2013 to December 2014 she was the Swastika. Planning for a New Munich». rator. Since 2018 she has been Chief a fellow of Germany’s Kulturstiftung des Shortly before the fall of the Berlin Wall, she Curator of MoBY: Museums of Bat Yam. She Bundes at Stiftung Bauhaus Dessau, working began her professional career at the specializes in site-specific projects based as co-curator, together with Werner Möller, Deutsches Historisches Museum, Berlin, on artistic research and explores how artists on the exhibition The Coop Principle: Hannes and worked in the National Gallery of and art relate to the public and the urban Meyer and the Idea of Collective Design the Staatliche Museen zu Berlin (SMB), at realm. Between 2016–17 she curated the presented at the Stiftung Bauhaus Dessau, the first joint exhibition of both National Liebling Project—a multi-disciplinary artists’ Germany, from May to September 2015, Galleries in East and West Berlin before residency in collaboration with the Tel Aviv in the Gallery Archizoom of the Ecole their reunification, as well as in the SMB Art Municipality Conservation Department, Polytechnique Fédérale de Lausanne and Library’s architecture collection. rethinking the concept of urban conserva- Forum d’Architectures in Lausanne, She worked as an exhibition curator at the tion. From 2012–2016, she worked as Switzerland, from September to October National Gallery (e.g. Centennial Exhibition) a curator at the Petach Tikva Museum of Art 2016 and the Franz Mayer Museum and as Head of Communications, Media, and between 2010–2011 she acted as cu- in Mexico City from March to May 2017. Publications at the Art and Exhibition Hall of rator and director of the Spaceship Gallery She is a member of the editorial board of the Federal Republic of Germany, Bonn. She at Hayarkon 70 social complex, Tel-Aviv. the journal DeArq of the Universidad de conceived and organized academic, She teaches at the Bezalel Academy of los Andes, Colombia. discursive and cultural programs in the Art and Design, Jerusalem and Shenkar College, Directorate General of the Staatliche Museen Ramat Gan. She is a graduate of the «Revivim: Lilian-Astrid Geese, conference interpreter zu Berlin (e.g. InselPerspektiven on UNESCO Honors Program» and holds an MA in Hebrew (aiic) and translator for English, French and World Heritage Museum Island; public Literature from the Hebrew University of Spanish in Berlin. Born in Bonn/Germany, discussions on issues of cultural diversity in Jerusalem. Some of her recentexhibitions studied and passed her MA at FASK (im)migration societies) and at the University include Eliyahu Fatal’s solo show: Since Then, Germersheim, Johannes Gutenberg Uni- of Rostock. The focus of her research Measurements Have Begun, Bat Yam Museum versity Mainz. She has worked for many interest is on 20th century art, culture and of Art 2020; the trilogy Plenty—New Age— years as freelancer for the art and culture architecture in a socio-political context The Believers, Bat Yam Museum of Art, 2018– scene, theaters, centers of literature, and on a transnational and transcultural con- 2019; Transferumbau: Liebling-Dessau, at museums, galleries and publishing houses cept of cultural heritage as a network Bauhaus Dessau & Liebling Haus 2019; The in Germany and abroad. Selected refer- of relationships, understood with regard Crystal Palace & the Temple of Doom, Petach ences: Haus der Kulturen der Welt, Berlin, to museums as an impetus for change. Tikva Museum of Art, 2016, and many more. Bauhaus-Archiv / Museum für Gestaltung, 484 Authors and Publication Team Berlin, Berliner Festspiele, Staatliche Museen shown in nine different locations until 2007. a blog on education and family. As an MA zu Berlin, KW Institute for Contemporary In 2011 he presented his theses on the student, she contributed to the development Art, Berlin, Berlinale, Schaubühne, Berlin, specificity of Modernism in GDR architecture of the SpielRaumStadt concept (Turit Fröbe/ and HAU Hebbel am Ufer, Berlin. Consultant at the «Denkmal Ost-Moderne» interna- Kirsten Winderlich (eds.): SpielRaumStadt. interpreter for festivals and competitions, tional symposium at the Bauhaus University Baukulturvermittlung für Kinder, Athena including IFFF International Women’s Film Weimar; these were published in 2012. Verlag 2017).
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