Event Calendar Millennium Park
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Local Links for SAA Web Site
LOCAL LINKS FOR SAA ANNUAL MEETING WEB SITE Updated: April 30, 2007 Locations are Chicago, IL unless otherwise noted. Telephone number in right column indcates no web site. IN TWELVE SECTIONS 1. GENERAL AND LOGISTICS 7. MUSEUMS, ARCHIVES, LIBRARIES, PARKS, AND OTHER CULTURAL INSTITUTIONS 2. ARCHIVAL ORGANIZATIONS 8. MUSIC, THEATER, AND FILM 3. BOOKSTORES 9. ORGANIZED SIGHTSEEING AND TOURS 4. COLLEGES AND UNIVERSITIES 10. SPORTS AND RECREATION 5. DINING--PART 1--DINING GUIDES AND REVIEWS 11. TOURIST SITES AND HISTORIC AREAS AND NEIGHBORHOODS 6. DINING--PART 2--NEARBY RESTAURANTS (SEE MAP) 12. TRANSPORTATION 1. GENERAL AND LOGISTICS Chicago and Illinois Tourist Office http://www.gochicago.com/ Chicago Convention and Tourism Bureau http://www.choosechicago.com/ Chicago Defender (newspaper) http://chicagodefender.com/ Chicago Greeter (volunteer city orientation service) http://chicagogreeter.com/ Chicago Magazine (monthly magazine) http://chicagomag.com/ Chicago Quick Guide http://guestinformant.com Chicago Reader (alternative weekly newspaper) http://chicagoreader.com Chicago Sun-Times (newspaper) http://www.suntimes.com Chicago Traveler http://www.chicagotraveler.com/ Chicago Tribune (newspaper) http://chicagotribune.com City of Chicago (city government) http://www.cityofchicago.org City Pass (multi-attraction pass) http://www.citypass.com Cook County (county government) http://www.co.cook.il.us Enjoy Illinois (Illinois tourism information) http://www.enjoyillinois.com/ Fairmont Chicago Hotel http://www.fairmont.com/chicago/ Fodor's Guide -
Calendrical Calculations: the Millennium Edition Edward M
Errata and Notes for Calendrical Calculations: The Millennium Edition Edward M. Reingold and Nachum Dershowitz Cambridge University Press, 2001 4:45pm, December 7, 2006 Do I contradict myself ? Very well then I contradict myself. (I am large, I contain multitudes.) —Walt Whitman: Song of Myself All those complaints that they mutter about. are on account of many places I have corrected. The Creator knows that in most cases I was misled by following. others whom I will spare the embarrassment of mention. But even were I at fault, I do not claim that I reached my ultimate perfection from the outset, nor that I never erred. Just the opposite, I always retract anything the contrary of which becomes clear to me, whether in my writings or my nature. —Maimonides: Letter to his student Joseph ben Yehuda (circa 1190), Iggerot HaRambam, I. Shilat, Maaliyot, Maaleh Adumim, 1987, volume 1, page 295 [in Judeo-Arabic] If you find errors not given below or can suggest improvements to the book, please send us the details (email to [email protected] or hard copy to Edward M. Reingold, Department of Computer Science, Illinois Institute of Technology, 10 West 31st Street, Suite 236, Chicago, IL 60616-3729 U.S.A.). If you have occasion to refer to errors below in corresponding with the authors, please refer to the item by page and line numbers in the book, not by item number. Unless otherwise indicated, line counts used in describing the errata are positive counting down from the first line of text on the page, excluding the header, and negative counting up from the last line of text on the page including footnote lines. -
The Climate of the Last Millennium
The Climate of the Last Millennium R.S. Bradley Climate System Research Center, Department of Geosciences, University of Massachusetts, Amherst, MA, 01003, United States of America K.R. Briffa Climatic Research Unit, University of East Anglia, Norwich, NR4 7TJ, United Kingdom J.E. Cole Department of Geosciences, University Arizona, Tucson, AZ 85721, United States of America M.K. Hughes Lab. of Tree-Ring Research, University of Arizona, 105 W. Stadium, Bldg. 58, Tucson, AZ 85721, United States of America T.J. Osborn Climatic Research Unit, University of East Anglia, Norwich, NR4 7TJ, United Kingdom 6.1 Introduction records with annual to decadal resolution (or even We are living in unusual times. Twentieth century higher temporal resolution in the case of climate was dominated by near universal warming documentary records, which may include daily with almost all parts of the globe experiencing tem- observations, e.g. Brázdil et al. 1999; Pfister et al. peratures at the end of the century that were signifi- 1999a,b; van Engelen et al. 2001). Other cantly higher than when it began (Figure 6.1) information may be obtained from sources that are (Parker et al. 1994; Jones et al. 1999). However the not continuous in time, and that have less rigorous instrumental data provide only a limited temporal chronological control. Such sources include perspective on present climate. How unusual was geomorphological evidence (e.g. from former lake the last century when placed in the longer-term shorelines and glacier moraines) and macrofossils context of climate in the centuries and millennia that indicate the range of plant or animal species in leading up to the 20th century? Such a perspective the recent past. -
Read This Issue
Look to the rock from which you were hewn Vol. 28, No. 1, Winter 2004 chicago jewish historical society chicago jewish history IN THIS ISSUE Martin D. Kamen— Science & Politics in the Nuclear Age From the Archives: Synagogue Project Dr. Louis D. Boshes —Memorial Essay & Oral History Excerpts “The Man with the Golden Fingers” Report: Speaker Ruth M. Rothstein at CJHS Meeting Harold Fox measures Rabbi Morris Gutstein of Congregation Shaare Tikvah for a kosher suit. Courtesy of Harold Fox. African-American (Nate Duncan), and one Save the Date—Sunday, March 21 Mexican (Hilda Portillo)—who reminisce Author Carolyn Eastwood to Present about interactions in the old neighborhood and tell of their struggles to save it and the “Maxwell Street Kaleidoscope” Maxwell Street Market that was at its core. at Society Open Meeting Near West Side Stories is the winner of a Book Achievement Award from the Midwest Dr. Carolyn Eastwood will present “Maxwell Street Independent Publishers’ Association. Kaleidoscope,” at the Society’s next open meeting, Sunday, There will be a book-signing at the March 21 in the ninth floor classroom of Spertus Institute, 618 conclusion of the program. South Michigan Avenue. A social with refreshments will begin at Carolyn Eastwood is an adjunct professor 1:00 p.m. The program will begin at 2:00 p.m. Invite your of Anthropology at the College of DuPage friends—admission is free and open to the public. and at Roosevelt University. She is a member The slide lecture is based on Dr. Eastwood’s book, Near West of the CJHS Board of Directors and serves as Side Stories: Struggles for Community in Chicago’s Maxwell Street recording secretary. -
The Auditorium Theatre Celebrates 50Th Anniversary of Their Grand Re
10/12/2017 Auditorium Theatre One-Night-Only Performance Honoring the Theatre's Past, Present, Future View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 5, 2017 THE AUDITORIUM THEATRE CELEBRATES 50th ANNIVERSARY OF THEIR GRAND RE-OPENING WITH ONE-NIGHT-ONLY PERFORMANCE FEATURING PREMIER DANCERS FROM TOP COMPANIES AROUND THE WORLD THE EVENING INCLUDES PERFORMANCES BY DANCERS FROM ALVIN AILEY AMERICAN DANCE THEATER, AMERICAN BALLET THEATRE, DUTCH NATIONAL BALLET, THE JOFFREY BALLET, NEW YORK CITY BALLET, THE WASHINGTON BALLET, AND FINALISTS FROM YOUTH AMERICA GRAND PRIX A Golden Celebration of Dance – November 12, 2017 On November 12, 2017, the Auditorium Theatre, The Theatre for the People, commemorates the 50th anniversary of its grand re-opening with A Golden Celebration of Dance, a one-night-only mixed repertory program featuring dancers from the world’s premier dance companies: Alvin Ailey American Dance Theater, American Ballet Theatre, Dutch National Ballet, Eifman Ballet of St. Petersburg, Hubbard Street Dance Chicago, The Joffrey Ballet, MOMIX, New York City Ballet, Parsons Dance, The Suzanne Farrell Ballet, and The Washington http://tracking.wordfly.com/view/?sid=NjUzXzQ4NTRfMjc3ODA2XzY5NTk&l=4d2b8dea-61af-e711-8416-e41f1345a486&utm_source=wordfly&utm_me… 1/5 10/12/2017 Auditorium Theatre Ballet. In addition, the evening will feature special performances by finalists from the Youth America Grand Prix, the next generation of great dancers. In 1941, the Auditorium Theatre closed its doors to the public in the wake of the Great Depression. Aside from when it was used as a servicemen’s center during World War II, the theatre sat unused and in disrepair, until a 7-year-long fundraising campaign – led by Beatrice Spachner and the Auditorium Theatre Council – covered the costs of theatre renovation, culminating with a grand re-opening on October 31, 1967. -
The Nightmare Before Christmas
Featuring the Chicago Philharmonic View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: July 17, 2018 DISNEY IN CONCERT: TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS COMES TO THE AUDITORIUM THEATRE ON OCTOBER 31 TICKETS ON SALE JULY 27 AT NOON COMMEMORATING THE 25th ANNIVERSARY OF THE CLASSIC FILM Chicago Philharmonic Performs Danny Elfman’s Renowned Score Live to Film Disney in Concert: Tim Burton’s The Nightmare Before Christmas – October 31, 2018 (Chicago, IL) – Jack Skellington and the residents of Halloween Town pay a visit to Chicago on October 31, 2018, when Disney in Concert: Tim Burton’s The Nightmare Before Christmas comes to the Auditorium Theatre. Tickets go on sale Friday, July 27 at noon and will be available online at AuditoriumTheatre.org, by phone at 312.341.2300, or in person at the Auditorium Theatre Box Office (50 E Congress Pkwy). Tickets start at $30. Tickets are also on sale now as part of the Auditorium's American Music Series subscription and for groups of 10 or more people. The Halloween screening commemorates the 25th anniversary of Tim Burton's stop-motion masterpiece and features the Chicago Philharmonic performing Danny Elfman's beloved score. Attendees are encouraged to dress in costume and celebrate Halloween in the Auditorium Theatre lobby. "We are beyond thrilled to celebrate the 25th anniversary of this classic film on our historic stage with the acclaimed musicians of the Chicago Philharmonic, right on Halloween!" says C.J. -
Contents GUT Volume 52 Number 1 January 2003
contents GUT Volume 52 Number 1 January 2003 Journal of the British Society of Gastroenterology, a registered charity ........................................................ AIMS AND SCOPE Leading article Gut publishes high quality original papers on all aspects of 1 Is intestinal metaplasia of the stomach gastroenterology and hepatology as well as topical, authoritative editorials, comprehensive reviews, case reports, reversible? M M Walker Gut: first published as on 1 January 2003. Downloaded from therapy updates and other articles of interest to ........................................................ gastroenterologists and hepatologists. Commentaries EDITOR Professor Robin C Spiller 5s,M,L,XL...T Wang, G Triadafilopoulos 7 HLA-DQ8 as an Ir gene in coeliac disease SPECIAL SECTIONS EDITOR Ian Forgacs K E A Lundin 8 A rat virus visits the clinic: translating basic ASSOCIATE EDITORS discoveries into clinical medicine in the 21st David H Adams Immunofluorescence John C Atherton century C R Boland, A Goel staining of jejunal Ray J Playford ........................................................ Jürgen Scholmerich mucosa from a DQ8+ Jan Tack Clinical @lert AlastairJMWatson coeliac patient. (From the paper by Mazzarella 10 Dyspepsia management in the millennium: to EVIDENCE BASED GASTROENTEROLOGY et al, pp 57–62). test and treat or not? B C Delaney ADVISORY GROUP Richard F A Logan ........................................................ StephenJWEvans Science @lert Andrew Hart Jane Metcalf 12 RUNX 3, apoptosis 0: a new gastric tumour EDITORIAL -
Ate9 Dance Company (With Glenn
Featuring Ate9 Dance Company, Deeply Rooted Dance Theater, View in browser and Visceral Dance Chicago 50 E Congress Pkwy (50 E Ida B. Wells Dr) Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 10, 2018 ATE9 DANCE COMPANY (WITH GLENN KOTCHE OF WILCO), DEEPLY ROOTED DANCE THEATER, AND VISCERAL DANCE CHICAGO PERFORM AT THE AUDITORIUM THEATRE AS PART OF THE “MADE IN CHICAGO” 312 DANCE SERIES ON NOVEMBER 16 AN EVENING OF INNOVATIVE CONTEMPORARY DANCE Ate9 Dance Company/Deeply Rooted Dance Theater/Visceral Dance Chicago on November 16, 2018 (CHICAGO, IL) – On Friday, November 16, three groundbreaking contemporary dance companies perform on the Auditorium Theatre’s landmark stage in the “Made in Chicago” 312 Dance Series. The evening features Ate9 Dance Company, performing the work calling glenn with live music from Chicago-based percussionist Glenn Kotche (Wilco); Deeply Rooted Dance Theater, performing Kevin Iega Jeff’s Church of Nations, Kevin Iega Jeff and Gary Abbott’s Heaven, and Nicole Clarke-Springer’s Until Lambs Become Lions; and Visceral Dance Chicago, performing company founder Nick Pupillo’s Soft Spoken. “We are thrilled to feature these three innovative companies as we open our 2018-19 ‘Made in Chicago’ 312 Dance Series,” says Rachel Freund, Interim Chief Executive Officer of the Auditorium Theatre. “This evening will highlight the creativity of these distinct companies and showcase the breadth of contemporary dance styles that we present on our historic stage.” The Los Angeles-based Ate9 Dance Company makes its Auditorium Theatre debut with calling glenn (2017), created by company founder and artistic director Danielle Agami in collaboration with Chicagoan Glenn Kotche. -
Twyla Tharp 50 Anniversary Tour
FOR IMMEDIATE RELEASE Jill Evans La Penna August 27, 2015 James Juliano SHOUT Marketing & Media Relations [email protected] • [email protected] (312) 533-9119 • (773) 852-0506 THE AUDITORIUM THEATRE PROUDLY PRESENTS TWYLA THARP’S 50TH ANNIVERSARY TOUR IN CHICAGO, NOVEMBER 5 – 8 Two New Works Commissioned by the Auditorium Theatre and Ravinia Festival Along With The Joyce Theater, The Kennedy Center, TITAS/AT&T Performing Arts Center and the Wallis Anneberg Center for the Performing Arts are the Centerpiece of the National Celebration of Tharp’s 50th Anniversary. CHICAGO, IL — The Auditorium Theatre of Roosevelt University presents Twyla Tharp – 50th Anniversary Tour including two Chicago premieres, “Preludes and Fugues” and “Yowzie” November 5 – 8, at the historic Auditorium Theatre, 50 E. Congress Parkway. In a momentous co-commission with Ravinia Festival, as well as four other dance presenters in four other cities, the Auditorium is thrilled to present these two new works by world-renowned choreographer Twyla Tharp. The performance schedule is Thursday, Nov. 5 – Saturday, Nov. 7 at 7:30 p.m. and Sunday, Nov. 8 at 2 p.m. Tickets are priced $33 - $103 and are available online at AuditoriumTheatre.org by calling (312) 341-2300 or in-person at the Auditorium Theatre’s Box Office, 50 E. Congress Parkway. Subscriptions for the Auditorium Theatre’s 2015 - 2016 season and discounted tickets for groups of 10 or more are also on sale. For more information visit AuditoriumTheatre.org. “We are proud to be a part of the national celebration of Twyla Tharp and her 50th Anniversary Tour, not only as a presenter but also as a co-commissioner of these two premieres. -
Millennium Students with Documented Disabilities Form
GOVERNOR GUINN MILLENNIUM SCHOLARSHIP PROGRAM Millennium Students with Documented Disabilities Form Procedures and Guidelines Manual, Chapter 12, Section 6 and Section 12 Board of Regents, Nevada System of Higher Education website: http://nshe.nevada.edu This form may be used by Governor Guinn Millennium Scholarship (GGMS) students enrolled in a degree or certificate program at an eligible institution who are requesting to enroll with Governor Guinn Millennium Scholarship support in fewer than the minimum semester credit hours or an extension of the expiration date for funding. As stated in the Nevada System of Higher Education (NSHE) Procedures and Guidelines Manual governing the Governor Guinn Millennium Scholarship: Section 6 … Students who have a documented physical or mental disability or who were previously subject to an individualized education program (IEP) under the Individual with Disabilities with Education Act, 20 U.S.C. §§ 1400 et seq., or a plan under Title V of the Rehabilitation Act of 1973, 29 U.S.C. §§ 791 et. seq. are to be determined by the institution to be exempt from the following GGMS eligibility criteria: a. Six-year application limitation following high school graduation and the time limits for expending funds set forth in section 5; and b. Minimum semester credit hour enrollment levels set forth in sections 4 and 11. Section 12 … Students with Disabilities may regain eligibility under a reduced credit load … STUDENT SECTION: Instructions Step 1: Complete this form with the Student Disabilities Officer of your institution. You must recertify with the Student Disabilities Office each semester. Step 2: Submit this form to the Financial Aid Office of your institution. -
Some False Beliefs Concerning the End Times
Some False Beliefs Concerning the End Times It has been said: “Wherever God builds a church, the devil sets up a chapel next door.” In other words, whenever God’s saving truth is proclaimed, the devil will follow close behind to spin false teachings that are intended to rob people of their salvation. This certainly has been true with the Bible’s teaching of the end times. Many Christian teachers claim that there will be a semi-utopian thousand-year period of prosperity and blessing on earth immediately after the New Testament era and immediately prior to the final judgment. This thousand-year period is called the millennium (from the Latin language in which mille means “thousand” and annus means “year”). The following time line shows how the millennialists view the end times. Compare this with the scriptural time line below it. Millennialism: Scripture: The thousand years The idea of a millennium comes from Revelation chapter 20. It is important to note that this is the only passage in the entire Bible which mentions a thousand-year period. Revelation 20:1-3,7-12: I saw an angel coming down out of heaven, having the key to the Abyss and holding in His hand a great chain. He seized the dragon, that ancient serpent, who is the devil, or Satan, and bound him for a thousand years. He threw him into the Abyss, and locked and sealed it over him, to keep him from deceiving the nations anymore until the thousand years were ended. When the thousand years are over, Satan will be released from his prison and will go out to deceive the nations in the four corners of the earth—Gog and Magog—to gather them for battle. -
Explore Our Virtual Program
20|21 MICHAEL WEBER JEANNIE LUKOW Artistic Director Executive Director presents Featuring ANTHONY COURSER, PAM CHERMANSKY, CROSBY SANDOVAL, JAY TORRENCE, LEAH URZENDOWSKI & RYAN WALTERS Written by JAY TORRENCE Direction by HALENA KAYS This production was filmed during Porchlight Music Theatre’s premiere with The Ruffians at the Ruth Page Center for the Arts, December 13 - 27, 2019. Understudies for 2019 Production Nellie Reed: KAITLYN ANDREWS Henry Gilfoil/Eddie Foy: DAVE HONIGMAN Fancy Clown: JAY TORRENCE Faerie Queen/Robert Murray: RAWSON VINT Choreography by LEAH URZENDOWSKI Additional 2019 Choreography by ARIEL ETANA TRIUNFO Lighting Design MAGGIE FULLILOVE-NUGENT Original Scenic & Costume Design LIZZIE BRACKEN Scenic Design JEFF KMIEC Costume Design BILL MOREY Sound Design MIKE TUTAJ Associate Sound Design ROBERT HORNBOSTEL Original Properties Design MAGGIE FULLILOVE-NUGENT & LIZZIE BRACKEN Properties Master CAITLIN McCARTHY Original Associate Properties Design ARCHER CURRY Technical Direction BEK LAMBRECHT Production Stage Management JUSTINE B. PALMISANO Production Management SAM MORYOUSSEF & ALEX RHYAN Video Production MARTY HIGGENBOTHAM/THE STAGE CHANNEL The following artists significantly contributed to this performance and the play’s creation: Lizzie Bracken (set design, costume design, prop design), Dan Broberg (set design), Maggie Fullilove-Nugent (lighting design), Leah Urzendowski (choreography) & Mike Tutaj (sound design). The original 2011 cast included Anthony Courser, Dean Evans, Molly Plunk, Jay Torrence, Leah Urzendowski & Ryan Walters This performance runs 100 minutes without intermission. Please be aware this play contains flashing lights and some moments that may trigger an adverse reaction with sudden loud noises and sounds of violence. Porchlight Music Theatre acknowledges the generosity of Allstate, the Bayless Family Foundation, DCASE Chicago, the Gaylord and Dorothy Donnelley Foundation, James P.