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ZINEMATEKA BUSTER KEATON Otsailaren 10Etik Martxoaren 17Ra Del 10 De Febrero Al 17 De Marzo EGITARAUA PROGRAMA

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ZINEMATEKA BUSTER KEATON Otsailaren 10Etik Martxoaren 17Ra Del 10 De Febrero Al 17 De Marzo EGITARAUA PROGRAMA ZINEMATEKA BUSTER KEATON Otsailaren 10etik martxoaren 17ra Del 10 de febrero al 17 de marzo EGITARAUA PROGRAMA 17:30 The saphead / Pasión y boda de pamplinas (1920) 17:30 Go west / El rey de los cowboys (1925) HERBERT BLACHÉ / WINCHELL SMITH 70’ DCP BUSTER KEATON 68’ DCP One week / Una semana (1920) The paleface / El rostropálido (1922) EDWARD F. CLINE / BUSTER KEATON 19’ DCP BUSTER KEATON 20’ DCP OTSAILAK 10 DE FEBRERO MARTXOAK 2 DE MARZO Asteazkena Miércoles 19:30 The three ages / Las tres edades (1923) Asteazkena Miércoles 19:30 Battling butler / El boxeador (1926) BUSTER KEATON / EDWARD F. CLINE 80’ DCP BUSTER KEATON 74’ DCP The scarecrow / El espantapájaros (1920) My wife´s relations / Las relaciones con mi mujer (1922) BUSTER KEATON / EDWARD F. CLINE 18’ DCP BUSTER KEATON 30’ DCP 17:30 The three ages / Las tres edades (1923) Battling butler / El boxeador (1926) 17:30 BUSTER KEATON / EDWARD F. CLINE 80’ DCP BUSTER KEATON 74’ DCP The scarecrow / El espantapájaros (1920) My wife´s relations / Las relaciones con mi mujer (1922) OTSAILAK 11 DE FEBRERO BUSTER KEATON / EDWARD F. CLINE 18’ DCP MARTXOAK 3 DE MARZO BUSTER KEATON 30’ DCP Osteguna Jueves Osteguna Jueves 19:30 The saphead / Pasión y boda de pamplinas (1920) 19:30 Go west / El rey de los cowboys (1925) HERBERT BLACHÉ / WINCHELL SMITH 70’ DCP BUSTER KEATON 68’ DCP One week / Una semana (1920) The paleface / El rostropálido (1922) EDWARD F. CLINE / BUSTER KEATON 19’ DCP BUSTER KEATON 20’ DCP 17:30 Our hospitality / La ley de la hospitalidad (1923) 17:30 The general / El maquinista de la general (1926) JOHN G. BLYSTONE / BUSTER KEATON 70’ DCP CLYDE BRUCKMAN / BUSTER KEATON 83’ DCP Neighbors / Vecinos (1920) EDWARD F. CLINE / BUSTER KEATON 18’ DCP OTSAILAK 17 DE FEBRERO MARTXOAK 9 DE MARZO 19:30 College / El colegial (1927) Asteazkena Miércoles 19:30 Sherlock Jr. / El moderno Sherlock Holmes (1924) Asteazkena Miércoles JAMES W. HORNE 75’ DCP BUSTER KEATON 51’ DCP The blacksmith / El herrero (1922) The haunted house / Pamplinas y los fantasmas (1921) MALCOM ST. CLAIR / BUSTER KEATON 22’ DCP EDWARD F. CLINE / BUSTER KEATON 21’ DCP College / El colegial (1927) Sherlock Jr. / El moderno Sherlock Holmes (1924) 17:30 17:30 JAMES W. HORNE 75’ DCP BUSTER KEATON 51’ DCP The haunted house / Pamplinas y los fantasmas (1921) MARTXOAK 10 DE MARZO The blacksmith / El herrero (1922) OTSAILAK 18 DE FEBRERO EDWARD F. CLINE / BUSTER KEATON 21’ DCP Osteguna Jueves MALCOM ST. CLAIR / BUSTER KEATON 22’ DCP Osteguna Jueves 19:00 Our hospitality / La ley de la hospitalidad (1923) 19:30 The general / El maquinista de la general (1926) JOHN G. BLYSTONE / BUSTER KEATON 70’ DCP CLYDE BRUCKMAN / BUSTER KEATON 83’ DCP Neighbors / Vecinos (1920) EDWARD F. CLINE / BUSTER KEATON 18’ DCP 17:30 Steamboat Bill Jr. / El héroe del río (1928) CHARLES F. REINER / BUSTER KEATON 70’ DCP The navigator / El navegante (1924) 17:30 The frozen North / Pamplinas en el norte (1922) DONALD CRISP / BUSTER KEATON 80´DCP MARTXOAK 16 DE MARZO MALCOM ST. CLAIR / BUSTER KEATON 17’ DCP The goat / La cabra (1921) Asteazkena Miércoles OTSAILAK 24 DE FEBRERO MALCOM ST. CLAIR / BUSTER KEATON 24’ DCP Asteazkena Miércoles 19:30 The cameraman / El cameraman(1928) 19:30 Seven chances / Las siete ocasiones (1925) EDWARD SEDGWICK / BUSTER KEATON 69’ 35mm BUSTER KEATON 57’ DCP The play house / El gran espectáculo (1921) 17:30 The cameraman / El cameraman(1928) EDDIE CLINE / BUSTER KEATON 22’ DCP EDWARD SEDGWICK / BUSTER KEATON 69’ 35mm 17:30 Seven chances / Las siete ocasiones (1925) MARTXOAK 17 DE MARZO Steamboat Bill Jr. / El héroe del río (1928) BUSTER KEATON 57’ DCP Osteguna Jueves 19:00 CHARLES F. REINER / BUSTER KEATON 70’ DCP The play house / El gran espectáculo (1921) The frozen North / Pamplinas en el norte (1922) OTSAILAK 25 DE FEBRERO EDDIE CLINE / BUSTER KEATON 22’ DCP MALCOM ST. CLAIR / BUSTER KEATON 17’ DCP Osteguna Jueves 19:00 The navigator / El navegante (1924) DONALD CRISP / BUSTER KEATON 80’ DCP The goat / La cabra (1921) Film guztiak JBGA (jatorrizko bertsioa azpitituluekin), soinua erantsita eta ingelesezko errotuluekin. MALCOM ST. CLAIR / BUSTER KEATON 24’ DCP Todas las proyecciones son VOSE (versión original subtitulada) sonorizadas con rótulos en inglés. 4 zinemateka zinemateka 5 Joan den mendearen hogeiko hamarka- En los años veinte del siglo pasado, durante su última dan, soinudun zinema iritsi aurreko azken década antes de la irrupción del cine sonoro, el cine hamarraldian, zinema mutuak aparteko mudo vivió un periodo de extraordinario esplendor bikaintasun artistikoko garaia izan zuen. artístico. las películas de aquella época de autores Lang, Muenau, Lubitsch, Stroheim, Eisenstein, Vidor como Lang, Muenau, Lubitsch, Stroheim, Eisenstein, eta garai hartako beste autore batzuen filmak lehe- Vidor, etc. son obras de primer rango dentro de la nengo mailako artelanak dira zinemaren historiaren historia del cine. En esos años, la comedia cómica baitan. Urte horietan, urrezko aroa bizi izan zuen Ame- americana vivió también una época dorada en la que rikako komedia komikoak ere, eta Charles Chaplin fi- destacó como ídolo indiscutible de crítica y público gura geniala izan zen orduko kritikaren eta ikusleen la genial figura de Charles Chaplin y solamente otro iritziz idolo eztabaidaezina. Beste artista bat bakarrik artista fue capaz de situarse a su nivel, Buster Keaton. izan zen haren mailan jartzeko gai: Buster Keaton. Buster era un apodo que tuvo desde niño y que ‘KERONEAKO SEXTORI IKASIA: Buster umetatik zetorkion ezizena zen; Harry Houdini provenía de una exclamación de Harry Houdini, el mago ihes-egile ospetsuak lan egiten zuen antzokian famoso mago escapista, cuando fue testigo de una EZ AZALDU INOIZ ERE SUMINAREN bere erorketa ikaragarrietako bat ikusi zuenean egin de sus tremendas caídas en el teatro en que actua- EDO BESTE EDOZEIN GRINAREN zuen oihuan du sorburua. Joseph Frank zuen bene- ba. Su verdadero nombre era Joseph Frank y nació tako izena, eta Kansaseko Pikaway izeneko herrian en un pueblo de Kansas llamado Pikaway en 1895. ITXURARIK; IZAN ALDI BEREAN ERABAT jaio zen 1895ean. Bere gurasoak aktoreak zirenez, Sus progenitores eran actores, debutó de niño en los PASIORIK GABEA ETA SAMURRA’. umetan egin zuen debuta agertokietan. Handik gutxi- escenarios y pronto su padre tuvo muy graves pro- ra, aita alkoholarekin benetan arazo larriak izaten hasi blemas con el alcohol. En estas tres últimas cosas se zen. Azkeneko hiru kontu horietan Chaplinen antza pareció a Chaplin, pero aunque desarrollaron carre- ‘DE SEXTO DE QUERONEA: izan zuen, eta, ibilbide paraleloak bizi izan bazituzten ras paralelas, sus vidas, sus estilos cinematográficos ere, euren bizitzak, zinema-estiloak eta bakoitzak sor- y los personajes que cada uno creó fueron muy dife- NO DAR JAMÁS LA IMPRESIÓN tu zituen pertsonaiak oso desberdinak izan ziren, eta rentes y en muchos aspectos antitéticos. alde askotatik antitetikoak ere bai. DE CÓLERA O CUALQUIER OTRA Mientras el personaje chapliniano fue conocido como PASIÓN, SINO SER A UN TIEMPO MUY Chaplinen pertsonaia mundu guztian Charlot bezala Charlot en todo el mundo, el que interpretaba Keaton ezagutu zen bitartean, Keatonek irudikatzen zuenari recibió nombres diversos según los países y así por DESAPASIONADO Y MUY TIERNO’ hainbat izen eman zizkioten, herrialdeen arabera, eta ejemplo en España le pusieron el poco apropiado Espainian Pamplinas (Txorakeria-esalea) izengoiti apodo de Pamplinas. En sus filmes, que se pueden desegokia jarri zioten. Hainbat garaitan garatzen diren desarrollar en épocas diferentes, Keaton interpretaba bere filmetan, Keatonek zenbait paper jokatu zituen. distintos papeles, de tal modo que podía ser un Horrenbestez, izan zitekeen milioiduna, ikaslea, behi- millonario, un estudiante, un vaquero, un maquinista Marco Aurelio, zaina, treneko makinista, kaleko argazkilaria eta abar, de tren, un fotógrafo callejero, etc. pero no obstante, Gogoetak Meditaciones baina beste inorekin ez nahasteko moduko ezaugarri siempre mantenía unas cualidades peculiares que lo berezi batzuk mantentzen zituen beti. hacen inconfundible. Alde batetik, bereizgarri nabarmen batzuk zeuzkan, Por un lado, unas características externas como su hala nola kapela txikia, keinu neurtuak eta sotilak, pequeño sombrero, sus gestos medidos y sobrios, erorketa berealdikoak, zorabiagarria izan zitekeen sus espléndidas caídas, su agilidad que podía ser bizkortasuna, itxura apaina, begitarte serioa, portaera vertiginosa, su porte elegante, su semblante serio, kementsua eta, batik bat, hondamendiek ere hausten su comportamiento voluntarioso y, sobre todo, un ez zuten estoizismoa. Alderdi horiek pertsonaiak be- estoicismo a prueba de catástrofes. Aspectos que 6 zinemateka zinemateka 7 rezko zituen ezaugarri psikologikoei erantzuten zien, respondían también a unas cualidades psicológicas poreko Billgaztea’ filmean tornadoaren sekuentzian la secuencia del tornado en ‘El héroe del río’ , cuando enfasi dramatiko eta sentimentaletatik urrun beti, aldi propias de este personaje siempre ajeno a todo ikus daitekeen bezala, etxe baten aurrealdea bere cae sobre él la fachada de una casa. berean inolako zakarkeriarik edo ankerkeriarik azaldu énfasis dramático y sentimental, a la vez que carente gainera erortzen denean. En ocasiones construía sus gags jugando con el gabe. Hori dela eta, kritikari batzuek, Charlotek gai- de cualquier grosería o crueldad. Todo esto hizo que Batzuetan, itxuraren engainuarekin jolas eginez erai- engaño de las apariencias y así, lo que se mostraba nezka azaltzen zuen berotasunarekin alderatuz,
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