1 Pixar Animation Studios to Hit D23 Expo
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92Nd ACADEMY AWARDS® BALLOT
92nd ACADEMY AWARDS® BALLOT IMDb LIVE is covering the Academy Awards all evening long -- join us at IMDb.com on Feb. 9 at 7:30 p.m. ET/4:30 p.m. PT Name ¨ A B BEST ACHIEVEMENT ¨ A Marriage Story 8.1 14 Once Upon a Time... in Hollywood 7.7 Noah Baumbach IN COSTUME DESIGN Wylie Stateman A ¨ Once Upon a Time... in Hollywood 7.7 ¨ Jojo Rabbit A8.0 ¨ Star Wars: The Rise Of Skywalker A6.9 Total Correct Quentin Tarantino Mayes C. Rubeo Matthew Wood and David Acord A ¨ Parasite 8.6 ¨ Joker A8.6 /24 Bong Joon Ho and Jin Won Han Mark Bridges BEST ACHIEVEMENT 20 ¨ Little Women A8.1 IN VISUAL EFFECTS Jacqueline Durran BEST MOTION PICTURE BEST ADAPTED ¨ 1917 A8.5 01 08 A OF THE YEAR SCREENPLAY ¨ Once Upon a Time... in Hollywood 7.7 Guillaume Rocheron, Greg Butler, and A Arianne Phillips Dominic Tuohy ¨ 1917 A8.5 ¨ Jojo Rabbit 8.0 ¨ The Irishman A8.0 A Sam Mendes, Pippa Harris, Jayne-Ann Taika Waititi ¨ Avengers: Endgame 8.5 Christopher Peterson and Sandy Powell Tenggren, and Callum McDougall ¨ Joker A8.6 Dan DeLeeuw, Russell Earl, Matt Aitken, Todd Phillips and Scott Silver and Daniel Sudick ¨ Ford v Ferrari A8.2 A BEST ACHIEVEMENT IN ¨ A Peter Chernin, Jenno Topping, James Mangold ¨ Little Women 8.1 15 Star Wars: The Rise Of Skywalker 6.9 Greta Gerwig MAKEUP AND HAIRSTYLING Neal Scanlan, Patrick Tubach, Dominic Tuohy, ¨ Jojo Rabbit A8.0 and Roger Guyett Carthew Neal, Taika Waititi ¨ The Irishman A8.0 ¨ 1917 A8.5 Steven Zaillian ¨ The Irishman A8.0 ¨ Joker A8.6 Naomi Donne, Tristan Versluis, and Rebecca Cole Pablo Helman, Leandro Estebecorena, Todd Phillips, Bradley Cooper, Emma Tillinger ¨ The Two Popes A7.6 ¨ Bombshell A6.8 Nelson Sepulveda, and Stephane Grabli Koskoff Anthony McCarten Kazu Hiro, Anne Morgan, and Vivian Baker ¨ The Lion King A6.9 ¨ Little Women A8.1 ¨ Joker A8.6 Robert Legato, Adam Valdez, Andrew R. -
Walt Disney Archives Kicks Off Its 50Th Anniversary with Exhibit at Bowers Museum
WALT DISNEY ARCHIVES KICKS OFF ITS 50TH ANNIVERSARY WITH EXHIBIT AT BOWERS MUSEUM Inside the Walt Disney Archives opens in March and is part of a year-long celebration that includes special events and experiences BURBANK, Calif. (September 9, 2019) – The Walt Disney Archives celebrates its 50th anniversary next year, and to kick off the festivities, the Bowers Museum in Santa Ana, Calif., will host Inside the Walt Disney Archives: 50 Years of Preserving the Magic, offering a rare look at some of the treasures from the Archives. The 10,000-square-foot traveling exhibit opens to the public on March 7, 2020. Guests are invited to step into the Walt Disney Archives as they walk through a dazzling display of more than 400 objects, including original artwork, costumes, and props that tell the story of the Archives, The Walt Disney Company, and Walt Disney himself. Artifacts include never-before-displayed production art from Fantasia, Walt Disney’s office set from Saving Mr. Banks, the original pitch portfolio used to secure investors for Disneyland, maquettes from animated films such as Peter Pan and Frozen, and much more. Gold Members of D23: The Official Disney Fan Club will be invited to enjoy an exclusive look at the exhibit before it opens to the general public during a special preview night where they can chat with Disney archivists while exploring the exhibit, which runs through August 30, 2020, before heading to other locations around the country (to be revealed in 2020). D23 Gold Members will also receive a discount on tickets to the exhibit, as well as a discount on merchandise in the museum store. -
Business Consultation of Select Best Practices to an Animated Film Studio
University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can Joshua Christian Blackwood University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Management Sciences and Quantitative Methods Commons Recommended Citation Blackwood, Joshua Christian, "Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can" (2016). Senior Theses. 110. https://scholarcommons.sc.edu/senior_theses/110 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Business Consultation of Select Best Practices to an Animated Film Studio How to Produce the Most Successful Film You Can Senior Thesis Spring 2016 Student Josh Blackwood Director Dr. Lauren Steimer Second Reader Dr. Jack Jensen Table of Contents Introduction………………………………………………………………………………………..1 Establishing Scope………………………………………………………………………………...4 Methodology………………………………………………………………………………………5 Operational Planning Data Animation Studio………………………………………………………………………….8 Release Date…………………………………………………………………………….…9 Runtime…………………………………………………………………………………..11 Pre-sold Property………………………………………………………………………...12 Negative Cost…………………………………………………………………………….13 -
An Analysis of Moral Values in Zootopia Movie
AN ANALYSIS OF MORAL VALUES IN ZOOTOPIA MOVIE THESIS Submitted by: MAULIDIA HUMAIRA Student of Department of English Language Education Faculty of Education and Teacher Training Reg. No: 231324225 FACULTY OF EDUCATION AND TEACHER TRAINING AR-RANIRY STATE ISLAMIC UNIVERSITY DARUSSALAM-BANDA ACEH 2018/1439 H ACKNOWLEDGEMENT Alhamdulillah, All praises be to Allah ‘azzawajalla, the most gracious, the most merciful, andthe most beneficent who has given me love and blessing that made me able to finish this research and writing this thesis. Peace and salutation be upon our beloved prophet Muhammad SAW, his family and companions has struggled whole heartedly to guide ummah to the right path. On this occasion with great humility, I would like to thank to all of those who help me and guidance, so that this thesis can be finished in time. Completion of writing this thesis, I would like to thanks Dr. Muhammad Nasir, M.Hum and Mr. T. Murdani, S.Ag, M.IntlDev as my supervisor forgiving the useful supervision, guidance and constructive ideas during the process of completing this thesis. Also I would like to express my gratitude and high appreciation to my beloved father Burhanuddin, and my lovely mother Rasunah for their wisdom, patience, love, attention, support and care. I also bestow my thankfulness to my beloved sisters Puspitasari and Safrida , my brothers Hafidh Kurniawan and Muhammad Irfan, and my cousins Putri Nabila Ulfa and Maulizahra, for their endless love who inspired and motivated me all along accomplishing this thesis. My special thanks to my academic advisor Mr. Dr.Syarwan, M.LIS, who has supervised me since I was first semester until now. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
Procedures for Cast Member Orders at Disneyshopping
Welcome to the DisneyStore.com Cast Member information page! We've made it easier than ever for you to buy your favorite Disney gifts online and to get your cast discount at the same time. The new DisneyStore.com offers better navigation, more gifts and a quicker check-out than ever before. Before you get started Non–registered Cast Members must have their Portal log in ID and PERNR number to register as a Cast Member. If your PERNR number is 6 digits long, please add two zeros at the beginning eg###### would be 00######. This information can be found by logging in to the Portal. If you aren’t sure where to find this information, please contact your HR Generalist for assistance. Registered Cast Members need to have their Member name and password to log in and receive their discount. Cast Member orders must be placed online at DisneyStore.com or DisneyOutlet.com. No phone orders, mail orders or faxed orders will be accepted. The billing information must appear in the Cast Member’s name. Gift cards are accepted, but all orders require a credit card number. To receive your Cast Member discount at DisneyStore.com, you must be registered at DisneyStore.com or any of The Walt Disney Company family of businesses. Not Registered? Click on this link which will take you to the Cast Member page within the DisneyStore.com website. http://www.disneystore.com/cast-member/mn/1001257 You can then download the Step-by-Step Cast Member Registration Guide. Once you register, your Cast Member discount will be automatically applied to every purchase you make. -
American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts. -
Boarding: Stories and • Visual Pacing and Storytelling • the Story Artist: What Are Studios Are Looking Snow" Workshop
: W G O N N I S & D S R E I A R O O T S B Come listen and learn from Through a series of hands-on activities, case studies, demos, and formal presentations, Featured artists: experienced story artists workshop speakers and instructors will focus from Hollywood's hottest on topics such as: Ronnie del Carmen, Story Supervisor and Story Artist at Pixar Animation Studios studios at the Banff New • The feature story process Kris Pearn, Story Arist and Storyboard Media Institute Accelerator’s • Story structure Artist at Sony Pictures Imageworks "Boarding: Stories and • Visual pacing and storytelling • The story artist: what are studios are looking Snow" workshop. for? Chris Tougas, Character Designer, Screenwriter, and Story Artist • Your place in line: what reality do you face Storyboarding is an essential skill out there in the market? Woody Woodman, Co-Founder and Head employed by filmmakers, designers, and of Story at Ravenwood Entertaiment animators to create compelling stories This four-day workshop will incorporate through various mediums, both digital business with pleasure by offering participants the opportunity to enhance their storyboarding Jorden Oliwa, Storyboard Artist, Animator and traditional. Geared towards media and snowboarding skills. The optional ski/ producers and artists, the workshop will snowboard days will take place at Banff’s Peter Hansen, Independent Producer, offer beginner and advanced world-class mountain resorts on Saturday, Program Chair, Digital & Interactive Media storyboarding techniques, and will March 26, 2005 and Monday, March 28, 2005. Design (NAIT) highlight future trends and technologies A snowboarding clinic will also be offered by for storyboarding. -
Three Visions, One World a Japanese Artist and Two Pixar Colleagues Exhibit Side by Side by Alex Chun
Three visions, one world A Japanese artist and two Pixar colleagues exhibit side by side by Alex Chun Nov 17, 2005 SINCE 2001, Pixar Animation artists Ronnie Del Carmen and Enrico Casarosa have channeled their creative talents into feature films such as the Academy Award-winning "Finding Nemo" and the upcoming "Cars." Their artistic drive, however, doesn't stop when they head for home. With what little time and energy they have left over, Del Carmen and Casarosa have made names for themselves as artists in their own right. This Saturday, Alhambra's Gallery Nucleus will begin exhibiting their drawings and paintings in a show titled "3 Trees Make a Forest." The title of the show has a dual meaning, notes Casarosa, a 34- year-old from Italy who also worked as a storyboard artist on Blue Sky Studio's "Ice Age." Heavily influenced by Japanese culture, Casarosa discovered that the Japanese kanji character for forest is composed of three repeating symbols, each the kanji for tree. More important, the title reflects the fact that Del Carmen and Casarosa's friend Tadahiro Uesugi is coming to the U.S. from Japan for the first time to take part in the show. In Japan, Uesugi is known for working as an assistant to manga artist Jiro Taniguchi and for his fashion illustrations in women's magazines; in the U.S., Uesugi, 39, has attained almost cult-like status within the tightknit animation community. As an artist, "Tadahiro is in a class by himself," says Del Carmen, 45, who was born and raised in the Philippines and won an Annie Award as a storyboard artist for DreamWorks' "Spirit: Stallion of the Cimarron." "When I first looked at his work, I was immediately fascinated because it seemed to be of a certain time and place, 1960s France, with all these striking images of girls with long necks, long limbs and short skirts walking in profile," Del Carmen adds. -
Wagon Tracks Volume 34, Issue 3 (May 2020)
Wagon Tracks Volume 34 Issue 3 Article 1 2020 Wagon Tracks Volume 34, Issue 3 (May 2020) Follow this and additional works at: https://digitalrepository.unm.edu/wagon_tracks Part of the United States History Commons Recommended Citation . "Wagon Tracks Volume 34, Issue 3 (May 2020)." Wagon Tracks 34, 3 (2020). https://digitalrepository.unm.edu/wagon_tracks/vol34/iss3/1 This Full Issue is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in Wagon Tracks by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. et al.: Wagon Tracks Volume 34, Issue 3 (May 2020) Quarterly Publication of the Santa Fe Trail Association volume 34 ♦ number 3 May 2020 Nestor Armijo: The Capitalist from Las Cruces ♦ page 10 Voices from a Disease Frontier: Kansans and Cholera 1867 ♦ page 18 Hell on Wheels: Railhead Towns on the Santa Fe Trail ♦ page 28 Published by UNM Digital Repository, 2020 1 Wagon Tracks, Vol. 34 [2020], Iss. 3, Art. 1 On the Cover: All Trails Lead to Santa Fe by Ron Kil I was commissioned by the Santa Fe Trail Association to pro- vide a painting to promote the Three Trails Conference in Santa Fe in 2015. I chose a Spanish hacendado, a wealthy rancher and landowner, because he best represented the type that would have furnished the trade on all the trails leading from Santa Fe, as well as providing for a thriving market for the Three Trails leading into Santa Fe. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade.