Create Your Own Rhythm Section (PDF)

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Create Your Own Rhythm Section Straight Eighth Notes Straight Eighth Notes The Rhythm Section Straight Eighth Notes Doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo Doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo doo Swing Eighth Notes DooSwing doo Eighth doo Notes doo doo doo doo doo dooThe doo musicians doo doo in doo a jazz doo doo doo ensemble’s rhythm section— Swing Eighth Notes Doo VA doo VA doo VA doo VA doopiano, VA bass, doo VAdrums, doo and VA doo VA Doo VA doo VA doo VA doo VA doosometimes VA doo guitar—have VA doo VA doo the VA very Ride pattern (swing feel) Straight Eighth Notes DooRide pattern VA doo (swing VA feel) doo VA doo VA dooimportant VA doo job VA of doo creating VA doo the VA Ride pattern (swing feel) overall feeling of swing music. Ding ding ga ding ding ga ding ding ga ding ding ga DingDoo doo ding doo dooga ding doo doo ding doo dooga dingdoo doo ding doo dooga dingdoo doo ding doo dooga Group 1: Steady Beat DingGroupSwing Eighth1: Steady ding Notes Beat ga ding ding ga ding ding ga ding ding ga GroupGroup One: 1: Steady Steady Beat Doo VA doo VA doo VA doo VA doo VA doo VA doo VA doo VA Group 2: Beats 2 and 4 Ride pattern (swing feel) GroupGroup Two: 2: Beats Beats 2 and 44 Group 2: Beats 2 and 4 Ding ding ga ding ding ga ding ding ga ding ding ga GroupGroup Three: 3: Swing Swing 8th Eighth Notes Notes GroupGroup 1:3: Steady Swing 8thBeat Notes Group 3: Swing 8th Notes Doo VA doo VA doo VA doo VA doo VA doo VA doo VA doo VA Doo VA doo VA doo VA doo VA doo VA doo VA doo VA doo VA GroupGroup Four: 4: Ride Ride Pattern DooGroupGroup VA 2:4: BeatsRide doo Pattern 2 and VA 4 doo VA doo VA doo VA doo VA doo VA doo VA Group 4: Ride Pattern Ding ding ga ding ding ga ding ding ga ding ding ga Ding ding ga ding ding ga ding ding ga ding ding ga DingGroup 3: Swing ding 8th ga Notes ding ding ga ding ding ga ding ding ga Doo VA doo VA doo VA doo VA doo VA doo VA doo VA doo VA Group 4: Ride Pattern © © © Ding ding ga ding ding ga ding ding ga ding ding ga ©.

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Rhythm Section Roles (In Standard Swing)
Rhythm Section Roles (in standard swing) ● Bass: Provide a solid metric and harmonic foundation by creating a quarter-note based melody with the roots and/or fifths of each chord occurring on downbeats and chord changes. ○ Ideal sound is plucked upright bass. Proper attack of note in right hand, clarity of center and sustain in left hand are key. ○ Create walking bassline by starting on root of chord and approaching subsequent roots or fifths by V-I resolution, half-step, or logical diatonic/chromatic motion or sequence. ● Drums: Assist bass in providing solid metric foundation, provide subdivision and stylistic emphasis, and drive dynamics and phrasing. ○ Right Hand: Primary responsibility is ride cymbal playing ride pattern. ■ Fundamental of ride pattern is quarter-notes with eighth-note subdivision added as desired, needed, and appropriate for dictation of swing. ■ Think of playing approximately ½” through cymbal to provide clarity and emphasis. ○ Left Foot: Play hi-hat on beats 2 and 4 for emphasis of fundamental syncopation. ■ Keep heel off the ground. ■ Cymbals should be approx. 1” apart. ○ Left Hand: Free to provide stylistic emphasis. ■ Cross-stick hits on beat 4 with bead of stick on drum head and shaft of stick striking rim of snare. ■ Musically logical “fills” on snare, toms, etc. to emphasize or set-up written figures or improvised solo moments. ○ Right Foot: Play bass drum. ■ Optionally “feather” bass drum as quarter notes to emphasize bassline by lightly hitting bass drum. Felt not heard, should not be louder than bass. ■ Use to emphasize ends of fills and set-up syncopation by playing downbeat before a syncopated entrance.
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Compound AABA Form and Style Distinction in Heavy Metal *
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Bands Layout 1
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E.F. Rhythm Section & Ensemble Setup[2]
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Recreating the Ensemble Dynamic of Motown's Funk Brothers
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Production Perspectives of Heavy Metal Record Producers Abstract
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Repeated Musical Patterns
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