Wagon Tracks Volume 34, Issue 3 (May 2020)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Microfilm Publication M617, Returns from U.S
Publication Number: M-617 Publication Title: Returns from U.S. Military Posts, 1800-1916 Date Published: 1968 RETURNS FROM U.S. MILITARY POSTS, 1800-1916 On the 1550 rolls of this microfilm publication, M617, are reproduced returns from U.S. military posts from the early 1800's to 1916, with a few returns extending through 1917. Most of the returns are part of Record Group 94, Records of the Adjutant General's Office; the remainder is part of Record Group 393, Records of United States Army Continental Commands, 1821-1920, and Record Group 395, Records of United States Army Overseas Operations and Commands, 1898-1942. The commanding officer of every post, as well ad commanders of all other bodies of troops such as department, division, brigade, regiment, or detachment, was required by Army Regulations to submit a return (a type of personnel report) to The Adjutant General at specified intervals, usually monthly, on forms provided by that office. Several additions and modifications were made in the form over the years, but basically it was designed to show the units that were stationed at a particular post and their strength, the names and duties of the officers, the number of officers present and absent, a listing of official communications received, and a record of events. In the early 19th century the form used for the post return usually was the same as the one used for regimental or organizational returns. Printed forms were issued by the Adjutant General’s Office, but more commonly used were manuscript forms patterned after the printed forms. -
Kanopolis Lake Brochure
www.ksoutdoors.com 785-546-2565 Marquette, KS 67464 KS Marquette, 200 Horsethief Road Horsethief 200 Kanopolis State Park State Kanopolis & Tourism & Kansas Department of Wildlife, Parks Parks Wildlife, of Department Kansas Email: [email protected] Email: www.nwk.usace.army.mil Visit us at: us Visit 785-546-2294 Marquette, KS 67464 KS Marquette, 105 Riverside Dr. Riverside 105 Kanopolis Project Office Project Kanopolis U.S. Army Corps of Engineers of Corps Army U.S. Trail map at the Information Center. Information the at map Trail locations around the lake area. Pick up a Legacy Legacy a up Pick area. lake the around locations and seasons. and auto tour that highlights scenic vistas and historic historic and vistas scenic highlights that tour auto locations, rules, locations, Legacy Trail and you will discover an 80 mile mile 80 an discover will you and Trail Legacy park office for trail trail for office park rivaled the reputation of Dodge City. Travel the the Travel City. Dodge of reputation the rivaled Check with the state state the with Check cattle drives met the railroad in Ellsworth and and Ellsworth in railroad the met drives cattle 30 miles of multipurpose trails. multipurpose of miles 30 Buffalo Bill Cody, and Wild Bill Hickok. Longhorn Longhorn Hickok. Bill Wild and Cody, Bill Buffalo Parks & Tourism offers over offers Tourism & Parks legendary fames of George Armstrong Custer, Custer, Armstrong George of fames legendary The Kansas Department of Wildlife, of Department Kansas The to the west. Fort Ellsworth and Fort Harker held held Harker Fort and Ellsworth Fort west. -
Congression .Al Record-House
1922. .CONGRESSION.AL RECORD-HOUSE. 8481 and fully given of the acts, policies, and motives of at least one, Committee on Military .Affairs may have five days in which to nncl, speaking for the Secretary of the Navy, of two of the mem file minority views. ber of your official family. The SPEAKER pro tempore. The gentleman from Illinois I am. sir, asks unanimous consent th.at any member of the Committee on 'Very sincerely yours, Military .Affairs may have five legislative days in whlch to file ALBERT B. FALL, Secretary. minority views on the bill H . .R. 11903. Is there objection? The PRESIDEN T, Mr. GARRETT of Tennessee. l\Ir. Speaker, reserving the The TFhite House. .right to· object, may I ask the gentleman if he is in a po ·ition NAVAL OIL RESERVE LEASES (S. DOC. 210). where he can inform the House as to the probability as to when this bill ·will be considered? Mr. SJUOOT. I submit a resolution and ask that it be read. Mr. McKENZIE. I will say very frankly to the gentleman The resolution ( S. Res. 305) was read, as follows : from Tennessee that I am not able to give him that information. R esolv ed, That the message of the President of the United States, with the accompanying communication from the Secretary of the Inte Personally I would be glad to see an early consideration of the rior, and illustrations, in response to Senate Resolution 282, requesting measuTe. cert ain information c-0ncerning naval reserve oil leases, be printed as M.r. -
February: Bugs Life
• The Newsletter of the Los Angeles Chapter of ACMjSIGGRAPH February 1999 LA Chapter SIGGRAPH Presents The Making Of "A Bug's Life" Hosted by Pixar Animation Studios Friday February 12th. The Event Presenter Dr. William Reeves L.A. Siggraph Chapter Presents on joined the computer division of Friday, February 12,1999 The Lucasfilm, Ltd. in 1980 as project Making of "A Bug's Life" hosted by leader of the systems,%roup and a The Program Pixar Animation Studios After the member of the computt;r graphiCS 6:30-7:30 Social H~ur landmark 1995 computer-animated group. In 1982, he invented a new 7:30~~foo Prograll1 feature, "Toy Story," Pixar Animation image syntheSiS technique, particle The Location Studios zoomed down to earth and systems, that enables the generation The Alex Theatre 216 N. Brand below for an exciting new adventure of very complex and detailed images. Blvd. Glendale, CA 91203 with their groundbreaking second From 1982 to 1986, he worked as feature - "A Bug'sLife." This "epic of Directions project leader of the modeling and miniature proportions" is a testament From the 134 freeway, exit animation group. In 1986, Bill to Pixar's commitment to great story- Cent~al!Bran:dBlvd., cross Central, joined Pixar as head of Animation telling and dazzling visual displays. then t'umright (south) at }3rand.< In fact, the making of "A Bug's Life" Research and Development. He is a Continue on Brand for 5 blocks, required twelve times the computing three-time Academy Award recipient The Alex Theatre is on the left (he received an Oscar for the short (east) side. -
1 Pixar Animation Studios to Hit D23 Expo
PIXAR ANIMATION STUDIOS TO HIT D23 EXPO 2015 AUG. 14–16 PIXAR TO SHARE NEW FOOTAGE FROM UPCOMING FILMS, EXCITING SECRETS AND LARGER-THAN-LIFE BUZZ LIGHTYEAR HELIUM BALLOON AS IT OFFICIALLY MARKS TWO DECADES OF FEATURE FILMMAKING Pixar Presents Its First-Ever D23 EXPO Booth, Plus Provocative Panels and a One-of-a-Kind John Lasseter Hawaiian-Shirt Exhibit BURBANK, Calif. – June 25, 2015 – Buzz Lightyear will welcome visitors to D23 EXPO 2015 as Pixar Animation Studios celebrates the 20-year anniversary of Toy Story, among a host of exciting presentations, demonstrations and panels that pay homage to Pixar’s past while looking ahead to its roster of exciting new films. The fearless space ranger, who appeared in Pixar’s groundbreaking CG-animated feature-film debut Toy Story in 1995, as well as Toy Story 2 (1999) and Toy Story 3 (2010), has taken flight in Macy’s Thanksgiving Day Parade® six times as a giant character helium balloon, measuring 67.7-feet long, 39.9-feet wide and 34.3-feet tall. This summer, the Disney•Pixar Buzz Lightyear balloon travels to the West Coast for the first time ever, welcoming guests to D23 EXPO 2015 as it soars outside the Anaheim Convention Center on Friday, Aug. 14, 2015. D23 EXPO 2015 takes place through August 16. CALENDAR OF KEY PRESENTATIONS/ PANELS/ EVENTS: Every Story Is a Journey: The Upcoming Films of Walt Disney and Pixar Animation Studios Friday, August 14, 3:00 pm – Hall D23 After meeting the Emotions inside the mind of an 11-year-old, taking a trip to San Fransokyo where a boy genius and his robot save the world, and falling in love with a queen with icy powers who wants to “let it go,” come see where Walt Disney and Pixar Animation Studios plan to take you next. -
Visual Storytelling Do Indeed Have a Future in the Video Game Industry
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2015 Video Game Cinematography Nicole Smith Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MOTION PICTURE ARTS VIDEO GAME CINEMATOGRAPHY By NICOLE SMITH A Thesis submitted to the Department of Motion Picture Arts in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring, 2015 The members of the Defense Committee approve the thesis of Nicole Smith defended on April 9, 2015. ______________________________ Dr. Andrew Syder Thesis Director ______________________________ Dr. Leah Edwards Outside Committee Member ______________________________ Kenn Robkin Committee Member ______________________________ Keith Slade Committee Member Chapter 1 ‐ Introduction Over the past forty years, video games have evolved alongside technology. What originally began with simple black and white vectors created for entertainment has turned into an original storytelling device that allows a player to become a part of, and control, another world. The earliest games, such as Pong (Atari, 1972), did not contain much of a story. Story in video games began through their advertising – such as with Pac‐Man (Namco, 1980) and Star Wars (Atari, 1983). With Pac‐Man, the characters were brought to life through a backstory used in advertisements. The company even went so far as to produce an animated TV show based upon the game. Star Wars, on another hand, was based off of the popular trilogy and gave players the opportunity to step into the universe and try their hand at defeating the Death Star in an epic space battle. -
TH CENTURY KANSAS TRAILS White Cloud
19 TH CENTURY KANSAS TRAILS White Cloud River Station 17 Little R. White Big Sabetha Old Pawnee Hollenberg Village Site Creek Station 16 Creek Beaver Station Old Indian Rock Pawnee Indian River Nemaha St. Francis Station 15 Village Museum Washington Hollenburg Village Site Boyhood Wolf Blue Marysville Iowa, Sac & Norton Smith Center Kickapoo Creek Oberlin Creek Phillipsburg Fox Mission Republican Mormon Independence Seneca Limestone Creek Republican Blue Mission Dog Station 14 Belleville Elwood Station 13 Springs Crossing Big Station 12 Station 11 Alcove School Prairie R. Beaver Spring Delaware BROWN Creek REPUBLIC Creek S. F. Kennekuk CHEYENNE Little River RAWLINS Vermillion Creek DECATUR River NORTON NEMAHA Sappa SMITH PHILLIPS JEWELL WASHINGTON MARSHALL Black Netawaka River Sappa Fork Creek POTTAWATOMIE Battle of Atchison Waconda Concordia Beaver Battle of Kidder Solomon Springs the Spurs South Soldier Indian Massacre 1867 Alton 1859 ATCHISON Fork Village Goodland Bow Nicodemus River Station 10 Easton Fort Leavenworth North Col. Sumner Campain River Old Indian Grasshopper Solomon CLOUD Vermillion 1827 Village Site Creek 1857 Juniata Falls Hickory South Pipe Creek Leavenworth Fork N. Fork Crossing Point 1856 Station 9 Louisville Potawatomi Baptist Ozawkie Smoky JACKSON Mission Saline MITCHELL RILEY Solomon SHERMAN Manhattan North Fork Hill River THOMAS Saline Oak Hill Oskaloosa WYANDOTTE SHERIDAN Fort Riley River GRAHAM ROOKS Camp Pilley Chapman St. Marys JEFFERSON Kansas Sheridan OSBORNE CLAY 1853 Kaw Fort Creek Topeka Station River -
1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
“I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). -
Historic Background Research and a Ground Penetrating Radar Survey Associated with the Greer Stadium Redevelopment Project in Nashville, Davidson County, Tennessee
Historic Background Research and a Ground Penetrating Radar Survey Associated with the Greer Stadium Redevelopment Project in Nashville, Davidson County, Tennessee HISTORIC BACKGROUND RESEARCH AND A GROUND PENETRATING RADAR SURVEY ASSOCIATED WITH THE GREER STADIUM REDEVELOPMENT PROJECT IN NASHVILLE, DAVIDSON COUNTY, TENNESSEE by Virgil R. Beasley III, Charles Van de Kree, Ted Karpynec, Meghan Weaver, Travis Rael, Cassandra Medeiros, Elinor Crook, and Cristina I. Oliveira Prepared for: Metro Parks & Recreation. 511 Oman Street Nashville, Tennessee 37203 Prepared by: Tennessee Valley Archaeological Research 2119 Metro Circle SW Huntsville, Alabama 35801 Virgil R. Beasley III Principal Investigator January 2018 ABSTRACT Under contract with Metro Parks & Recreation, Nashville., Tennessee Valley Archaeological Research (TVAR) conducted historical background research and a ground penetrating radar (GPR) assessment of Greer Stadium in anticipation of potential development of the project area. Limited subsurface testing of the targeted areas was also conducted as a means to ground-truth the GPR data. The purpose of the investigation was to provide Metro Parks & Recreation with an assessment of the site in regard to previous disturbances and a recommendation about the potential preservation of archaeological remains in the project area. Investigations resulted in the identification of stratified archaeological deposits and intact cultural features, which likely contain human remains associated with the “contraband camps” that were part of the building of Fort Negley, a Civil War-era fortification designated as archaeological site 40DV189.The GPR survey, coupled with subsurface testing, also revealed that significant portions of the project area have been subjected to extensive land alteration and leveling. The survey indicates that the southwestern portion of the project area includes intact deposits that potentially include human remains. -
Ellsworth County Relocation Guide
E L L S W O R T H C O U N T Y , k a n s a s / e l l s w o r t h a r e a c h a m b e r o f c o m m e r c e 1 s t e d i t i o n a n d / s m o k y h i l l d e v e l o p m e n t c o r p o r a t i o n W W W . G O E L L S W O R T H . C O M W W W . S M O K Y H I L L D E V C O R P . C O M OFFICIAL RELOCATION GUIDE Ellsworth Est County 1867 Welcome to e l l s w o r t h c o u n t y The of Kansas Ellsworth The of America This is an official publication courtesy of: 114 1/2 N. Economic Development Douglas Chamber of Commerce www.smokyhilldevcorp.com Ellsworth, KS www.goellsworth.com 785-472-9204 67439 785-472-4071 TABLE OF CONTENTS No matter what brings you to Ellsworth County, there are plenty Welcome Home. of reasons to be excited about it. Ellsworth County is a place where you can create the high quality life you desire. This guide will provide you with some information and resources for our community. From housing and education to recreation and employment, we hope you will call Ellsworth County home. -
Findingdory5757c7816df94.Pdf
©2016 Disney/Pixar ©2016 Disney/Pixar. All Rights Reserved. Disney.com/FindingDory CAST Dory . .ELLEN DEGENERES DISNEY Marlin . .ALBERT BROOKS presents Hank . ED O’NEILL Destiny . .KAITLIN OLSON A Nemo . .HAYDEN ROLENCE PIXAR ANIMATION STUDIOS Bailey . TY BURRELL Film Jenny . DIANE KEATON Charlie . .EUGENE LEVY Young Dory . SLOANE MURRAY Fluke . .IDRIS ELBA Rudder . DOMINIC WEST Mr. Ray . BOB PETERSON Wife Fish . KATE MCKINNON Husband Fish (Stan) . .BILL HADER Sigourney Weaver . SIGOURNEY WEAVER Passenger Carl . ALEXANDER GOULD Gerald . .TORBIN XAN BULLOCK Crush . ANDREW STANTON Chickenfi sh . KATHERINE RINGGOLD Tween Dory . LUCIA GEDDES Squirt . BENNETT DAMMANN Husband Crab (Bill) . JOHN RATZENBERGER Directed by . .ANDREW STANTON Sunfi sh “Charlie Back and Forth” . ANGUS MACLANE Co-Directed by . .ANGUS MACLANE Gill . .WILLEM DAFOE Produced by . LINDSEY COLLINS, p.g.a. Bloat . .BRAD GARRETT Executive Producer . .JOHN LASSETER Peach . ALLISON JANNEY Associate Producer . BOB ROATH Gurgle . .AUSTIN PENDLETON Original Story by . .ANDREW STANTON Bubbles . STEPHEN ROOT Screenplay by . .ANDREW STANTON Deb (& Flo) . .VICKI LEWIS VICTORIA STROUSE Jacques . .JEROME RANFT Music by . .THOMAS NEWMAN Story Supervisor . MAX BRACE Additional Screenplay Material by . BOB PETERSON Film Editor . AXEL GEDDES Additional Story Material by . ANGUS MACLANE Production Designer . STEVE PILCHER Supervising Technical Director. .JOHN HALSTEAD Post Production Supervisor . .PAUL CICHOCKI Production Manager . BECKY NEIMAN-COBB Production Finance Leads . .WILLIAM REUSCH Supervising Animators . .DAVID DEVAN MARC SONDHEIMER MICHAEL STOCKER Director of Photography - Camera . .JEREMY LASKY STORY Director of Photography - Lighting . IAN MEGIBBEN Character Art Director . .JASON DEAMER Story Manager . HANA YOON Sets Art Director . DON SHANK Character Supervisor . JEREMIE TALBOT Story Lead . ALEXANDER WOO Sets Supervisor . COLIN HAYES THOMPSON Eff ects Supervisor . -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ewriter face, while others may be from an y type of computer printer. The qnaliQr of this reproduction is dependent upon the quali^ of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inproper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manusciipt and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the badt of the book. Photogr^hs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 INFORMAL COMPUTER-ART EDUCATION: A FOCUS ON THE ART AND HISTORICAL IMPACT OF COMPUTER GENERATED SPECIAL VISUAL EFFECTS AND THE PEDAGOGY OF THE ARTISTS WHO CREATE THEM PROFESSIONALLY IN THE SAN FRANCISCO BAY AREA PRODUCTION COMPANIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Garth Anthony Gardner, B.A., M.A.