The Canterbury Tales Pilgrimage a ONCE in a LIFETIME JOURNEY THAT TRACES the FOOTSTEPS of CHAUCER’S BELOVED PILGRIMS
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Document in Detail: Diocese of Canterbury Medieval Fragments
Issue 10, Summer 2018 Kent Archives is set for a busy summer. In this edition of our newsletter we introduce you to our joint project with Findmypast to digitise our parish register collection. The image in our header is from the first Cranbrook parish composite register [ref. P100/1/A/1], and is just one of the thousands of registers that will be digitised. We are also in the middle of transferring the remaining historic records of the Diocese of Canterbury from Canterbury Cathedral Archives to the Kent History and Library Centre to join its probate records, which have been held by Kent Archives since 1946. At the same time, archive cataloguing of one of Maidstone’s major papermaking collections is nearly complete; further World War I commemorative activities are underway; and work continues on the Catalogue Transfer Project and Manorial Documents Register Project for Kent. Document in Detail: Diocese of Canterbury Medieval Fragments [DCb/PRC/50/5] Mark Ballard, Archive Service Officer Among many other records of great value within the records of Canterbury Diocese are the ‘medieval fragments’ [DCb/PRC/49 and DCb/PRC/50], which in the post-Reformation period came to be used as covers, or ‘end-parchments’, for the probate registers. If we can judge by the dates of the act books and wills and inventories registers they covered, this recycling became a habit during the episcopate of Archbishop Matthew Parker (1559-1575). It is perhaps ironic that at precisely the time that Thomas Tallis and William Byrd, probably both closet Roman Catholics, were still being employed to write motets for the Chapel Royal, such disrespectful treatment was being accorded at Canterbury to their medieval predecessors. -
Ovid's Wand: the Brush of History and the Mirror of Ekphrasis Presented In
Ovid’s Wand: the brush of history and the mirror of ekphrasis Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Reid Hardaway, M.A. Graduate Program in English The Ohio State University 2017 Dissertation Committee: Ethan Knapp, Advisor Karen Winstead Sarah-Grace Heller Copyright by Reid Hardaway 2017 Abstract The recent work on the manuscript reception of Ovid’s canon and Ovidian commentaries in western Europe has affirmed the author’s significant literary influence in the late Mid- dle Ages. The production and reception of Ovidinia flourished, and Ovid’s poems in- creasingly became read as coherent compositions rather than dissected for bits of moral exempla. In particular, the Metamorphoses profoundly affects the literary landscape of late medieval France and England. Allusions to Ovid’s poem reemerge throughout the late Middle Ages at defining moments of poetic self-consciousness, most often through figures of ekphrasis, the use of poetry in order to portray other media of art. By examin- ing such moments from a selection of influential medieval poems, the mind of the late medieval poet reveals itself in perpetual contestation with the images and figures of an Ovidian lineage, but the contest entails the paradoxical construction of poetic identity, which forces the poet to impose the haunting shadow of literary history onto the mirror of his or her craft. ii Acknowledgements The following work would not have been possible without the considerate and insightful assistance of my advisor, Ethan Knapp, as well as the other members of the dissertation committee, Karen Winstead and Sarah-Grace Heller. -
“General Prologue,” Canterbury Tales: Informational/Explanatory Writing and Close Reading Task Text Grade Band Placement
“General Prologue,” Canterbury Tales: Informational/explanatory Writing and Close Reading Task Text grade band placement: 11-12 Text Text Complexity Analysis Title: General Prologue, The Canterbury Quantitative: Tales Lexile: 1310L Author: Geoffrey Chaucer Qualitative: Meaning - Several levels/layers and competing elements of meaning that are difficult to Citation/Publication info: identify, separate, and interpret; theme is implicit or subtle, often ambiguous and revealed over Chaucer, Geoffrey. The Canterbury the entirety of the text Tales. Trans. Nevill Coghill. Prentice Hall Literature: The Text Structure - Narration: Complex and/or unconventional; many shifts in point of view and/or British Tradition. Upper Saddle perspective; Order of Events: Not in chronological order; heavy use of flashback River, NJ: Pearson, 2012. 97- 119. Print. Language Features - Conventionality: Dense and complex; contains abstract, ironic, and/or figurative language; Vocabulary: Some use of unfamiliar, archaic, subject-specific, or overly Link: academic language http://www.fordham.edu/halsall/source/CT- prolog-para.html Knowledge Demands - Life Experiences: Explores many complex and sophisticated themes; experiences are distinctly different from the common reader; Intertextuality and Cultural Knowledge: Some references or allusions to other texts or cultural elements; Subject Matter Knowledge: requires some prior content knowledge Reader and Task: The Common Core State Standards name The Canterbury Tales as an exemplar text for the 11- 12 grade band. It is important to note that even in a translated version, the text remains a challenge given the complexities of meaning, text structure, language features and knowledge demands placed upon the reader. ELA Common Core Standards addressed by task CCSS.ELA-Literacy.RL.11-12.1 Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain. -
The Bard at the Tabard | TLS
The Bard at the Tabard | TLS WELCOME Q2hpYWtpIEhhbmFidXNh The leading international forum for literary culture Log out HOME / PUBLIC The Bard at the Tabard MARTHA CARLIN We hope you enjoy this free piece from Did Shakespeare, Jonson and their the TLS, which is available every ‘roystering associates’ drink at the inn Thursday in print and via the TLS app. where Chaucer’s pilgrims gathered? An This week’s issue also features Tessa intriguing discovery suggests they did Hadley on adventures in reading, Nadia Atia on Baghdad and Rachel Polonsky Published: 24 September 2014 on Malevich at Tate Modern. We also look at trust in politics, Thomas Nashe’s dog days, the rise of Afrikaner nationalism – and much more. WELCOME TO THE TLS A new glimpse of Shakespeare and his circle appears in a description of the London borough We hope you enjoy our free selection of reviews and of Southwark, written around 1643 by an articles from this week's Times Literary Supplement. anonymous antiquary, and now part of a The TLS is available in print and as an app, with full portfolio of twenty-seven loose sheets of paper access to our online archives. in Edinburgh University Library (MS La. II 422/211). The recto sides of these pages contain Patrick Stewart and Richard McCabe as Shakespeare and Jonson, from Edward Bond’s play manuscript notes, in fair copy, described as In the latest in the TLS's occasional series of readings, Bingo Photograph: [email protected] “Some notes for my Perambulation in and Ronald Blythe and Michael Caines celebrate Laurie Lee, the round ye Citye of London for six miles and author of Cider with Rosie, who was born 100 years ago. -
Coaches Between Canterbury, Dover and London
Coach timetable Important notes Family Coachcard Kids go free • Coachcard from £8 for one year For more information and to book • Adult pays the fare, child travels free Click nationalexpress.com Coaches between National Express Coach Station • Ideal for days out, short breaks or Call 08717 81 81 81 - open 24/7 1 Does not operate 27 August, 24, 27, 28 & 31 December, travelling to the airport (You can get your ticket sent straight to your mobile). Canterbury, Dover 29 March, 1 April and 6 May. • Guaranteed seat, with a valid ticket Visit any National Express ticket outlet 2 Operates additionally 27 August, 24, 27, 28 & 31 Please note: booking fees vary depending on booking method. December, 29 March, 1 April and 6 May. and London 3 Does not operate 24 & 31 December. Assisted travel M-F Monday to Friday only. If you are travelling in a wheelchair or require assistance, please SSu Saturday and Sunday only. Senior and Disabled Coachcard call our helpline at least 36 hours in advance of travel. Destinations include: J Coach stop located between Carpetright and Railway 1/3 off coach travel Call 08717 81 81 79 (option 4) - open 0800-2000 London Bridge. Dartford (Bluewater) • £10 for one year Be the fi rst to know l Coach between Dover and Ashford also calls at • Available all year round, Gillingham Capel le Ferne, Sandgate, Seabrook, Newingreen, Sign up to receive exclusive offers, exciting competitions, useful Maidstone Sellinge and Willesborough. no peak or off-peak restrictions • Almost 1,000 towns and cities served travel tips and news. -
On Huang Gaoxin's Choices in the Translation of the Canterbury Tales
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CSCanada.net: E-Journals (Canadian Academy of Oriental and Occidental Culture,... ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 20, No. 2, 2020, pp. 9-15 www.cscanada.net DOI:10.3968/11652 www.cscanada.org On Huang Gaoxin’s Choices in the Translation of The Canterbury Tales ZHU Kun[a],* [a]School of English Studies, Shanghai International Studies University, Shanghai, China. asceticism and praises people who pursue happiness * Corresponding author. and freedom, which embodies the humanism spirit of Received 26 December 2019; accepted 17 February 2020 Chaucer. Meanwhile, in this work, Chaucer created the 1 Published online 26 April 2020 heroic couplet , which has been widely used by later English poets. As a result, this collection is regarded as Abstract the beginning of modern English poetry. As a Chinese translator, Huang Gaoxin has been Over the next few hundred years, the collection has devoting himself to the translation of poetry for over been translated into many languages and spread to many fifty years and has successfully translated a large number countries. Since the 1940s, it has been translated into of collections of English poems into Chinese, among Chinese by many Chinese translators, one of whom is which The Canterbury Tales is an essential one. By Huang Gaoxin. However, Huang did not translate it into comparing the translated version of The Canterbury free verse, nor did he adopt a unified translation method Tales by Huang with its original version and analyzing to translate different poetic forms in the original work. -
Summary & Analysis of the Pardoner's Tale
Summary & Analysis of The Pardoner’s Tale Summary Apparently deeply affected by the Physician's sad and gruesome tale of Virginia, the Host praises the Physician by using as many medical terms as he can muster. However, he rejects the Physician's moral to the tale and substitutes one of his own: Thus the gifts of fortune and nature are not always good ("The gifts of Fortune and Nature have been the cause of the death of many a person"). Thinking that the pilgrims need a merry tale to follow, the Host turns to the Pardoner. The more genteel members of the company, fearing that the Pardoner will tell a vulgar story, ask the Pardoner for a tale with a moral. The Pardoner then explains to the pilgrims the methods he uses in preaching. His text is always "Radix malorum est cupidatis" ("Love of money is the root of all evil"). Always employing an array of documents and objects, he constantly announces that he can do nothing for the really bad sinners and invites the good people forward to buy his relics and, thus, absolve themselves from sins. Then he stands in the pulpit and preaches very rapidly about the sin of avarice so as to intimidate the members into donating money. He repeats that his theme is always "Money is the root of all evil" because, with this text, he can denounce the very vice that he practices: greed. And even though he is guilty of the same sins he preaches against, he can still make other people repent. -
Clerk's Tale." Robert R
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2003 "And Gladly Wolde He Teche": Chaucer's Use of Source Materials in the "Clerk's Tale." Robert R. Brandon II East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons Recommended Citation Brandon, Robert R. II, ""And Gladly Wolde He Teche": Chaucer's Use of Source Materials in the "Clerk's Tale."" (2003). Electronic Theses and Dissertations. Paper 748. https://dc.etsu.edu/etd/748 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “And Gladly Wolde He Teche:” Chaucer’s Use of Source Materials in the “Clerk’s Tale” ________________________________________________ A thesis presented to the faculty of the Department of English East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in English _________________________________________________ By Robert R. Brandon May 2003 _________________________________________________ Dr. DiCicco, Chair Dr. Powers-Beck Dr. Stanley Keywords: Chaucer, Clerk’s Tale, Griselda, Canterbury Tales ABSTRACT And Gladly Wolde He Teche: Chaucer’s Use of Source Materials in the “Clerk’s Tale” By Robert R. Brandon Few of Chaucer’s works provoke such animosity as does his “Clerk’s Tale.” Modern critics are divided by the social and gender issues to which the tale lends itself. -
Canterbury - 2019 Results
Commissioned by: Visit Kent Economic Impact of Tourism Canterbury - 2019 Results November 2020 Produced by: Destination Research www.destinationresearch.co.uk Contents Page Introduction and Contextual Analysis 3 Headline Figures 6 Volume of Tourism 8 Staying Visitors in the county context 9 Staying Visitors - Accommodation Type 10 Trips by Accommodation Nights by Accommodation Spend by Accommodation Staying Visitors - Purpose of Trip 11 Trips by Purpose Nights by Purpose Spend by Purpose Day Visitors 12 Day Visitors in the county context 12 Value of Tourism 13 Expenditure Associated With Trips 14 Direct Expenditure Associated with Trips Other expenditure associated with tourism activity Direct Turnover Derived From Trip Expenditure Supplier and Income Induced Turnover Total Local Business Turnover Supported by Tourism Activity Employment 16 Direct 17 Full time equivalent Estimated actual jobs Indirect & Induced Employment 17 Full time equivalent Estimated actual jobs Total Jobs 18 Full time equivalent Estimated actual jobs Tourism Jobs as a Percentage of Total Employment 18 Appendix I - Cambridge Model - Methodology 20 Economic Impact of Tourism Canterbury - 2019 Results 2 Introduction This report examines the volume and value of tourism and the impact of visitor expenditure on the local economy in 2019 and provides comparative data against the previously published data for Kent (2017). Part of the Interreg Channel EXPERIENCE project, Destination Research was commissioned by Visit Kent to produce 2019 results based on the latest data from national tourism surveys and regionally/locally based data. The results are derived using the Cambridge Economic Impact Model. In its basic form, the model distributes regional activity as measured in national surveys to local areas using ‘drivers’ such as the accommodation stock and occupancy which influence the distribution of tourism activity at local level. -
Or... Geoffrey Chaucer's Flying Circus
or... Geoffrey Chaucer’s Flying Circus By Burton Bumgarner © Copyright 2007, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” THE CANTERBURY TALES Or… Geoffrey Chaucer’s Flying Circus By BURTON BUMGARNER CAST OF CHARACTERS # of lines BORING SCHOLAR.....................lectures on Chaucer 11 HARRY BAILEY ..........................host of the Tabard Inn and the 117 narrator of The Canterbury Tales STAGE MANAGER ......................of the play 4 SIGN CHANGER .........................changes signs for each scene n/a GEOFFREY CHAUCER .................author of The Canterbury Tales; 59 unfocused WRONG PILGRIMS 1-4 ...............Thanksgiving pilgrims in the 4 wrong story MRS. -
England and Englishness in Canterbury Tales
Masaryk University Brno FACULTY OF EDUCATION Department of English Language and Literature Tomáš Juránek English and Englishness in Canterbury Tales Bachelor Thesis Brno 2015 Supervisor: Mgr. Jaroslav Izavčuk Declaration Hereby I declare that I have worked on my thesis independently and that I have used only the sources listed in the Bibliography 2 Declaration I would like to thank Mgr. Jaroslav Izavčuk and express my gratitude for his patience and supervision of my thesis 3 Annotation This bachelor thesis discusses the reflection of Englishness in Chaucer’s Canterbury Tales in medieval England and culture in 14th century. Its main aims are to analyse the characters from the English point of view and study the idea of Englishness. It describes the three estates in medieval England and their portrayal in The Canterbury Tales. Key Words England, Englishness, Canterbury Tales, Chaucer Anotace Tato bakalářská práce zkoumá odraz angličnosti v Chaucerových Canterburských Povídkách odehrávajících se ve středověké Anglii 14.století. Její hlavní cíle jsou analyzovat postavy z Anglického pohledu a studovat teorii angličnosti. Práce popisuje tři statky ve středověké Anglii a jejich popis v Canterburských Povídkách Klíčová slova Anglie, Angličnost, Canterburské Povídky, Chaucer 4 Table of Contents 1 Introduction ............................................................................................................................... 6 2 Geoffrey Chaucer – Politician, Poet, Englishman ...................................................................... -
1 Browns Cottages, High Street, Fordwich, Canterbury, CT2 0DN £275,000 EPC Rating: Exempt
1 Browns Cottages, High Street, Fordwich, Canterbury, CT2 0DN £275,000 EPC Rating: Exempt 1 Browns Cottages High Street, Fordwich, Canterbury An end of terrace Grade II listed cottage set within the Conservation area of Fordwich Situation Services This attractive end of terrace period cottage is All main services are understood to be connected situated in the Conservation area of Fordwich, to the property England's smallest town. Fordwich lies to the north east of The Cathedral City of Canterbury, which Local Authority provides extensive educational, leisure and Canterbury City Council, shopping facilities. The mainline station at Sturry Council Offices, Military Road, provides connections to Ashford and the High Canterbury, Kent, CT1 1YW. Speed service from Canterbury West to London St Pancras (about 60 minutes. The Channel Port of Dover (about 21 miles) and the Channel Tunnel Current Council Tax Band: C Terminal at Cheriton (about 20 miles) provide access to the Continent, as do Eurostar services Agents Note from Ashford International (about 19 miles). The property is ‘bought as seen’ and the Agents are unable to comment on the state and condition The Property of any fixtures, fittings and appliances etc. 1 Browns Cottage is a Grade II listed end of terrace cottage with colour washed elevations set beneath a tiled roof. The accommodation comprises sitting room, dining room, kitchen and family bathroom on the ground floor together with two double bedrooms on the first floor. There is a low maintenance cottage style garden to the rear with a timber built shed/workshop and off road parking for two/three cars.