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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
ARL: a Bimonthly Newsletter of Research Library Issues and Actions, 2001
DOCUMENT RESUME ED 458 891 IR 058 402 AUTHOR Barrett, G. Jaia, Ed. TITLE ARL: A Bimonthly Newsletter of Research Library Issues and Actions, 2001. INSTITUTION Association of Research Libraries, Washington, DC. ISSN ISSN-1050-6098 PUB DATE 2001-00-00 NOTE 90p.; Published bimonthly. For the 1999 issues, see ED 437 979. AVAILABLE FROM Association of Research Libraries, 21 Dupont Circle, Washington, DC 20036 ($25 per year subscription, ARL members; $50 per year subscription plus $36 shipping and handling, nonmembers) .Tel: 202-296-2296; Web site: http://www.arl.org/newsltr. PUB TYPE Collected Works Serials (022) JOURNAL CIT ARL; n214-219 Feb-Dec 2001 EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Academic Libraries; Electronic Journals; Federal Regulation; Higher Education; Information Services; Libraries; Library Statistics; *Research Libraries; Scholarly Communication; Scholarly Journals IDENTIFIERS *Association of Research Libraries; Digitizing ABSTRACT This document consists of six issues of the ARL (Association of Research Libraries) Newsletter, covering the year 2001. Each issue of the newsletter includes some or all of the following sections: "Current Issues," reports from the Office of Scholarly Communication, Office for Management Services, and Coalition for Networked Information, "Federal Relations," "Statistics and Measurement," "Diversity," "ARL Activities," and a calendar of events. Topics covered include: the handbook "Declaring Independence: A Guide to Creating Community-Controlled Science Journals"; ALA and ARL file brief -
826Michigan to Host Adva...Ew
APRIL 19, 2012 - 5:24PM 826michigan to host advance screening of 'The FiveYear Engagement' and Q&A with crew BY MATT EASTON Last year it seemed everyone (of legal age) had a bar tale revolving around their beer-fueled interactions with the actor most likely to be found on a college campus drinking casually: Jason Segel. Why “most likely?” Because, in the majority of his films Segel plays the sort of guy you’d expect to find enjoying himself in a bar, bringing a sort of life to the occasion but never shoving himself into the center of attention. These are just assumptions based off his roles, but upon hearing the stories told about Segel in those weeks he was in Ann Arbor, his personality doesn’t appear to stray far from the characters he plays. Relaxed, dude-like and fun-loving; he seems like someone worth hanging outwith. Of course, as much as we might like to believe Segel came up to Michigan for some quality time with a bunch of students, the truth is he came to film scenes for his latest film, “The Five-Year Engagement.” The movie tells of the trials faced by a couple’s five-year engagement, one of which is Emily Blunt’s character receiving a position at the University of Michigan, forcing a long-distance move. Written by Segel and Nicholas Stoller (“The Muppets”), “The Five-Year Engagement” is one of the select few films that have chosen their setting to be Ann Arbor (alongside “Answer This!” and perhaps less obviously, “Jumper”). -
The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21St Century Network Society Michael D
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 12-7-2016 The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society Michael D. Rosen University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Rosen, Michael D., "The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6579 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Apatow Aesthetic: Exploring New Temporalities of Human Development in 21st Century Network Society by Michael D. Rosen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in American Studies Department of Humanities and Cultural Studies College of Arts & Sciences University of South Florida Major Professor: Scott Ferguson, Ph.D. Amy Rust, Ph.D. Andrew Berish, Ph.D. Date of Approval: December 11, 2016 Keywords: adulthood, bromance, comedy, homosocial, Judd Apatow, neoliberalism Copyright © 2016, Michael D. Rosen Table of Contents Abstract .......................................................................................................................................... -
The Five-Year Engagement
Review: The Five-Year Engagement BY JAY STONE, POSTMEDIA NEWS APRIL 27, 2012 The boy-man tries to come of age. Jason Segel plays a lost soul opposite Emily Blunt in The Five-Year Engagement. Photograph by: Handout, Handout A charming, off-kilter romantic comedy with Jason Segel as a chef who gives up his job for his fiancee (Emily Blunt). His resulting half-understood resentment almost sinks their relationship. This is a scattered, original film, in which the genre's typical boy-man is trying to come of age. Starring: Jason Segel, Emily Blunt, Chris Pratt Rating: Four stars out of five Jason Segel has carved out a unique place in the gallery of boy-men -- the childish dolts who fear women and worship them, and also fear and worship things that explode -- who populate the modern romantic comedy. Segel's characters are foolish, but they're also good-natured and sweet. So, in the new film, The Five-Year Engagement, when his lost soul complains, "I'm just not the man I want to be right now," it's a poignant cry from the heart. It's also meant to be funny, although The Five-Year Engagement has a bit of trouble separating the lost soul from the doofus. It's directed by Nicholas Stoller -- who shepherded Segel through the similarly forlorn, but funnier, Forgetting Sarah Marshall -- with a confounding array of shifting tones, dead-end narratives and eccentric asides, which ends up being part of the movie's charm. We know where it's going from the start (heck, we know from the title), but its improbable twists provide much of the delight. -
Romantic Dramedy Never Moves Past Stale Feeling of Story High School Speech Festi- Val in Lexington
PAGE b8 THE STATE JOURNAL Ap RiL 26, 2012 Thursday ALMANAC 50 YEARS AGO Victoria Reed, daughter This ‘Engagement’ is too long of Mr. and Mrs. Henry Reed, won a superior rating for or- atorical declamation during the 42nd annual Kentucky Romantic dramedy never moves past stale feeling of story High School Speech Festi- val in Lexington. She was a junior at Frankfort High By RogeR MooRe ently Segel, co-writer and di- Violet (Em- School. McT clA chy-TriBune news service rector Nicholas Stoller and I ily Blunt) and “The Five-Year Engage- all own). Tom (Jason 25 YEARS AGO ment” plays like a five-epi- And all that adds up to is Segel) keep Frankfort City Commis- an occasionally engaging ro- sode, R-rated story arc from getting tripped sion member Pat Layton mantic dramedy that never “How I Met Your Mother.” up on the long played an eager reporter blows away that “Where have With more profanity and walk down scaling the steps of the court- I seen this before?” feeling. more explicit sex. And con- house in a campaign com- Emily Blunt and Segel are the aisle in siderably less drinking. And mercial for Steve Beshear’s Violet and Tom, young lovers “The Five-Year no Neil Patrick Harris. race for governor. in San Francisco planning a Engagement.” Jason Segel, co-star of both wedding. Until she gets a fel- Violet and the TV show and the movie, tYOdA in hiStORY lowship to study and work at Tom are young and his “Forgetting Sarah By The AssociATed Press that the University of Michi- lovers in San Marshall” team, feed us two Today is Thursday, April gan, in that “Water Winter Francisco hours-plus of recycled gags 26, the 117th day of 2012. -
ACRL News Issue (B) of College & Research Libraries
derson, David W. Heron, William Heuer, Peter ACRL Amendment Hiatt, Grace Hightower, Sr. Nora Hillery, Sam W. Hitt, Anna Hornak, Marie V. Hurley, James Defeated in Council G. Igoe, Mrs. Alice Ihrig, Robert K. Johnson, H. G. Johnston, Virginia Lacy Jones, Mary At the first meeting of the ACRL Board of Kahler, Frances Kennedy, Anne E. Kincaid, Directors on Monday evening, June 21, the Margaret M. Kinney, Thelma Knerr, John C. Committee on Academic Status made known Larsen, Mary E. Ledlie, Evelyn Levy, Joseph its serious reservations about the proposed Pro W. Lippincott, Helen Lockhart, John G. Lor gram of Action of the ALA Staff Committee on enz, Jean E. Lowrie, Robert R. McClarren, Jane Mediation, Arbitration and Inquiry. It moved S. McClure, Stanley McElderry, Jane A. Mc that the Board support an amendment to the Gregor, Elizabeth B. Mann, Marion A. Milc Program which would provide that the staff zewski, Eric Moon, Madel J. Morgan, Effie Lee committee “shall not have jurisdiction over mat Morris, Florrinell F. Morton, Margaret M. Mull, ters relating to the status and problems of aca William D. Murphy, William C. Myers, Mrs. demic librarians except on an interim basis,” Karl Neal, Mildred L. Nickel, Eileen F. Noo and that the interim should last only through nan, Philip S. Ogilvie, A. Chapman Parsons, August 31, 1972. It also stipulated that proce Richard Parsons, Anne Pellowski, Mary E. dures be set up by ACRL to protect the rights Phillips, Margaret E. Poarch, Patricia Pond, of academic librarians. (For the full amend Gary R. Purcell, David L. -
Sunday, January 16, 2005 Today: President’S Program on President's Program Advocacy Today 3:00– 5:00 P.M
ALAALAIssue 3 CognotesBOSTON Sunday, January 16, 2005 Today: President’s Program on President's Program Advocacy Today 3:00– 5:00 p.m. With libraries in almost ev- can be contagious in the same Westin, America North/ ery state facing funding cuts, way a virus is. In his new book, Central Ballroom American Library Association Blink: The Power of Thinking (ALA) President Carol Brey- Without Thinking, due out ALA Council Casiano will launch a nation- January 2005, Gladwell ana- 10:45 a.m. – 12:15 p.m. wide advocacy ‘epidemic’ for li- lyzes social intuition, or how we braries January 16, at 3:00 p.m. know what we know in social Hynes CC, Ballroom at the Westin Hotel, America situations. North/Center Ballroom. Patricia Glass Schuman, past Brey-Casiano welcomes key- president of ALA and founder of Monday: note speaker Malcolm ALA’s Library Advocacy Now Youth Media Awards Gladwell, best-selling author of (LAN) initiative, will moderate Press Conference The Tipping Point: How Little the panel discussion following the Things Can Make a Big Differ- keynote presentation. 8:15– 9:15 a.m. ence, and a panel of speakers The panel includes: Marga- Hynes CC, Ballroom The sixth annual Arthur Curley Memorial Lecture sounds an entirely different note by featuring a presentation by the to discuss how to enhance the ret Blood, founder and president Cognotes will be Mendelssohn String Quartet. image of and increase support of Strategies for Children; available after the for libraries, librarians and li- Nancy Talanian, director of the press conference brary workers. The panel also Bill of Rights Defense Commit- will discuss how to bring in- tee; and Sergio Troncoso, Boston Public Library creased attention to critical na- award-winning author and li- tional issues such as literacy brary advocate, whose work Exhibit Bids the ALA and equity of access; and how includes The Last Tortilla and to expand the global reach of Other Stories and The Nature librarians. -
Class of 1964 50 TH REUNION
Class of 1964 50 TH REUNION BENNINGTON COLLEGE Class of 1964 Patricia Cronin Adams Valarya Cliffton Myra Goldberg Ruth Reich Alpert Yola Englander Coffeen Marjorie Goldstone Greenberg Deborah Sprague Arnold-Roht Cora Cohen Donna Raye Gurian Greene Sarah Scattergood Ashe Maryanne Conheim Susan Holland Greenleaf Diane Sullivan Bacro Carlotta Crissey Laurie Manulis Harmon Gale Feuer Barish Carol King Daly Elizabeth Walker Hasegawa Diane Litman Benjamin Paul Day Brannon (Barbara) Heath Corinne Biggs Biggs-Hyman Sarah Verone Lawton del Bourgo Barbara Thacher Herpin Elizabeth Blum Elena Carter Delbanco Susan Groehl Hofmann Alison Creel Bodelon Wendy Gunshor DeMegret Jessica Howard Renee Bonner Alexandra Ramsay DiLuglio Diana Chace Hoyt Damaris Low Botwick Edith Keppel Drury Elizabeth Yeomans Hunt Babette Amberger Brackett* Bronwyn Jones Dunne Jaqueth Hutchinson Joan B. Brainard Deborah Dupee Laurence Hyman Virginia Howard Brecher Andrea Boroff Eagan* Judy Isacoff Ann Lane Breit Alexandra Eames Lucy James Alexandra Broches Amy Ehrlich Alix Kabat Betsy Brotman Barbara Ireland Fajardo* Faith Kaltenbach Elizabeth Adele Brown* Betsy Feist Ruth Chute Knapp Pamela deWindt Burke Marilyn Frasca Karen Muson Latil Julia Faunce Carragan* Gretchen van Horne Ganz Marya Randall Levenson Judith Armstrong Chance Julie Rogers Gittins Jon Lightfoot Nancy Farnam Charles Vivian Bachrach Glick Suzi Brandt Lipes Carol Abbt Ciscel Janet Gohres Victoria Greene Maddux Karen J. Clemmer* Belinda Gold Dorothy Henken Malachowski * Denotes Deceased 50TH REUNION CLASS OF 1964 1 Nancy Annis McDowell Erna Crown Reingold* Linda Tolbert Tarnay Alexandra Herter Mead Naomi Rothman Rhoads Jill Mattuck Tarule Patricia Cronin Adams Ann Harvey Mendershausen Susan Pattison Roberts-Smith Holland (Virginia) Taylor Information based on article submission, “Windows to Your Help,” Susan Merrill Donna Romero Diane Sherer Tucker Wentworth-Douglass Hospital, Fall 2013, by Robert L.A. -
Screenwriting, Description and the ‛Lens-Based' Tradition Adam Ganz
1 ‘To make you see’: Screenwriting, description and the ‛lens-based’ tradition Adam Ganz, Royal Holloway University of London Abstract In this article I look at the descriptive writing in the screenplay, and link this to a tradition of ‘lens-based writing’, the precise visual description of phenomena observed through a lens for an audience unable to see what was described, which can be traced from the writing of Galileo and van Leeuwenhoek, through scientific and travel writing, to early fiction (with particular emphasis on Robinson Crusoe). I identify the most significant features of lens-based writing – the use of simple language and the separation of observation and deduction to communicate what has been seen through a simultaneous act of looking and framing, and show the similarities between this and screenwriting practice. I also make some observations about what this model can offer screenwriting research. Keywords lens-based writing observation screenplay description prosthetics telescope lens 2 optics My task […] is, by the power of the written word, to make you hear, to make you feel – it is, above all, to make you see. (Conrad 1897: xiv) What is the relationship between looking through a lens and writing? What can this kind of writing tell us about writing for the screen? In this article I want to consider screenwriting as an attempt to reproduce a very specific kind of prosthetic visual perception, and look at how screenwriting may be differently understood by thinking of it as a lens-based-practice. I re-evaluate the impact of the lens and the need to record what was seen with it on the practice of descriptive writing with examples from Galileo’s observations of the moon in 1610 to Darwin’s Voyage of the Beagle in 1845 and speculate on this lens-based writing as one of the forces creating the modern novel.1 What distinguishes the screenplay from other forms of dramatic writing is that it is always intended for a mediated form. -
Warm Outreach to Spanish-Speakers A
OPINION Info Activism n NEWSMAKER Prince Claus Fund n BUDGETS Academic & Public DECEMBER 2009 THE MAGAZINE OF THE AMERICAN LIBRARY ASSOCIATION SERVICE WITH SINCERITY Warm Outreach to Spanish-Speakers A Bridge between Students and Instructors Leadership Learned in Iraq as a Soldier Untitled-1 1 08/12/2009 10:37:23 AM CONTENTS AMERICAN LIBRARIES | December 2009 Features BE THE BRIDGE 38 Librarians can span the gap between students and their instructors BY MONTY L. MCADOO BUENA CASA, BUENA BRASA 41 A program of rhymes and songs draws Spanish-speaking families to the library BY BETSY DIAMANT-COHEN AND ANNE CALDERÓN 44 41 BEYOND BOOKS AND BULLETS 44 One librarian’s personal account of learning new leadership skills during a deployment in Iraq with the Army National Guard BY GEORGE J. FOWLER Cover design by Taína Lagodzinski CONTENTS AMERICAN LIBRARIES | DECEMBER 2009 | VOLUME 40 #12 | ISSN 0002-9769 Departments 5 ALA.ORG INFORMATION TECHNOLOGY 30 TECH NEWS 33 DISPATCHES FROM THE FIELD Opening Up Library Systems BY MARSHALL BREEDING 34 INTERNET LIBRARIAN To Boldly Go BY JOSEPH JANES 35 IN PRACTICE Governing Social Media BY MEREDITH FARKAS 23 PEOPLE 52 CURRENTS News PROFESSIONAL DEVELOPMENT 53 YOUTH MATTERS 10 ALA Patterns of Best Practice 18 U.S. AND INTERNATIONAL BY JENNIFER BUREK PIERCE 29 NEWSMAKER: Els van der Plas 54 Librarian’s LIBRARY Bibliomania BY MARY ELLEN QUINN Special News Reports 55 ROUSING READS Singing the Midlist Blues BY BILL OTT 48 ALA TEEN READ WEEK 56 SOLUTIONS AND SERVICES 49 AASL CONFERENCE WRAPUP New Products 50 ALA EXECUTIVE BOARD REPORT OPINION AND COMMENTARY 4 FROM THE EDITOR Service with a Personal Touch BY LEONARD KNIFFEL 6 President’s MESSAGE Gaming and Literacy BY CAMILA ALIRE 8 READER FORUM Letters and Comments 36 PUBLIC PERCEPTION 36 How the World Sees Us 37 ON MY MIND Who’s an Info Activist? BY ANTHONY MOLARO 64 WILL’s WORLD The Buck Stops There BY WILL MANLEY JOBS 58 CAREER LEADS FROM JOBLIST Your #1 Source for Job Openings 48 31 New 16th Edition Fiction Core Collection Fiction Catalog is now Fiction Core Collection. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.