HAIM STEINBACH Education Solo Exhibitions
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With Jan Hoet
The history of exhibitions: beyond the white cube ideology (second part) Course on Contemporary Art and Culture MACBA, Autumn 2010 “““Chambres“Chambres d’amisd’amis”””” (1986) Jan Hoet November 15 ththth 2010, 19 h MACBA Auditorium “““Chambres“Chambres d’amisd’amis”””” Museum van Hedendaagse Kunst, Ghent, but hosted in 58 pprivaterivate houses in Ghent 21th June ––– 21th September, 1986 Curator: Jan Hoet Artists: Carla Accardi, Christian Boltanski, Raf Buedts, Daniel Buren, Michael Buthe, Jacques Charlier, Nicola de Maria, Luciano Fabro, Günther Förg, Jef Geys, Dan Graham, Milan Grygar, François Hers, Kazuo Katase, Niek Kemps, Joseph Kosuth, Jannis Kounellis, Bertrand Lavier, Sol Lewitt, Danny Matthys, Gerhard Merz, Mario Merz, Marisa Merz, Helmut Middendorf, Juan Muñoz, Hidetoshi Nagasawa, Bruce Nauman, Maria Nordman, Oswald Oberhuber, Heike Pallanca, Panamarenko, Giulio Paolini, Royden Rabinowitch, Norbert Radermacher, Roger Raveel, Wolfgang Robbe, Claude Rutault, Reiner Ruthenbeck, Remo Salvadori, Rob Scholte, Ettore Spalletti, Paul Thek, Niele Toroni, Charles Vandenhove, Philip Van Isacker, Jan Vercruysse, Jean-Luc Vilmouth, Martin Walde, Lawrence Weiner, Robin Winters, Gilberto Zorio. A few statements on “Chambres d’amis” 1.1.1. “Intriguingly titled ‘Chambres d’Amis’ –-‘guest rooms’,” or, literally, ‘friends’ rooms’-– the show places art in 58 houses belonging to everyday townspeople, carrying the work outside the separate universe, the total institution, of the museum, to bring it within the private zone of the private home, an asocial place insofar as it is removed from the public arena. (...) His [Hoet’s] project takes the exhibition structure off its hinges, goes beyond the limits of the frame and spills over, whole, into an interior. -
Bortolami Gallery Through June 15Th, 2019.” Art Observed, May 30Th, 2019, Illus
BORTOLAMI Virginia Overton (b. 1971 in Nashville, Tennessee) Lives and works in Brooklyn, New York Education 2005 University of Memphis, TN, MFA 2002 University of Memphis, TN, BFA Solo Exhibitions 2019 Água Viva, Bortolami, New York, NY Francesca Pia, Zürich, Switzerland (forthcoming) 2018 Built, Don River Valley Park, Toronto, Canada secret space, Biel, Switzerland Built, Socrates Sculpture Park, Queens, NY Virginia Overton, University of Memphis Fogelman Galleries, Memphis, TN 2017 Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, AZ 2016 Winter Garden, Whitney Museum of American Art, New York, NY White Cube Bermondsey, London, England Sculpture Gardens, Whitney Museum of American Art, New York, NY The Aldrich Contemporary Art Museum, Ridgefield, CT 2015 White Cube, London, England 2014 Flat Rock, Museum of Contemporary Art North Miami, North Miami, FL 2013 Westfälischer Kunstverein, Munster, Germany Kunsthalle Bern, Bern, Switzerland Mitchell-Innes & Nash, New York, NY 2012 The Kitchen, New York, NY Deluxe, The Power Station, Dallas, TX 2011 Freymond-Guth, Zürich, Switzerland 2010 Untitled (Milano), N.O. Gallery, Milan, Italy Cheekwood Museum of Art, Nashville, TN True Grit, Dispatch, New York, NY 2008 Moving on South, curated by Dana Orland, White Box, New York, NY This Is Not A Ladder, Artlab at AMUM, Memphis, TN 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 BORTOLAMIGALLERY.COM BORTOLAMI 2007 Skytracker, Powerhouse, Memphis, TN Selected Group Exhibitions 2019 Downtown Painting, curated by Alex Katz, Peter -
G Er T Ja Nv an R Oo Ij
28.9.2019–5.4.2020 JOHAN TAHON REFUGE / SILENCE Photographie : Gert Jan van Rooij Press Kit 16 September 2019 Johan Tahon REFUGE/SILENCE Musée Ariana, 28 September 2019 – 5 April 2020 Press visits on request only Exhibition preview Friday 27 September 2019 at 6pm Musée Ariana Swiss Museum for Ceramics and Glass 10, avenue de la Paix 1202 Geneva - Switzerland Press kit available at “Presse”: www.ariana-geneve.ch Visuals, photos on request: [email protected] Un musée Ville de Genève www.ariana-geneve.ch Johan Tahon REFUGE/SILENCE Musée Ariana, 28 September 2019 – 5 April 2020 CONTENTS Johan Tahon. REFUGE/SILENCE p. 3 Biography of Johan Tahon p. 4 Events p. 8 Practical information p. 9 2 Johan Tahon REFUGE/SILENCE Musée Ariana, 28 September 2019 – 5 April 2020 J OHAN T AHON. REFUGE/SILENCE The Musée Ariana is proud to present Johan Tahon. REFUGE/SILENCE, in partnership with the Kunstforum gallery in Solothurn, from 28 September 2019 to 5 April 2020 in the space dedicated to contemporary creation. Johan Tahon, internationally renowned Belgian artist, is exhibiting a strong and committed body of work that reveals his deep connection with the ceramic medium. In the space devoted to contemporary creation, visitors enter a mystical world inhabited by hieratic monks, leading them into a second gallery where, in addition to the figures, pharmacy jars or albarelli are displayed. A direct reference to the history of faience, the ointments, powders and medicines contained in such vessels were intended to heal both body and soul. A sensitive oeuvre reflecting the human condition Johan Tahon’s oeuvre evolves in an original and individual way. -
2019 ANNUAL REPORT 62Nd YEAR of ACTIVITY
PKB PRIVATBANK SA 2019 ANNUAL REPORT 62nd YEAR OF ACTIVITY CONTENTS Governing bodies of PKB SA 4 Board of Directors’ Report 8 Highlights 9 Consolidated Financial Statements Comments on the consolidated balance sheet 12 Comments on the consolidated income statement 13 Consolidated balance sheet 14 Consolidated income statement 16 Consolidated cash flow statement 17 Statement of changes to shareholders' equity 18 Notes to the consolidated annual financial statements 19 Auditors' report 38 Parent Company Financial Statements Comments on the balance sheet 43 Comments on the income statement 45 Balance sheet 46 Income Statement 48 Appropriation of profits 49 Statement of changes to shareholders' equity 49 Notes to the annual financial statements 50 Auditors' report 61 GOVERNING BODIES OF PKB SA Board of Directors Edio Delcò 1) 3) 5) Taverne - Torricella (TI) Chairman Massimo Trabaldo Togna 1) 3) Milano (I) Vice-Chairman Umberto Trabaldo Togna 6) 7) Zug (ZG) Francesco Bellini Cavalletti 1) 4) Milano (I) Jean-Blaise Conne 2) 4) Lutry (VD) Giovanni Leonardi 2) 4) Bodio (TI) Pierre Poncet 3) 4) Vésenaz (GE) Giovanni Vergani 2) 4) Ruvigliana (TI) Secretary Federico Trabaldo Togna Conches (GE) Internal Audit Mirko Angelini Lead Auditor Diego Pecorone Internal Auditor Farah Vanoni Internal Auditor External Auditor Deloitte SA Executive Board Umberto Trabaldo Togna 8) Chief Executive Officer Luca Venturini 9) 10) Managing Director Ettore Bonsignore 11) Executive Vice President Michele Balice Executive Vice President Fabrizio Cerutti Executive Vice -
JASPER JOHNS 1930 Born in Augusta, Georgia Currently Lives
JASPER JOHNS 1930 Born in Augusta, Georgia Currently lives and works in Connecticut and Saint Martin Education 1947-48 Attends University of South Carolina 1949 Parsons School of Design, New York Selected Solo Exhibitions 2009 Focus: Jasper Johns, The Museum of Modern Art, New York 2008 Jasper Johns: Black and White Prints, Bobbie Greenfield Gallery, Santa Monica, California Jasper Johns: The Prints, The Madison Museum of Contemporary Art, Madison, Wisconsin Jasper Johns: Drawings 1997 – 2007, Matthew Marks Gallery, New York Jasper Johns: Gray, Metropolitan Museum of Art, New York 2007 Jasper Johns: From Plate to Print, Yale University Art Gallery, New Haven Jasper Johns: Gray, Art Institute of Chicago; Metropolitan Museum of Art, New York Jasper Johns-An Allegory of Painting, 1955-1965, National Gallery of Art, Washington, DC; Kunstmuseum Basel, Switzerland States and Variations: Prints by Jasper Johns, National Gallery of Art, Washington, D.C. 2006 Jasper Johns: From Plate to Print, Yale University Art Gallery Jasper Johns: Usuyuki, Craig F. Starr Associates, New York 2005 Jasper Johns: Catenary, Matthew Marks Gallery, New York Jasper Johns: Prints, Amarillo Museum of Art, Amarillo, Texas 2004 Jasper Johns: Prints From The Low Road Studio, Leo Castelli Gallery, New York 2003 Jasper Johns: Drawings, The Menil Collection, Houston, Texas Jasper Johns: Numbers, Cleveland Museum of Art, Cleveland; Los Angeles County Museum of Art Past Things and Present: Jasper Johns since 1983, Walker Art Center Minneapolis; Greenville County Museum of -
Quinn Biography
MARC QUINN BIOGRAPHY Born in London, England, 1964. Education: Cambridge University, Cambridge, England, 1985. Lives in London, England. Selected Solo Shows: 1988 “Bronze Sculpture”, Jay Jopling/Otis Gallery, London, England. 1990 “Bread Sculpture”, Galerie Nikki Diana Marquardt, Paris, France. 1991 “Out of Time”, Grob Gallery, London, England. “Out of Time”, Jay Jopling, London, England. 1993 Galerie Jean Bernier, Athens, Greece. 1995 “Art Now. Emotional Detox: The Seven Deadly Sins”, The Tate Gallery of Modern Art, London, England. “Blind Leading the Blind”, Jay Jopling/White Cube, London, England. 1998 South London Gallery, London, England. “Marc Quinn – Incarnate”, Gagosian Gallery, NYC, NY. 1999 Kunstverein Hannover, Hannover, Germany. 2000 Fondazione Prada, Milan, Italy. Groninger Museum, Groningen, The Netherlands. “Still Life”, White Cube², London, England. 2001 “Italian Landscape”, Habitat, London, England. “Marc Quinn: Garden”, Art of This Century, Paris, France. “A Genomic Portrait: Sir John Sulston by Marc Quinn”, National Portrait Gallery, London, England. 2002 “Italian Landscapes from Garden 2000”, Terrace Gallery, Harewood House, Leeds, England. Tate Liverpool, Liverpool, England. 2003 “The Overwhelming World of Desire (Paphiopedilum Winston Churchill Hybrid)”, Goodwood Sculpture Park, Chichester, West Sussex, England. “The Overwhelming World of Desire (Phragmipedium Sedenii)”, Peggy Guggenheim Collection, Venice, Italy. 2004 “The Complete Marbles”, Mary Boone Gallery, NYC, NY. “Flesh”, Irish Museum of Modern Art, Dublin, Ireland. MARC QUINN BIOGRAPHY (continued) : Selected Solo Shows: 2005 “Flesh”, Mary Boone Gallery, NYC, NY. “Chemical Life Support”, White Cube, London, England. “Alison Lapper Pregnant”, Fourth Plinth, Trafalgar Square, London, England. 2006 “Marc Quinn: Recent Sculptures”, Groninger Museum, Groningen, The Netherlands. Museo d’Arte Contemporanea Roma, Rome, Italy. 2007 “Sphinx”, Mary Boone Gallery, NYC, NY. -
Tony Oursler CV
Tony Oursler Lives and works in New York, NY, USA 1979 BFA, California Institute for the Arts, Valencia, CA, USA 1957 Born in New York, NY, USA Selected Solo Exhibitions 2021 ‘Tony Oursler: Black Box’, Kaohsiung Museum of Fine Arts, Kaohsiung City, Taiwan 2020 ‘Hypnose’, Musée d’arts de Nantes, Nantes, France Lisson Gallery, East Hampton, NY, USA 2019 ‘电流 (Current)’, Nanjing Eye Pedestrian Bridge, Nanjing, China ‘Tony Oursler: Water Memory’, Guild Hall, East Hampton, NY, USA ‘The Volcano & Poetics Tattoo’, Dep Art Gallery, Milan, Italy 2018 ‘predictive empath’, Baldwin Gallery, Aspen, CO, USA ‘Tear of the Cloud’, Public Art Fund, Riverside Park South, New York, NY, USA ‘TC: the most interesting man alive’, Lisson Gallery, New York, NY, USA 2017 ‘Paranormal: Tony Oursler vs. Gustavo Rol’, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy ‘Sound Digressions: Spectrum’, Galerie Mitterand, Paris, France ‘Tony Oursler: b0t / flOw - ch@rt’, Galerie Forsblom, Stockholm, Sweden ‘Tony Oursler: L7-L5 / Imponderable’, CaixaForum, Barcelona, Spain ‘Unidentified’, Redling Fine Art, Los Angeles, CA, USA 2016 ‘Tony Oursler: The Influence Machine’, University of Edinburgh, Edinburgh, United Kingdom ‘A*gR_3’, Galería Moisés Pérez De Albéniz, Madrid ‘M*r>0r’, Magasin III Museum & Foundation for Contemporary Art, Stockholm, Sweden ‘Tony Oursler: The Imponderable Archive’ Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY, USA ‘Imponderable’, Museum of Modern Art, New York, NY, USA ‘TC: The Most Interesting Man Alive’ Chrysler Museum, Norfolk, -
WINGATE Final.Pdf
ROBERT RAUSCHENBERG ORAL HISTORY PROJECT The Reminiscences of Ealan Wingate Columbia Center for Oral History Research Columbia University PREFACE The following oral history is the result of a recorded interview with Ealan Wingate conducted by Sara Sinclair on April 23, 2015. This interview is part of the Robert Rauschenberg Oral History Project. The reader is asked to bear in mind that s/he is reading a transcript of the spoken word, rather than written prose. Transcription: Audio Transcription Center Session #1 Interviewee: Ealan Wingate Location: New York, New York Interviewer: Sara Sinclair Date: April 23, 2015 Q: This is Sara Sinclair with— Wingate: Ealan Wingate. Q: Today is April the twenty-third and we are at Columbia University [New York]. Okay. So, as I was explaining, with these oral histories we like to start with a little bit about you. So if you could begin by just telling me where and when you were born and a little bit about your early life, some of your early memories. Wingate: Okay. I was born in Tel Aviv, Israel in 1948. My father as well was Israeli born. My mom was born in New York State, up in Syracuse, but because her parents wanted to raise the children in Palestine, everyone left in the late thirties to go there. We returned to the United States in 1952, when I was four, so that my mother could be with her mother a little bit more and my father could start a new life, away from the family business and various other things that had embroiled him. -
A Tale of Two Gallerists by Ryan Wong on February 3, 2014
ARTICLES A Tale of Two Gallerists by Ryan Wong on February 3, 2014 Andy Warhol, “Ileana Sonnabend” (1973) (courtesy The Sonnabend Collection, © 2013 Andy Warhol Foundation for the Visual Arts / Artists Rights Society [ARS], New York) First, a note: I am wary of exhibitions that celebrate dealers and collectors. If we accept that the unbridled market stifles the art world of today, we should also be careful of the logic behind celebrating market dealers past. That grain of salt in mind, the two coincidental exhibitions in New York, on the gallerists Ileana Sonnabend (1914–2007) at the Museum of Modern Art and Holly Solomon (1934–2002) at Mixed Greens and Pavel Zoubok Gallery, make for engaging historiography, selective histories within the established art narratives. It’s worth noting that both gallerists were women in a field dominated, especially until the 1980s, by men. Both, as argued well by each exhibition, put their taste above the immediate demands of the market. The publicity image for each exhibition is a portrait of the gallerist by Warhol. For Solomon, it is a vertical photo booth series from 1983, Solomon clearly enjoying herself as she mugs for each shot. In Sonnabend’s 1973 diptych portrait, Warhol applied his signature mess of zig-zags around the contours of the silkscreened image. The reliance on Warhol is no coincidence: his alchemical touch makes these women familiar, even to those who don’t frequent the back rooms of the art world. Hooray for Hollywood! at Mixed Greens opens with a room full of portraits of the gallerist by artists from Robert Mapplethrope to William Wegman to Christo. -
Patrick Painter, Inc
PATRICK PAINTER, INC A. R. PENCK Born October 05, 1939 Currently lives and works in Ireland and Germany BIOGRAPHY 2004 Patrick Painter Inc., Santa Monica, Ca. 1999/2000 Exhibition of bronze sculptures in Heilbronn, Bremen, Recklinghausen, Luxembourg, Berlin and Bad Homburg. 1998 Extensive travelling exhibition throughout Japan. 1992 Takes part in documenta 9 in Kassel. 1989 Becomes Professor of Art at the Kunstakademie in Düsseldorf. 1987 Receives the Nord/LB Prize for art. 1986 First Carrara marble sculptures appear. 1985 Awarded the artist’s prize by the city of Aachen. 1984/85 Various miniature sculptures in bronze. 1984 Participation in the 41st art festival in Venice together with Lothar Baumgarten. Increased interest in music. Joins work on the production of numerous Free Jazz Recordings. 1983 Extended visit to Israel. Settles in London and later in Ireland. 1982 Participation in documenta 7 in Kassel. Starts working with iron and bronze. First publication of the newspaper >Krater und Wolke< which is edited by A.R. Penck. 1980 On 3rd August travels to Lörsfeld/Kerpen (near Cologne) in the German Federal Republic. Awarded the Rembrandt Prize by the Goethe Foundation in Basel. Friendship with Markus Lüpertz and Per Kirkeby. Visits Joseph Beuys. 1979 Releases the first recording of >Gostritzer 92<. 1977 First wooden sculpture. Participation in documenta 6 in Kassel. First meeting with Jörg Immendorff in East Berlin. 1975 First major retrospective work at the Bern Kunsthalle. Awarded the Will Grohmann Prize by the Akademie der Künste in West Berlin. 1973/74 Spends six months working as a reserve for the People’s Army in the (former) German Democratic Republic. -
EILEEN QUINLAN Eileen Quinlan Is Interested in the False Transparency of the Photographic Image: It's Not a Window, but a Mirror
MIGUEL ABREU GALLERY EILEEN QUINLAN Eileen Quinlan is interested in the false transparency of the photographic image: it's not a window, but a mirror. Her work presents an opportunity for contemplation alongside an alienation effect that interrupts it—an awareness of the mechanics of presenting and consuming images, or a sudden bracing encounter with the clumsy hand of the artist, attempting to adjust the veil. Color, atmosphere, composition, and description are reduced to their most basic forms, taking turns as the central subject of the photographs. Quinlan’s process of experimentation with a limited set of materials is elaborated through brute repetition, demystifying the circumstances of each image’s creation. It insists, by extension, on the constructed nature of all photographs. The constructions themselves run the photographic gamut from the quasi-pictorial to the semi-abstract, from evidentiary document to expressive collage. The hand of the artist is both absent and frustratingly present. Ghosts of art history materialize, though dismembered, only to recede again. Quinlan’s early series, such as Smoke & Mirrors and Night Flight, restage display materials—mirrors, lights, textiles, and support structures—in disorienting configurations that verge on abstraction. Produced using the most common tricks of the commercial photography trade, the sets are staged around a nonexistent product; they are straightforward tabletop still-lives, manipulated neither in the darkroom nor through digital craft, though they often appear otherwise. More recently, the artist has taken yoga mats, luridly lit and shot in close-up, as the subject of a series that gestures toward contemporary manifestations of self-maintenance through regimes of diet, exercise, and spirituality. -
ANDY WARHOL New York, NY 10014
82 Gansevoort Street ANDY WARHOL New York, NY 10014 p (212) 966 - 6675 Born 1928, Pittsburgh, PA allouchegallery.com Died 1987, New York City, NY BFA Pictorial Design Carnegie Mellon University SELECTED SOLO EXHIBITIONS 2016 Andy Warhol: Shadows, Guggenheim Bilbao, Spain 2015 Andy Warhol: Works from the Hall Collection, Ashmolean Museum, Oxford, England 2015 Yes! Yes! Yes! Warholmania in Munich, Museum Brandhorst, Munich, Germany 2015 Capturing Fame: Photographs and Prints by Andy Warhol, Richard E, Peeler Art Center, Depauw University, Greencastle, IN 2015 Warhol: Myths and Legends from the Cochran Collection, Art Museum of South Texas, Corpus Christie, TX 2015 Transmitting Andy Warhol, Tate Liverpool, Liverpool, England 2014 Andy Warhol: 1950s Drawings, Anton Kern Gallery, New York, NY 2014 Transmitting Andy Warhol, Tate Liverpool, Liverpool, England 2014 Andy Warhol: Death and Disaster, Kunstsammlungen Chemnitz, Germany 2014 Andy Warhol: Shadows, The Museum of Contemporary Art, Los Angeles, CA 2014 Warhol: Art. Fame. Mortality, The Salvador Dali Museum, St. Petersburg, FL 2014 Andy Warhol’s 13 Most Wanted Men and the 1964 World’s Fair, Queens Museum of Art, New York, NY 2014 Andy Warhol: 15 Minutes Eternal, Mori Art Museum, Tokyo, Japan 2013 Andy Warhol: Toy Paintings, Tel Aviv Museum of Art, Tel Aviv, Israel 2012 Warhol Headlines, National Gallery of Art, Washington, D.C 2011 Andy Warhol and Elizabeth Taylor, Gagosian Gallery, New York, NY 2010 Andy Warhol: Motion Pictures, Museum of Modern Art, New York, NY 2007 Andy Warhol Disaster Prints, Kampa Museum, Prague, Czech Republic 2006 Andy Warhol Campbell’s Soup Cans, Museum of Contemporary Art, Los Angeles, CA 2000 Women of Warhol: Marilyn, Liz & Jackie, C & M Arts, New York, NY 1996 Rorschach Paintings, Gagosian Gallery, New York, NY 1992 Andy Warhol Polaroids 1971 – 1986, Anthony d’Offay Gallery, London, England 1992 Heaven and Hell Are Just One Breath Away! Gagosian Gallery, New York, NY 1989 Andy Warhol Retrospective, Museum Ludwig, Cologne, Germany 1988 Andy Warhol: Cars, The Solomon R.